Traditional and contemporary folk from the British Isles

TSCD496 A.L. LLOYD ENGLISH DRINKING SONGS

TSCD496 webA L ‘Bert’ Lloyd occupied a unique position in the folksong revival of the 1950s and ’60s. He was a musicologist with an international reputation, who wrote on the social history of British folk music and broadcast many series on traditional musics of the world. A learned and kindly mentor to younger singers, he was himself a performer of great charm, who united in his performances a scholar’s respect for text and a singer’s instinct for expression.

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TOPIC70 VARIOUS ARTISTS ~ THREE SCORE & TEN

TOPIC70 packshot webTHREE SCORE AND TEN is seven CDs in a ten by ten inch hardback book, with dust jacket containing 108 profusely illustrated, full colour pages with a narrative portrait of Topic from 1939 to the present day. Also included separately is a complete discography of every Topic release from 1939 to the newest releases in 2009.

There are 144 tracks that cover all aspects of Topic’s recording history in 7 themed CDs with many rare tracks never before on CD. The extensive text gives a detailed recording and social history with profiles of the essential recordings, principle artists and key personages. The many hundreds of illustrations are a revelation in themselves, anchoring the whole project with photos of the artists, album sleeves, advertising leaflets, snapshots and memorabilia.

A quote from page 92 of Three Score and Ten sums it all up pretty nicely:

“From its first release in 1939 and it’s origins in the Workers’ Music Association through the folk revival to the present day Topic Records has always endeavoured to make classic and definitive recordings of traditional music available to the public; a catalogue of records to inform and inspire the listener.” Since the 1950s, Topic has stood virtually alone in continuing to make recordings of traditional music and the tradition based music of the British Isles.

The aims and objects of the Workers’ Music Association (as published in 1944) still stand as a fair description of the ambitions of Topic Records in 2009:
- To present to the people their rich musical inheritance
- To utilise fully the stimulating power of music to inspire people
- To stimulate the composition of music appropriate to our time
- To foster and further the art of music on the principle that true art can move the people
- to work for the betterment of society

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JUNE TABOR ~ APPLES TSCD568

Just when you thought that June had reached her peak, she surprises by sounding fresher than ever. A singer completely at home with her voice and her music.

“all immaculately arranged and superbly sung” The Telegraph
“a folk masterclass” The Observer
“music of great beauty” Songlines
“Tabor sings magnificently” Mojo
“Britain’s pre-eminent traditional voice, as impeccable as ever … an elegant collection” Uncut
“Tabor sings magnificently on her return to an album of predominantly folk song. Her true brilliance is exacting seismic levels of emotion from seemingly basic material.” fRoots

June Tabor voice
with
Andy Cutting diatonic accordion
Mark Emerson piano, viola & violin
Tim Harries double bass

1  The Dancing
2  The Old Garden Gate
3  The Auld Beggarman
4  The Rigs Of Rye
5  I Love My Love
6  Soldiers Three
7  Speak Easy
8  Au Logis De Mon Père
9  Standing In Line
10  Ce Fu En Mai
11  My Love Came To Dublin
12  Send Us A Quiet Night

Available now from:
TOPIC SHOP, AMAZON, ITUNES and on SPOTIFY

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TSCD360 JUNE TABOR ~ ASHES & DIAMONDS

TSCD360 webAccompanied, as on Airs and Graces, by Nic Jones (guitar), Tony Hall (melodeon) and other notable players, Tabor again blends striking revisions of traditional songs with new pieces by Eric Bogle No Man’s Land, Now I’m Easy and Dave Goulder The Easter Tree.

June Tabor vocals
with
Tony Hall melodeon
Nic Jones guitar & fiddle
Jon Gillaspie keyboards
Nigel Pegrum drums
Doug Morter electric guitar

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TSCD489 ELIZA CARTHY & THE KINGS OF CALICUTT

TSCD489 webThe Kings of Calicutt join Eliza Carthy in a buoyant selection of songs and tunes.
‘The ideas are incessant, the technique superb and the energy irresistible.’ – Folk Roots

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WATERSON:CARTHY ~ A DARK LIGHT TSCD536

Another outstanding collection from Waterson:Carthy England’s leading folk group.
The core trio of Martin Carthy, Norma Waterson & Eliza Carthy are joined by new member Tim van Eyken on vocals and melodeons. Also contributing to the album are Martin Simpson on guitar, Ben Ivitsky on fiddle and Barnaby Stradling on acoustic bass guitar.
A Dark Light, first released in 2002, reflects the influence on the group of some of the great singers from the tradition, and therefore features a selection including songs from The Copper Family, Packie Byrne, Seamus Ennis and Sam Larner.

• “This great album…bringing a creative continuity to some of the great source material of the folk revival” BBC Radio 2 folk reviews

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TSCD925 THE KING’S MUSICIANS ~ ROYALIST MUSIC OF BUGANDA-UGANDA

Possibly no other African rulers maintained such a rich variety of musical ensembles at their courts as the Kabakas (kings) of Buganda. For several centuries their kingdom was the largest and most powerful state in central Africa and their palaces resounded throughout each day with music. Here is a unique sample of this musical richness, featuring the two different xylophone ensembles, the royal flute band, the songs of the king’s harpist and lyre players, as well as praise drumming and dancing.

In 1966 the kingdom was suppressed by Prime Minister Obote and King Mutesa died in exile. Though some of the old musicians gave an ecstatic musical welcome to his son, Mutebi on his return in 1987 (also recorded here), some of this music may soon become little more than dim memory.

• “Astonishing recordings from the 1960s and 80s – great recordings of a vanished tradition. A best album of 2003.” The Wire

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TSCD432 JUNE TABOR ~ ABYSSINIANS

TSCD432 webJune Tabor’s vocal artistry is especially vividly captured in this 1983 album, produced by Andrew Cronshaw. It opens with a song by Lal & Mike Waterson, closes with one by Joni Mitchell and takes in on the way the African-American spiritual Lay This Body Down.

June Tabor vocals
with
Dave Bristow keyboards
Martin Simpson guitar
Ric Saunders violin

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TSCD484 TOMMY ARMSTRONG OF TYNESIDE ~ VARIOUS ARTISTS

TSCD484 webSONGS BY THE GREAT BALLADEER OF THE COALFIELDS
The remarkable writings of Tyneside ‘pit poet’ Tommy Armstrong (1848-1919), one of the finest of all  working class song-makers are celebrated in a recording by some of the North East’s finest folk musicians.

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JUNE TABOR ~ A QUIET EYE TSCD510

A Quiet Eye features June Tabor backed by members of the Creative Jazz Orchestra. Not a jazz album this, however, but June in her finest voice with a selection of predominantly English material from both traditional and contemporary sources in settings ranging from solo to full ensemble with brass, reeds and strings.

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TSCD922 DRUMMING & CHANTING IN GOD’S OWN COUNTRY: TEMPLE MUSIC OF KERALA

Cut off from the rest of the Indian mainland by the expansive Western Ghats mountain range, and open to the influences of the Arabian Sea via its 1000km coastline, the culture of the tiny Indian state of Kerala in the very south west of the country, is quite different from that of the rest of the Indian subcontinent.

In addition to the friendly people and the endless green of the countryside dotted with coconut trees, Kerala impresses through its man-made soundscape, largely centred around the ubiquitous Hindu temples. Derived from ancient forms and supplemented with performance and visual arts, brightened with elephant processions, special pujas (worshipping forms) and fancy shops, these events form the main leisure time attraction of the Hindu population.

The recordings on this CD, made in and around these between 1995 and 1997, demonstrate the vast range of performance genres. The huge percussion orchestra performances, the ancient styles of devotional singing, and the small music ensembles featuring rare traditional instruments like the huge C-shaped horn, the kombu, are some of these electrifying styles.

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TSCD923 GUMBOOT GUITAR: ZULU STREET GUITAR MUSIC FROM SOUTH AFRICA

Remarkable rootsy guitar from the streets of Durban.
The guitar probably arrived in South Sfrica with Portuguese or Arab sailors back in the 16th century, but it only started to enter vernacular African traditions in the late 19th century. The discovery of gold and diamonds in South Africa at that time brought large numbers of African workers from all parts of the country – all looking for new forms of expression and relaxation. Music previously played on Zulu musical bows was transferred in the new urban environment to the guitar and often concertina and violin too. the music was called maskanda. 

Musicians played for their own enjoyment, but they also joined miners’ gumboot dance teams to accompany this exhilarating genre. Often lacking in formal performance areas, most of this music-making traditionally takes place on the streets of single-sex hostel compounds. These recordings from 1988 and 1996 feature musicians and gumboot players who live in one such hostel outside Durban.

• “Exciting, rough and ready grooves “ BBC Radio 2 World Music Reviews
• “This is the real deal, street music played by people who work hard all day and play at night or on the weekend. The real roots of South Africa umbaquanga music are right here. There’s a variety of sound on Gumboot Guitar as far as instruments are concerned: on gumboot-dominated tunes, the guitar plays rhythmic chords with a very percussive attack. A pounding beat is also belted out by an accordion or concertina on most tunes…powerful.” Worlddiscoveries.net

Recordings by Janet Topp Fargion & Albert Nene.

11  Kam and kossetina (comb and concertina)
2  Blanket’s guitar solo
3  Ma wenobba (Mother and Father)
4  Gumboot 1993
5  Guitar and kossetina
6  Gumboot
7  Ibhanoyi (Aeroplane)
8  Gumboot 1996
9  Albert Nene’s guitar solo -part 1
10  Albert Nene’s guitar solo -part 2



TSCD126 LOUIS KILLEN ~ BALLADS & BROADSIDES

TSCD126 webLouis Killen is a hard-core, unadulterated folksinger whose passionate delivery is matched by a deep and wide-ranging knowledge of the songs and the working people who made them. Born in Gateshead in Co. Durham, he was noted for his love of sea songs, as well as the industrial and rural folk songs of his native North East of England. Released in 1965, Ballads and Broadsides was the first full album by a solo folk singer and was, and still is, hugely influential. A great album full of great performances it was, sadly, to be the only album he recorded for Topic Records as he left Britain within a couple of years for a new life in the USA.

“An absolute beauty” fRoots
★★★★ Record Collector
“Classic” Taplas
“A master balladeer already in complete control of his formidable range of skills.” Stirrings

Louis Killen vocal, concertina

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OLIVER KNIGHT ~ MYSTERIOUS DAY TSCD528 

Mysterious Day is Oliver Knight‘s first solo project and, in truly typical fashion, it is a collaboration with others. The vocals on the album are handled by Christine Collister, Eliza Carthy, Norma Waterson, Maria Gilhooley, John Tams and Barry Coope and additional instrumentation is provided by Chris Parkinson (piano & harmonica), Jo Freya (sax), Alice Kinloch (tuba) and Andy Cutting (melodeon). A long time in gestation, the album continues in the family “tradition” of highly original English composition which, although owing much to the folk tradition, is not beholden to it. He has written all the material except for Evona, written by Lal Waterson, Once In a Blue Moon, co-written with Lal Waterson and the traditional Go From My Window, arranged with Eliza Carthy. As well as producing and engineering the album, Oliver Knight played all guitars and arranged all the music.
Mysterious Day shows Oliver Knight to be a genuinely original songwriter whose style could be compared with that of Nick Drake.
“It’s hard to pick out a track that isn’t a highlight…a really refreshing album…File under fantastic” BBC Radio 2

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ANNE BRIGGS ~ A COLLECTION TSCD504

Anne Briggs, a free spirit of the 1960s, was also one of the most distinctive and influential singers on the folk scene.
‘If I hadn’t heard her,’ says June Tabor, ‘I’d have probably done something entirely different.’
‘She was,’ writes Colin Harper in his accompanying biographical essay, ‘as the best of the music itself was, sexy, wild, mysterious, otherworldly and vulnerable all at the same time.’

A Collection gathers scattered tracks from rare compilations together with her eponymous Topic album of 1971.

Anne Briggs vocal, guitar (13 & 16), bouzouki (15 & 21)
with
Johnny Moynihan bouzouki (15)
Ray Fisher vocal (12)

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TSCD426 MARTIN CARTHY ~ OUT OF THE CUT

TSCD426 webAn updated Rigs of the Time and Jack Rowland‘s long story of magic metamorphosis are among the many arresting moments on this 1982 set, for which Martin Carthy is again joined by John Kirkpatrick and Howard Evans. Richard Thompson plays guitar on Old Horse.

Martin Carthy vocals, guitar
with
John Kirkpatrick accordion, concertina
Howard Evans trumpet, flugelhorn
Richard Thompson guitar

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MARTIN SIMPSON ~ PRODIGAL SON – THE CONCERT DVD TSDVD580 

With the release of Prodigal Son (winner of BBC Radio 2 Folk Award’s album of the year 2008) Martin Simpson created a contemporary classic that effortlessly crossed musical boundaries and exhibited what many had known for years – here is one of this generation’s most talented songwriters, singers and guitarists.

