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NEW ADDITIONS ON 12th JULY 2010
A L LLOYD First Person TSDL118 A L Lloyd occupied a unique position in the British folksong revival. Much-loved father-figure and mentor to many younger singers, he was a performer of persuasive charm, as well as an international authority on folklore and a frequent broadcaster. Lloyd was for a while artistic director of Topic Records and encouraged the early recordings of many of the folk scene's finest performers. 'First Person' is a remarkable selection of his own favourite English folk songs. Lloyd is accompanied by Alf Edwards - concertina and Dave Swarbrick - fiddle. 1 Four Drunken Maidens |
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EWAN MacCOLL Bundook Ballads TSDL130 An anthology of soldiers songs, ribald, cynical and occasionally sentimental. Performed in his inimitable style by Ewan MacColl with Peggy Seeger, Jimmy MacGregor and John Cole. 1 Any Complaints |
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BOB CANN West Country Melodeon TSDL275 Bob Cann is an exceptional melodeon player from the south edge of Dartmoor in Devon. As a young man he played for hours-long step-dancing competitions; in middle-age he won an all-England folk instrumentalist trophy (beating the renowned piper Billy Pigg) from the English Folk Dance and Song Society. His repertoire is typical of the finest country dance musician but his playing is of the highest order - exciting and eminently danceable. 1 Uncle George’s Hornpipe (The Cliff) / Tommy Roberts’ Hornpipe |
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JIMMY POWER Irish Fiddle Player TSDL306 Jimmy Power was one of the finest Irish traditional fiddle players. He was also one of the most familiar and best-respected figures on the London-Irish music scene of the 1970s. His exceptional repertoire was developed playing for dancing in English pubs and at the grueling feisanna competitions. Power was a very individual player with a unique style embracing short, sharp bowing and plenty of trebling. He is accompanied by pianist Reg Hall on this fine album. 1 Tommy Potts' Rambling Pitchfork / The Strayaway Child |
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ROSE MURPHY Milltown Lass TSDL316 The captivating fiddle and accordion player, Rose Murphy, was born in 1900 into an intensely musical family in Milltown, County Galway. She spent much of her adult life living around Rotherham in South Yorkshire, and was 76 years young when this recording was made. The album delightfully recaptures the dancing repertoire styles of her youth in the West of Ireland. 1 Reel: Salamanca / The Milltown Lasses |
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TOMMY HEALY & JOHN DUFFY Memories Of Sligo TSDL335 Irish music in the old 'Sligo Style' was carried far and wide by such migrant sons as Michael Coleman, Paddy Killoran and Michael Gorman. It was the tradition that two London based musicians - Tommy Healy (flute) and Johnny Duffy (fiddle) - grew up in. They continued adhering to the style playing at home in Ireland and later in London. Accompanied by pianist Reg Hall the two are beautifully captured on this intimate recording from the mid-1970s. 1 Reels: Tarbolton / The Longford Collector / The Sailor’s Bonnet |
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BOB ROBERTS Songs From The Sailing Barges TSDL361 A fine traditional singer from a bygone world. Bob Roberts was Dorset-born but grew up in Suffolk. He spent most of his working life on sailing barges carrying cargo round Britain or across the Channel to Europe. His repertoire was a treasury of bargemen's songs, which he sang with a mellow grace to his own melodeon accompaniment. Roberts was active on the folk scene during the 1950s and 60s, but was seldom heard before these recordings made in 1977 returned him to clubs and festivals. 1 The Candlelight Fisherman |
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MARY ANN CAROLAN Songs From The Irish Tradition TSDL362 Coming from a family of singers and musicians, of whom her father in particular was a well-known songster, Mary Ann Carolan was a splendid performer of ballads and songs in the style and tradition of County Louth, Eire. Mary had a repertoire of over sixty songs when this fine recording was made in 1978. 1 Bold Doherty |
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DAN SULLIVAN’S SHAMROCK BAND TSDL366 A remarkable historical set, this record documents the recordings of a splendid early Irish-American dance band from Boston. Dan Sullivan was renowned in Boston as one of the finest fiddlers in the traditional style. The exhilarating ensemble that he led were in demand for dances in the area around Boston and made many recordings between 1926 and the mid-'thirties. This collection includes some of their finest sides and recordings by individual members of the ensemble. 1 Irish Dance Set - Figure No.2 |
