Traditional and contemporary folk from the British Isles

TSCD427 ALISTAIR ANDERSON ~ STEEL SKIES 

TSCD427 webScored for a group of musicians including fiddles, flutes, mandolins and Alistair Anderson’s concertina and Northumbrian smallpipes, Steel Skies is a magnificent suite of composed tunes with roots deep in the traditional music of the British Isles. The compositions take from the tradition but expand on it creating a rich and rewardingly-subtle whole. Originally released in 1982, this wonderful album has a justly sterling reputation among those who have heard it, calling out for a re-release on CD. Alistair Anderson’s mastery of the concertina is legendary, but it is the concept and the beauty of the music here that may take your breath away.

“This is new music but with its roots deep in the traditional music of the British Isles. The traditional musician takes old tunes and polishes them like gemstones, revealing new facets of the melodies at every turn. The vitality such musicians bring to their music has always been an inspiration to me, and Steel Skies is a personal response to this.” – Alistair Anderson.

“The range and balance of Anderson’s melodies take your breath away” fROOTS

More Details >>



COME ALL MY LADS THAT FOLLOW THE PLOUGH: THE LIFE OF RURAL WORKING MEN & WOMEN TSCD655

Volume 5 of The Voice of The People.
The Life of Rural Working Men & Women.
An anthology edited by REG HALL.

1 MARY ANN HAYNES voice: Hopping Down In Kent
2 JOE HEANEY voice: The Rocks Of Bawn
3 DAVIE STEWART voice: The Tarves Rant
4 SAM LARNER voice: The Pleasant Month Of May
5 BOB FORRESTER voice: Copshawholm Fair
6 POP MAYNARD voice: The Weaver’s Daughter
7 JINKY WELLS fiddle & voice: The Maid Of The Mill
8 STRAIGHTY FLANAGAN voice: The Grazer Tribe
9 JOHN MacDONALD voice & accordeon: The Mains O’Fogieloan
10 FRED JORDAN voice: We’re All Jolly Fellows As Follow The Plough
11 BOB HART voice: The Farmer’s Servant
12 DAVIE STEWART voice: I am a Miller To My Trade
13 HOCKEY FELTWELL voice: Four Horses
14 JIMMY MCBEATH voice: Nicky Tams
15 PADDY TUNNEY voice: The Lark In The Morning
16 LIZZIE HIGGINS voice: Lovely Molly
17 PADDY BEADES voice with fiddle & piano-accordion: The Bonnie Labouring Boy
18 JIMMY McREATH voice: The Barnyards O’Delgaty
19 HARRY UPTON voice: The Rich Lady Gay
20 TOM LENINAN voice: The Cranbally Farmer
21 WILLIE KEMP & CURLY MacKAY voice & piano-accordion: Wi’ Ma Big Kilmarnock Bonnet
22 WILLIE SCOTT voice: The Lads That Was Reared Among Heather
23 EDDIE BUTCHER voice: Tossing The Hay
24 JOHN MacDONALD voice: Sleepytoon
25 THE HYDE BROTHERS melodeons: Back O’ The Haggart

Available now from:
TOPIC SHOP, AMAZON, ITUNES and on SPOTIFY



BLUE MURDER ~ NO ONE STANDS ALONE TSCD537

The seven piece group Blue Murder, made up of Waterson:Carthy, Coope, Boyes and Simpson and Mike Waterson, has been described as “Harmony Heaven” and one listen is enough to explain why – seven of the greatest English folk voices performing together with passion and spirit. The repertoire ranges between great traditional standards, selected compositions and original songs by some of the band members. Whilst much of the album is the full glory of the seven voices, about half of the tracks have the added benefit of Martin Carthy’s understated but impeccable guitar work.

  • “..seldom has the unadorned human voice sounded more exhilarating. No One Stands Alone is destined to be one of the best British folk albums released this year.” ★★★★ The Times
  • “A glorious rush of perfectly pitched and counterbalanced vocals that offers up a spellbinding celebration of the human voice and makes this a firm contender for Folk Album of the Year” Netrhythms
  • “…singing and harmonising…top of the range…selection of songs…spot on, but more than that, there is a startling chemistry about them. There is a real mood of spontaneity and the idea of a group united by..a mutual love of the songs they are performing. Stand-out tracks include the rousing Bully in the Alley, the sentimental Land Where you Never Grow Old, and the devotional Standing on the Promises of God. Choruses made in heaven all. It is an album of qualities and values. Timeless.” fRoots
  • “The collective warmth of their intricately meshed harmonies fully bears out the togetherness made explicit in the title track. The septet’s burnished tones bring dignity and affection to their songs, with Norma Waterson’s commanding voice proud and plangent at its heart. – …beautiful renditions of traditional songs such as “Stars in My Crown” and “The Banks of Sweet Primeroses” tempered by the poignant sway of something like “The Land Where You Never Grow Old”. The Independent Review
  • “Performed in a dazzling array of harmonies by the best singers in the business – exhilarating – majestic and heartwarming. Essential” Mojo

More Details >>



TROUBLES THEY ARE BUT FEW: DANCE TUNES & DITTIES TSCD664

tscd664 webVolume 14 of The Voice of The People.
Dance Tunes & Ditties.
An anthology edited by REG HALL.
More Details >>



LINDA THOMPSON ~ FASHIONABLY LATE TSCD821

Time Magazine has said “Linda Thompson may be rock’s best woman singer”, and anybody with an interest in contemporary music would expect that description to be expanded to include folk music. Although Linda hasn’t made a recording for seventeen years, the pure, fragile beauty of her voice hasn’t deserted her – indeed, time has only increased the emotional quality of her performance. This is a remarkable comeback, featuring nine songs either written or co-written by Linda. The tenth, Evona Darling, is from the pen and free spirit of Lal Waterson.

• “Album of the year” Financial Times
• “The voice has never sounded more exquisite” ★★★★ Q magazine
• “Top 50 best album of the year” Mojo
• “Exquisite – now for the comeback concert.” ★★★★ The Guardian
• “Folk album of the year” Daily Telegraph
• “A long overdue gem from one of Rock & Roll’s finest voices. The real queen of Britain returns after a seventeen-year silence – with this record of magnificent anguish – the triumph is Linda’s alone” Rolling Stone
• “A superb collection rendered with consummate style and imagination – studded with brilliant individual performances. A marvelous return, impossible to recommend too highly” The Independent
• BBC Radio 2 Folk Awards 2003: Best Original Song (“No Telling”)
• “Fashionably Late is a gem that grows with each play. Linda’s voice is as wondrous as we remember it…Linda’s effortlessly supple vocals add colour and emotional depth to a sharply observed, highly melodic set of songs – highlights abound. A beautifully realised return to the musical spotlight” Get Rhythm

More Details >>



THE FIGHT GAME TSCD807

A radio-ballad about boxers by Ewan MacColl, Charles Parker & Peggy Seeger

Part documentary, part allegory, The Fight Game takes the listener into the gladiatorial arena of professional boxing.

‘In The Big Hewer, about coal mining and The Fight Game, about boxing, the radio-ballads find men titanic enough to live up to their pretensions. Listening to these two, you can really believe that there were giants in those days.’ THE INDEPENDENT

More Details >>



TSCD908 FOLK MUSIC OF TURKEY

The village music of Turkey, collected by Wolf Dietrich in the ’60s and ’70s, includes pastoral airs on flutes, festival music on davul (drum) and zurna (oboe) and songs intricately accompanied on the saz and cumbus lutes. There are also examples of dance music on the bagpipe and kemence fiddle.

Central & Southern Anatolia
1  Anamur yollan
2  Üç oyan havansi
Sirtindaki yeleği / Kara tren gelmez mi? / Üçayakhalay havasi
3  Üçayak, halay
4  Uzun hava
5  Silifke oyun havasi
6  Avşar beyler
7  Sarasy yollan
Black Sea area
8  Maçka horon havasi
9  Yüksek Hemşin
Eastern Anatolia
10  Şeyh Samil
11  Kōylü düğün havasi
12  Dadaloğlu nun Avşar türküsü

Available now from:
TOPIC SHOP, AMAZON, ITUNES and on SPOTIFY



ELIZA CARTHY ~ ANGLICANA TSCD539

Eliza Carthy’s triumphant return to Topic Records after a period recording for Warner Brothers. Anglicana was nominated for BBC Radio 3 World Music Album of the Year and is a great new traditional album re-affirming her as one of the most important artists of her generation. As the title suggests, Anglicana is an expression of Englishness (as Eliza feels it), “with people who were around at the time, no border checkpoints, nobody pushed out, just what it is”.
It is built on the solid foundations of the traditional music of the country of her birth. There is no question that she has absorbed much of the great qualities of that tradition, but she is not interested in producing pastiche or sterile re-construction. She is one of the few people who can take this wonderful music and perform it in a totally convincing contemporary style – both true to its sources and firmly relevant to today’s values. This is what traditional music in the twenty-first century is all about!

• “Brilliant updating of the English folk tradition .. proper music, not museum art – her voice has never sounded fuller” ★★★★★ The Independent
• “Surely the best album of its type so far this century” fROOTS
• “faultless” www.Amazon.co.uk
Best folk album of the year Mojo

More Details >>



TSCD491 MARTIN CARTHY & DAVE SWARBRICK ~ LIFE & LIMB

TSCD491 webCarthy and Swarbrick celebrated their 1990 reunion by adding many new songs and tunes to their repertoire as well as taking a fresh look at old favourites like Sovay and Byker Hill.

Martin Carthy vocals, guitar
Dave Swarbrick fiddle

More Details >>



TSCD751 The Voice of the People

TSCD751The Voice of the People is a tremendous collection of Traditional Music recordings from the British Isles – England, Ireland, Scotland & Wales. The series runs to 20 CDs and presents an extensive and varied picture of traditional singing, instrumental music-making and dancing throughout the course of the 20th century.

This specially priced twenty-track introduction to the Voice of the People series features a track from each of the original 20 albums together with an introductory note.

• “Great music in really vital – and absolutely unique – performances. An indispensable resource for anyone genuinely interested in traditional folk songs and their performance” NetRhythms

More Details >>



JOHN TAMS ~ Home TSCD533

Home is the follow-up to John Tams’ award-winning Unity and reasserts the claim that there is no greater writer of English songs on the current folk scene. John Tams’ writing and performance grows with each new project and he and the band assembled for the previous album are now a fully integrated unit producing a new contender for “album of the year”.

“Understated drama…… sensitive arrangements – quality stuff” fROOTS
More Details >>



TSCD358 JACKIE DALY ~ MUSIC FROM SLIABH LUACHRA 

TSCD358 webReleased in 1977, Jackie Daly’s remarkable debut of music from the Sliabh Luachra, the mountainous border between Cork and Kerry, has long been recognised as an important landmark recording.

It captured Daly at the peak of his powers and helped to re-establish the accordion as an important instrument in Irish music.

From this impressive beginning, Jackie went on to play with the cream of Ireland’s musicians in such seminal groups as De Danann and Patrick Street and build a reputation as “the” Irish button accordion player – in other words the best in the world.
“Essential” Taplas
“It is a key recording – it’s a no-messing, consistently charming work” Stirrings

Jackie Daly accordion, single reed accordion, Anglo concertina

More Details >>



WATERSON:CARTHY ~ HOLY HEATHENS & THE OLD GREEN MAN TSCD562

This is the album that Waterson:Carthy have been wanting to make for a long time. In 1965, their forerunners The Watersons released the landmark album Frost and Fire – A Calendar of Ritual Magical Songs, and the concept continues to fascinate them. With Holy Heathens they have eclipsed even that seminal album, amd the sound is a resoundingly full blooded one. The resonant ensemble singing is bolstered by The Devil’s Interval, a young and exciting new vocal trio of Lauren McCormick, Emily Portman & Jim Causely. They are further accompanied by guitar, fiddle, mandolin, brass and percussion. This fuller sound harks back to The Watersons and Blue Murder, but surpasses them for sheer excitement and thrills.

In Holy Heathens and the Old Green Man, Waterson:Carthy have produced their best album to date – no question about it.