Here on this special DVD, Martin takes us on a 2 hour live journey through that album, expanding and reinterpreting as only he can – and throws in a few more tunes for good measure. Filmed at a special concert at the Union Chapel in London, this professionally shot DVD has superb 5.1 sound and looks and sounds great. Martin is on top form, with the DVD highlighting his virtuoso playing and also the quality of his collaborative work when he is joined by Andy Cutting on Diatonic Accordion, Andy Seward on double bass and Kelly While on backing vocals. The evening is topped off by a stunning version of the BBC Radio 2 Folk Award’s song of the Year, NEVER ANY GOOD.

As an added bonus, there is a unique short film made by Martin called YOU CAN GO HOME retracing the steps of his youth under the shadows of the blast furnaces in his native Scunthorpe. It is both a revealing and, at times, highly humorous backwards glance.
Running time: 130 minutes, Cert E 
Recorded live at the Union Chapel, Islington, London, – 13th November 2007.

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O’ER HIS GRAVE THE GRASS GREW GREEN: TRAGIC BALLADS TSCD653

tscd653 webVolume 3 of The Voice of The People.
Tragic Ballads.

An anthology edited by REG HALL.

1 PACKIE MANUS BYRNE voice: The Holland Handkerchief
2 FRED JORDAN voice: The Bonny Boy
3 PADDY TUNNEY voice: What Put The Blood?
4 JOSEPH TAYLOR voice: Worcester City
5 LIZ JEFFERIES voice: Willie, The Bold Sailor Boy
6 STANLEY ROBERTSON voice: The Clattering Of The Clyde Waters
7 GEORDIE HANNA voice: Young Edmund In The Lowlands Low
8 FRED HEWETT voice: The Prickle Holly-Bush
9 JOHN MacDONALD voice & accordeon: Lord Ronald
10 JUMBO BRIGHTWELL voice: Newry Town
11 BEN BUTCHER voice: Cruel Lincoln
12 FREDA PALMER voice: Maria Marten
13 LIZZIE HIGGINS voice: The Cruel Mother
14 PADDY TUNNEY voice: Lady Margaret
15 JOHN REILLY voice: The Well Below The Valley
16 JOHN MacDONALD voice: The Dewie Dens Of Yarrow
17 PHOEBE SMITH voice: Molly Vaughan
18 ENOS WHITE voice: George Collins
19 BELLE STEWART voice: The Two Brothers
20 SCAN TESTER voice: The Lakes Of Coalflin
21 NORA CLEARY voice: Willie-O

Available now from:
TOPIC SHOP, AMAZON, ITUNES and on SPOTIFY



TSCD467 BRASS MONKEY ~ THE COMPLETE BRASS MONKEY 

TSCD467 webThe group’s two ’80s albums, combined here, are full of fresh arrangements of traditional songs and tunes. ‘Brass Monkey was a great idea,’ said Martin Carthy. ‘A phenomenal experience.’ Q called it ‘the finest folk group of the 1980s.’

It should have been acknowledged in the booklet for this CD that the image used is an enlarged detail from “Stooking”, from “The Farmer’s Year” (1933, Collins & Co, London) by Clare Leighton, copyright Clare Leighton Estate.

Martin Carthy guitar, mandolin, vocals
John Kirkpatrick Anglo-concertina, melodeon, button accordion, vocals
Howard Evans trumpet, flugelhorn, vocals
Martin Brinsford c-melody saxophone, mouth-organ, percussion
Roger Williams trombone, vocals
Richard Cheetham trombone

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MARTIN SIMPSON ~ PRODIGAL SON TSCD567

With Prodigal Son Martin Simpson has made what is undoubtedly his finest recording to date. The album reflects the full breadth of his creativity, drawing on both British and American traditions as well as including several of his own outstanding compositions.
Many of Martin’s good friends and favourite artists appear with him on the album, including Jackson Browne who adds a perfect harmony vocal to Martin’s beautiful version of Randy Newman’s Louisiana 1927. Kate Rusby and Kellie While sing sublime harmonies on two of the tracks – Never Any Good [Martin’s song for his father] and Batchelor’s Hall. The album is further enhanced by Danny Thompson on bass, Andy Cutting on accordion, Alistair Anderson on concertina and Northumbrian pipes and Barry Philips on cello.

  • “A modern masterpiece. This remarkable collection of fifteen songs and tunes which, by any measure, is the best album that Simpson has recorded to date – he has produced a near-flawless folk masterpiece.” Sydney Morning Herald
  • “Prodigal Son is a triumph” Verity Sharp, BBC Radio 3 Late Junction
  • “The [album] has range, a relaxed mastery and emotional depth – this is roots music at its richest.
” ★★★★★ The List
  • “A quiet masterpiece. There are classic English ballads, excursions into Americana and a clutch of open-hearted originals- resulting in an album of easy elegance.” ★★★★ Observer Music Monthly

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TIM VAN EYKEN ~ STIFFS LOVERS HOLYMEN THIEVES TSCD565

Collecting together a band of like-minded musicians in Nancy Kerr, Oliver Knight, Pete Flood and Colin Fletcher, Tim has produced an astonishingly impressive debut album from the band – Van Eyken.
It’s a “band album” in the best sense, with remarkable, imaginative and contemporary arrangements of electric and acoustic guitars, fiddles, accordion, bass and drums that still maintain the essential integrity and gritty reality of the traditional songs and tunes, pacing it firmly in the future, firmly from the past and … firmly of today. This is the first Topic album by this exceptionally assured singer and musician. The production by Tim and Oliver Knight sets new standards for the presentation of contemporary/traditional folk music in England.
.

  • “An album full of thought, variety and surprises … but a real sense of history and tradition is its essential heartbeat.” fRoots
  • “Tim van Eyken delivers a clarion call for tradition – a triumph.” The Observer Review
  • “What makes this set special are the arrangements and inspired instrumental work. The variety is remarkable, from the gently textured wash of guitar and fiddle on Bold Fisherman to the spitting drums on Fair Ellen of Ratcliffe or the carefully uneasy lend of brooding and jaunty styles on the bleak story of Babes in the Wood. It’s been a great year for the new folk scene, and this fresh, compelling album is one of the high points.” ★★★★ The Guardian
  • “…quietly radical … van Eyken – at his best – encourages the songs to speak for themselves, and finds that they still have plenty to say.” ★★★★ CD of the Week Sunday Times

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THE BODY BLOW TSCD805 

A radio-ballad about the psychology of pain by Ewan MacColl, Charles Parker & Peggy Seeger

Conceived as a documentary on the psychology of pain, The Body Blow focuses on five people partially or totally disabled by polio.

‘The rhythmic nuances of the interviewees were built into MacColl’s melodies; while the merciless impact of the debilitating illness breathed foreboding into the songs of The Body Blow – an examination of the ‘psychology of pain’. From these sprang some of MacColl’s most beautiful music.’ PETER RAPHIDES, TIME OUT

1  Introduction
2  What day did the world stop moving?
3  Do you recall how you climbed the Mountains?
4  Can’t breathe…
5  I often think back…
6  The world is a bed …
7  I wasn’t afraid while I was in the lung…
8  Well, first of all… appreciate the situation…
9  While there’s life, there’s hope…
10  It’s goodbye now…
11  Now I can do all the small things?
12  Stronger than pain is the human will to survive…
13  Closing announcement / The hidden foe…

Script, song lyrics and music: Ewan MacColl
Orchestration and musical direction: Peggy Seeger
Actuality recording: Charles Parker
Production: Charles Parker
Programme prepared with the help of The Polio Research Fund

Singers:
Ewan MacColl, Peggy Seeger

Instrumentalists:

Alf Edwards
English concertina, ocarina 
Alfie Khan flute, harmonica
 Brian Daly guitar 
Peggy Seeger guitar, 5-string banjo

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TSCD449 JUNE TABOR ~ AQABA

TSCD449 webAnother collaboration of Tabor and producer Andrew Cronshaw, Aqaba contains the Jewish lament Mayn Rue Plats, more pieces by Bill Caddick and Dave Goulder and the noble cadences of the traditional songs Searching for Lambs and Bogie’s Bonnie Belle.

June Tabor vocals
with
Huw Warren piano
Ric Saunders violin
Martin Simpson guitar
Dave Bristow synthesizer
Ian Blake bass clarinet

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TSCD927 OUT OF CUBA: LATIN AMERICAN MUSIC TAKES AFRICA BY STORM

This HMV GV series is a catalogue of roughly 250 double sided 78rpm discs issued between 1933 and about 1958, comprising almost entirely Latin music, mainly from Cuba but also from Puerto Rico and Brazil. It drew on recordings originated by Gramaphone and Victor (hence the GV prefix). The series was aimed initially at the West African market, but subsequently reached and became very popular across the entire African continent, particularly in the Congos.

This CD provides a snapshot of what African musicians heard as they listened to the GV recordings on record, on the radio and live in local bars.

• “If you want to understand why so many African bands have been so influenced by Cuban music, look no further than this great album. Superbly compiled, the album has informative liner notes (a neat mix of erudition and vivid anecdote) coupled with photos of the period.” ★★★★ Songlines

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FAREWELL, MY OWN DEAR NATIVE LAND: SONGS OF EXILE & EMIGRATION TSCD654

tscd654 webVolume 4 of The Voice of The People.
Songs of exile and emigration.
An anthology edited by REG HALL.

1 PADDY TUNNEY voice: The Green Fields Of Canada
2 MARY ANN HAYNES voice: Erin’s Lovely Home
3 EDDIE BUTCHER voice: Killyclare
4 WALTER PARDON voice: Van Dieman’s Land
5 MARGARET BARRY voice & banjo: If You Ever Go Over To lreland
6 MICHAEL COLEMAN fiddie with piano: Farewell To lreland / Unidentified
7 GEORDIE HANNA voice: Brockagh Brae
8 CYRIL POACHER voice: Australia
9 WILLIE ROSS bagpipes: Leaving St. Kilda
10 PADDY TUNNEY voice: Craigie Hill
11 TOMMY McGRATH voice: She Lived Beside The Anner
12 WILLIE SCOTT voice: You Boys O’Callieburn
13 MARGARET BARRY & MICHAEL GORMAN voice, banjo & fiddle: Eileen McMahon
14 SARAH ANNE O’NEILL voice: Carrickmannon Lake
15 MICHAEL GROGAN accordeon: My Love She’s In America / Hand Me Down The Tackle
16 WILLIE CLANCY voice: Erin’s Lovely Lee
17 CHRIS WILLETT voice: The Old Miser
18 MARGARET BARRY & MACHAEL GORMAN voice, banjo & fiddle: Farewell, My Own Dear Native Land
19 SARAH ANNE O’NEILL voice: John Reilly
20 PADDY BREEN voice: Sweet Inishcara

Available now from:
TOPIC SHOP, AMAZON, ITUNES and on SPOTIFY



MY SHIP SHALL SAIL THE OCEAN: TEMPEST & SEA BATTLES, SAILOR LADS & FISHERMAN TSCD652

tscd652 webVolume 2 of The Voice of The People.
Songs of tempest & sea battles, sailor lads and fishermen.
An anthology edited by REG HALL.

1 CYRIL POACHER voice: A Broadside
2 PADDY TUNNEY voice: The Lowlands Of Holland
3 TOM WILLETT voice: Riding Down To Portsmouth
4 JOHNNY DOUGHTY voice: Come My Own One, Come My Fond One
5 JOHN RAE dulcimer: The Sailor On The Rope / The Bonnie Bunch Of Roses
6 SAM LARNER voice: In Scarborough Town
7 LIZZIE HIGGINS voice, with chorus: Sandy’s A Sailor
8 TURP BROWN voice: The Streams Of Lovely Nancy
9 GEORGE LING voice: On Board The Leicester Castle
10 MARY ANN CAROLAN voice: In London So Fair
11 WALTER PARDON voice: A Ship To Old England Came
12 FRANK VERRILL voice: Jesus At Thy Command
13 HARRY UPTON voice: The Royal Albion
14 HARRY COX voice: The Pretty Ploughboy
15 MICHO RUSSELL voice: The Poor Little Fisherboy
16 BOB HART voice: Cod Banging
17 JOHNNY DOUGHTY voice: Round Rye Bay For More
18 PHIL TANNER voice: Young Henry Martin
19 CYRIL POACHER voice: A Sailor And His True Love
20 BOB ROBERTS voice, with chorus: The Fish And Chip Ship
21 JUMBO BRIGHTWELL voice: The Oak And The Ash
22 WILLIE SCOTT voice: The Banks Of Newfoundland
23 FRED JORDAN voice: The Dark-Eyed Sailor
24 WALTER PARDON voice: Jack Tar Ashore

Available now from:
TOPIC SHOP, AMAZON, ITUNES and on SPOTIFY



ROUND THE HOUSE AND MIND THE DRESSER ~ VARIOUS ARTISTS TSCD606 

An outstanding and remarkable collection of Irish traditional music edited by Reg Hall. Round the House and Mind the Dresser could almost be described as “The other side of Irish traditional music” in that much of the recording of the music over the last eighty years or so has concentrated on a repertoire largely dominated by reels and jigs. On this record we have brought together a programme of polkas, slides, flings, hornpipes, the mazurka, waltzes and barndances – music of the country-house dances of rural Ireland and the dance halls of Irish-America.