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WALTER PARDON A Country Life TSDL392 Walter Pardon (1914 - 1996) was one of the best singers of traditional folk-song in England, yet, outside his family, no one knew of his singing until he was 59 years old. Born in Knapton, near North Walsham in Norfolk, in a cottage where he lived for the rest of his life, Pardon finally came to national prominence in the folk-song world in the 1970s through a cassette tape passed to Peter Bellamy. The folklorist Mike Yates began a project to record and document Walter's repertoire of over 150 songs. These recordings from the late 1970s capture a beautiful, gentle singer at the height of his powers. 1 Raggle Taggle Gypsies |
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NEW IN FEB 2010
ANDREW CRONSHAW The Language Of Snakes TSDL1050 Muliti-instrumentalist Andrew Cronshaw variously draws upon the traditional music of the Scottish Highlands, Northern Spain, Finnland and his native England to weave a music of great beauty and originality. 1993's 'The Language of Snakes' was his sixth solo album. Working with a close band of musical collaborators, Cronshaw magically transforms his disparate source material with a series of unexpected textures and arrangements. 1 Through Moorfields |
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EWAN MacCOLL Chorus From The Gallows TSDL502 Ewan MacColl was one of the architects of the folksong revival. Whether as an interpreter of ancient ballads or as a writer of new songs, he influenced almost everyone involved in folk music in the 1950s, '60s and '70s. He brought the same skill and understanding to songs of Britain's industrial cities, ballads of Scots history and lyrics from the English countryside. His own compositions, many of which have passed into the common currency of folk music, are featured both on his own albums and on The Radio-Ballads. 'Chorus From The Gallows', first released in 1960, opens with the tale of Craig and Derek Bentley and closes with "Go Down Ye Murderers," which relates the story of Timothy John Evans, convicted and executed for murders he did not commit, both true and awful stories from the annals of 20th century British justice. The repertoire ranges from the cattle-rusting border raiders of the Middle Ages and the 18th-century highwayman Dick Turpin to MacColl's own compositions about controversial murder trials of the 1950s. 1 Derek Bentley |
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JOHN KIRKPATRICK & SUE HARRIS Stolen Ground TSDL453 Accordion maestro John Kirkpatrick and the classically-trained oboist Sue Harris created a beautiful blend of English country dance tunes and songs with influences from Music Hall, Flaco Jimenez and Ry Cooder. Throughout the 1970s they were a sought after act on the UK folk scene and recorded a number of fine albums for the Topic label. 1989's 'Stolen Ground', the duo's final album for the Topic label, is undobtedly one of their finest records. 1 Arthur McBride |
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ANDREW CRONSHAW Till The Beasts' Returning TSDL447 Andrew Cronshaw, musical explorer and enthusiast recorded several fine albums for Topic records during the 1980s and '90s. 'Till The Beasts' returning' is undoubtedly the finest - a magical collection of tunes from the far north of Scotland, from the pen of Mr Cronshaw plus a delightful solo reading of 'Our Captain Cried' by the incomparable June Tabor. 1 The Dark-Haired Youth / Taladh ar Slanair |
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MARTIN & JESSICA SIMPSON True, Dare or Promise TSCD446D A remarkable album from Martin Simpson and his then wife, Jessica, with the band Flash Company. 'True, Dare or Promise' features some of Martin Simpson's most imaginative guitar playing through a remarkable series of arrangements that stretch British folk-rock towards the avant garde! The ensemble also features the fine (and much lamented) songwriter John B Spencer. Although they only performed a handful of gigs this album captures all the early promise of a fine ensemble. 1 Doney Girl |
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BILL CADDICK The Wild West Show TSDL441 Bill Caddick has an enviable reputation - sometime member of the Albion Band, Home Service and songwriter of choice for June Tabor. He has recorded few albums during his long performing career; many fans regard 'The Wild West Show' as one of this finest recordings. The album was recorded by Andrew Cronshaw and sees a crack team of close friends and former Home Service colleagues accompany Caddick, including June Tabor who adds sublime duet vocals to 'Eights And Aces'. 1 Superman |
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MARTIN SIMPSON Sad or High Kicking! TSCD438D Martin Simpson has spoken of his early studio recordings as "scrapbooks of the millions of things that I was into at that time." For most fans this 1986 album displays a young master developing a remarkable relationship with his guitar. 1 Jazzman |