  • “Beautifully played and sung and illuminated by Martin Carthy’s scholarly sleeve notes.” ★★★★ The Guardian
  • “Their singing elevates the soul. Eliza Carthy has rarely performed more evocatively than on her uncle Mike Waterson’s ‘Jack Frost’ and Tim van Eyken’s version of ‘On Christmas Day It Happened So’ makes you shiver.” ★★★★ Mojo
  • “… Whether it’s the presence of The Devil’s Interval, the inspirational nature of the material or the power of the seasons, Norma Waterson and Martin Carthy sound positively reinvigorated in the midst of it all, their voices and total conviction immediately identifiable. It’s a genuinely uplifting collection with fire in its belly.” fRoots
  • “Eliza’s singing of her uncle Mike’s ‘Jack Frost’ is simply stunning. You should buy a copy of Holy Heathens for everyone you know.” The Living Tradition

More Details >>



SONG OF A ROAD TSCD802

A radio-ballad about the building of the M1 Motorway by Ewan MacColl, Charles Parker & Peggy Seeger

The second of the remarkable Radio Ballads Song of a Road tells the story of the making of the M1, Britain’s first motorway. The road building was a suitably iconic and newsworthy project for Parker, MacColl and Seeger to develop their ground-breaking radio techniques. Among the songs MacColl created for this radio-ballad was Hot Asphalt.

More Details >>



FIRST I’M GOING TO SING YOU A DITTY: RURAL FUN & FROLICS TSCD657

tscd657 webVolume 7 of The Voice of The People.
Rural fun and frolics.
An anthology edited by REG HALL.

1 JOHNNY DOUGHTY voice: Herrings’ Heads
2 TOMMY McGRATH voice with chorus: Burke’s Engine
3 SCAN TESTER concertina: Untitled Schottische
4 JIMMY McBEATH voice: You Canna Put It On To Sandy
5 ROSE MURPHY fiddle: Ladybower’s / The Sister
6 POP MAYNARD voice: Three Sons Of Rogues
7 MARY ANN CAROLAN voice: Young Bob Ridley
8 BOB CANN melodeon: Uncle George’s Hornpipe / Tommy Roberts’ Hornpipe
9 JOHN MacDONALD voice: The Ball O’Kerriemeer
10 TOM BROWN voice: Widdlecombe Fair
11 SAM BOND mouth-organ: Oh, The Hampshires Do Like Duff
12 MAURICE voice: A Nice Piece Of Irish Pig’s Head
13 CURLY McKAY & WILLIE KEMP piano-accordion, voice & trump: Glendarel Highlanders /Kenmure’s On And Awa’ /Lovat Scouts /Monymusk
14 MAGGY MURPHY Voice: Clinking O’er The Lea
15 SID STEER voice: The Derby Ram
16 MARTIN GORMAN voice with chorus: Old King Cole
17 BAMPTON MORRIS with JINKY WELLS fiddle & voice: Live Perforrnance – Banbury Bill
18 FRED JORDAN voice: Down The Road
19 JOHN REILLY voice: The Rosin Box
20 ELLEN O’DWYER concertina: The Stack Of Barley
21 HENRY MITCHELMORE voice: Most Beautiful Leg Of The Mallard
22 JIM WILSON voice with chorus: The Keyhole In The Door
23 PADDY BREEN voice & tin-whistle: The Blue Meadow
24 NED PEARSON fiddle & voice: The Varsoviana (original tune) / The Varsoviana (later tune)
25 ALBERT RICHARDSON voice: The Old Sow
26 NORA CLEARY voice: The Codfish
27 WILL & IAN POWRIE accordeon & fiddle: Stirling Militia / Ruthven House / Fairy Dance
28 CHARLIE WILLS voice with chorus: Up To The Rigs Of London Town
29 JIM & SEAMUS DONAGHUE tin-whistle & tambourine: The Pigeon On The Gate

Available now from:
TOPIC SHOP, AMAZON, ITUNES and on SPOTIFY



TSCD384 DICK GAUGHAN ~ GAUGHAN

TSCD384 webTraditional and contemporary songs sung with grace and feeling are interspersed with bagpipe jigs and fiddle reels transposed to guitar in this multifaceted collection. The CD includes bonus tracks from Dick’s 1977 instrumental collection Coppers And Brass and two songs from the 1975 The Bonnie Pit Laddie set.

Dick Gaughan guitar, vocals
with
Alistair Anderson English concertina
Barry Lyons bass guitar
Tom Hickland piano

More Details >>



ANNE BRIGGS ~ A COLLECTION TSCD504

Anne Briggs, a free spirit of the 1960s, was also one of the most distinctive and influential singers on the folk scene.
‘If I hadn’t heard her,’ says June Tabor, ‘I’d have probably done something entirely different.’
‘She was,’ writes Colin Harper in his accompanying biographical essay, ‘as the best of the music itself was, sexy, wild, mysterious, otherworldly and vulnerable all at the same time.’

A Collection gathers scattered tracks from rare compilations together with her eponymous Topic album of 1971.

Anne Briggs vocal, guitar (13 & 16), bouzouki (15 & 21)
with
Johnny Moynihan bouzouki (15)
Ray Fisher vocal (12)

More Details >>



TSCD419 DICK GAUGHAN ~ HANDFUL OF EARTH

TSCD419 webThis mixture of love songs, odes of parting and political commentaries such as Worker’s Song and World Turned Upside Down is Gaughan’s most complex and emotionally penetrating album, and has come to be recognised as a masterwork.
• “Album of the Decade.” Folk Roots
• “By turns defiant, inspired, hopeful and downright angry, this is a genuine benchmark album, adorned by Gaughan’s passionate and fearsome guitar.” All time classic album HMV Choice

More Details >>



SHEILA STEWART ~ FROM THE HEART OF THE TRADITION TSCD515

In her own words, Sheila Stewart is probably the last in the line of a rich oral tradition of song, story and Scots Traveller culture. She is also one of the greatest singers of traditional song. From The Heart Of The Tradition was recorded by Doc Rowe in 1999 and captures her at the height of her powers.

More Details >>



TSCD477 JACK ELLIOTT ~ RAMBLIN’ JACK

TSCD477 webWoody Guthrie’s most famous sidekick (and an early influence on Bob Dylan) celebrates his old friend in poignant versions of his most celebrated songs, then joins singer and banjoist Derroll Adams in a session of classic old-time country songs. Ramblin’ Jack draws upon the influential body of recordings Elliott recorded for Topic Records in the late 1950s.

Jack Elliott vocals, guitar
Derroll Adams vocals, banjo

More Details >>



MELODEON GREATS ~ VARIOUS ARTISTS TSCD601 

A collection of melodeon masterpieces
Amidst the popular singers and military bands in the catalogues of early British record companies like Imperial, Invicta and Guardsman were a number of remarkable melodeon players with a mature command of traditional repertoire. Carefully transferred from largely acoustic recordings going back to 1909, these performances by Scots and Northern English musicians are a hidden treasury of traditional styles. Compiled, with detailed notes, by the traditional music historian Keith Chandler.

More Details >>



TSCD484 TOMMY ARMSTRONG OF TYNESIDE ~ VARIOUS ARTISTS

TSCD484 webSONGS BY THE GREAT BALLADEER OF THE COALFIELDS
The remarkable writings of Tyneside ‘pit poet’ Tommy Armstrong (1848-1919), one of the finest of all  working class song-makers are celebrated in a recording by some of the North East’s finest folk musicians.

More Details >>



STEVE ASHLEY ~ TIME AND TIDE TSCD569 

Steve Ashley’s second release for Topic is a landmark in British folk song writing. On strong winds and rising tides, he takes us on a remarkable journey – over the cliffs and into the heart of the woods and towns of England. These are stirring songs that engage with many realities of life in 2007, including global warming and the continuing Trident missile threat. Rich in poetry and strong melodies, they once again demonstrate Steve’s deep regard for our folk traditions.
Time and Tide also resonates with his earliest recorded work, reuniting him with orchestral arranger Robert Kirby (Robert and Steve first recorded together on Steve’s 1974 classic debut album Stroll On). Among other musicians participating in support are Fairport’s Chris Leslie, Dave Pegg and Simon Nicol, plus Robin Williamson and Decameron’s Dik Cadbury.
With 15 new songs delivered with candour, humour and hope for the future, the innovative, challenging and compassionate Time and Tide waits for no one.

  • “If British singer-songwriterdom is to enjoy a renaissance…then it is right and proper that Steve Ashley should be at the forefront…a distinctively English style….alluring tunes and deft lyrics” fRoots
  • “On his new set the gentle, sturdy melodies are matched with a rare blend of emotion and anger. Ashley may not be prolific but his songs are worth the wait.” The Guardian
  • “Uniformly excellent” Net Rhythms

More Details >>



TSCD298 JUNE TABOR ~ AIRS & GRACES

TSCD298 webIn this impressive debut Tabor tackles not only the traditional stories of Reynardine and the Plains of Waterloo but the harrowing narrative of Eric Bogle’s World War I song The Band Played Waltzing Matilda, in what is now recognised as its definitive version
‘She has the rare gift of releasing the innermost warmth and light of the old songs’ – DAILY TELEGRAPH

June Tabor vocals
with
Nic Jones guitar & fiddle
Jon Gillaspie keyboards

More Details >>



TSCD340 MARTIN CARTHY ~ Martin Carthy

TSCD340 webFirst released in 1965 Martin Carthy is the debut album from the most creative folksong interpreter of his generation. His singing and guitar-playing have been imitated wherever the revival has reached, across North America and Europe no less than in Britain.

Martin Carthy vocals, guitar
Dave Swarbrick fiddle, mandolin

More Details >>



TSCD410 JUNE TABOR with MARTIN SIMPSON ~ A CUT ABOVE

TSCD410 webThis album glows with the very special energy of a natural musical partnership, as June Tabor’s bold steps are faultlessly tracked by guitarist Martin Simpson. As well as compositions by Richard Thompson, Bill Caddick and other contemporary writers, Tabor offers a song in French, Le Roi Renaud.

June Tabor vocals
with
Martin Simpson guitar
Ric Saunders violin
Dave Bristow keyboards
Jon Davie bass

More Details >>



WATERSON:CARTHY ~ FISHES & FINE YELLOW SAND TSCD542

Waterson:Carthy’s fifth album includes a characteristically eclectic selection of material from a formidable range of sources. Much of the album was recorded “live in the studio” with a view to retaining the essence of the group’s live interactive performance and this goal was successfully achieved. 

With one exception, the songs are about people who, whether or not they were born under a Bad Sign, certainly come – one way or another – under the Bad heading. It is almost a given that this makes for a programme of interesting and intriguing material. The set includes an outstanding reworking of the Jerry Garcia classic Black Muddy River, previously sung by Norma on her award winning solo album for the Hannibal label.
• “the synergy is quite electrifying” Observer Music Monthly Magazine
• “I urge everyone who is a traditional folk music fan to buy it. As always with these great performers, it was a pleasure.” folking.com
• “Something special happens when the first family of English folk gets together…This is folk music at its unadorned and traditional best. The uplifting harmonies of Norma and Eliza bring a joyous exuberance.” The Times

More Details >>



TSCD750 MARTIN CARTHY ~ A COLLECTION

tscd751 webDrawn from Martin’s first six albums (TSCD340-345) this specially priced collection is the perfect introduction to this unique figure and his early recording career.

1  The Trees They Do Grow High
2  Lord Franklin
3  The Bloody Gardener
4  Poor Murdered Woman
5  Seven Yellow Gypsies
6  The Bold Poachers
7  Scarborough Fair
8  Lowlands of Holland
9  Davy Lowston
10  Streets of Forbes
11  Polly on the Shore
12  Cold Haily Windy Night

Martin Carthy vocals, guitar
Dave Swarbrick fiddle, mandolin

Available now from:
TOPIC SHOP and AMAZON



TSCD430 MARTIN SIMPSON ~ THE COLLECTION

TSCD430 webThis collection, drawn from Martin Simpson’s three earliest Topic albums, finds him working both solo and with other musicians in a variety of inventive settings.

More Details >>



TSCD905 FOLK MUSIC OF BULGARIA

Lying between Europe and Asia, Bulgaria displays in its traditional music both the formal solidity of the West and the exotic colouring of the East. These recordings, mostly collected by A.L. Lloyd on trips in 1954 and 1963, are very diverse, including instrumental solos on the stringed tambura, dyudyuk (flute) and gadulka (fiddle), band music and songs for various functions. Especially captivating is the women’s singing, whether solo or in group polyphony.

More Details >>



TSCD490 JUNE TABOR ~ ALEYN

TSCD490 webTabor’s characteristic choice and blend of traditional songs and compositions by Richard Thompson, Ralph McTell and other contemporary songwriters are enhanced by sensitive arrangements.

‘Tabor’s singing is spellbinding. She is one of the great singers of any genre.’ The Guardian

June Tabor is accompanied by:
Andy Cutting
diatonic accordion
Mark Emerson violin, viola
Mark Lockheart clarinet, tenor & soprano saxophones
Dudley Phillips double bass
Huw Warren piano, piano accordion

More Details >>



TSCD418 MARTIN CARTHY ~ SWEET WIVELSFIELD

TSCD418 webFirst released in 1974 and produced by Ashley Hutchings, Sweet Wivelsfield is a classic Martin Carthy album and served as a benchmark recording for many other artists. The ominously chiming guitar chords of Trimdon Grange and the ingeniously borrowed melody of King Henry exemplify Carthy’s unceasing search for new ways to present old songs, a thread that runs all through this impressive recording.