About one third of the recordings are taken from superbly re-mastered 78s, made between 1925 and the 1950s while the balance comes from studio and live recordings from the 60s and 70s – and every one is a classic. An unusual and exiting repertoire played by some of the masters and mistresses of Irish Traditional Music including Michael Coleman, Johnny Doherty, Johnny O’Leary, Jimmy Power, Julia Clifford, The Flanagan Brothers, Hugh Gillespie, Paddy Killoran, Frank Quinn and many others.

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TSCD341 MARTIN CARTHY with DAVE SWARBRICK ~ SECOND ALBUM

TSCD341 webDave Swarbrick’s increased contribution on this 1966 album was a signal that he and Carthy were rapidly forming folk music’s most potent collaboration, creating a clean, sharp sound that would be honed over the next three albums.

Martin Carthy vocals, guitar
Dave Swarbrick fiddle, mandolin

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MARTIN CARTHY ~ WAITING FOR ANGELS TSCD527

Waiting For Angels was a very long-awaited solo album from Martin Carthy, the previous one Signs of Life was six years before. This splendid album was produced by Eliza Carthy & Ben Ivitsky, sees Martin at the peak of his creativity and ability and the Carthy/Ivitsky production puts the music firmly in 21st century. Four of the tracks feature Martin solo, and on the remainder, he is marvellously and creatively backed by a number of great musicians. The album includes four instrumental tracks showcasing Martin’s unique skills – the title track itself is a Carthy composition. He also revisits the remarkable Famous Flower of Serving Men to produce the definitive version of this classic (his earlier recording was recorded back in 1972, nearly 30 years before.

• “A remarkable album” A Folk Album of the Year 2004 ★★★★ Mojo
• “Arguably the greatest English folk song performer, writer, collector end editor of them all….his guitar playing is stunning. The undisputed highlight is…Famous Flower of Serving Men.” Q Magazine
• “As much of a landmark as anything he did in ….the sixties and seventies…the key track is Famous Flower of Serving Men…you hang on for dear life to every word as the horrific story of infanticide, evil and bloody revenge unfolds…..plenty of outstanding guitar.” fROOTS

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FIRST I’M GOING TO SING YOU A DITTY: RURAL FUN & FROLICS TSCD657

tscd657 webVolume 7 of The Voice of The People.
Rural fun and frolics.
An anthology edited by REG HALL.

1 JOHNNY DOUGHTY voice: Herrings’ Heads
2 TOMMY McGRATH voice with chorus: Burke’s Engine
3 SCAN TESTER concertina: Untitled Schottische
4 JIMMY McBEATH voice: You Canna Put It On To Sandy
5 ROSE MURPHY fiddle: Ladybower’s / The Sister
6 POP MAYNARD voice: Three Sons Of Rogues
7 MARY ANN CAROLAN voice: Young Bob Ridley
8 BOB CANN melodeon: Uncle George’s Hornpipe / Tommy Roberts’ Hornpipe
9 JOHN MacDONALD voice: The Ball O’Kerriemeer
10 TOM BROWN voice: Widdlecombe Fair
11 SAM BOND mouth-organ: Oh, The Hampshires Do Like Duff
12 MAURICE voice: A Nice Piece Of Irish Pig’s Head
13 CURLY McKAY & WILLIE KEMP piano-accordion, voice & trump: Glendarel Highlanders /Kenmure’s On And Awa’ /Lovat Scouts /Monymusk
14 MAGGY MURPHY Voice: Clinking O’er The Lea
15 SID STEER voice: The Derby Ram
16 MARTIN GORMAN voice with chorus: Old King Cole
17 BAMPTON MORRIS with JINKY WELLS fiddle & voice: Live Perforrnance – Banbury Bill
18 FRED JORDAN voice: Down The Road
19 JOHN REILLY voice: The Rosin Box
20 ELLEN O’DWYER concertina: The Stack Of Barley
21 HENRY MITCHELMORE voice: Most Beautiful Leg Of The Mallard
22 JIM WILSON voice with chorus: The Keyhole In The Door
23 PADDY BREEN voice & tin-whistle: The Blue Meadow
24 NED PEARSON fiddle & voice: The Varsoviana (original tune) / The Varsoviana (later tune)
25 ALBERT RICHARDSON voice: The Old Sow
26 NORA CLEARY voice: The Codfish
27 WILL & IAN POWRIE accordeon & fiddle: Stirling Militia / Ruthven House / Fairy Dance
28 CHARLIE WILLS voice with chorus: Up To The Rigs Of London Town
29 JIM & SEAMUS DONAGHUE tin-whistle & tambourine: The Pigeon On The Gate

Available now from:
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TSCD904 FOLK MUSIC OF ALBANIA

Albania’s turbulent past, with its patchwork history of occupation, has produced a traditional rural music of remarkable variety as well as great beauty. Unaccompanied heroic ballads, funeral laments and political and lyrical songs are interspersed with dance-tunes on various lutes, flutes and reed instruments and by small bands. Recorded in the field in 1965 by A.L.Lloyd.

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TSCD930 VARIOUS ARTISTS ~ BAGPIPES OF GREECE

An exciting collection of authentic Greek bagpipes recorded across the entire country over the last thirty years or more. Many of the musicians are shepherds and peasants and have been recorded in their homes or local environments. Recordings and notes by the noted ethnomusicologist Wolf Dietrich.

Currently, Greece appears to have no bagpipe revival (perhaps due to the lack of bagpipe makers) so these recordings chronicle a rare traditional culture.

• “There is some beautiful, flawlessly recorded material here – a well-edited labour of love” ★★★ Songlines
• “A labour of love and a work of true scholarship. Highly recommended.” fRoots

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SCAN TESTER ~ I NEVER PLAYED TO MANY POSH DANCES TSCD581D 

A labour of love, this double CD is a fitting tribute to one of the greatest traditional musicians this country has produced.
In the mid 1950s, folklorist and musician, Reg Hall met Scan Tester and invited him to play in his loose-knit band of musicians. Their playing schedule covered the usual pub gigs and private parties and also included a trip to London where Scan played before a full house at the Royal Festival Hall. Game to go anywhere, Scan accepted invitations to clubs and festivals around the country and thus became known and loved by a public beyond his own place and time. Mostly recorded by Reg Hall, these 55 tracks – expanded and remastered from the 1990 vinyl LP – open a window to our musical past.

“The crowded rolling gate of Scan’s country dance band must be one of the most joyous noises to emerge from a pub’s doors”★★★★★ Songlines

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TSCD935D SONGS OF SURVIVAL – TRADITIONAL MUSIC OF GEORGIA

Georgia lies to the south of Russia, bordered by the Black Sea to the west and by Turkey and Armenia in the south and Azerbaijan in the east. Formerly part of the Soviet Union, Georgia is a small, very mountainous and poor country with a population of under five million but with a rich and ancient cultural life, mainly centering around music. Considering itself European, Georgia is at the crossroads of the east and west, a Christian country influenced by its Muslim neighbours.

Songs of Survival is a comprehensive survey of the traditional music of Georgia with well over two hours of mostly vocal music celebrating the three part polyphonies that lie at the heart of its musical life. There is a 28 page illustrated booklet with copious background notes as well as notes on the songs and performances – hymns, carols, lullabies, work songs, wrestling music, wedding songs, healing songs, city songs. Georgia’s male polyphony is one of the musical wonders of the world. Both archaic and modernist, and melding influences from east and west.

Winner of the German Critic’s Award [Preis der deutschen Schallplattenkritik] inaugurated in 1963 to set the ‘most rigorous standards for the achievement in the field of recording’.
• “The Georgians are probably the most musical people of earth: these recordings give a wonderful snapshot of a society in which many musicians would give their right arm to live. Here, the division between professional and amateur becomes meaningless – such is the commitment of the professional and the skill of the amateur. Everywhere we find their staggeringly beautiful three-part vocal polyphony – whether in a wedding song, lullaby or richly dissonant religious chant” Gavin Bryars
• “It’s important in that it’s the first collection to try to give an overview of Georgian music – there’s a huge variety here, making this a very good introduction to the world of Georgian music.” fRoots
• “Georgian music, with its other-worldly polyphonic singing style, is justly famous for its clashing dissonances and impressive sound, but recordings are few and far between. Highlights include the female choir Mzetamze, the Kesane Quartet and Georgian Voices – on disc two, there are wonderful hymn-like songs of St Panteleimon Chanters with strange unpredictable harmonies” ★★★★ Songlines
• “The CD is full of wonderful improvised polyphony. The soul of these songs arise from the fact that the performers feel the pinch of hard necessity, and sing of strong emotions that go beyond the personal. For these people “keeping it real” isn’t a problem: it’s a condition of life.” The Telegraph

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TSCD427 ALISTAIR ANDERSON ~ STEEL SKIES 

TSCD427 webScored for a group of musicians including fiddles, flutes, mandolins and Alistair Anderson’s concertina and Northumbrian smallpipes, Steel Skies is a magnificent suite of composed tunes with roots deep in the traditional music of the British Isles. The compositions take from the tradition but expand on it creating a rich and rewardingly-subtle whole. Originally released in 1982, this wonderful album has a justly sterling reputation among those who have heard it, calling out for a re-release on CD. Alistair Anderson’s mastery of the concertina is legendary, but it is the concept and the beauty of the music here that may take your breath away.

“This is new music but with its roots deep in the traditional music of the British Isles. The traditional musician takes old tunes and polishes them like gemstones, revealing new facets of the melodies at every turn. The vitality such musicians bring to their music has always been an inspiration to me, and Steel Skies is a personal response to this.” – Alistair Anderson.

“The range and balance of Anderson’s melodies take your breath away” fROOTS

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SHEILA STEWART ~ FROM THE HEART OF THE TRADITION TSCD515

In her own words, Sheila Stewart is probably the last in the line of a rich oral tradition of song, story and Scots Traveller culture. She is also one of the greatest singers of traditional song. From The Heart Of The Tradition was recorded by Doc Rowe in 1999 and captures her at the height of her powers.

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TSCD494 ELIZA CARTHY ~ RICE

TSCD494 webOn Rice Eliza Carthy looks afresh at British – and other – traditional musics.
‘If this is the future of British folk music, it is in good hands.’ – Mojo
‘Audaciously Brilliant.’ – The Observer
Album of the Year – Folk Roots
Nominated for the prestigious Mercury Music Prize Album of the Year

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JUNE TABOR ~ AN ECHO OF HOOVES TSCD543

June Tabor makes the ultimate album for all discerning folk fans, featuring a programme made up exclusively of the great traditional folk ballads – story telling at its dark, urgent best. June’s regular trio of accompanists (Huw Warren – piano, cello; Mark Emerson – violin, viola; Tim Harries – double bass) are joined by Martin Simpson, guitar and Kathryn Tickell, Northumbrian pipes).

• Best Folk Album of the Year ★★★★★ Mojo
• “June’s best album for years…sheer majesty…a return to the very heart of what she does best.” FROOTS
• “Outstanding…the year’s finest folk record” The Sunday Times
• “her richly expressive delivery probes deeply into tragic and often violent scenarios.” ★★★★ The Scotsman
• “Folk album of the month” “In one dramatic, spine chilling album (June Tabor) blows all else out of the water…this is the storyteller’s art and the full achievement of this majestic album. A stunner.
” ★★★★★ Mojo
• “This year’s finest traditional album.” The Guardian
• “I doubt if I will ever hear a better recording.” The Canberra Times

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AS ME & MY LOVE SAT COURTING: SONGS OF LOVE, COURTSHIP & MARRIAGE TSCD 665

tscd665 webVolume 15 of The Voice of The People.
Songs of Love, Courtship & Marriage.
An anthology edited by REG HALL.

