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tscd669 webVolume 19 of The Voice of The People.
Dance Music of the North of England.
An anthology edited by REG HALL.

1 WILL ATKINSON mouth-organ: Hexham Races / The Stool Of Repentance
2 TOM HUNTER & BILLY BALLANTINE fiddle & piccolo: The Gilsland Hornpipe
3 NED PEARSON fiddle: Untitled Hornpipe. Untitled Polka
4 BILLY BALLANTINE piccolo: Bonny North Tyne
5 WILLY TAYLOR fiddle: The Braemar Gathering /J.D. Burgess
6 WILL ATKINSON mouth-organ: The Friendly Visit / The Greencastle / The Lass On The Strand
7 WILLY TAYLOR, JOE HUTTON & WILL ATKINSON fiddle, small pipes & rnouth-organ: Christie MacLeod / The Gallowglass Rant / Charlie Hunter
8 JIM RUTHERFORD fiddle: The Morpeth Rant
9 ARTHUR MARSHALL melodeon & THE LOFTUS SWORD DANCERS The Oyster Girl – lst Figure. The Lass Of Dallowgill – 2nd Figure.
10 WILLY TAYLOR fiddle: Willy Taylor’s Polka. There’s Nae Good Luck
11 WILLY TAYLOR accordeon: The Pop Along Polka
12 WILLY TAYLOR, JOE HUTTON & Will ATKINSON fiddle, small pipes & mouth-organ: Mrs. Jamieson’s Favourite / Parnell’s March
13 NED PEARSON fiddle: The Polka Mazurka. Paddle Your Own Canoe
14 WILL ATKINSON mouth-organ: Farewell To The Creeks
15 ADAM GRAY fiddle: Tom Hepple’s Polka. The Tow House Polka
16 ROB FORRESTER mouth-organ, with ALF ADAMSON’S BAND The Wild Rover / Copshawholm Fair / Yon Flowery Garden
17 WILL ATKINSON rnouth-organ: J.B.Milne / The New High Level
18 DAVIE ROGERSON fiddle: The Tenpenny Bit / The Rakes Of Kildare / I Lost My Love And I Care Not. Untitled Reel
19 BILLY BALLANTINE & JIMMY HUNTER piccolo & mouth-organ: Rosalie, The Prairie Flower. My Lodging / Blow The Wind Southerly
20 NED PEARSON fiddle: Corn-Rigs. Untitled Jig For The Sylph 1. Untitled Jig For The Sylph 2
21 WILL ATKINSON mouth-organ: Longueval
22 JAKE HUTTON, TOM HUNTER & BILLY BALLANTINE two fiddles & piccolo: The Kielder Schottische
23 BILLY BALLANTINE piccolo: The Sylph. Proudlock’s Hornpipe
24 NED PEARSON fiddle: The Highland Laddie. The Pin Reel The Cambo March
25 WILL ATKINSON mouth-organ: A.M.Shinnie / The Hogmaney Jig / Elizabeth Adair
26 DAVIE ROGERSON fiddle: Untitled Hornpipe. The Swallow’s Tail
27 THE CHEVIOT RANTERS band: The Ideal Schottische
28 WILLY TAYLOR, JOE HUTTON & WILL ATKINSON fiddle, small pipes & mouth-organ: Kelso Accordion And Fiddle Club / Linda McFarlane / The Scairlaveg

Available now from:

The Voice Of The People


The first TWENTY volumes : TSCD651-670

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“My favourite sit-down-and-listen records”
Norma Waterson

This series makes available nearly 500 recordings of English, Irish, Scottish and Welsh traditional music drawn from the archives of Topic Records and from private collections.

Compiled as thematic anthologies, each volume stands on its own, but the series as a whole presents an extensive and varied picture of traditional singing, instrumental music-making and dancing throughout the course of the 20th century. Many of the singers and musicians and their recorded performances presented here are classic, but the inclusion of some less well-known performers and genres broadens the horizon by offering glimpses at some little-known nooks and crannies of traditional music-making. This is the home-spun art and entertainment that enriched the lives of working people in pubs and cottages, in social clubs and village halls and on the street, and was made, in the words of one of the musicians in the series, “by people with dirt under their finger nails.”

Society has moved on, but the artistry of these singers and musicians and the emotional impact of their performances are timeless. The timbres and textures of the language and musical expression, the performance skills and techniques, the social values contained in both the material and the performers’ life stories, and the subtleties of meaning in the song texts could easily be lost sight of forever. The cultural voices of these farm workers and men on the buildings, the housewives, the shepherds and cowmen, the gardeners and estate workers, the miners and trawlermen, the dealers in scrap, the country policeman and the village postman, the chambermaid and the hospital nurse are therefore worthy of serious and prolonged attention. Their singing and music-making have made a striking and significant contribution to the cultural roots of these islands.

Best known as a dance musician, Reg Hall is a visiting research fellow at the University of Sussex and, in compiling and annotating this series, he has called on the experience of a long, personal involvement with traditional music-making and an academic historian’s view of its history and social context. His commentary pays tribute to the pioneer pen-and-paper folk-song-collectors of the Edwardian era and to those professionals in the early post-war years equipped with tape recorders. The 1960s and 1970s saw the rise of a small number of enthusiasts, both professional and amateur, who recorded traditional music and broke new ground in discovery and evaluation, and this series owes a great deal to their creative efforts and co-operation.

Ever a critic of the concepts of ‘folk-song’ and ‘folk-dance’, Reg Hall challenges the ground rules of both movements and directs the emphasis in this presentation towards the lives of the performers and the communities and circumstances in which they performed. The songs and dance music had meaning and purpose for the singers and musicians, and the exploration of those realities, as far as we are able to understand them, is far more exciting than perpetuating the myths.

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