Martin Carthy vocals, guitar

More Details >>



BRASS MONKEY ~ GOING & STAYING TSCD531 

Another fine recording from this unique powerhouse band. “Going and Staying” features the band’s Deep English sound. Unique instrumentation and their approach to folk music give Brass Monkey an instantly recognisable sound and presence. For many of the tracks, the lineup expands to a six-piece featuring an extended brass section.

• “If there is a British folk supergroup these days, it’s surely this unusual band” The Guardian
• “…a vitality about the whole thing … lending majesty and a refreshingly different landscape on which to place these … songs” fRoots
• “The arrangements and playing are inventive and alive – played in a unique style which is eminently listenable” Get Rhythm

More Details >>



BOB FOX ~ BORROWED MOMENTS TSCD544

Described by Ralph McTell as “one of England’s best voices”, Bob Fox makes his first recording for Topic, and we’re delighted for him to be here. He is one of the hardest working performers in the country, playing more dates than almost anyone else. 

His exceptional voice and inspired guitar have a lightness of touch and a sureness of purpose that go straight to the heart of the song, be it traditional or contemporary.

• “Bob’s interpretations are nothing short of superb. He’s in great voice, and his arrangements showcase well his often unsung instrumental prowess.” Netrhythms
• “This return to acoustic form puts Fox’s gorgeous voice in a setting of Class A songs, which mine the peaks and troughs of the human condition and emerge sparkling with Fox’s sensitive vocal interpretations and adroit tune adaptations…. this album exudes class…startling, moving stuff.” BBC Radio2 reviews
• Folk Album of the Year BBC Radio: Folk Waves

More Details >>



ELIZA CARTHY & NORMA WATERSON ~ GIFT TSCD579


Eliza Carthy and Norma Waterson are quite simply two of Britain’s finest exponents of traditional song. They have recorded independently and together on many occasions over the years. GIFT is the first duo release from this widely acclaimed mother and daughter.
With their rich, distinctive and authentic voices they have effortlessly engaged new audiences and admirers across the generations. Widely acknowledged leading lights of the folk scene with enviable international reputations, both have received numerous BBC Radio 2 Folk Awards during the past decade, and nominations for the prestigious Mercury Music Award.

GIFT is the album that their fans have been waiting for, and features an intriguing and powerful mix of traditional and contemporary songs. From traditional folk classics – Poor Wayfaring Stranger, Bunch of Thyme – through jazz-infused or Old Timey gems – Ukelele Lady, Prairie Lullaby – the album continues to enchant the listener. No matter what the origin, Eliza Carthy & Norma Waterson bring all these songs to life with their great musicality and wonderfully compassionate voices.

Mojo Magazine has already declared GIFT to be “a classic” The album, produced at Panda Sound by Oliver Knight and Eliza Carthy, features a stellar supporting cast of friends and family, including Anne, Mike and Marry Waterson (vocals), Danny Thompson (double bass), Martin Simpson (banjo), Aidan Curran (guitar), Martin Carthy (guitar) and Roger Williams from Brass Monkey (trombone).

Poor Wayfaring Stranger : ELIZA CARTHY & NORMA WATERSON by Topic Records

Eliza Carthy – “Eliza Carthy is one of the figureheads of the English folk revival…compelling” Evening Standard
Norma Waterson“Possibly the finest English singer alive today” Mojo

ELIZA CARTHY & NORMA WATERSON’s splendid duo album GIFT scooped two awards at the prestigious 2011BBC Radio2 Folk Awards in London.

Album of the Year
Gift by ELIZA CARTHY & NORMA WATERSON

Traditional Recording of the Year
Poor Wayfaring Stranger by ELIZA CARTHY & NORMA WATERSON

More Details >>



TSCD464 BLOW THE MAN DOWN ~ VARIOUS ARTISTS

TSCD464 webSea songs and shanties
A treasure-chest of seafaring songs delivered by such fine inter-preters as Louis Killen, The Watersons, Bob Davenport, Ian Campbell and Cyril Tawney. The two dozen performances include some of the best-known of all British sea songs and shanties, evoking a long and turbulent history of shipwrecks and sea-battles, of tall ships and whalers and the men who sailed in them.

More Details >>



TSCD475 WATERSON:CARTHY ~ WATERSON:CARTHY

TSCD475 webWith an eclecticism characteristic of its members, Waterson:Carthy’s first album draws upon not only the archives of British folksong but a Morris tune and a Texas waltz. What is transmitted to the listener, however, is not so much the skill of their research as the virtuosity with which they breathe life into its matter.

More Details >>



MARTIN CARTHY & DAVE SWARBRICK ~ BOTH EARS AND THE TAIL TSCD572

One of the great duos of all time, Martin Carthy and Dave Swarbrick joined up in early spring 1966 as a performing unit. They were an immediate hit, becoming overnight the most popular group in the burgeoning folk club scene in Britain. Both Ears and the Tail was recorded live at the Folkus Folk Club in Nottingham in 1966 in the first flush of their success with both audience and performers hardly able to catch their breath.

This recording only came to light in recent times and it is astonishing in its fire and clarity. Many of the songs performed that night are to be found on the early Martin Carthy albums, but, on stage, the interplay between Martin and Dave virtually re-wrote all the material. This is a real live experience and an opportunity to “be there on the night”.

  • “On this crystal clear recording of the classic Carthy/Swarbrick duo partnership are caught early in their partnership. Swarb’s swooping fiddle coils with propulsive energy.” ★★★★ Uncut
  • “It’s a corker. The natural chemistry between them is irresistible.” Record Collector
  • “The attraction of the CD is in the live performance, the guitar and fiddle [and occasional mandolin] weaving in and out, responding to each other’s playing. And the recording quality is very good.” Derek Schofield, English Dance and Song

More Details >>



OLIVER KNIGHT ~ MYSTERIOUS DAY TSCD528 

Mysterious Day is Oliver Knight‘s first solo project and, in truly typical fashion, it is a collaboration with others. The vocals on the album are handled by Christine Collister, Eliza Carthy, Norma Waterson, Maria Gilhooley, John Tams and Barry Coope and additional instrumentation is provided by Chris Parkinson (piano & harmonica), Jo Freya (sax), Alice Kinloch (tuba) and Andy Cutting (melodeon). A long time in gestation, the album continues in the family “tradition” of highly original English composition which, although owing much to the folk tradition, is not beholden to it. He has written all the material except for Evona, written by Lal Waterson, Once In a Blue Moon, co-written with Lal Waterson and the traditional Go From My Window, arranged with Eliza Carthy. As well as producing and engineering the album, Oliver Knight played all guitars and arranged all the music.
Mysterious Day shows Oliver Knight to be a genuinely original songwriter whose style could be compared with that of Nick Drake.
“It’s hard to pick out a track that isn’t a highlight…a really refreshing album…File under fantastic” BBC Radio 2

More Details >>



HARRY COX ~ THE BONNY LABOURING BOY TSCD512D 

Harry Cox is, simply, the most important and the finest among the great English traditional singers. This release brings together 54 tracks from recordings made between 1945 and 1970 to produce a 2 CD set. Combined with a 60 page booklet containing a detailed biography, extensive notes and song texts, the result is over 2 hours of previously unissued recordings.

see also THE VOICE OF THE PEOPLE

  • “The quality of the repertoire and the standard of the singing are quite breathtaking. Even amongst the high standards that Topic have been setting in their recent releases of traditional music, this is outstanding” – FRoots Magazine
  • “Should be owned by anyone who professes an interest in English traditional song” – The Living Tradition Magazine
  • “an awesome 54-track compilation of one of the greatest traditional singers of them all – essential” Colin Irwin/Mojo
  • “A truly worthy testament to Harry’s remarkable, majestic…style…. superb quality of the remastering” Rock’n’Reel

More Details >>



BILLY BENNETT ~ ALMOST A GENTLEMAN TSCD780 

SONGS & RECITATIONS BY THE GREAT MUSIC HALL COMEDIAN

Years before Monty Python, a red-nosed comedian in disreputable tails and an improbable moustache created a world all his own. With his spoofs of well-loved poems, raucous street-corner singing and surreal narratives of life in the saveloy-and-gin class, Billy Bennett brought a spirit of daring and rebellion to English music hall and variety stages in the 1920s and ’30s.

“Billy Bennett will live in the annals of the music-hall. Nobody who saw him is likely to forget that rubicund, unaesthetic countenance, that black, plastered moustache, that dreadful dinner jacket, that well-used dickey and seedy collar, the too-short trousers, the hobnailed boots, the continual perspiration which was the outward and visible sign of a mind struggling for expression – these things will not be forgotten… Let it be said of Billy Bennett that he raised every night in the week to the level of Saturday night.” from James Agate’s Sunday Times obituary

Billy Bennett can now be seen as a street-wise surrealist and his remarkable humour shines as bright today as it did then. The CD is remastered to the highest standard from the best condition original 78-rpm discs.

More Details >>



O’ER HIS GRAVE THE GRASS GREW GREEN: TRAGIC BALLADS TSCD653

tscd653 webVolume 3 of The Voice of The People.
Tragic Ballads.

An anthology edited by REG HALL.

1 PACKIE MANUS BYRNE voice: The Holland Handkerchief
2 FRED JORDAN voice: The Bonny Boy
3 PADDY TUNNEY voice: What Put The Blood?
4 JOSEPH TAYLOR voice: Worcester City
5 LIZ JEFFERIES voice: Willie, The Bold Sailor Boy
6 STANLEY ROBERTSON voice: The Clattering Of The Clyde Waters
7 GEORDIE HANNA voice: Young Edmund In The Lowlands Low
8 FRED HEWETT voice: The Prickle Holly-Bush
9 JOHN MacDONALD voice & accordeon: Lord Ronald
10 JUMBO BRIGHTWELL voice: Newry Town
11 BEN BUTCHER voice: Cruel Lincoln
12 FREDA PALMER voice: Maria Marten
13 LIZZIE HIGGINS voice: The Cruel Mother
14 PADDY TUNNEY voice: Lady Margaret
15 JOHN REILLY voice: The Well Below The Valley
16 JOHN MacDONALD voice: The Dewie Dens Of Yarrow
17 PHOEBE SMITH voice: Molly Vaughan
18 ENOS WHITE voice: George Collins
19 BELLE STEWART voice: The Two Brothers
20 SCAN TESTER voice: The Lakes Of Coalflin
21 NORA CLEARY voice: Willie-O

Available now from:
TOPIC SHOP, AMAZON, ITUNES and on SPOTIFY



TSCD345 MARTIN CARTHY ~ LANDFALL

TSCD345 webMartin Carthy’s 1971 solo album tunnels further than its predecessors into contemporary song, coming up with memorable performances of Dave Goulder’s January Man John Kirkpatrick’s Dust To Dust and David Ackles’ His Name is Andrew.

Martin Carthy vocals, guitar

More Details >>



TSCD917 ZANZIBAR: MUSIC OF CELEBRATION

Taarab is the most common style of music performed at weddings on the island of Zanzibar – a unique blend of musical elements from the Middle East, India and the West, combined with, to varying degrees, local African musical practices. It is an essential ingredient of most celebrations. And when Zanzibaris are not playing taarab, they are playing maulidi. Although this is primarily a sober religious performance style (celebrating the birth of the Prophet Mohammed) it is also becoming common at wedding celebrations, albeit in a more extrovert guise. Here, recited chapters of the Koran are interspersed with kasida (hymns) accompanied on several tuned frame drums. These recordings, made at actual celebrations and in rehearsal for big events, give us a glimpse of the ethnic, religious, and gender composition of this Indian Ocean island culture.

More Details >>



TSCD488 WATERSON:CARTHY ~ COMMON TONGUE

TSCD488 web‘This is deliberately an album of English music,’ writes Martin Carthy in his notes. ‘It is neither possible nor desirable to set up musical border checkpoints anywhere. However, there is that elusive and ever changing thing called identity.’ Assisted by members of Eliza Carthy’s band and the voices of other members of the family, Waterson:Carthy sing and play such timeless English anthems as Claudy Banks and Hares in the Old Plantation, ending with a stirring performance of the hymn Stars in My Crown, dedicated to the English playwright Dennis Potter.

More Details >>



RANTING & REELING: DANCE MUSIC OF THE NORTH OF ENGLAND TSCD669

tscd669 webVolume 19 of The Voice of The People.
Dance Music of the North of England.
An anthology edited by REG HALL.