1 BILL KIMBER concertina: Haste To The Wedding
2 BELLE STEWART voice: Queen Among The Heather
3 JIMMY HALPIN voice: Johnny Harte
4 POP MAYNARD voice The Aylesbury Girl
5 MARGARET BARRY & MICHAEL GORMAN voice, banjo & fiddle: The Half-Door
6 LOUIE FULLER voice: Green Grow The Laurels
7 JOHN REILLY voice: Old Carathee
8 DIDDY COOK voice, with chairman & chorus: The Blackbird
9 JAMESY McCARTHY voice: Coochie Coochie Coo Go Way
10 WALTER PARDON voice: I Wish, I Wish
11 JANE TURRIFF voice & piano: What Can A Young Lassie Dae Wi’ An Auld Man?
12 PADDY TUNNEY voice: Johnny, Lovely Johnny
13 MARY ANN CONNELLY voice: Lurgan Stream
14 MICHAEL GORMAN & MARGARET BARRY fiddle & banjo: I’ll Marry And I Won’t Be A Nun
15 WALTER PARDON voice: One Cold Morning In December
16 LIZ JEFFERIES voice: Rosemary Lane
17 ROBERT CINNAMOND voice: It Was Early, Early All In A Spring
18 STANLEY ROBERTSON voice with chorus: Moorlough Maggie
19 STEPHEN BALDWIN fiddle: Just As The Tide Was Flowing
20 PADDY TUNNEY voice: The Wearing Of The Britches
21 HARRY BURGESS voice: A Week Before Easter
22 JIMMY McBEATH voice: I’m A Stranger In This Country
23 BOB BRADER voice: The Banks Of Sweet Dundee
24 TOM LENINAN voice: Sixteen Years, Mama
25 PADDY TUNNEY voice: Bonny Tavern Green

Available now from:
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SAM LARNER ~ NOW IS THE TIME FOR FISHING TSCD511

Sam Larner was born in 1878 in the village of Winterton in Norfolk. For most of his life he was a fisherman and developed his repertoire and style from the locality and his workmates. Now Is The Time For Fishing was originally recorded on location in 1958, ’59 & ’60 by Ewan MacColl and Peggy Seeger and released in 1961, this record has come to be regarded as one of the most important recordings of an English traditional singer ever made. Alongside classic traditional repertoire, the CD features songs associated with the fishing industry as well as sea-lore and rhymes.

see also THE VOICE OF THE PEOPLE

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TSCD418 MARTIN CARTHY ~ SWEET WIVELSFIELD

TSCD418 webFirst released in 1974 and produced by Ashley Hutchings, Sweet Wivelsfield is a classic Martin Carthy album and served as a benchmark recording for many other artists. The ominously chiming guitar chords of Trimdon Grange and the ingeniously borrowed melody of King Henry exemplify Carthy’s unceasing search for new ways to present old songs, a thread that runs all through this impressive recording.

Martin Carthy vocals, guitar

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BOB FOX ~ BORROWED MOMENTS TSCD544

Described by Ralph McTell as “one of England’s best voices”, Bob Fox makes his first recording for Topic, and we’re delighted for him to be here. He is one of the hardest working performers in the country, playing more dates than almost anyone else. 

His exceptional voice and inspired guitar have a lightness of touch and a sureness of purpose that go straight to the heart of the song, be it traditional or contemporary.

• “Bob’s interpretations are nothing short of superb. He’s in great voice, and his arrangements showcase well his often unsung instrumental prowess.” Netrhythms
• “This return to acoustic form puts Fox’s gorgeous voice in a setting of Class A songs, which mine the peaks and troughs of the human condition and emerge sparkling with Fox’s sensitive vocal interpretations and adroit tune adaptations…. this album exudes class…startling, moving stuff.” BBC Radio2 reviews
• Folk Album of the Year BBC Radio: Folk Waves

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TSCD471 LEO ROWSOME ~ CLASSICS OF IRISH PIPING

TSCD471 webRowsome was one of the great style-makers of Irish pipe music. ‘Everywhere he went,’ writes his friend Sean Reid in the notes, ‘he added glamour to a unique, expressive and truly native instrument, a living link with the historic Irish nation.’
This collection, accurately remastered from recordings spanning 1926-48, exhibits his highly personal approach in a programme of tunes both familiar and rare.

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THE McPEAKE FAMILY ~ WILD MOUNTAIN THYME TSCD583

The McPeake Family’s Wild Mountain Thyme, also known as Will Ye Go Lassie, Go, is one of the most famous songs to emerge from the folk revival of the 1950s, being covered by an incredible variety of artists including Fotheringay, The Byrds, Mark Knopfler and Rod Stewart as well as Ewan MacColl, The Chieftains and Clancy Brothers.

Often containing as many as three generations, the Belfast born and bred McPeake Family played as far afield as Moscow and was a great favourite on the BBC. Their distinctive combination of uilleann pipes, harps and harmony vocals set a new standard for Irish music in the 1950s & 60s. Not content to showcase instrumental virtuosity, their warm ensemble sound brought out the depth of the songs making them one of the most loved Irish groups on the 1950s and early 60s.

“The combination of harp with harmony vocals, traded between three generations, and uilleann pipes was unique” Songlines

The McPeake Family uilleann pipes, harp and harmony singing

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TSCD918 HEALING, FEASTING & MAGICAL RITUAL: PAPUA NEW GUINEA

Songs and dances of hunting, war, work, totemistic ritual, cannibalism, myth, initiation, courtship, rain-making, funerals, magical healing, shark catching and marathon feasting, recorded in remote coastal and inland villages in five far-flung regions of Papua New Guinea, to the north of Australia. One of the world’s most mysterious countries, whose long, wide rivers are home to hundreds of different Melanesian cultures and languages.
These full-throated songs with their vibrant and often complex accompanimental drumming patterns show the richness and variety of the cultural traditions and beliefs of the communities of Papua New Guinea.

“… intense microtonal harmonies that are really arresting” Sing Out

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COME ALL MY LADS THAT FOLLOW THE PLOUGH: THE LIFE OF RURAL WORKING MEN & WOMEN TSCD655

Volume 5 of The Voice of The People.
The Life of Rural Working Men & Women.
An anthology edited by REG HALL.

1 MARY ANN HAYNES voice: Hopping Down In Kent
2 JOE HEANEY voice: The Rocks Of Bawn
3 DAVIE STEWART voice: The Tarves Rant
4 SAM LARNER voice: The Pleasant Month Of May
5 BOB FORRESTER voice: Copshawholm Fair
6 POP MAYNARD voice: The Weaver’s Daughter
7 JINKY WELLS fiddle & voice: The Maid Of The Mill
8 STRAIGHTY FLANAGAN voice: The Grazer Tribe
9 JOHN MacDONALD voice & accordeon: The Mains O’Fogieloan
10 FRED JORDAN voice: We’re All Jolly Fellows As Follow The Plough
11 BOB HART voice: The Farmer’s Servant
12 DAVIE STEWART voice: I am a Miller To My Trade
13 HOCKEY FELTWELL voice: Four Horses
14 JIMMY MCBEATH voice: Nicky Tams
15 PADDY TUNNEY voice: The Lark In The Morning
16 LIZZIE HIGGINS voice: Lovely Molly
17 PADDY BEADES voice with fiddle & piano-accordion: The Bonnie Labouring Boy
18 JIMMY McREATH voice: The Barnyards O’Delgaty
19 HARRY UPTON voice: The Rich Lady Gay
20 TOM LENINAN voice: The Cranbally Farmer
21 WILLIE KEMP & CURLY MacKAY voice & piano-accordion: Wi’ Ma Big Kilmarnock Bonnet
22 WILLIE SCOTT voice: The Lads That Was Reared Among Heather
23 EDDIE BUTCHER voice: Tossing The Hay
24 JOHN MacDONALD voice: Sleepytoon
25 THE HYDE BROTHERS melodeons: Back O’ The Haggart

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TSCD905 FOLK MUSIC OF BULGARIA

Lying between Europe and Asia, Bulgaria displays in its traditional music both the formal solidity of the West and the exotic colouring of the East. These recordings, mostly collected by A.L. Lloyd on trips in 1954 and 1963, are very diverse, including instrumental solos on the stringed tambura, dyudyuk (flute) and gadulka (fiddle), band music and songs for various functions. Especially captivating is the women’s singing, whether solo or in group polyphony.

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TSCD475 WATERSON:CARTHY ~ WATERSON:CARTHY

TSCD475 webWith an eclecticism characteristic of its members, Waterson:Carthy’s first album draws upon not only the archives of British folksong but a Morris tune and a Texas waltz. What is transmitted to the listener, however, is not so much the skill of their research as the virtuosity with which they breathe life into its matter.

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TSCD340 MARTIN CARTHY ~ Martin Carthy

TSCD340 webFirst released in 1965 Martin Carthy is the debut album from the most creative folksong interpreter of his generation. His singing and guitar-playing have been imitated wherever the revival has reached, across North America and Europe no less than in Britain.

Martin Carthy vocals, guitar
Dave Swarbrick fiddle, mandolin

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TSCD914 GYPSY MUSIC FROM MACEDONIA & NEIGHBOURING COUNTRIES

‘If davul and zurna are not present,’ runs the Turkish proverb, ‘I cannot be a bride.’ The coupling of drum (davul) and double-reed pipe (zurna), heard in many regions of the world, is particularly widespread among the gipsies of the Balkans. Collector Wolf Dietrich has followed the trail of its ‘vital and impulsive irresistibility’ from Greece to Kosovo, Rumania and Turkey, his selection climaxing in an astounding 17 minute suite of tunes from Macedonia played by two Albanian pipers.

Collected in the field by Wolf Dietrich

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THE BALLAD OF JOHN AXON TSCD801

A radio-ballad about the railwaymen of England by Ewan MacColl, Charles Parker & Peggy Seeger

The first of the radio-ballads was inspired by a steam locomotive driver who died performing an act of heroism. It was based, like its successors, on many hours of tape-recorded testimonies and reminiscences, mixed into a continuous narrative interspersed with MacColl’s songs and Seeger’s music.

‘A generation from now, listeners will surely still be moved by this recording’ NEW STATESMAN

‘The Ballad of John Axton was ostensibly about the life and death of a train driver but, like ensuing ballads about the building of the M1, herring fishing and coal miners, it was really about the complex relationship between men and their professions.’ TIME OUT

‘No wonder it knocked England out that July evening.’ THE OBSERVER

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BOB DAVENPORT ~ THE COMMON STONE TSCD552

A new album of traditional and original songs by one of the all time great voices of the English folk scene. Renowned on both sides of the Atlantic for his uncompromising, gritty talent, Davenport’s recording history goes back over four decades and has produced raw, idiosyncratic nuggets. His unique poetic realism has been a profound influence on such disparate artists as Richard Thompson and Ray Davies. Never one to court fashion, Bob has remained true to the living tradition while being on the cutting edge of revivalism.
When word got round that Bob was recording a new album, the cream of the current folk scene queued for a chance to participate. The final list includes appearances by Richard Thompson, Chumbawamba Acoustic, Martin Carthy, Linda Thompson, Mike and Norma Waterson, John Tams, Coope, Boyes and Simpson and Fi Fraser. The resulting album is raw, real and original.

• “A Folk Album of the Year 2004” Mojo
• “Few singers command the respect of their peers like Tyneside’s Bob Davenport – his radical fire is undimmed.” ★★★★ The Observer Music Monthly Magazine
• “… some sublime moments…such a strong sense of identity. Linda Thompson pops up and steals the whole album with her charged and atmospheric rendition of Davenport’s own song You Came Back Down That Long Road.”
FRoots
• “His more subdued approach lends a subtle reflective quality to his material. And what fine material he has here and what fine “assistants” to help.” Living Tradition
• “Warmth and sincerity – his unaccompanied version of the McGarrigles’ Heart Like a Wheel is a whimsical treasure. Few singers are as important to the revival.” The Telegraph

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TSCD931 WOMEN OF EGYPT 1924-1931: PIONEERS OF STARDOM AND FAME

A CD compilation of fantastic Arab women, stars of Egyptian theatre and song who recorded in the nineteen twenties and early thirties. Taken from original 78rpm recordings of the time and remastered to the highest standards, this collection features among others the legendary Umm Kulthum.

Between 1890 and 1920, theatres and European-style cabarets sprang up all over Egypt. Performers flocked there from all over the Arab world and from Europe. Isadora Duncan, Pavlova and Mistinguette included Cairo in their world tours. At their peak, the most famous female Arabic women singers were earning as much, if not more, than their male counterparts. The 1920s was the heyday of this music and its recordings and these performers can be seen as having struck a blow for the emancipation of women. The Wall Street crash and the associated economic downturn marked the end of the recording industries’ boom years, leaving us a legacy of remarkable performances of immense power.