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CURLEW Fiddle Music of Shetland & Beyond TSDL435 Uniting Davy Tulloch’s Shetland Reels and Veronique Nelson’s Wessex airs – with their differing techniques and oral traditions – provide dynamic two-part fiddle playing which combines with the jazzy ensembles of Dave Jackson’s guitar to create an exciting and original new sound. Curlew’s two fiddles adapt dance rhythms and songs, many from Shetland, Scandinavia and Galicia, with guitar and occasional string bass accompaniment. In some pieces a two-part invention or rhythmic counterpart is clearly discernible, making for an invigorating and distinctive style. 1 Shetland Reels: Tilley Plump / Auld Foula Reel / Oot and in da Harbour |
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MARTIN SIMPSON Grinning In Your Face TSCD430D Martin Simpson is justifiably regarded as one of the finest finger-style guitarists to have emerged from the British Isles. 'Grinning In Your Face' (1983) captures him at an early stage in his recording career, and is a remarkably assured and exuberant recording. 1 It Doesn’t Matter Anymore |
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UMPS AND DUMPS The Moon's In A Fit TSDL416 Umps and Dumps were an exuberant dance band led by John Kirkpatrick and Sue Harris. The ensemble's sole recording is a splendid example of the energy typical of the English country dance scene of the early 1980s. 1 Up Sides |
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JOHN KIRKPATRICK & SUE HARRIS Facing The Music TSDL408 John Kirkpatrick and Sue Harris were a duo which achieved an enviable reputation in the British folk scene of the 1970s. Their repertoire focussed on English country music and songs. John recorded 'Morris On' with Ashley Hutchings, Richard Thompson and Barry Dransfield ushering a new appreciation of Morris music. The purely instrumental 'Facing The Music' was the duo's fourth record for the Topic label and represents a high point of their recording career. The splendid tunes are drawn from a bewildering variety of sources; from rural musicians and from published tune books, from the Bahamas, from the Appalachians and from Orkney. 1 John Locke's Polka / Three Jolly Sheepskins |
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CILLA FISHER & ARTIE TREZISE Cilla & Artie TSDL405 'Cilla & Artie' is a splendid album from Cilla Fisher (a member of the influential Fisher Family) and her husband Artie Tresize. The record was 'The Melody Maker Folk Album of the Year - 1979'. Joining Cilla and Artie is an international collection of "session" musicians including Alistair Anderson, Johnny & Phil Cunningham, Rick Lee, Brian McNeill and Bob Zentz. The songs are mostly from the tradition with, "Blue Bleezin' Blind Drunk" and "The Gypsy Laddies" but also include a grand version of Stan Rodgers' "The Jeanie C" and the wildest ever arrangement of Ewan MacColl's "Fisher Lassies". 1 Norland Wind |
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ALISON McMORLAND & PETE WEBB Cilla & Artie TSDL403 "Alison McMorland and Peta Webb are two ladies of immense talent and can be counted among the handful, of either sex, who are supreme in their art. Individually they are well respected; together they make that rare blend that is only to be found in singing of this quality, complementing each other perfectly and, even more rare, each somehow adding to the other to come up with something which is more than the combination of two voices. It is only after listening to the whole record that one becomes aware that there is no instrumental accompaniment." Dick Gaughan from the original 1980 sleeve notes. 1 Two Pretty Boys |
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THE OLDHAM TINKERS That Lancashire Band TSDL399 The Oldham Tinkers from South Lancashire made their recording debut on the best selling 'Deep Lancashire' collection in 1968. Throughout the next decade they took their music to a wide international audience. Their fifth 'solo' album for the Topic label is another powerful mixture of Lancashire humour and pathos. Their beguiling songs are derived from the poems of local dialect writers, from Music Hall entertainers and from the traditional music of the North West of England. 1 Old May Song |
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JOHN DOHERTY Bundle And Go TSDL398 The late John Doherty, the travelling virtuoso fiddler from Donegal, was an important link in the Gaelic tradition of rural Ireland. He was one of the greatest Irish master musicians, yet for most of his life he never owned a fiddle. At the time of these historic recordings he was 83 years old. 1 Hudie Gallagher's March / Untitled Reel |