1 WILL ATKINSON mouth-organ: Hexham Races / The Stool Of Repentance
2 TOM HUNTER & BILLY BALLANTINE fiddle & piccolo: The Gilsland Hornpipe
3 NED PEARSON fiddle: Untitled Hornpipe. Untitled Polka
4 BILLY BALLANTINE piccolo: Bonny North Tyne
5 WILLY TAYLOR fiddle: The Braemar Gathering /J.D. Burgess
6 WILL ATKINSON mouth-organ: The Friendly Visit / The Greencastle / The Lass On The Strand
7 WILLY TAYLOR, JOE HUTTON & WILL ATKINSON fiddle, small pipes & rnouth-organ: Christie MacLeod / The Gallowglass Rant / Charlie Hunter
8 JIM RUTHERFORD fiddle: The Morpeth Rant
9 ARTHUR MARSHALL melodeon & THE LOFTUS SWORD DANCERS The Oyster Girl – lst Figure. The Lass Of Dallowgill – 2nd Figure.
10 WILLY TAYLOR fiddle: Willy Taylor’s Polka. There’s Nae Good Luck
11 WILLY TAYLOR accordeon: The Pop Along Polka
12 WILLY TAYLOR, JOE HUTTON & Will ATKINSON fiddle, small pipes & mouth-organ: Mrs. Jamieson’s Favourite / Parnell’s March
13 NED PEARSON fiddle: The Polka Mazurka. Paddle Your Own Canoe
14 WILL ATKINSON mouth-organ: Farewell To The Creeks
15 ADAM GRAY fiddle: Tom Hepple’s Polka. The Tow House Polka
16 ROB FORRESTER mouth-organ, with ALF ADAMSON’S BAND The Wild Rover / Copshawholm Fair / Yon Flowery Garden
17 WILL ATKINSON rnouth-organ: J.B.Milne / The New High Level
18 DAVIE ROGERSON fiddle: The Tenpenny Bit / The Rakes Of Kildare / I Lost My Love And I Care Not. Untitled Reel
19 BILLY BALLANTINE & JIMMY HUNTER piccolo & mouth-organ: Rosalie, The Prairie Flower. My Lodging / Blow The Wind Southerly
20 NED PEARSON fiddle: Corn-Rigs. Untitled Jig For The Sylph 1. Untitled Jig For The Sylph 2
21 WILL ATKINSON mouth-organ: Longueval
22 JAKE HUTTON, TOM HUNTER & BILLY BALLANTINE two fiddles & piccolo: The Kielder Schottische
23 BILLY BALLANTINE piccolo: The Sylph. Proudlock’s Hornpipe
24 NED PEARSON fiddle: The Highland Laddie. The Pin Reel The Cambo March
25 WILL ATKINSON mouth-organ: A.M.Shinnie / The Hogmaney Jig / Elizabeth Adair
26 DAVIE ROGERSON fiddle: Untitled Hornpipe. The Swallow’s Tail
27 THE CHEVIOT RANTERS band: The Ideal Schottische
28 WILLY TAYLOR, JOE HUTTON & WILL ATKINSON fiddle, small pipes & mouth-organ: Kelso Accordion And Fiddle Club / Linda McFarlane / The Scairlaveg

Available now from:
TOPIC SHOP, AMAZON, ITUNES and on SPOTIFY



MARTIN CARTHY ~ SIGNS OF LIFE TSCD503

Perhaps only Martin Carthy would open a folk album with a Bee Gees songs, let alone continue with pieces from Elvis Presley, Hoagy Carmichael and Bob Dylan, mixed in with such timeless traditional songs as Sir Patrick Spens and The Wife of Usher’s Well. Martin also revisits a classic from his repertoire – the remarkable and chilling ballad Prince Heathen. Eliza Carthy plays fiddle on four songs.

• “Human emotions are rarely delivered with such guile and profundity.” Mojo
• “A subtle masterpiece.” ★★★★★ The Guardian

Martin Carthy vocals, guitar
with
Eliza Carthy fiddle
Chris Parkinson harmonica

More Details >>



WHO’S THAT AT MY BED WINDOW?: SONGS OF LOVE AND AMOROUS ENCOUNTERS TSCD660

tscd660 webVolume 1o of The Voice of The People.
Songs of love and amorous encounters.
An anthology edited by REG HALL.

1 BOB HART voice: Seventeen Come Sunday
2 FRED HEWETT voice: Three Maidens To Milking Did Go
3 JEANNIE ROBERTSON voice: When I Was Noo But Sixteen
4 POP MAYNARD voice: Rolling In The Dew
5 WILLIE SCOTT voice: The Bonnie Wee Tramping Lass
6 PADDY TUNNEY voice: The Old Petticoat
7 HARVEY NICHOLSON voice: The Copshawholm Butcher
8 JOHN REILLY voice: Adieu Unto All True Lovers
9 JIMMY McBEATH voice: The Bold English Navy
10 SARAH ANNE O’NEILL voice: Standing In Yon Flowery Garden
11 GEOFF LING voice: Died For Love
12 BELLE STEWART voice: Betsy Bell
13 JIM SWAIN voice: The Banks Of Sweet Mossing
14 FRANK QUINN voice & fiddle: The Tan Yard Side
15 PADDY BREEN voice: On The Banks Of The Silvery Tide
16 LIZZIE HIGGINS voice: The Banks Of Red Roses
17 JUMBO BRIGHTWELL voice: Blow The Candle Out
18 SARAH MAKEM voice: The Factory Girl
19 POP MAYNARD voice: The Seeds Of Love
20 PADDY TONNEY voice: Blackwaterside
21 JIMMY McBEATH voice: The Wind Blew The Lassie’s Plaidie Awa
22 FREDA PALMER voice: The Wandering Girl
23 PHOEBE SMITH voice: Captain Thunderball
24 WALTER PARDON voice: Let The Wind Blow High Or Low
25 MARGARET BARRY voice & banjo: She Moved Through The Fair

Available now from:
TOPIC SHOP, AMAZON, ITUNES and on SPOTIFY



TSCD931 WOMEN OF EGYPT 1924-1931: PIONEERS OF STARDOM AND FAME

A CD compilation of fantastic Arab women, stars of Egyptian theatre and song who recorded in the nineteen twenties and early thirties. Taken from original 78rpm recordings of the time and remastered to the highest standards, this collection features among others the legendary Umm Kulthum.

Between 1890 and 1920, theatres and European-style cabarets sprang up all over Egypt. Performers flocked there from all over the Arab world and from Europe. Isadora Duncan, Pavlova and Mistinguette included Cairo in their world tours. At their peak, the most famous female Arabic women singers were earning as much, if not more, than their male counterparts. The 1920s was the heyday of this music and its recordings and these performers can be seen as having struck a blow for the emancipation of women. The Wall Street crash and the associated economic downturn marked the end of the recording industries’ boom years, leaving us a legacy of remarkable performances of immense power.

Winner of The German Critics’ Award (Preis der deutschen Schallplattenkritik). The award was inaugurated in 1963 to set the “most rigorous standards for supreme achievement” in the field of recording.

• “A fascinating variety of vocal styles covering the spectrum from Upper-Egyptian to quintessential Paris.” ★★★★ BBC Music Magazine
• “A painstakingly compiled and copiously annotated compendium of sixteen rare sides. One can’t help but compare the rare recording to its equivalents in American Appalachian and country blues music of the time, except for one primary difference – those genres arose from rural life, these Egyptian sounds very much emanate from urban – and urbane – society. Saniyyah Hassaneyn’s “Ataftu Wardah Hamra” (I Plucked a Red Rose) – a vocal so burdened by the weight of the world that Bessie Smith or Billie Holliday could easily have made it their own.” All Music Guide
• “Enormously evocative, these recordings open the door to a cast of larger than life characters.” fROOTS
• “The breadth of styles present on the compilation is remarkable. – an essential addition to both university library collections and private collections of Arab music.” Ethnomusicology

More Details >>



TSCD478 LAL WATERSON & OLIVER KNIGHT ~ ONCE IN A BLUE MOON

Lal Waterson, an original member of The Watersons, and her son, guitarist Oliver Knight, have written some of the most captivating new songs to have been heard on the folk scene in many years. Other members of the Waterson clan often joined them on their records.
An entirely original collection of songs inspired by love, landscape, family and questing imagination.

  • ‘Up with Nick Drake and Richard Thompson in the very front rank of English songwriters.’ Mojo
  • ‘The most innovative English folk-related album of recent years’ The Independent
  • ‘English as anything, poetic to a quite scary degree and harshly beautiful’ The Independent
  • “One of those gems that deserves to be heard by a wider audience – a must-have.” ★★★★ Record Collector
    More Details >>


THE WATERSONS ~ GREEN FIELDS TSCD500

Another masterful performance by the latter-day Watersons. Again, an original album by the full group has been supplemented with solo tracks by Mike and solo and duet tracks by Norma and Lal. In keeping with its title, the album focuses on songs of country life like While Gamekeepers Lie Sleeping, We’ll All Go a-Hunting Today and The Brave Ploughboy.

Lal Waterson, Mike Waterson, Norma Waterson & Martin Carthy vocals

More Details >>



ON THE EDGE TSCD806 

A radio-ballad about the teenagers in England and Scotland by Ewan MacColl, Charles Parker & Peggy Seeger

Just as groups like The Beatles were about to redefine youth culture, the radio-ballad team produced this powerfully revealing account of the lives and dreams of British teenagers. MacColl harked back to the ancient song-form of the quest ballad to create a match with the frankness and sincerity of the young people interviewed.

More Details >>



TSCD449 JUNE TABOR ~ AQABA

TSCD449 webAnother collaboration of Tabor and producer Andrew Cronshaw, Aqaba contains the Jewish lament Mayn Rue Plats, more pieces by Bill Caddick and Dave Goulder and the noble cadences of the traditional songs Searching for Lambs and Bogie’s Bonnie Belle.

June Tabor vocals
with
Huw Warren piano
Ric Saunders violin
Martin Simpson guitar
Dave Bristow synthesizer
Ian Blake bass clarinet

More Details >>



ENGLISH COUNTRY MUSIC ~ VARIOUS ARTISTS TSCD607

Billy Cooper (1883), Walter Bulwer (1888) and Daisy Bulwer (c.1892) were active musicians in rural Norfolk for over half a century. These recordings, made together with visiting friends in the Bulwers’ cottage in the village of Shipdham, capture the style, vitality and robustness of the music they played for dancing in pubs and at Saturday night hops and wedding parties. Earlier editions of English Country Music appeared in 1965 and 1976. This third edition is re-mastered and contains new notes and many additional recordings.

“Unreservedly recommended” – fRoots magazine

“… right at the core of English identity” – Songlines Magazine

“The playing is wonderfully without affectation and superfluous ornamentation is left in the dooryard. English Country Music is a treasure chest packed with 27 selections of homemade music when the music was used as simple country entertainment. A gem!”
Sing Out magazine

Walter Bulwer fiddle & mandolin-banjo
Billy Cooper dulcimer
Reg Hall melodeon & fiddle
Daisy Bulwer piano
Mervyn Plunkett drums (snare, home-made tenor & tambourine)
Russell Wortley pipe & tabor
Scan Tester Anglo-German concertina
**** Hawkins banjo

More Details >>



YOU LAZY LOT OF BONE SHAKERS: SONGS & DANCE TUNES OF SEASONAL EVENTS  TSCD666

tscd666 webVolume 16 of The Voice of The People.
Songs & Dance Tunes of Seasonal Events.
An anthology edited by REG HALL.