Winner of The German Critics’ Award (Preis der deutschen Schallplattenkritik). The award was inaugurated in 1963 to set the “most rigorous standards for supreme achievement” in the field of recording.

• “A fascinating variety of vocal styles covering the spectrum from Upper-Egyptian to quintessential Paris.” ★★★★ BBC Music Magazine
• “A painstakingly compiled and copiously annotated compendium of sixteen rare sides. One can’t help but compare the rare recording to its equivalents in American Appalachian and country blues music of the time, except for one primary difference – those genres arose from rural life, these Egyptian sounds very much emanate from urban – and urbane – society. Saniyyah Hassaneyn’s “Ataftu Wardah Hamra” (I Plucked a Red Rose) – a vocal so burdened by the weight of the world that Bessie Smith or Billie Holliday could easily have made it their own.” All Music Guide
• “Enormously evocative, these recordings open the door to a cast of larger than life characters.” fROOTS
• “The breadth of styles present on the compilation is remarkable. – an essential addition to both university library collections and private collections of Arab music.” Ethnomusicology

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TSCD912 MUSIC OF THE TATAR PEOPLE

The music of the Tatar people of the Central Volga region of Russia is an important link, according to the collector Laszlo Vikar, in the vast east-west chain that connects the musics of China and Hungary. In these unique field recordings, made by Vikar as assistant to the composer and musicologist Zoltan Kodaly, Tatars sing and play flute, jew’s harp and fiddle.

Recorded by Laszio Vikar

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WHO’S THAT AT MY BED WINDOW?: SONGS OF LOVE AND AMOROUS ENCOUNTERS TSCD660

tscd660 webVolume 1o of The Voice of The People.
Songs of love and amorous encounters.
An anthology edited by REG HALL.

1 BOB HART voice: Seventeen Come Sunday
2 FRED HEWETT voice: Three Maidens To Milking Did Go
3 JEANNIE ROBERTSON voice: When I Was Noo But Sixteen
4 POP MAYNARD voice: Rolling In The Dew
5 WILLIE SCOTT voice: The Bonnie Wee Tramping Lass
6 PADDY TUNNEY voice: The Old Petticoat
7 HARVEY NICHOLSON voice: The Copshawholm Butcher
8 JOHN REILLY voice: Adieu Unto All True Lovers
9 JIMMY McBEATH voice: The Bold English Navy
10 SARAH ANNE O’NEILL voice: Standing In Yon Flowery Garden
11 GEOFF LING voice: Died For Love
12 BELLE STEWART voice: Betsy Bell
13 JIM SWAIN voice: The Banks Of Sweet Mossing
14 FRANK QUINN voice & fiddle: The Tan Yard Side
15 PADDY BREEN voice: On The Banks Of The Silvery Tide
16 LIZZIE HIGGINS voice: The Banks Of Red Roses
17 JUMBO BRIGHTWELL voice: Blow The Candle Out
18 SARAH MAKEM voice: The Factory Girl
19 POP MAYNARD voice: The Seeds Of Love
20 PADDY TONNEY voice: Blackwaterside
21 JIMMY McBEATH voice: The Wind Blew The Lassie’s Plaidie Awa
22 FREDA PALMER voice: The Wandering Girl
23 PHOEBE SMITH voice: Captain Thunderball
24 WALTER PARDON voice: Let The Wind Blow High Or Low
25 MARGARET BARRY voice & banjo: She Moved Through The Fair

Available now from:
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ASHLEY HUTCHINGS & VARIOUS ARTISTS ~ STREET CRIES TSCD535

A collection of dark traditional songs reset in the present day by Ashley Hutchings. Sung by Coope, Boyes & Simpson, Steve Knightley, Cara Dillon, Dick Gaughan, Helen Watson, Vin Garbutt, Judy Dunlop, Dave Burland, Kathryn Roberts with Equation, John Tams, June Tabor, Pete Morton and Nasreen Shah.
An outstanding new album conceived and produced by one of the most significant creators in the folk music field. Traditional music has always changed and adapted to fit and respond to the society that it reflects. Ashley Hutchings has re-written a dozen traditional songs and set them in the present day – don’t be alarmed, the experiment has worked beautifully and the results may well pass into tradition themselves.
Each song is based on a traditional work and has retained the original tune – only the words have been changed. A cast of major contemporary interpreters of traditional song was chosen, song by song, and each has contributed mightily – producing a program of outstanding performance. In addition to that, the sensitive arrangements and backings have enhanced the whole project still further – producing an album that is both adventurous and highly enjoyable.

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TONIGHT I’LL MAKE YOU MY BRIDE: BALLADS OF TRUE & FALSE LOVERS TSCD656

tscd656 webVolume 6 of The Voice of The People.
Ballads of true & false lovers.
An anthology edited by REG HALL.

1 WALTER PARDON voice: The Raggle-Taggle Gypsies
2 BELLE STEWART voice: Here’s A Health To All True Lovers
3 EDDIE BUTCHER voice: Another Man’s Wedding
4 MARY ANN CAROLAN voice: The Maid Of Ballymore
5 STANLEY ROBERTSON voice with chorus: The Ballad Of The Ewe Buchts
6 NORA CLEARY voice: The Green Wedding
7 JIMMY KNIGHTS voice: Marrowbones
8 PADDY TUNNEY voice: The Month Of January
9 LIZZIE HIGGINS voice: The Forester
10 CYRIL POACHER voice: The Maid And The Magpie
11 PHOEBE SMITH voice: Young Ellender
12 POP MAYNARD voice: Colin And Phoebe
13 LIZ JEFFERIES voice: Matt Highland
14 PACKIE MANUS BYRNE voice: Molly Bawn
15 JOSEPH TAYLOR voice: Bold William Taylor
16 NORA CLEARY voice The Bold Trooper
17 GEORDIE HANNA voice: Kate Of Ballinamore
18 LIZZIE HIGGINS voice: The Laird O’ The Dainty Doonby
19 MARY ANN HAYNES voice: Long A -Growing
20 PADDY TUNNEY voice The Mountain Streams Where The Moorcocks Crow

Available now from:
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THERE IS A MAN UPON THE FARM : WORKING MEN & WOMEN IN SONG TSCD670

tscd670 webVolume 20 of The Voice of the People.
Working men and women in song.
An anthology edited by REG HALL.

1 BELLE STEWART voice: TheOvergate
2 PADDY TUNNEY voice: The Wee Weaver
3 FRED JORDAN voice: We Shepherds Are The Best Of Men
4 THE BELHAVEL TRIO fiddle, uilleann pipes & accordeon: The Job Of Journeywork
5 TED LAURENCE voice: The Flies Are On The Tummits
6 JIMMY MCBEATH voice: Come All You Tramps And Hawkers
7 JUMBO BRIGHTWELL voice: Muddley Barracks
8 WILLIE SCOTT voice: The Shepherd’s Song
9 JACK ELLIOTT voice with chorus: In The Bar-Room
10 SEAN MAC DONNCHADNA voice: An Spailpin Finach (The Migrant Labourer)
11 JAMESY McCARTHY voice: Come To The Hiring
12 JOHN MacDONALD voice & accordeon: The Wandering Shepherd Laddie
13 HARRY HOLMAN voice: There Was A Poor Thresherman
14 BIG JOHN MAGUIRE voice: The Neatly Thatched Cabin
15 JACK ELLIOTT voice with chorus: The Banks Of The Dee
16 MARY ANN CAROLAN voice: My Father’s A Hedger And Ditcher
17 POP MAYNARD voice: Ground For The Floor
18 JIMMY McBEATH voice: Airlin’s Fine Braes
19 MARY ANN HAYNES voice: The Little Ball Of Yarn
20 PADDY & JIMMY HALPIN voices: To Reap And Mow The Hay
21 TOM WILLETT voice: The Roaming Journeyman
22 WILLIE SCOTT voice: When The Kye Comes Hame
23 BELLE STEWART voice: The Berry Fields O’Blair

Available now from:
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HARRY COX ~ THE BONNY LABOURING BOY TSCD512D 

Harry Cox is, simply, the most important and the finest among the great English traditional singers. This release brings together 54 tracks from recordings made between 1945 and 1970 to produce a 2 CD set. Combined with a 60 page booklet containing a detailed biography, extensive notes and song texts, the result is over 2 hours of previously unissued recordings.

see also THE VOICE OF THE PEOPLE

  • “The quality of the repertoire and the standard of the singing are quite breathtaking. Even amongst the high standards that Topic have been setting in their recent releases of traditional music, this is outstanding” – FRoots Magazine
  • “Should be owned by anyone who professes an interest in English traditional song” – The Living Tradition Magazine
  • “an awesome 54-track compilation of one of the greatest traditional singers of them all – essential” Colin Irwin/Mojo
  • “A truly worthy testament to Harry’s remarkable, majestic…style…. superb quality of the remastering” Rock’n’Reel

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TSCD906 FOLK MUSIC OF YUGOSLAVIA

Visiting the Yugoslav republics of Croatia, Bosnia-Hercegovina, Serbia and Macedonia, the collector Wolf Dietrich recorded these fascinating vocal solos and duets and tunes played on bagpipes, fiddles, flutes and clarinets. The raw part-singing of amateur village performers is of particular beauty.

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PETER BELLAMY ~ BOTH SIDES THEN TSCD582

Peter Bellamy’s passions – from the great English traditional singers to the prisoners of Parchman Farm, the mountain music of the Appalachians, the Rolling Stones and especially the poems of Rudyard Kipling, were too wide-ranging to be tied to any one sort of music.

BOTH SIDES THEN – originally released in 1979 and generally considered to be his finest solo album – is a superb integration of his varied musical interests, drawing on English, Irish and Appalachian traditions. Working with close friends from The Young Tradition, The Watersons, Louis Killen and Dave Swarbrick, he explores the richness of traditional music. Peter Bellamy, who sadly died in 1991, left a remarkable body of recording which continues to inspire musicians around the world.

“Peter Bellamy’s finest hour” ★★★★★ Songlines
“Classic” Taplas

Peter Bellamy
with
Anthea Bellamy, Louis Killen, Bill Shute and Lisa Null, Dave Swarbrick, Royston Wood, Heather Wood and The Watersons

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JOE HEANEY ~ THE ROAD FROM CONNEMARA TSCD518D 

One of the world’s greatest ever traditional singers is celebrated on this magnificent double CD of previously unissued material recorded by Ewan MacColl and Peggy Seeger in 1964, when Joe Heaney was at the height of his powers. 39 tracks and a 60 page booklet, which includes a full transcript as well as detailed notes on the man, his songs and his tradition

“These superb recordings…..exceptional liner note essays…the presentation of both Gaelic and English songs makes the collection accessible and essential for anyone seeking to get a little closer to the roots of a unique man whose legacy is well captured by this release” Sing Out Magazine

Joe Heaney vocal

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TSCD300 MARTIN CARTHY ~ CROWN OF HORN

TSCD300 webThough on its first release in 1976 Crown of Horn attracted attention with its unpredictable elements, such as Leon Rosselson’s mordant song Palaces of Gold, the album can now be seen as a logical stage in Carthy’s development, as well as a further bold demonstration of his creative approach to traditional song.

“Martin Carthy has the ability to make singing sound easy – he tells stories to tunes, sometimes unaccompanied, and Crown of Horn shows the master of English folk song at his best.” Songlines

Martin Carthy vocals, guitar

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MARTIN CARTHY & DAVE SWARBRICK ~ BOTH EARS AND THE TAIL TSCD572

One of the great duos of all time, Martin Carthy and Dave Swarbrick joined up in early spring 1966 as a performing unit. They were an immediate hit, becoming overnight the most popular group in the burgeoning folk club scene in Britain. Both Ears and the Tail was recorded live at the Folkus Folk Club in Nottingham in 1966 in the first flush of their success with both audience and performers hardly able to catch their breath.

This recording only came to light in recent times and it is astonishing in its fire and clarity. Many of the songs performed that night are to be found on the early Martin Carthy albums, but, on stage, the interplay between Martin and Dave virtually re-wrote all the material. This is a real live experience and an opportunity to “be there on the night”.

  • “On this crystal clear recording of the classic Carthy/Swarbrick duo partnership are caught early in their partnership. Swarb’s swooping fiddle coils with propulsive energy.” ★★★★ Uncut
  • “It’s a corker. The natural chemistry between them is irresistible.” Record Collector
  • “The attraction of the CD is in the live performance, the guitar and fiddle [and occasional mandolin] weaving in and out, responding to each other’s playing. And the recording quality is very good.” Derek Schofield, English Dance and Song

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THE BIG HEWER ~ VARIOUS ARTISTS TSCD804

A radio-ballad about Britain’s coal miners by Ewan MacColl, Charles Parker & Peggy Seeger

The Big Hewer – ‘a poetic documentary with worker heroes,’ as The Times called it – charts the lives of Britain’s coal miners, in the Northeast, East Midlands and South Wales.

‘In The Big Hewer, about coal mining and The Fight Game, about boxing, the radio-ballads find men titanic enough to live up to their pretensions. Listening to these two, you can really believe that there were giants in those days.’ THE INDEPENDENT

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TSCD917 ZANZIBAR: MUSIC OF CELEBRATION

Taarab is the most common style of music performed at weddings on the island of Zanzibar – a unique blend of musical elements from the Middle East, India and the West, combined with, to varying degrees, local African musical practices. It is an essential ingredient of most celebrations. And when Zanzibaris are not playing taarab, they are playing maulidi. Although this is primarily a sober religious performance style (celebrating the birth of the Prophet Mohammed) it is also becoming common at wedding celebrations, albeit in a more extrovert guise. Here, recited chapters of the Koran are interspersed with kasida (hymns) accompanied on several tuned frame drums. These recordings, made at actual celebrations and in rehearsal for big events, give us a glimpse of the ethnic, religious, and gender composition of this Indian Ocean island culture.

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TO CATCH A FINE BUCK WAS MY DELIGHT: SONGS OF HUNTING & POACHING TSCD668

Volume 18 of The Voice of The People.
Songs of hunting and poaching.
An anthology edited by REG HALL.

1 BOB ROBERTS voice: While Gamekeepers Were Sleeping
2 GEORDIE HANNA voice: On Yonder Hill There Sits A Hare
3 WILLIE SCOTT voice: The Irthing Water Hounds
4 JOSEPH TAYLOR voice: The White Hare
5 JIMMY KNIGHTS voice: Out With My Gun In The Morning
6 BIG JOHN MAGUIRE voice: The Huntsman’s Horn
7 HARRY BURGESS voice: The Hungry Fox
8 WIGGY SMITH voice: The Oakham Poachers
9 FELIX DORAN uilleann pipes & voice: The Fox Hunt
10 JASPER SMITH voice: Thornymoor Park
11 PHILIP McDERMOTT voice: The Fair Of Rosslea
12 POP MAYNARD voice: Williarn Taylor
13 WILLIE SCOTT voice: The Kielder Hunt
14 WIGGY SMITH voice: Hares In The Old Plantation
15 JACK ELLIOTT voice: Champion He Was A Dandy
16 PHILIP McDERMOTT voice: The Reaping Of The Rushes Green
17 HARRY BRAZIL voice: Bold Keeper
18 CHARLIE WILLS voice: The House That Jack Built
19 WALTER PARDON voice: The Poachers’ Fate
20 JIMMY HALPIN voice: Killafole Boasters
21 GEORGE TREMAIN melodeon: The Huntsman’s Chorus

Available now from:
TOPIC SHOP, AMAZON, ITUNES and on SPOTIFY



TSCD345 MARTIN CARTHY ~ LANDFALL

TSCD345 webMartin Carthy’s 1971 solo album tunnels further than its predecessors into contemporary song, coming up with memorable performances of Dave Goulder’s January Man John Kirkpatrick’s Dust To Dust and David Ackles’ His Name is Andrew.

Martin Carthy vocals, guitar

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WATERSON:CARTHY ~ FISHES & FINE YELLOW SAND TSCD542

Waterson:Carthy’s fifth album includes a characteristically eclectic selection of material from a formidable range of sources. Much of the album was recorded “live in the studio” with a view to retaining the essence of the group’s live interactive performance and this goal was successfully achieved. 

With one exception, the songs are about people who, whether or not they were born under a Bad Sign, certainly come – one way or another – under the Bad heading. It is almost a given that this makes for a programme of interesting and intriguing material. The set includes an outstanding reworking of the Jerry Garcia classic Black Muddy River, previously sung by Norma on her award winning solo album for the Hannibal label.
• “the synergy is quite electrifying” Observer Music Monthly Magazine
• “I urge everyone who is a traditional folk music fan to buy it. As always with these great performers, it was a pleasure.” folking.com
• “Something special happens when the first family of English folk gets together…This is folk music at its unadorned and traditional best. The uplifting harmonies of Norma and Eliza bring a joyous exuberance.” The Times

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TROUBLES THEY ARE BUT FEW: DANCE TUNES & DITTIES TSCD664

tscd664 webVolume 14 of The Voice of The People.
Dance Tunes & Ditties.
An anthology edited by REG HALL.
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TSCD495 BOLD SPORTSMEN ALL ~ EWAN MacCOLL, A.L. LLOYD, ROY HARRIS

TSCD495 webGamblers and sporting blades
These songs of sport and betting evoke a packed landscape of hunts and racecourses, boxing rings and football pitches, cockfighting pits, card tables and poolrooms, in boisterous renditions by Ewan MacColl, A.L.Lloyd and Roy Harris.

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PAST MASTERS OF IRISH FIDDLE MUSIC ~ VARIOUS ARTISTS TSCD605

The fiddle occupies pride of place within Irish traditional music and this collection features the great players from the golden age of recording between 1922 and 1951. These virtuoso stylists are featured in solo, small group and various band combinations performing both classic repertoire and little known pieces. The CD has been re-mastered to the highest standards and is accompanied by in depth notes.
Edited by Reg Hall

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TSCD492 MARTIN CARTHY & DAVE SWARBRICK ~ SKIN & BONE

TSCD492 webThis lively collaboration from two master musicians, recorded 1992, features a poignant reading of the ballad Lucy Wan and a long medley of tunes by the Irish harpist O’Carolan.

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MY FATHER’S THE KING OF THE GYPSIES: MUSIC OF ENGLISH & WELSH TRAVELLERS & GYPSIES TSCD661

tscd661 webVolume 11 of The Voice of The People.
Music of English & Welsh travellers & gypsies.
An anthology edited by REG HALL.

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THEY ORDERED THEIR PINTS OF BEER & BOTTLES OF SHERRY : THE JOYS & CURSE OF DRINK TSCD663

tscd663 webVolume 13 of The Voice of The People.
The Joys & Curse of Drink.
An anthology edited by REG HALL.

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TSCD750 MARTIN CARTHY ~ A COLLECTION

tscd751 webDrawn from Martin’s first six albums (TSCD340-345) this specially priced collection is the perfect introduction to this unique figure and his early recording career.

1  The Trees They Do Grow High
2  Lord Franklin
3  The Bloody Gardener
4  Poor Murdered Woman
5  Seven Yellow Gypsies
6  The Bold Poachers
7  Scarborough Fair
8  Lowlands of Holland
9  Davy Lowston
10  Streets of Forbes
11  Polly on the Shore
12  Cold Haily Windy Night

Martin Carthy vocals, guitar
Dave Swarbrick fiddle, mandolin

Available now from:
TOPIC SHOP and AMAZON



MARTIN SIMPSON ~ RIGHTEOUSNESS & HUMIDITY TSCD540

“The nearest thing this country has to Ry Cooder” The Big Issue.

Released in August 2003, this follow up to the award-winning album The Bramble Briar is a collection of new recordings, this time drawn from the American tradition and featuring his unequalled instrumental and vocal ability. As Martin says in his album notes, this record allows him to tip his hat to the music and people of the Southern US, and features a mix of traditional song and Martin’s own compositions. Alongside his singing, Martin plays acoustic guitar, ukulele, electric guitar, lap-steel, percussion, 5-string banjo and slide guitar. Much of the album was recorded in New Orleans and he is joined by a crack team of local musicians. Steeleye Span’s Rick Kemp features on some of the tracks recorded in the UK.

• “Martin Simpson demonstrates all over again that he is one of the great exponents of folk-blues guitar playing and his evocative vocal style fits the material perfectly.” The Scotsman
• “Martin Simpson is a guitarist of extraordinary accomplishment and versatility – creates the sound-world in which dramas are played out….instrumental brilliance” ★★★★ Songlines
• “16 wonderful and varied pieces – it is a hell of a musical experience – another stunning piece of work to cherish” Rogue Folk Magazine

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TSCD298 JUNE TABOR ~ AIRS & GRACES

TSCD298 webIn this impressive debut Tabor tackles not only the traditional stories of Reynardine and the Plains of Waterloo but the harrowing narrative of Eric Bogle’s World War I song The Band Played Waltzing Matilda, in what is now recognised as its definitive version
‘She has the rare gift of releasing the innermost warmth and light of the old songs’ – DAILY TELEGRAPH

June Tabor vocals
with
Nic Jones guitar & fiddle
Jon Gillaspie keyboards

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TSCD490 JUNE TABOR ~ ALEYN

TSCD490 webTabor’s characteristic choice and blend of traditional songs and compositions by Richard Thompson, Ralph McTell and other contemporary songwriters are enhanced by sensitive arrangements.

‘Tabor’s singing is spellbinding. She is one of the great singers of any genre.’ The Guardian

June Tabor is accompanied by:
Andy Cutting
diatonic accordion
Mark Emerson violin, viola
Mark Lockheart clarinet, tenor & soprano saxophones
Dudley Phillips double bass
Huw Warren piano, piano accordion

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FAY HIELD ~ LOOKING GLASS TSCD573

Fay Hield has been singing traditional songs from an alarmingly early age. She was active in the lively music scene centred around the Famous Bacca Pipes Folk Club in Keighley, was instrumental in launching the Haworth Arts Festival and was part of a highly-regarded duo with Damien Barber. In 2001 she helped form The Witches Of Elswick – a female acapella quartet.

After a year or two off the folk radar, Fay returned to public view via occasional performances with partner Jon Boden. By this time she and Jon had fetched up on the moorland fringes of Sheffield. In 2009 a new concert line-up with Rob Harbron (English Acoustic Collective) and Sam Sweeney (Bellowhead) came into being, built around a striking repertoire of often obscure material drawn from rarely-thumbed collections. The Trio’s first outing, at the Oxford Festival in 2009, was flagged up approvingly by Acoustic Magazine as their Gig Of The Month, commenting: “….. Contained within a festival bursting at the seams with talent, this performance really stood out as one of the highlights.”

Some months ago Topic’s Tony Engle heard Fay’s new recordings. Her classic voice and the unusual selection of material quickly resulted in Topic’s first signing in a number of years.

Fay Hield’s debut solo CD Looking Glass is a spicy stew of songs and ballads, catches and caprices. The title track is a Peter Bellamy setting of a Rudyard Kipling poem. Instrumentation includes fiddles, concertina, nyckelharpa and guitar. The sound is at once crafty and nimble, airy and graceful, full of zest and nuance, sensitive to the tradition yet utterly distinctive. Fay leads with a voice whose rough edges are still thrillingly intact, and which goes straight to the living heart of the songs.

  • “Looking Glass is one of the best albums Topic has released for many years. I absolutely love it.” Mike Harding, BBC Radio 2
  • “An album of real depth and substance.” Colin Irwin, fRoots
  • “Hield is a rare talent.” ★★★★ Uncut
  • “There’s a real depth and richness to her singing.” ★★★★ Mojo
  • “Her strong voice, with soft, comforting northern tones delivered songs from the length and breadth of the country… Contained within a festival bursting at the seams with talent, this performance really stood out as one of the highlights.” Acoustic Magazine

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TSCD751 The Voice of the People

TSCD751The Voice of the People is a tremendous collection of Traditional Music recordings from the British Isles – England, Ireland, Scotland & Wales. The series runs to 20 CDs and presents an extensive and varied picture of traditional singing, instrumental music-making and dancing throughout the course of the 20th century.

This specially priced twenty-track introduction to the Voice of the People series features a track from each of the original 20 albums together with an introductory note.

• “Great music in really vital – and absolutely unique – performances. An indispensable resource for anyone genuinely interested in traditional folk songs and their performance” NetRhythms

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TSCD411 NIC JONES ~ PENGUIN EGGS

TSCD411 webThis mature work of a brilliant song-interpreter and guitarist, packed with fresh songs and novel settings, is rendered all the more valuable by the scarcity of his recordings. When Bob Dylan appropriated his arrangement of Canadee-I-O, it was just one sign of Jones’ status among musicians as well as lay listeners.
“Penguin Eggs may be the best British acoustic folk album ever made” Stuart Maconie, BBC Radio 2

“This is simply the most committed folk music ever recorded. Jones’ guitar playing is diamond-hard while his vocals hit both head and heart. A written in stone masterpiece from a true folk icon.” All time classic album HMV Choice

“Penguin Eggs should be in every folkie’s music collection. It is one of those rare, nearly perfect recordings.” Celtic Heritage

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TSCD358 JACKIE DALY ~ MUSIC FROM SLIABH LUACHRA 

TSCD358 webReleased in 1977, Jackie Daly’s remarkable debut of music from the Sliabh Luachra, the mountainous border between Cork and Kerry, has long been recognised as an important landmark recording.