1 THE BRITANNIA COCONUT DANCERS with The Nutters Band Live Performance – The Nut Dance
2 JINKY WELLS (of Bampton Morris) fiddle & voice: Highland Mary
3 BAMPTON MORRIS Live Performance – The Quaker
4 EMMA VICKERS (of Burscough Pace-Eggers) voice: The Pace-Egging Song
5 THE MERRYMAKERS (Padstow) Live Performance – The Happy Wanderer
6 GEORGE DUNN voice: While Shepherds Were Watching Their Flocks By The Night
7 WRENBOYS (Listowel) Live Performance – By The Bright Silvery Light Of The Moon. Live Performance – Highland Fling
8 BILL KIMBER (of Headington Quarry Morris Dancers) concertina: Double Set Back
9 MUMMERS voice & melodeon: So Now We’ve Gained Our Victory. The Quaker
10 WAPPING IRISH FLUTE & DRUM BAND & GUEST PIPERS Live Performance – Dublin Fair / The Boys Of Wexford. Live Performance – Garryowen
11 STEPHEN BALDWIN fiddle: The Girl I Left Behind Me
12 THE RIPON SWORD DANCERS (Mummers) Live Performance
13 ABINGDON TRADITIONAL MORRIS DANCERS Live Performance – Jockey To The Fair
14 PHIL TANNER voice: The Wassail Song
15 HELSTON TOWN BAND Live Performance – The Furry Dance
16 SCAN TESTER concertina: While Shepherds Watch Their Flocks By Night
17 FRANK BOND (of North Waltham Jolly Jacks) voice: God Bless The Master Of This House
18 SAM BOND (of North Waltham Jolly Jacks) voice: Where Does Father Christmas Go To?
19 BAMPTON MORRIS Live Performance – Bobbing Around
20 THE SAILORS’ HOBBY HORSE (Minehead) Live Performances
21 BILLY BUCKINGHAM & OTHERS voices: The Waysailing Bowl
22 WIDNES STAR NOVELTY BAND The Great Little Army March
23 WASSAILERS (Bodmin) voices Live Performance
24 THE ABBOTS BROMLEY HORN DANCERS Live Performance – Cock O’The North
25 THE BRITANNIA COCONUT DANCERS with The Nutters Band Live Performance – The Garland Dance No.3
26 THE MERRYMAKERS (Padstow) Live Performance – The Sash

Available now from:
TOPIC SHOP, AMAZON, ITUNES and on SPOTIFY



TSCD344 MARTIN CARTHY with DAVE SWARBRICK ~ PRINCE HEATHEN

TSCD344 webIn this 1969 album Martin Carthy focuses on traditional songs, producing powerful readings such as the title track and his lengthy retelling of the ballad Little Musgrave & Lady Barnard.

“One of the best albums anyone’s ever done” Folk Roots

Martin Carthy vocals, guitar
Dave Swarbrick fiddle, mandolin

1  Arthur McBride & the Sergeant
2  Salisbury Plain
3  Polly on the Shore
4  The Rainbow
5  Died for Love
6  Staines Morris
7  Reynardine
8  Seven Yellow Gypsies
9  Little Musgrave & Lady Barnard
10  Prince Heathen
11  The Wren

Available now from:
TOPIC SHOP, AMAZON, ITUNES and on SPOTIFY

Enter your name and email address to download MARTIN CARTHY & DAVE SWARBRICKÂ Prince Heathen pdf booklet

Name: Email:


JUNE TABOR ~ AN ECHO OF HOOVES TSCD543

June Tabor makes the ultimate album for all discerning folk fans, featuring a programme made up exclusively of the great traditional folk ballads – story telling at its dark, urgent best. June’s regular trio of accompanists (Huw Warren – piano, cello; Mark Emerson – violin, viola; Tim Harries – double bass) are joined by Martin Simpson, guitar and Kathryn Tickell, Northumbrian pipes).

• Best Folk Album of the Year ★★★★★ Mojo
• “June’s best album for years…sheer majesty…a return to the very heart of what she does best.” FROOTS
• “Outstanding…the year’s finest folk record” The Sunday Times
• “her richly expressive delivery probes deeply into tragic and often violent scenarios.” ★★★★ The Scotsman
• “Folk album of the month” “In one dramatic, spine chilling album (June Tabor) blows all else out of the water…this is the storyteller’s art and the full achievement of this majestic album. A stunner.
” ★★★★★ Mojo
• “This year’s finest traditional album.” The Guardian
• “I doubt if I will ever hear a better recording.” The Canberra Times

More Details >>



TSCD452 MARTIN CARTHY ~ RIGHT OF PASSAGE

TSCD452 webOn Right Of Passage from 1988, Carthy draws tunes from Quebec, Brittany and Mozart, songs from Leon Rosselson and Mike Waterson and poems from e.e.cummings and an anonymous 17th-century pamphleteer into a surprising but successful union of old and new, traditional and individual.

• “An absorbing album, rich in detail and character.” Sounds

Martin Carthy vocals, guitar
with
John Kirkpatrick one-row melodeon , button accordeon
Chris Wood fiddle
Dave Swarbrick fiddle

More Details >>



TOPIC70 VARIOUS ARTISTS ~ THREE SCORE & TEN

TOPIC70 packshot webTHREE SCORE AND TEN is seven CDs in a ten by ten inch hardback book, with dust jacket containing 108 profusely illustrated, full colour pages with a narrative portrait of Topic from 1939 to the present day. Also included separately is a complete discography of every Topic release from 1939 to the newest releases in 2009.

There are 144 tracks that cover all aspects of Topic’s recording history in 7 themed CDs with many rare tracks never before on CD. The extensive text gives a detailed recording and social history with profiles of the essential recordings, principle artists and key personages. The many hundreds of illustrations are a revelation in themselves, anchoring the whole project with photos of the artists, album sleeves, advertising leaflets, snapshots and memorabilia.

A quote from page 92 of Three Score and Ten sums it all up pretty nicely:

“From its first release in 1939 and it’s origins in the Workers’ Music Association through the folk revival to the present day Topic Records has always endeavoured to make classic and definitive recordings of traditional music available to the public; a catalogue of records to inform and inspire the listener.” Since the 1950s, Topic has stood virtually alone in continuing to make recordings of traditional music and the tradition based music of the British Isles.

The aims and objects of the Workers’ Music Association (as published in 1944) still stand as a fair description of the ambitions of Topic Records in 2009:
- To present to the people their rich musical inheritance
- To utilise fully the stimulating power of music to inspire people
- To stimulate the composition of music appropriate to our time
- To foster and further the art of music on the principle that true art can move the people
- to work for the betterment of society

.

More Details >>



TSCD426 MARTIN CARTHY ~ OUT OF THE CUT

TSCD426 webAn updated Rigs of the Time and Jack Rowland‘s long story of magic metamorphosis are among the many arresting moments on this 1982 set, for which Martin Carthy is again joined by John Kirkpatrick and Howard Evans. Richard Thompson plays guitar on Old Horse.

Martin Carthy vocals, guitar
with
John Kirkpatrick accordion, concertina
Howard Evans trumpet, flugelhorn
Richard Thompson guitar

More Details >>



AS ME & MY LOVE SAT COURTING: SONGS OF LOVE, COURTSHIP & MARRIAGE TSCD 665

tscd665 webVolume 15 of The Voice of The People.
Songs of Love, Courtship & Marriage.
An anthology edited by REG HALL.

1 BILL KIMBER concertina: Haste To The Wedding
2 BELLE STEWART voice: Queen Among The Heather
3 JIMMY HALPIN voice: Johnny Harte
4 POP MAYNARD voice The Aylesbury Girl
5 MARGARET BARRY & MICHAEL GORMAN voice, banjo & fiddle: The Half-Door
6 LOUIE FULLER voice: Green Grow The Laurels
7 JOHN REILLY voice: Old Carathee
8 DIDDY COOK voice, with chairman & chorus: The Blackbird
9 JAMESY McCARTHY voice: Coochie Coochie Coo Go Way
10 WALTER PARDON voice: I Wish, I Wish
11 JANE TURRIFF voice & piano: What Can A Young Lassie Dae Wi’ An Auld Man?
12 PADDY TUNNEY voice: Johnny, Lovely Johnny
13 MARY ANN CONNELLY voice: Lurgan Stream
14 MICHAEL GORMAN & MARGARET BARRY fiddle & banjo: I’ll Marry And I Won’t Be A Nun
15 WALTER PARDON voice: One Cold Morning In December
16 LIZ JEFFERIES voice: Rosemary Lane
17 ROBERT CINNAMOND voice: It Was Early, Early All In A Spring
18 STANLEY ROBERTSON voice with chorus: Moorlough Maggie
19 STEPHEN BALDWIN fiddle: Just As The Tide Was Flowing
20 PADDY TUNNEY voice: The Wearing Of The Britches
21 HARRY BURGESS voice: A Week Before Easter
22 JIMMY McBEATH voice: I’m A Stranger In This Country
23 BOB BRADER voice: The Banks Of Sweet Dundee
24 TOM LENINAN voice: Sixteen Years, Mama
25 PADDY TUNNEY voice: Bonny Tavern Green

Available now from:
TOPIC SHOP, AMAZON, ITUNES and on SPOTIFY



THE McPEAKE FAMILY ~ WILD MOUNTAIN THYME TSCD583

The McPeake Family’s Wild Mountain Thyme, also known as Will Ye Go Lassie, Go, is one of the most famous songs to emerge from the folk revival of the 1950s, being covered by an incredible variety of artists including Fotheringay, The Byrds, Mark Knopfler and Rod Stewart as well as Ewan MacColl, The Chieftains and Clancy Brothers.

Often containing as many as three generations, the Belfast born and bred McPeake Family played as far afield as Moscow and was a great favourite on the BBC. Their distinctive combination of uilleann pipes, harps and harmony vocals set a new standard for Irish music in the 1950s & 60s. Not content to showcase instrumental virtuosity, their warm ensemble sound brought out the depth of the songs making them one of the most loved Irish groups on the 1950s and early 60s.

“The combination of harp with harmony vocals, traded between three generations, and uilleann pipes was unique” Songlines

The McPeake Family uilleann pipes, harp and harmony singing

More Details >>



THE BIG HEWER ~ VARIOUS ARTISTS TSCD804

A radio-ballad about Britain’s coal miners by Ewan MacColl, Charles Parker & Peggy Seeger

The Big Hewer – ‘a poetic documentary with worker heroes,’ as The Times called it – charts the lives of Britain’s coal miners, in the Northeast, East Midlands and South Wales.

‘In The Big Hewer, about coal mining and The Fight Game, about boxing, the radio-ballads find men titanic enough to live up to their pretensions. Listening to these two, you can really believe that there were giants in those days.’ THE INDEPENDENT

More Details >>



TSCD923 GUMBOOT GUITAR: ZULU STREET GUITAR MUSIC FROM SOUTH AFRICA

Remarkable rootsy guitar from the streets of Durban.
The guitar probably arrived in South Sfrica with Portuguese or Arab sailors back in the 16th century, but it only started to enter vernacular African traditions in the late 19th century. The discovery of gold and diamonds in South Africa at that time brought large numbers of African workers from all parts of the country – all looking for new forms of expression and relaxation. Music previously played on Zulu musical bows was transferred in the new urban environment to the guitar and often concertina and violin too. the music was called maskanda. 

Musicians played for their own enjoyment, but they also joined miners’ gumboot dance teams to accompany this exhilarating genre. Often lacking in formal performance areas, most of this music-making traditionally takes place on the streets of single-sex hostel compounds. These recordings from 1988 and 1996 feature musicians and gumboot players who live in one such hostel outside Durban.

• “Exciting, rough and ready grooves “ BBC Radio 2 World Music Reviews
• “This is the real deal, street music played by people who work hard all day and play at night or on the weekend. The real roots of South Africa umbaquanga music are right here. There’s a variety of sound on Gumboot Guitar as far as instruments are concerned: on gumboot-dominated tunes, the guitar plays rhythmic chords with a very percussive attack. A pounding beat is also belted out by an accordion or concertina on most tunes…powerful.” Worlddiscoveries.net

Recordings by Janet Topp Fargion & Albert Nene.

11  Kam and kossetina (comb and concertina)
2  Blanket’s guitar solo
3  Ma wenobba (Mother and Father)
4  Gumboot 1993
5  Guitar and kossetina
6  Gumboot
7  Ibhanoyi (Aeroplane)
8  Gumboot 1996
9  Albert Nene’s guitar solo -part 1
10  Albert Nene’s guitar solo -part 2



TONIGHT I’LL MAKE YOU MY BRIDE: BALLADS OF TRUE & FALSE LOVERS TSCD656

tscd656 webVolume 6 of The Voice of The People.
Ballads of true & false lovers.
An anthology edited by REG HALL.