It captured Daly at the peak of his powers and helped to re-establish the accordion as an important instrument in Irish music.

From this impressive beginning, Jackie went on to play with the cream of Ireland’s musicians in such seminal groups as De Danann and Patrick Street and build a reputation as “the” Irish button accordion player – in other words the best in the world.
“Essential” Taplas
“It is a key recording – it’s a no-messing, consistently charming work” Stirrings

Jackie Daly accordion, single reed accordion, Anglo concertina

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COME LET US BUY THE LICENSE: SONGS OF COURTSHIP & MARRIAGE TSCD651

tscd651 webVolume 1 of The Voice of The People.
Songs of courtship and marriage.
An anthology edited by REG HALL.

1 SARAH MAKEM voice: I Courted A Wee Girl
2 GEOFF LING voice: The Green Bushe
3 MARY ANN HAYNES voice: Lovely Johnny
4 TOMMY McGRATH voice: The Colleen From Coolbaun
5 POP MAYNARD voice: Our Captain Calls All Hands
6 WILLIE CLANCY voice: The Song Of The Riddles
7 JIMMY McBEATH voice: The Bonnie Lass O’Fyvie
8 PADDY TUNNEY voice: The Old Man Rocking The Cradle
9 HARRY COX voice: The Bold Fisherman
10 ROSE MURPHY fiddle: The Lonely Maid
11 JOE HEANEY voice: Who Are You, My Pretty Fair Maid?
12 JACK NORRIS voice & accordeon: The Gown Of Green
13 BELLE STEWART voice: The Bonnie Wee Lassie Fae Gouroch
14 PHIL TANNER voice: The Sweet Primroses
15 EDDIE BUTCHER voice: David’s Flowery Vale
16 TURP BROWN voice: Abroad As 1 Was Walking
17 MARGARET BARRY voice & banjo: The Blarney Stone
18 WALTER PARDON voice: Peggy Benn
19 MARTIN GORMAN voice with chorus: The Little Drummer
20 JOSEPH TAYLOR voice: The Gypsy Girl
21 JIMMY McBEATH voice: Bound To Be A Row
22 MICHO RUSSELL voice: Nora Daly
23 PADDY TUNNEY voice: When A Man’s In Love He Feels No Cold
24 JEANNIE ROBERTSON voice with chorus: An Old Man Come Courting Me

Available now from:
TOPIC SHOP, AMAZON, ITUNES and on SPOTIFY



RANTING & REELING: DANCE MUSIC OF THE NORTH OF ENGLAND TSCD669

tscd669 webVolume 19 of The Voice of The People.
Dance Music of the North of England.
An anthology edited by REG HALL.

1 WILL ATKINSON mouth-organ: Hexham Races / The Stool Of Repentance
2 TOM HUNTER & BILLY BALLANTINE fiddle & piccolo: The Gilsland Hornpipe
3 NED PEARSON fiddle: Untitled Hornpipe. Untitled Polka
4 BILLY BALLANTINE piccolo: Bonny North Tyne
5 WILLY TAYLOR fiddle: The Braemar Gathering /J.D. Burgess
6 WILL ATKINSON mouth-organ: The Friendly Visit / The Greencastle / The Lass On The Strand
7 WILLY TAYLOR, JOE HUTTON & WILL ATKINSON fiddle, small pipes & rnouth-organ: Christie MacLeod / The Gallowglass Rant / Charlie Hunter
8 JIM RUTHERFORD fiddle: The Morpeth Rant
9 ARTHUR MARSHALL melodeon & THE LOFTUS SWORD DANCERS The Oyster Girl – lst Figure. The Lass Of Dallowgill – 2nd Figure.
10 WILLY TAYLOR fiddle: Willy Taylor’s Polka. There’s Nae Good Luck
11 WILLY TAYLOR accordeon: The Pop Along Polka
12 WILLY TAYLOR, JOE HUTTON & Will ATKINSON fiddle, small pipes & mouth-organ: Mrs. Jamieson’s Favourite / Parnell’s March
13 NED PEARSON fiddle: The Polka Mazurka. Paddle Your Own Canoe
14 WILL ATKINSON mouth-organ: Farewell To The Creeks
15 ADAM GRAY fiddle: Tom Hepple’s Polka. The Tow House Polka
16 ROB FORRESTER mouth-organ, with ALF ADAMSON’S BAND The Wild Rover / Copshawholm Fair / Yon Flowery Garden
17 WILL ATKINSON rnouth-organ: J.B.Milne / The New High Level
18 DAVIE ROGERSON fiddle: The Tenpenny Bit / The Rakes Of Kildare / I Lost My Love And I Care Not. Untitled Reel
19 BILLY BALLANTINE & JIMMY HUNTER piccolo & mouth-organ: Rosalie, The Prairie Flower. My Lodging / Blow The Wind Southerly
20 NED PEARSON fiddle: Corn-Rigs. Untitled Jig For The Sylph 1. Untitled Jig For The Sylph 2
21 WILL ATKINSON mouth-organ: Longueval
22 JAKE HUTTON, TOM HUNTER & BILLY BALLANTINE two fiddles & piccolo: The Kielder Schottische
23 BILLY BALLANTINE piccolo: The Sylph. Proudlock’s Hornpipe
24 NED PEARSON fiddle: The Highland Laddie. The Pin Reel The Cambo March
25 WILL ATKINSON mouth-organ: A.M.Shinnie / The Hogmaney Jig / Elizabeth Adair
26 DAVIE ROGERSON fiddle: Untitled Hornpipe. The Swallow’s Tail
27 THE CHEVIOT RANTERS band: The Ideal Schottische
28 WILLY TAYLOR, JOE HUTTON & WILL ATKINSON fiddle, small pipes & mouth-organ: Kelso Accordion And Fiddle Club / Linda McFarlane / The Scairlaveg

Available now from:
TOPIC SHOP, AMAZON, ITUNES and on SPOTIFY



TSCD474 MARGARET BARRY & MICHAEL GORMAN ~ HER MANTLE SO GREEN

TSCD474 webWith her flamboyant delivery and idiosyncratic banjo-playing Margaret Barry brought the art of the street-singer into the pubs and clubs of Irish London in the 1950s and ’60s, frequently accompanied by the fiddler Michael Gorman.

‘To be confronted with a past so recent, so arrestingly singular and so irrecoverable catches alike the heart and the imagination.’– Mojo

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IRISH DANCE MUSIC ~ VARIOUS ARTISTS TSCD602

Two dozen recordings “illustrate”, according to the album’s producer Reg Hall, “traditional dance-music repertoires, styles and contexts found in Ireland, Britain and America in the first half of this century.” Some 50 tunes are played by soloists, duets, small groups and ceilidh bands, including many of the leading Irish fiddlers, accordionists and flute-players of their day. The recordings, spanning 1922-48, have been scrupulously remastered and are accompanied by Hall’s detailed historical notes.
Edited by Reg Hall

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RIG-A-JIG-JIG: DANCE MUSIC OF THE SOUTH OF ENGLAND TSCD659

Volume 9 of The Voice of The People.
Dance music of the South of England.
An anthology edited by REG HALL.

1 SCAN TESTER & RABBITY BAXTER concertina & tambourine: Jenny Lind
2 JINKY WELLS fiddle & voice The Flowers Of Edinburgh / Bobbing Around
3 PERCY BROWN melodeon: The Yarmouth Breakdown
4 OSCAR WOODS melodeon: The Italian Waltz
5 THE BOSCASTLE & TINTAGEL PLAYERS concertinas, cello & stepping: The Boscastle Breakdown
6 JACK HYDE mouth-organ: Shepherd’s Hey
7 SCAN TESTER concertina: In And Out The Windows / The Monkey Hornpipe
8 THE DORSET TRIO fiddle, concertina & cello: Hands Across / The Four-Handed Reel
9 BOB CANN melodeon: Woodland Flowers / Uncle Jim’s Barndance
10 STEPHEN BALDWIN fiddle: Greensleeves. Napoleon’s March
11 JIMMY DIXON & RON WHATMORE mouth-organs: Over The Waves / The Cuckoo Waltz
12 WALTER BULWER mandolin-banjo: Old Mrs Cuddledee WALTER BULWER fiddle: The Egg Hornpipe / The Shipdham Hornpipe / The Sailor’s Hornpipe
13 SCAN TESTER & RABBITY BAXTER concertina & tambourine: Untitled Polka
14 ARNOLD WOODLEY fiddle: Johnny’s So Long At The Fair
15 BILL KIMBER concertina: Over The Hills To Glory
16 FONT WHATLING melodeon: Untitled Polka / Golden Slippers / Mick’s Tune.
17 BILLY COOPER dulcimer: The Irish Washerwoman / Garyowen / Rory O’More / St Patrick’s Day
18 THE DORSET TRIO fiddle, melodeon & cello: The Italian Schottische
19 STEPHEN BALDWIN fiddle: The Gypsy Hornpipe. Untitled Schottische
20 SCAN TESTER & DAISY SHERLOCK concertina & piano: Untitled Schottische
21 PERCY BROWN melodeon: The Veleta / The Heel And Toe Polka
22 FRED WHITING fiddle: The Earl Soham Slog. Harkie Nestling’s
23 RUTH ASKEW & GEORGE PRIVETT melodeon & spoons: The Manchester Hornpipe / Click Go The Shears
24 THE DORSET TRIO fiddle, concertina & cello: Sheep-Shearing. Untitled Polka
25 OSCAR WOODS melodeon: Untitled Polka. Untitled Polka
26 BERTIE CLARK fiddle: The Maid Of The Mill. Bacca Pipes / Jockey To The Fair.
27 JIMMY DIXON & RON WHATMORE mouth-organs: Nobody’s Darling But Mine / Untitled. Quick- Step Medley
28 THE SAILORS’ HOBBY HORSE melodeon & two drums: Live Performance

Available now from:
TOPIC SHOP, AMAZON, ITUNES and on SPOTIFY



TSCD452 MARTIN CARTHY ~ RIGHT OF PASSAGE

TSCD452 webOn Right Of Passage from 1988, Carthy draws tunes from Quebec, Brittany and Mozart, songs from Leon Rosselson and Mike Waterson and poems from e.e.cummings and an anonymous 17th-century pamphleteer into a surprising but successful union of old and new, traditional and individual.

• “An absorbing album, rich in detail and character.” Sounds

Martin Carthy vocals, guitar
with
John Kirkpatrick one-row melodeon , button accordeon
Chris Wood fiddle
Dave Swarbrick fiddle

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BOB FOX ~ THE BLAST TSCD555

John Tams, multi award winning producer of The Blast says -

 ” Bob Fox has rightly occupied high office in the ranks of great North Eastern singers and the decision to reduce the division of labour to it’s barest, a painstakingly devoted singer and magnificent guitarist, and a ‘bloke behind the glass’ was one of the best experiences of over forty years of recording. This is Bob Fox holding his ground, a stand alone album from a great stylist.”

• “At last, the record we’ve been waiting for – that astonishing guitar technique coupled with one of England’s finest voices” Ralph McTell
• “The voice and guitar of Bob Fox are always a delight to listen to and the production by John Tams ensures a full and rich sound. It’s a well balanced, beautifully produced album that is a pleasure to listen to, again and again.” Taplas
• “Today I’ve been listening to a CD that has me entranced, delighted and excited all at once. Fox is a supreme guitarist with a deft touch and rhythmic sense – a voice as sweet and strong as blackstrap molasses. It’s the best thing I’ve heard from the revival in ages.” Living Tradition
• “A richly warm voice gives his storytelling real credibility and engagement” fRoots

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WATERSON:CARTHY ~ HOLY HEATHENS & THE OLD GREEN MAN TSCD562

This is the album that Waterson:Carthy have been wanting to make for a long time. In 1965, their forerunners The Watersons released the landmark album Frost and Fire – A Calendar of Ritual Magical Songs, and the concept continues to fascinate them. With Holy Heathens they have eclipsed even that seminal album, amd the sound is a resoundingly full blooded one. The resonant ensemble singing is bolstered by The Devil’s Interval, a young and exciting new vocal trio of Lauren McCormick, Emily Portman & Jim Causely. They are further accompanied by guitar, fiddle, mandolin, brass and percussion. This fuller sound harks back to The Watersons and Blue Murder, but surpasses them for sheer excitement and thrills.

In Holy Heathens and the Old Green Man, Waterson:Carthy have produced their best album to date – no question about it.