1 WALTER PARDON voice: The Raggle-Taggle Gypsies
2 BELLE STEWART voice: Here’s A Health To All True Lovers
3 EDDIE BUTCHER voice: Another Man’s Wedding
4 MARY ANN CAROLAN voice: The Maid Of Ballymore
5 STANLEY ROBERTSON voice with chorus: The Ballad Of The Ewe Buchts
6 NORA CLEARY voice: The Green Wedding
7 JIMMY KNIGHTS voice: Marrowbones
8 PADDY TUNNEY voice: The Month Of January
9 LIZZIE HIGGINS voice: The Forester
10 CYRIL POACHER voice: The Maid And The Magpie
11 PHOEBE SMITH voice: Young Ellender
12 POP MAYNARD voice: Colin And Phoebe
13 LIZ JEFFERIES voice: Matt Highland
14 PACKIE MANUS BYRNE voice: Molly Bawn
15 JOSEPH TAYLOR voice: Bold William Taylor
16 NORA CLEARY voice The Bold Trooper
17 GEORDIE HANNA voice: Kate Of Ballinamore
18 LIZZIE HIGGINS voice: The Laird O’ The Dainty Doonby
19 MARY ANN HAYNES voice: Long A -Growing
20 PADDY TUNNEY voice The Mountain Streams Where The Moorcocks Crow

Available now from:
TOPIC SHOP, AMAZON, ITUNES and on SPOTIFY



TSCD463 EWAN MacCOLL ~ THE REAL MacCOLL

TSCD463 webThis powerful compilation from MacColl’s many recordings made for the Topic label during the 1950s and ’60s gathers ballads and songs of nationhood, crime and punishment, mining and weaving. Many are traditional, but some are MacColl’s own compositions and include such widely known pieces as Dirty Old Town and The Gresford Disaster.

Ewan MacColl vocals
Peggy Seeger accompaniments

More Details >>



TSCD906 FOLK MUSIC OF YUGOSLAVIA

Visiting the Yugoslav republics of Croatia, Bosnia-Hercegovina, Serbia and Macedonia, the collector Wolf Dietrich recorded these fascinating vocal solos and duets and tunes played on bagpipes, fiddles, flutes and clarinets. The raw part-singing of amateur village performers is of particular beauty.

More Details >>



EWAN MacCOLL ~ BALLADS: MURDER, INTRIGUE, LOVE, DISCORD TSCD576D

The great traditional ballads are storytelling at its dark, urgent best and the greatest exponent of this folk art was Ewan MacColl. Traditional narrative ballads are at the centre of the British Folk Tradition. They told stories which helped define the English and Scottish national characters; stories about murder and intrigue, love and discord on both the epic and domestic scale, but stories that told us about ourselves.
Ewan MacColl was the folk revival’s greatest proponent of the ballad; ballads were central to his conception of the folk revival and at the core of his recordings and performances. His commitment showed in his performances, where the story was everything. No one who ever witnessed him performing one of the great ballads live will ever forget it. Ballads: Murder, Intrigue, Love, Discord is a great selection of performances originally released in 1956 and never before on CD. This beautiful double CD is lovingly remastered and packaged in a slipcase with a 64 page booklet with extensive notes and full texts of all the songs.
• “An unmissable collection celebrating the man’s interpretative genius★★★★ Uncut
• “Majestic – the intensity, power, drive and drama of these performances are undiminished” ★★★★★ Songlines
•  ★★★★★ Record Collector
• “This lovingly compiled double disc of previously unreleased [on CD] material, with its richly detailed booklet, provides both a fascinating archive and an authentic naked plunge into the deep wellspring of traditional song” Acoustic

More Details >>



TSCD472 THE WATERSONS ~ EARLY DAYS

TSCD472 webIntroducing these recordings on their first appearance in the mid-’60s A.L. Lloyd wrote of this new singing group’s ‘hand-crafted harmonies, an immediately recognisable and uniquely distinctive group sound which is uninhibited, spontaneous seeming and rich in texture.’ What became of The Watersons after that is history, and can be followed step by step in Topic’s other Watersons CDs. Early Days recaptures the youthful sound of the original quartet in 27 performances from long-deleted albums.

More Details >>



THE WATERSONS ~ SOUND SOUND YOUR INSTRUMENTS OF JOY TSCD564

For the first time on CD, the complete album as recorded in 1977 with Lal, Mike and Norma Waterson and Martin Carthy. Remastered for outstanding sound quality and presented in a redesigned digipack.
On this record The Watersons give us a panorama of sacred song – from the deep folklore of wassail songs and vernacular carols, through various folky kinds of meeting-house hymn, and on to exuberant camp meeting pieces – folk songs, or near folk songs that we have lost or that have become unfamiliar – but all worth restoring to life.

  • “This album displays the rich a cappella polyphonies that were the Watersons’ trademark.” The Independent Music Review
  • “These releases, beautifully packaged and re-mastered in such stunning clarity, will blow away any complacency that familiarity may have bred and will serve as a reminder of what groundbreaking albums they were upon release and remain today.” Properganda
  • “Truly glorious” ★★★★★ Songlines
  • “These venerable releases shine in their newly remastered form.” Dirty Linen

More Details >>



LAL & NORMA WATERSON ~ A TRUE HEARTED GIRL TSCD507

In 1977 Lal and Norma Waterson, as a side project, recorded A True Hearted Girl – an album of solos, duos and trios (with Lal’s daughter Maria). Lal and Norma varied the tried and true vision of The Watersons on this outing, by only using female voices and in different combinations. This gives the album a different ambience and depth to The Watersons.

Highlights of A True Hearted Girl include The Flowers of the Forest, I Wish I Never Had and Grace Darling. This CD reissue includes two extra tracks; one from the 1966 Watersons album, A Yorkshire Garland, and a rare 1998 live recording of The Waterdaughters (Lal, Norma, Maria & Eliza Carthy).

Lal Waterson, Norma Waterson, Maria Waterson, Eliza Carthy vocals
with
Jim Eldon flute, whistle
Peta Webb fiddle
Rod Stradling melodeon
Tony Engle Anglo-concertina

More Details >>



PADDY IN THE SMOKE ~ VARIOUS ARTISTS TSCD603

Irish Dance Music From A London Pub
These highly atmospheric recordings were made during Sunday morning sessions at one of London’s most celebrated Irish pubs, The Favourite in Holloway, and feature highly regarded members of the London Irish community such as Martin Byrnes, Bobby Casey, Julia Clifford and Jimmy Power, in fiddle solos, duets and trios.

More Details >>



SCAN TESTER ~ I NEVER PLAYED TO MANY POSH DANCES TSCD581D 

A labour of love, this double CD is a fitting tribute to one of the greatest traditional musicians this country has produced.
In the mid 1950s, folklorist and musician, Reg Hall met Scan Tester and invited him to play in his loose-knit band of musicians. Their playing schedule covered the usual pub gigs and private parties and also included a trip to London where Scan played before a full house at the Royal Festival Hall. Game to go anywhere, Scan accepted invitations to clubs and festivals around the country and thus became known and loved by a public beyond his own place and time. Mostly recorded by Reg Hall, these 55 tracks – expanded and remastered from the 1990 vinyl LP – open a window to our musical past.

“The crowded rolling gate of Scan’s country dance band must be one of the most joyous noises to emerge from a pub’s doors”★★★★★ Songlines

More Details >>



REG HALL

Reg HallBorn in 1933, Reg Hall has been a quietly important stalwart and historian of traditional music for wee over fifty years. Best known as a dance musician, Reg has had a long, personal involvement with traditional music-making and has played Irish music and English country music with most of the finest traditional musicians. For many years he accompanied Michael Gorman and later Jimmy Power in London pub sessions. Reg has played for the Bampton Morris for the past fifty years and was with the Padstow Blue Ribbon ‘Obby ‘Oss for forty years. He formed The Rakes with Michael Plunkett and Paul Gross in 1956, playing for dances and finding time to back Bob Davenport in concert and on record.

Though holding down a day job as a probabtion officer, Reg managed to both participate in the music performance and to document it in extraordinary detail. Reg’s enthusiastic contribution and his pioneering work documenting and encouraging traditional music has not always been widely acknowledged. Both an historian and a musician, he brings a rare understanding and insight to his writing and playing. His association with Topic Records began in 1963 when he wrote the sleeve notes for the Irish Pipe & Fiddle Tunes ep, two years later he collaborated with Bill Leader on The Paddy In The Smoke recording and has compiled and annotated many significant recordings, culminating in The Voice of the People series in 1999. He was awarded the Gold Badge of the English Folk Dance And Song Society in 1987, a doctorate in history from Sussex University in 1994 and the Gradam Cheoil musician’s award from the Gaelic television company TG4 early in 2009.

MICHAEL GORMAN ~ THE SLIGO CHAMPION TSCD525D

THE VOICE OF THE PEOPLE

IRISH DANCE MUSIC ~ VARIOUS ARTISTS TSCD602

PADDY IN THE SMOKE ~ VARIOUS ARTISTS TSCD603

PAST MASTERS OF IRISH DANCE MUSIC ~ VARIOUS ARTISTS TSCD604

PAST MASTERS OF IRISH FIDDLE MUSIC ~ VARIOUS ARTISTS TSCD605

ROUND THE HOUSE AND MIND THE DRESSER ~ VARIOUS ARTISTS  TSCD606

ENGLISH COUNTRY MUSIC ~ VARIOUS ARTISTS TSCD607



CHRISTINE COLLISTER ~ INTO THE LIGHT TSCD1002

Christine’s second solo album for Topic finds her great voice in even better form, if that is possible. Into the Light is the closest thing yet to capturing the live quality and personality of this outstanding singer. Its style is more acoustic than “An Equal Love” and again, it features her unique songwriting skills alongside a selection of specially chosen covers of classic contemporary song.

“Christine’s soulfully smoky and superbly controlled vocal work reigns supreme”. Folk Roundabout

“Into the Light is a subtle grower of a recording, that reflects the maturity of its creator and her own creativity, that, right now, is liberal and assured. A quite beautiful step forward.” fROOTS

More Details >>



TSCD476 SHIRLEY COLLINS ~ THE SWEET PRIMEROSES

TSCD476 webShirley Collins’s sweet, self-effacing singing keeps her closer to the core of traditional song than many a more histrionic singer. Yet her work has been extraordinarily diverse: she has collaborated with the guitarist Davy Graham, the Incredible String Band, the Albion Country Band and her sister Dolly.

The limpid versions of Southern English songs on the 1965 The Sweet Primeroses album established Shirley Collins as a unique and influential voice on the folk scene.

More Details >>



TSCD920 THE YEMEN TIHAMA: TRANCE & DANCE MUSIC FROM THE RED SEA COAST

The ferocious heat on Tihama, the Red sea coastal plain of Yemen, is matched in its intensity by the tibbal music, an Afro-Arabian amalgam that features lyres, reeds and, particularly, virtuoso drumming. Its practitioners are largely drawn from the akhdam, an outcast group with a reputation for sorcery, who bring passion, skill and stamina to performances which accompany acrobatic dancing and ceremonial trance.

“..uncompromising and raw music with a rhythmic intensity that will have you either transfixed or running from the room.” Songlines

More Details >>



TSCD480 ENGLISH & SCOTTISH FOLK BALLADS ~ VARIOUS ARTISTS

TSCD480 webThe folk ballad,’ wrote A.L.Lloyd, ‘is a folk tale put into verse and set to music. Among British ballads are some of the oldest as well as greatest folksongs we have.’ His claim is trenchantly justified by this exceptional collection, as dramas of the distant past are restaged in vibrant performances by Ewan MacColl, Anne Briggs, Louis Killen, Mike Waterson, Norman Kennedy and Lloyd himself.

More Details >>



TSCD912 MUSIC OF THE TATAR PEOPLE

The music of the Tatar people of the Central Volga region of Russia is an important link, according to the collector Laszlo Vikar, in the vast east-west chain that connects the musics of China and Hungary. In these unique field recordings, made by Vikar as assistant to the composer and musicologist Zoltan Kodaly, Tatars sing and play flute, jew’s harp and fiddle.

Recorded by Laszio Vikar

More Details >>



TSCD467 BRASS MONKEY ~ THE COMPLETE BRASS MONKEY 

TSCD467 webThe group’s two ’80s albums, combined here, are full of fresh arrangements of traditional songs and tunes. ‘Brass Monkey was a great idea,’ said Martin Carthy. ‘A phenomenal experience.’ Q called it ‘the finest folk group of the 1980s.’

It should have been acknowledged in the booklet for this CD that the image used is an enlarged detail from “Stooking”, from “The Farmer’s Year” (1933, Collins & Co, London) by Clare Leighton, copyright Clare Leighton Estate.

Martin Carthy guitar, mandolin, vocals
John Kirkpatrick Anglo-concertina, melodeon, button accordion, vocals
Howard Evans trumpet, flugelhorn, vocals
Martin Brinsford c-melody saxophone, mouth-organ, percussion
Roger Williams trombone, vocals
Richard Cheetham trombone

More Details >>



TO CATCH A FINE BUCK WAS MY DELIGHT: SONGS OF HUNTING & POACHING TSCD668

Volume 18 of The Voice of The People.
Songs of hunting and poaching.
An anthology edited by REG HALL.

1 BOB ROBERTS voice: While Gamekeepers Were Sleeping
2 GEORDIE HANNA voice: On Yonder Hill There Sits A Hare
3 WILLIE SCOTT voice: The Irthing Water Hounds
4 JOSEPH TAYLOR voice: The White Hare
5 JIMMY KNIGHTS voice: Out With My Gun In The Morning
6 BIG JOHN MAGUIRE voice: The Huntsman’s Horn
7 HARRY BURGESS voice: The Hungry Fox
8 WIGGY SMITH voice: The Oakham Poachers
9 FELIX DORAN uilleann pipes & voice: The Fox Hunt
10 JASPER SMITH voice: Thornymoor Park
11 PHILIP McDERMOTT voice: The Fair Of Rosslea
12 POP MAYNARD voice: Williarn Taylor
13 WILLIE SCOTT voice: The Kielder Hunt
14 WIGGY SMITH voice: Hares In The Old Plantation
15 JACK ELLIOTT voice: Champion He Was A Dandy
16 PHILIP McDERMOTT voice: The Reaping Of The Rushes Green
17 HARRY BRAZIL voice: Bold Keeper
18 CHARLIE WILLS voice: The House That Jack Built
19 WALTER PARDON voice: The Poachers’ Fate
20 JIMMY HALPIN voice: Killafole Boasters
21 GEORGE TREMAIN melodeon: The Huntsman’s Chorus

Available now from:
TOPIC SHOP, AMAZON, ITUNES and on SPOTIFY



MARTIN SIMPSON ~ KIND LETTERS TSCD553

Martin Simpson says of this release, echoing the words of the writer Kazuo Ishiguo, “Traditional music is a treasure chest waiting to be opened”, and he was never more aware of the beauty and the value of the contents of that hoard than in the process of making this recording. Kind Letters is a kind of follow-up to the his award-winning 2001 release The Bramble Briar (TSCD513) in that he has chosen songs largely from the English repertoire – some of which have been with him for as long as he can remember.
Martin’s unequalled talents on guitar, banjo and vocals are joined by a host of outstanding musical accompanists including Nancy Kerr and James Fagan, Chris Parkinson and members of the celebrated Irish group, Danu.

• Top 10 Folk/World Album of the Year 2005 Record Collector
• “Simpson is one of the UK’s finest folk musicians, and his unique gift is to bring to bear the kind of fluid forward motion usually associated with American acoustic music on the more strident shapes of British traditional song. Kind Letters is full of spectacular moments.★★★★ Sunday Times
• “Although it’s his guitar virtuosity that’s frequently lauded, it’s as an interpreter of song that Martin Simpson really scores. Simpson delivers narratives with colour and conviction. Fittingly be-gonged several times at the BBC Radio 2 Folk Awards, Martin Simpson is taking his place, not just as a hero for guitar-besotted acolytes but as one of the national treasures of English traditional music.” BBC Radio 2 Folk & Acoustic Reviews
“He (Martin) has surely scarcely been in such a rich vein of form as he is now. The last couple of albums were both special…but with Danu – as well as Chris Parkinson, James Fagan and Nancy Kerr – co-opted as a backing band, this takes it somewhere else again. It’s a tender, emotional, profoundly moving album that portrays the immense reach of traditional balladry.” fROOTS
More Details >>



SAM LARNER ~ NOW IS THE TIME FOR FISHING TSCD511

Sam Larner was born in 1878 in the village of Winterton in Norfolk. For most of his life he was a fisherman and developed his repertoire and style from the locality and his workmates. Now Is The Time For Fishing was originally recorded on location in 1958, ’59 & ’60 by Ewan MacColl and Peggy Seeger and released in 1961, this record has come to be regarded as one of the most important recordings of an English traditional singer ever made. Alongside classic traditional repertoire, the CD features songs associated with the fishing industry as well as sea-lore and rhymes.

see also THE VOICE OF THE PEOPLE

More Details >>



ROUND THE HOUSE AND MIND THE DRESSER ~ VARIOUS ARTISTS TSCD606 

An outstanding and remarkable collection of Irish traditional music edited by Reg Hall. Round the House and Mind the Dresser could almost be described as “The other side of Irish traditional music” in that much of the recording of the music over the last eighty years or so has concentrated on a repertoire largely dominated by reels and jigs. On this record we have brought together a programme of polkas, slides, flings, hornpipes, the mazurka, waltzes and barndances – music of the country-house dances of rural Ireland and the dance halls of Irish-America.

About one third of the recordings are taken from superbly re-mastered 78s, made between 1925 and the 1950s while the balance comes from studio and live recordings from the 60s and 70s – and every one is a classic. An unusual and exiting repertoire played by some of the masters and mistresses of Irish Traditional Music including Michael Coleman, Johnny Doherty, Johnny O’Leary, Jimmy Power, Julia Clifford, The Flanagan Brothers, Hugh Gillespie, Paddy Killoran, Frank Quinn and many others.

More Details >>



TSCD918 HEALING, FEASTING & MAGICAL RITUAL: PAPUA NEW GUINEA

Songs and dances of hunting, war, work, totemistic ritual, cannibalism, myth, initiation, courtship, rain-making, funerals, magical healing, shark catching and marathon feasting, recorded in remote coastal and inland villages in five far-flung regions of Papua New Guinea, to the north of Australia. One of the world’s most mysterious countries, whose long, wide rivers are home to hundreds of different Melanesian cultures and languages.
These full-throated songs with their vibrant and often complex accompanimental drumming patterns show the richness and variety of the cultural traditions and beliefs of the communities of Papua New Guinea.

“… intense microtonal harmonies that are really arresting” Sing Out

More Details >>



MY SHIP SHALL SAIL THE OCEAN: TEMPEST & SEA BATTLES, SAILOR LADS & FISHERMAN TSCD652

tscd652 webVolume 2 of The Voice of The People.
Songs of tempest & sea battles, sailor lads and fishermen.
An anthology edited by REG HALL.

1 CYRIL POACHER voice: A Broadside
2 PADDY TUNNEY voice: The Lowlands Of Holland
3 TOM WILLETT voice: Riding Down To Portsmouth
4 JOHNNY DOUGHTY voice: Come My Own One, Come My Fond One
5 JOHN RAE dulcimer: The Sailor On The Rope / The Bonnie Bunch Of Roses
6 SAM LARNER voice: In Scarborough Town
7 LIZZIE HIGGINS voice, with chorus: Sandy’s A Sailor
8 TURP BROWN voice: The Streams Of Lovely Nancy
9 GEORGE LING voice: On Board The Leicester Castle
10 MARY ANN CAROLAN voice: In London So Fair
11 WALTER PARDON voice: A Ship To Old England Came
12 FRANK VERRILL voice: Jesus At Thy Command
13 HARRY UPTON voice: The Royal Albion
14 HARRY COX voice: The Pretty Ploughboy
15 MICHO RUSSELL voice: The Poor Little Fisherboy
16 BOB HART voice: Cod Banging
17 JOHNNY DOUGHTY voice: Round Rye Bay For More
18 PHIL TANNER voice: Young Henry Martin
19 CYRIL POACHER voice: A Sailor And His True Love
20 BOB ROBERTS voice, with chorus: The Fish And Chip Ship
21 JUMBO BRIGHTWELL voice: The Oak And The Ash
22 WILLIE SCOTT voice: The Banks Of Newfoundland
23 FRED JORDAN voice: The Dark-Eyed Sailor
24 WALTER PARDON voice: Jack Tar Ashore

Available now from:
TOPIC SHOP, AMAZON, ITUNES and on SPOTIFY



TSCD126 LOUIS KILLEN ~ BALLADS & BROADSIDES

TSCD126 webLouis Killen is a hard-core, unadulterated folksinger whose passionate delivery is matched by a deep and wide-ranging knowledge of the songs and the working people who made them. Born in Gateshead in Co. Durham, he was noted for his love of sea songs, as well as the industrial and rural folk songs of his native North East of England. Released in 1965, Ballads and Broadsides was the first full album by a solo folk singer and was, and still is, hugely influential. A great album full of great performances it was, sadly, to be the only album he recorded for Topic Records as he left Britain within a couple of years for a new life in the USA.

“An absolute beauty” fRoots
★★★★ Record Collector
“Classic” Taplas
“A master balladeer already in complete control of his formidable range of skills.” Stirrings

Louis Killen vocal, concertina

More Details >>



TSCD930 VARIOUS ARTISTS ~ BAGPIPES OF GREECE

An exciting collection of authentic Greek bagpipes recorded across the entire country over the last thirty years or more. Many of the musicians are shepherds and peasants and have been recorded in their homes or local environments. Recordings and notes by the noted ethnomusicologist Wolf Dietrich.

Currently, Greece appears to have no bagpipe revival (perhaps due to the lack of bagpipe makers) so these recordings chronicle a rare traditional culture.

• “There is some beautiful, flawlessly recorded material here – a well-edited labour of love” ★★★ Songlines
• “A labour of love and a work of true scholarship. Highly recommended.” fRoots

More Details >>



TSCD469 ALY BAIN & TOM ANDERSON ~ THE SILVER BOW

TSCD469 webTom Anderson MBE, fiddler, composer, folklorist and teacher, was a profoundly influential figure in Shetland music. He and Aly Bain, with Trevor Hunter and Davie Tulloch, spanning three generations of music-making in the islands, play fiddle duets and quartets in the distinctive Shetland idiom.

Tom Anderson fiddle
Aly Bain fiddle
with
Trevor Hunter fiddle
Davie Tulloch fiddle
Violet Tulloch piano
Willie Johnson guitar

More Details >>



STEVE ASHLEY ~ EVERYDAY LIVES TSCD526 

With Everyday Lives Steve Ashley created an extraordinary album of contemporary songs. Songs which are informed, but never overwhelmed, by the folk tradition. As the title suggests, they focus on aspects of everyday lives and loves, but that shouldn’t mislead the reader into thinking they are mundane. Far from it, this is a very special evocation of ENGLISH culture with no apologies (and why should there be?). A deeply atmospheric collection of remarkable songs.

• “As his contemporary John Tams blind-sided fans last year, Ashley does the same here” Q
• “If British singer-songwriterdom is to enjoy a renaissance…then it is right and proper that Steve Ashley should be at the forefront…a distinctively English style….alluring tunes and deft lyrics” fROOTS

More Details >>



ELIZA CARTHY ~ DREAMS OF BREATHING UNDERWATER TSCD571

Winner of two Mercury Award nominations, three BBC Radio 2 Folk Awards and numerous other accolades, Eliza Carthy is easily the most impressive and engaging folk artist of her generation. She has performed and recorded with a diverse array of artists including Paul Weller, Rufus and Martha Wainwright, Joan Baez, Nick Cave and Peter Gabriel. And yet, while traditional music is her lifelong love, Eliza had always planned to stay with the songwriting thing she started eight years ago with “Angels & Cigarettes”, her only album for a major label. And a good thing for us that she did. Years in the making, Dreams of Breathing Underwater showcases a much more mature songwriting and performing talent – lyrically, musically and stylistically.
The overall spirit of Dreams of Breathing Underwater is one of coherent diversity. A chamber orchestra, Mariachi brass, grunge guitar, good-time jazz, sensual Edi Reader harmonies as well as Eliza’s inventive fiddle and earthy vocals provide some of the musical highlights of this highly original album. Early reviews point to Dreams of Breathing Underwater as being THE album of the modern folk movement.

  • “… Eliza delivers a fizzing firework display full of colourful narratives and big characters… sends you home whistling. It’s quite a party” ★★★★ Mojo Magazine
  • “It’s a fizz-bang jamboree bag of an album exploding with ideas, unexpected tangents and corking story songs.” fRoots
  • “Vocally and lyrically, this is Carthy’s strongest album. Add a beautifully designed CD package ..and you have one of the most startlingly original albums of the past year” Dirty Linen
  • “From the ethereal wonder of Lavenders …….the experimentation works. Tha fact that it works is partly due to the musicianship…it can also be put down to Eliza’s magnificent voice – one of the finest you will ever hear. Dreams of Breathing Underwater is a brilliant album that deserves applause. This album shows just why she is one of music’s, and not just folk’s, most important and innovative artists.” BBC Online
  • “Her most sophisticated album yet and one destined to win her a whole new set of admirers – the care and invention on display is striking.” ★★★★★ Observer Music Magazine
  • “The twice-Mercury-nominated singer’s eighth solo album might just be her boldest, most varied, most wild adventure yet. First up is Follow The Dollar which packs a solid rock punch. Rows Of Angels has a hip-hop vibe. Mr Magnifico is a riot of mariachi horns and Lavenders is washed with ravishing contemporary atmospherics. This is the work of a wonderful artist who refuses to stand still.” ★★★★½ The Sun
  • “It’s effortlessly confident, wildly varied and almost impossible to categorise. Magnificent.” ★★★★ The Guardian

More Details >>



THE WATERSONS ~ FOR PENCE AND SPICY ALE TSCD574 

for pence and spicy ale introduced the “new” Watersons of the 1970s – when Martin Carthy joined the group. Two music papers judged it Folk Album of the Year in 1975 and, for many, it is the best album that The Watersons have ever produced. Topic has re-mastered the recordings from the original tapes to produce unparalleled sound quality, and re-packaged it in a handsome digipak. Between the opening song “Country Life” and the closing “The Good Old Way” are some of the most stirring performances ever committed to record.