  • “Beautifully played and sung and illuminated by Martin Carthy’s scholarly sleeve notes.” ★★★★ The Guardian
  • “Their singing elevates the soul. Eliza Carthy has rarely performed more evocatively than on her uncle Mike Waterson’s ‘Jack Frost’ and Tim van Eyken’s version of ‘On Christmas Day It Happened So’ makes you shiver.” ★★★★ Mojo
  • “… Whether it’s the presence of The Devil’s Interval, the inspirational nature of the material or the power of the seasons, Norma Waterson and Martin Carthy sound positively reinvigorated in the midst of it all, their voices and total conviction immediately identifiable. It’s a genuinely uplifting collection with fire in its belly.” fRoots
  • “Eliza’s singing of her uncle Mike’s ‘Jack Frost’ is simply stunning. You should buy a copy of Holy Heathens for everyone you know.” The Living Tradition

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TSCD384 DICK GAUGHAN ~ GAUGHAN

TSCD384 webTraditional and contemporary songs sung with grace and feeling are interspersed with bagpipe jigs and fiddle reels transposed to guitar in this multifaceted collection. The CD includes bonus tracks from Dick’s 1977 instrumental collection Coppers And Brass and two songs from the 1975 The Bonnie Pit Laddie set.

Dick Gaughan guitar, vocals
with
Alistair Anderson English concertina
Barry Lyons bass guitar
Tom Hickland piano

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A STORY I’M JUST ABOUT TO TELL: LOCAL EVENTS & NATIONAL ISSUES TSCD658

tscd658 webVolume 8 of The Voice of The People.
Local Events & National Issues.
An anthology edited by REG HALL.

1 JOHN MacDONALD accordeon: Majuba Hill
2 BOB HART voice: A Broadside
3 MARGARET BARRY & MICHAEL GORMAN voice, banjo & fiddle: The Wild Colonial Boy
4 JOE HEANEY voice: The Wife Of The Bold Tenant Farmer
5 DAVIE STEWART voice & accordeon: MacPherson’s Rant
6 MARTIN HOWLEY voice: The Young Horseman
7 JOHN MacDONALD voice & accordeon: The Haughs O’Cromdale
8 ROBERT CINNAMOND voice: The Aghalee Heroes
9 SHEILA STEWART voice: Young Jimmy Foyers
10 TOM COSTELLO voice: A Grand Conversation On Napoleon
11 LUCY FARR fiddle: The Glen Of Aherlow
12 JOSEPH TAYLOR voice: Creeping Jane
13 FREDDY McKAY voice: Skibbereen
14 WILLIE SCOTT voice: Bloody Waterloo
15 TOMMY McGRATH voice: Down In The Town Of Old Bantry
16 DAVIE STEWART voice & accordeon: Boulavogue
17 BERNARD O’SULLIVAN & TOMMY McMAHON concertinas: Bonaparte’s Retreat
18 SARAH MAKEM voice: The Wind That Shakes The Barley
19 JASPER SMITH voice: Hartlake Bridge
20 JOE HEANEY voice: Morrissey And The Russian Sailor
21 CYRIL POACHER voice: The Bonny Bunch O’Roses
22 MAY BRADLEY voice: Calvery
23 STRAIGHTY FLANAGAN voice: Michael Power
24 MARGARET BARRY voice & banjo: The Bold Fenian Men

Available now from:
TOPIC SHOP, AMAZON, ITUNES
and on SPOTIFY



WATERSON:CARTHY ~ BROKEN GROUND TSCD509 

The great family tradition returns to record their third album, this time as a four piece, with Norma Waterson, Martin Carthy and Liza Carthy joined by Saul Rose on melodeons and voice. The extended line-up results in a jewel of an album. Stand out tracks are Raggle Taggle Gipsies featuring Liza, The Bay of Biscay featuring Norma, the staggering instrumentals and Martin’s Bald Headed End of the Broom with New Orleans marching band added for good measure.

Norma Waterson vocals, triangle
Martin Carthy vocals, guitar
Eliza Carthy vocals, fiddle, viola
Saul Rose vocals, melodeon
Ben Ivitsky low whistle
+ The Phoenix New Orleans Parade Band

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IT FELL ON A DAY, A BONNY SUMMER DAY: BALLADS TSCD667

tscd667 webVolume 17 of The Voice of The People.
Ballads.
An anthology edited by REG HALL.

1 LIZZIE HIGGINS voice: A Beggar Man
2 JOHN REILLY voice: Lord Baker
3 WALTER PARDON voice: Jack Hall
4 JOHN MacDONALD voice & accordeon: The Bonnie Hoose O’Airlie
5 MARY DELANEY voice: Buried In Kilkenny
6 WILLIE SCOTT voice: The Dowie Dens O’ Yarrow
7 PACKIE MANUS BYRNE (pictured) voice: Young Alvin
8 SHEILA STEWART voice with chorus: The Mountain Streams Where The Moorcocks Grow
9 ROBERT CINNAMOND voice: There Was A Lady Lived In The West
10 HARRY COX voice: In Worcester City
11 MARY DELANEY voice: What Put The Blood?
12 LIZZIE HIGGINS voice: Lady Mary Ann
13 JOHN REILLY voice: Once There Lived A Captain
14 JEANNIE ROBERTSON voice: The Gypsy Laddies
15 HARRY COX voice: Young Edmund
16 SARAH MAKEM voice: Barbara Allen

Available now from:
TOPIC SHOP, AMAZON, ITUNES and on SPOTIFY



TSCD342 MARTIN CARTHY with DAVE SWARBRICK ~ BYKER HILL

TSCD342 webAs he grew in confidence and dexterity Martin Carthy tested himself with tricky rhythms and challenging songs, and the title track of Byker Hill (1967) electrified the folk scene with its audacious syncopation. His most carefully planned and executed album up to that point, it remains an outstanding achievement.

“An audacious recording that remains Carthy’s benchmark album. A giant step on the road to immortality.” All time classic album HMV Choice

Martin Carthy vocals, guitar
Dave Swarbrick fiddle, mandolin

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TSCD936 POETRY AND LANGUID CHARM- SWAHILI MUSIC FROM TANZANIA AND KENYA FROM THE LATE 1920s TO THE 1950s

As recorded music developed in the early part of the 20th century, there was more and more pressure on commercial record labels to capitalise on indigenous music in Africa, Asia, South America and the Caribbean. This was not some sort of altruistic exercise, rather a market that was open to exploitation. On the East African coast, site of the present day Tanzania and Kenya, there was a “gold rush” fever in the 1930s to record the local music stars.

The music recorded was mostly “taarab”, sung poetry accompanied by an ensemble that played with both traditional African rhythms with Arabic influences and used Arabic and Indian instruments. This exciting music is being here released on CD for the first time, and has been remastered to produce outstanding sound quality from the original 78 rpm recordings.

“Drawn from the extraordinary collection of original recordings at the National Sound Archive, this project, overseen by Dr Janet Topp-Fargion, is, quite simply, a delight from the first second to the last. Wonderfully readable and enlightening notes, historic illustrations and full recording details, this new release presents an engaging portrait of its targeted time and place. The packaging and sound quality are faultless, the programme both enlightening and entertaining, and there’s almost nothing else like it available. Need any more hints?” fRoots

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LAL & NORMA WATERSON ~ A TRUE HEARTED GIRL TSCD507

In 1977 Lal and Norma Waterson, as a side project, recorded A True Hearted Girl – an album of solos, duos and trios (with Lal’s daughter Maria). Lal and Norma varied the tried and true vision of The Watersons on this outing, by only using female voices and in different combinations. This gives the album a different ambience and depth to The Watersons.

Highlights of A True Hearted Girl include The Flowers of the Forest, I Wish I Never Had and Grace Darling. This CD reissue includes two extra tracks; one from the 1966 Watersons album, A Yorkshire Garland, and a rare 1998 live recording of The Waterdaughters (Lal, Norma, Maria & Eliza Carthy).

Lal Waterson, Norma Waterson, Maria Waterson, Eliza Carthy vocals
with
Jim Eldon flute, whistle
Peta Webb fiddle
Rod Stradling melodeon
Tony Engle Anglo-concertina

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YOU LAZY LOT OF BONE SHAKERS: SONGS & DANCE TUNES OF SEASONAL EVENTS  TSCD666

tscd666 webVolume 16 of The Voice of The People.
Songs & Dance Tunes of Seasonal Events.
An anthology edited by REG HALL.

1 THE BRITANNIA COCONUT DANCERS with The Nutters Band Live Performance – The Nut Dance
2 JINKY WELLS (of Bampton Morris) fiddle & voice: Highland Mary
3 BAMPTON MORRIS Live Performance – The Quaker
4 EMMA VICKERS (of Burscough Pace-Eggers) voice: The Pace-Egging Song
5 THE MERRYMAKERS (Padstow) Live Performance – The Happy Wanderer
6 GEORGE DUNN voice: While Shepherds Were Watching Their Flocks By The Night
7 WRENBOYS (Listowel) Live Performance – By The Bright Silvery Light Of The Moon. Live Performance – Highland Fling
8 BILL KIMBER (of Headington Quarry Morris Dancers) concertina: Double Set Back
9 MUMMERS voice & melodeon: So Now We’ve Gained Our Victory. The Quaker
10 WAPPING IRISH FLUTE & DRUM BAND & GUEST PIPERS Live Performance – Dublin Fair / The Boys Of Wexford. Live Performance – Garryowen
11 STEPHEN BALDWIN fiddle: The Girl I Left Behind Me
12 THE RIPON SWORD DANCERS (Mummers) Live Performance
13 ABINGDON TRADITIONAL MORRIS DANCERS Live Performance – Jockey To The Fair
14 PHIL TANNER voice: The Wassail Song
15 HELSTON TOWN BAND Live Performance – The Furry Dance
16 SCAN TESTER concertina: While Shepherds Watch Their Flocks By Night
17 FRANK BOND (of North Waltham Jolly Jacks) voice: God Bless The Master Of This House
18 SAM BOND (of North Waltham Jolly Jacks) voice: Where Does Father Christmas Go To?
19 BAMPTON MORRIS Live Performance – Bobbing Around
20 THE SAILORS’ HOBBY HORSE (Minehead) Live Performances
21 BILLY BUCKINGHAM & OTHERS voices: The Waysailing Bowl
22 WIDNES STAR NOVELTY BAND The Great Little Army March
23 WASSAILERS (Bodmin) voices Live Performance
24 THE ABBOTS BROMLEY HORN DANCERS Live Performance – Cock O’The North
25 THE BRITANNIA COCONUT DANCERS with The Nutters Band Live Performance – The Garland Dance No.3
26 THE MERRYMAKERS (Padstow) Live Performance – The Sash

Available now from:
TOPIC SHOP, AMAZON, ITUNES and on SPOTIFY



ELIZA CARTHY ~ ROUGH MUSIC TSCD554

Rough Music is a step on from the multi-award winning Anglicana, and is a powerful, vital, multi-layered collection full of dark rhythms in Eliza’s vision of English Traditional Music for the new millennium. Her backing band, The Ratcatchers, includes her long time collaborator Ben Ivitsky, and two of the fastest rising stars of the folk scene, Jon Boden and John Spiers.
The album features dense arrangements of traditional songs showcasing Eliza’s incomparable voice as well as spirited, highly original performances of English instrumental music. Billy Bragg’s King James Version and Eliza’s own Mohair complete the unique blend of old and new.
The title notwithstanding, there is nothing rough about the quality of the music – Eliza has taken the name of the album from an age-old custom and she explains it…..
“Rough Music is in the Book of Days on October 28th and is described as a form of community punishment practiced all over England. If a man were seen to be (say) beating his wife, or ‘allowing himself to be hen-pecked’ it says here, he could expect to receive a concert of Rough Music. Basically if they thought you had been naughty (it doesn’t say how or if they proved this) all the men, women and children of the village would go round to your house in the middle of the night, call out your name and proceed to bang pots, pans, tin lids and buckets or whatever came to hand, to bring your crimes to attention and drive you out. When my family moved to North Yorkshire at the beginning of the seventies there was a case of a man being driven from our area by this method. However, we’ve tried to make the album a bit nicer than that.”

• “Top 10 Folk Album of the Year 2005” Mojo
• “An instant winner. Great singing, rousing instrumentals, fabulous album. A Best Album of the Year.” Daily Telegraph
• “Rough Music feels fearless, certain and solid, putting all of Carthy’s many and varied skills into service. She can do it just by being brilliant.” ★★★★ Sunday Times
• “One of the brightest stars in the folk firmament. Eliza’s exquisite voice and fiddle playing make this a vibrant take on centuries-old tradition.” ★★★★ The Sun
• “Singer and violinist Eliza Carthy is one of the figureheads of the English folk revival and this album demonstrates why – compelling music.” ★★★★ Evening Standard
• “..the 29-year-old’s rawest collection to date. ..her voice lies at the centre of Rough Music’s most powerful moments.” ★★★★ Mojo

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