  • This is the pinnacle of their prolific career – a wonderful collection of passionate solo voices and inspired harmonies. Ageless songs + sharp sense of adventure = certified genius. All time classic album.” HMV Choice
  • “A staggering album – the luminous power and rich texture of their acapella voices unmatched in English Folk Singing. This is traditional folk music elevated to the highest art. The finest, most fragrant flowering of the English Folk tradition in the past 50 years.” HMV Choice
  • “This classic album of British Folk Music sounds as fresh and astringently beautiful today as it did in 1975, when it was originally released…the harmonies they produce are sharply beautiful. The Watersons’ many fans will be thrilled to see this album newly available on CD with its tracklisting in the original running order – ESSENTIAL” All Music Guide
  • “This reissue of a classic album is a must-have” Dirty Linen More Details >>


TSCD485 DEEP LANCASHIRE ~ VARIOUS ARTISTS

TSCD485 webFolk music from industrial NW England from the Oldham Tinkers, Harry Boardman, Mike Harding etc.

More Details >>



TSCD922 DRUMMING & CHANTING IN GOD’S OWN COUNTRY: TEMPLE MUSIC OF KERALA

Cut off from the rest of the Indian mainland by the expansive Western Ghats mountain range, and open to the influences of the Arabian Sea via its 1000km coastline, the culture of the tiny Indian state of Kerala in the very south west of the country, is quite different from that of the rest of the Indian subcontinent.

In addition to the friendly people and the endless green of the countryside dotted with coconut trees, Kerala impresses through its man-made soundscape, largely centred around the ubiquitous Hindu temples. Derived from ancient forms and supplemented with performance and visual arts, brightened with elephant processions, special pujas (worshipping forms) and fancy shops, these events form the main leisure time attraction of the Hindu population.

The recordings on this CD, made in and around these between 1995 and 1997, demonstrate the vast range of performance genres. The huge percussion orchestra performances, the ancient styles of devotional singing, and the small music ensembles featuring rare traditional instruments like the huge C-shaped horn, the kombu, are some of these electrifying styles.

More Details >>



FAY HIELD ~ LOOKING GLASS TSCD573

Fay Hield has been singing traditional songs from an alarmingly early age. She was active in the lively music scene centred around the Famous Bacca Pipes Folk Club in Keighley, was instrumental in launching the Haworth Arts Festival and was part of a highly-regarded duo with Damien Barber. In 2001 she helped form The Witches Of Elswick – a female acapella quartet.

After a year or two off the folk radar, Fay returned to public view via occasional performances with partner Jon Boden. By this time she and Jon had fetched up on the moorland fringes of Sheffield. In 2009 a new concert line-up with Rob Harbron (English Acoustic Collective) and Sam Sweeney (Bellowhead) came into being, built around a striking repertoire of often obscure material drawn from rarely-thumbed collections. The Trio’s first outing, at the Oxford Festival in 2009, was flagged up approvingly by Acoustic Magazine as their Gig Of The Month, commenting: “….. Contained within a festival bursting at the seams with talent, this performance really stood out as one of the highlights.”

Some months ago Topic’s Tony Engle heard Fay’s new recordings. Her classic voice and the unusual selection of material quickly resulted in Topic’s first signing in a number of years.

Fay Hield’s debut solo CD Looking Glass is a spicy stew of songs and ballads, catches and caprices. The title track is a Peter Bellamy setting of a Rudyard Kipling poem. Instrumentation includes fiddles, concertina, nyckelharpa and guitar. The sound is at once crafty and nimble, airy and graceful, full of zest and nuance, sensitive to the tradition yet utterly distinctive. Fay leads with a voice whose rough edges are still thrillingly intact, and which goes straight to the living heart of the songs.

  • “Looking Glass is one of the best albums Topic has released for many years. I absolutely love it.” Mike Harding, BBC Radio 2
  • “An album of real depth and substance.” Colin Irwin, fRoots
  • “Hield is a rare talent.” ★★★★ Uncut
  • “There’s a real depth and richness to her singing.” ★★★★ Mojo
  • “Her strong voice, with soft, comforting northern tones delivered songs from the length and breadth of the country… Contained within a festival bursting at the seams with talent, this performance really stood out as one of the highlights.” Acoustic Magazine

More Details >>



JUNE TABOR ~ AT THE WOOD’S HEART TSCD557

This is the June Tabor album – from the opening track, a magisterial reading of The Banks of Sweet Primeroses, through Anna McGarrigle’s Heart Like A Wheel and her in-concert showstopper, Duke Ellington’s Do Nothing ‘Till You Hear From Me. June has also chosen a new song from the pen of one of her favourite English songwriters – Bill Caddick’s The Cloud Factory.
The inspiration for June’s choice of songs was the particular group of musicians she brought together for her BBC4 Sessions concert in 2004. “Obviously I was already aware of the strong character of each musician’s playing, but what I was not prepared for was the impact of the ensemble as a whole, as well as the undreamed of textures and colours of new permutations within the group”. The effect is remarkable, and June’s voice and performance have moved into even more impressive new territory.

• “No one else has come close to Tabor’s clarity and strength of expression. Her instinct and training make every phrase count.” The Daily Telegraph
• “From the opening notes…you realise you are in safe hands… coaxes unimagined sensations out of traditional tunes and performs elegant arrangements of new ones” ★★★★ The Sunday Times
• “To describe June Tabor as simply a folk singer is to ignore her achievements – and this new album proves she is one of our finest interpreters of songs of almost any kind. The starting point is traditional material, but her treatment of The Banks of the Sweet Primroses shows how she makes a song her own with her story-telling. A Chaucer song is followed by an exquisite, pained treatment of Anna McGarrigle’s Heart Like A Wheel, while the traditional Oh! Alas I Am in Love leads in to a drifting Duke Ellington ballad. A thoughtful, personal album”. ★★★★ The Guardian
• “She’s a national treasure” The Independent on Sunday
• “At the Wood’s Heart finds the powers in enthralling form. That sinuous, melancholy voice still does ‘dark’ impeccably – but always verdant, always human.”  ★★★★ The Observer

More Details >>



TSCD493 ELIZA CARTHY ~ RED

TSCD493 webRed presents original compositions with contemporary beats.
‘If this is the future of British folk music, it is in good hands.’ – Mojo

‘Audaciously Brilliant.’ – The Observer

Album of the Year – Folk Roots

Nominated for the prestigious Mercury Music Prize Album of the Year

More Details >>



BRASS MONKEY ~ FLAME OF FIRE TSCD550 

Their best album so far. Brass Monkey return with their “Deep English” sound, and have never sounded better. Flame of Fire sees the band performing with a new intensity.
• “Anyone who shares a love of traditional music or enjoys being intrigued and pleasantly surprised should seek this album out. This is a great, sophisticated album which may confuse some pop music sensibilities. Long may Brass Monkey play with such subversive brilliance.” Morning Star
• “There is no doubt that Brass Monkey is one of the most important bands to appear in the world of folk music – top quality interpretations of English music – excellent.” The Living Tradition
• “An album of big tunes – it sparks powerful emotions.” fRoots magazine
• “If you like any form of brass-band music, from classical to New Orleans jazz, Brass Monkey’s uniquely English variant is guaranteed” Dirty Linen

More Details >>



WORLD SERIES

The Topic World Series is widely praised as an important collection of the very best ethnographic recordings. Many releases have been made in conjunction with the International Music Collection of the British Library National Sound Archive.

Started in 1955, The British Library National Sound Archive is one of the largest in the world and now holds over a million discs, 175,000 tapes and many other sound and video recordings. Its aim is to collect, preserve and make accessible a comprehensive collection of music from all over the world. It covers thousands of styles and genres, both traditional and modern, from hundreds of countries.

International music has been a core collecting area for the NSA since its establishment and today the section is one of the largest and most wide-ranging in the world. One of the aims of the NSA is the wide dissemination of the music and information in its collections and the series of CDs produced in collaboration with Topic Records is a significant undertaking. For the most part the recordings are drawn from holdings of unpublished, unique field recordings, but they may also include reissues of 78rpm discs and LPs.

TSCD904 FOLK MUSIC OF ALBANIA
TSCD905 FOLK MUSIC OF BULGARIA
TSCD906 FOLK MUSIC OF YUGOSLAVIA
TSCD907 FOLK MUSIC OF GREECE
TSCD908
FOLK MUSIC OF TURKEY
TSCD911 MUSIC FROM THE SHRINES OF AJMER & MUNDRA
TSCD912
MUSIC OF THE TATAR PEOPLE

TSCD914 GYPSY MUSIC FROM MACEDONIA & NEIGHBOURING COUNTRIES
TSCD917 ZANZIBAR: MUSIC OF CELEBRATION
TSCD918 HEALING, FEASTING & MAGICAL RITUAL: PAPUA NEW GUINEA
TSCD919 THE MOKEN: SEA GYPSIES OF THE ANDAMAN SEA
TSCD920 THE YEMEN TIHAMA: TRANCE & DANCE MUSIC FROM THE RED SEA COAST
TSCD922 DRUMMING & CHANTING IN GOD’S OWN COUNTRY: TEMPLE MUSIC OF KERALA
TSCD923 GUMBOOT GUITAR: ZULU STREET GUITAR MUSIC FROM SOUTH AFRICA
TSCD925 THE KING’S MUSICIANS: ROYALIST MUSIC OF BUGANDA-UGANDA
TSCD927
OUT OF CUBA: LATIN AMERICAN MUSIC TAKES AFRICA BY STORM
TSCD928 BLOWERS FROM THE BALKANS: CLASSIC HISTORIC RECORDINGS OF WIND INSTRUMENTS
TSCD929  SONGS FROM THE STEPPES : KAZAKH MUSIC TODAY
TSCD930 BAGPIPES OF GREECE
TSCD931 WOMEN OF EGYPT 1924-1931: PIONEERS OF STARDOM AND FAME
TSCD935D SONGS OF SURVIVAL – TRADITIONAL MUSIC OF GEORGIA
TSCD936 POETRY AND LANGUID CHARM- SWAHILI MUSIC FROM TANZANIA AND KENYA FROM THE LATE 1920s TO THE 1950s



A STORY I’M JUST ABOUT TO TELL: LOCAL EVENTS & NATIONAL ISSUES TSCD658

tscd658 webVolume 8 of The Voice of The People.
Local Events & National Issues.
An anthology edited by REG HALL.

1 JOHN MacDONALD accordeon: Majuba Hill
2 BOB HART voice: A Broadside
3 MARGARET BARRY & MICHAEL GORMAN voice, banjo & fiddle: The Wild Colonial Boy
4 JOE HEANEY voice: The Wife Of The Bold Tenant Farmer
5 DAVIE STEWART voice & accordeon: MacPherson’s Rant
6 MARTIN HOWLEY voice: The Young Horseman
7 JOHN MacDONALD voice & accordeon: The Haughs O’Cromdale
8 ROBERT CINNAMOND voice: The Aghalee Heroes
9 SHEILA STEWART voice: Young Jimmy Foyers
10 TOM COSTELLO voice: A Grand Conversation On Napoleon
11 LUCY FARR fiddle: The Glen Of Aherlow
12 JOSEPH TAYLOR voice: Creeping Jane
13 FREDDY McKAY voice: Skibbereen
14 WILLIE SCOTT voice: Bloody Waterloo
15 TOMMY McGRATH voice: Down In The Town Of Old Bantry
16 DAVIE STEWART voice & accordeon: Boulavogue
17 BERNARD O’SULLIVAN & TOMMY McMAHON concertinas: Bonaparte’s Retreat
18 SARAH MAKEM voice: The Wind That Shakes The Barley
19 JASPER SMITH voice: Hartlake Bridge
20 JOE HEANEY voice: Morrissey And The Russian Sailor
21 CYRIL POACHER voice: The Bonny Bunch O’Roses
22 MAY BRADLEY voice: Calvery
23 STRAIGHTY FLANAGAN voice: Michael Power
24 MARGARET BARRY voice & banjo: The Bold Fenian Men

Available now from:
TOPIC SHOP, AMAZON, ITUNES
and on SPOTIFY