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THE HIGH LEVEL RANTERS Four In A Bar TSDL388 The High Level Ranters were one of the longest-established and most popular bands in Britain. A rare combination of individual talents, the group play the music of their native Northumbria with a command born of skill and understanding. 'Four In A Bar' is an all-instrumental collection, typical of the repertoire they played at regular sessions in Newcastle's weekly 'Folksong & Ballad' club. 1 Whinham's Jig / Billy's Jig |
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VIN GARBUTT Tossing A Wobbler TSDL385 Born in Middlesborough of Anglo-Irish descent, Vin Garbutt has an enviable reputation as a singer and songwriter of fine socially conscious, and environmentally aware songs. 'Tossin' A Wobbler' from 1978 is regarded as one of his finest recordings. 1 Man of the Earth |
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THE NEW VICTORY BAND One More Dance And Then TSDL382 A smile, a tear, a tapping foot - the New Victory Band can evoke them all with an enviable expertise. Old-time dances, music hall songs, even a ragtime tune on the harmonium was within their scope. Their sole album stands as an important example of the new movement in English country dance music that developed during the 1970s. 'One More Dance and Then...' is stuffed full of variety, humour, pathos, fine music and fun. 1 Polkas - Harper's Frolick / Bonny Kate |
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SHIRLEY & DOLLY COLLINS For As Many As Will TSDL380 'For As Many As Will' dates from 1978 and was the last studio recording by Shirley & Dolly Collins. The sisters were brought up on the Sussex coast with a strong intuitive for English traditional song. Through a remarkable series of landmark recordings during the 1960s and '70s they helped define the possibilities of the English folksong revival. 'For As Many As Will' includes a stunning reading of Richard Thompson's 'Never Again', alongside fine traditional material like 'Lord Allenwater', 'Gilderoy', 'The Moon Shines Bright' and a medley from John Gay's 'The Beggar's Opera'. 1 Lancashire Lass |
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VIN GARBUTT Eston California TSDL378 A singer of extraordinary power, a gifted guitarist and whistle-player, Vin Garbutt has been one of the most popular performers on the folk scene for nearly forty years. This, his first album recorded for Topic records is a career highlight. 1 Bantry Bay / Den Toppede Høne |
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ALISTAIR ANDERSON Corby Crag TSDL371 Solo recording from one of the leading figures in music from the North East of England and inded in the English folksong revival of the late twentieth century. English concertina and smallpipe maestro Alistair Anderson has been at the forefront of the performance of traditional music for over four decades. An internationally recognised ambassador for the music of Northumberland, between 1968 and 1979 he toured the world as a member of the High Level Ranters. He has an enviable reputation as a solo performer and an enthusiastic educator and folk activist. In 2006 he was awarded the prestigious Gold Medal of the English Folk Dance and Song Society. 1 The Hawk Polka / Thrunton Woods |
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JOHN KIRKPATRICK & SUE HARRIS Shreds And Patches TSDL355 John Kirkpatrick and Sue Harris play a beautiful blend of Kirkpatrick's morris dance based accordion-driven music and Sue's classically trained oboe arrangements. Throughout the 1970s they were a sought after act on the UK folk scene and recorded a number of fine albums for the Topic label. 'Shreds and Patches' is regarded by many aficionados as one of their finest. 1 Waterman's Dance |
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BOB DAVENPORT AND THE RAKES 1977 TSDL350 Bob Davenport has one of the most distinctive styles and one of the widest repertoires among singers on the folkclub scene. A favourite at festivals and a regular guest at folk clubs throughout Britain, he is a staunch supporter of the traditional music of the working people. He is at his finest when accompanied by the Rakes, surely the best English country ensemble of them all. 1 Waltzes: With my Love on the Road / Wild Colonial Boy |
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JACK AND CHARLIE COEN The Branch Line TSDL337 The Coen brothers, Galwaymen by birth, were both resident in New York when this fine location recording was taped. Jack played the flute and Charlie the concertina, both were distinguished members of the New York Irish community when the folklorist Mick Moloney encouraged them to make this album. 1 Scatter the Mud / Larry Redican's Jig |
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THE OLDHAM TINKERS Sit Thee Down TSDL323 The Oldham Tinkers from Oldham in South Lancashire made their debut on the best selling 'Deep Lancashire' collection in 1968. Throughout the next decade they took their music to a wide international audience. Their fourth 'solo' album for the Topic label was a powerful mixture of Lancashire humour and pathos. Their songs are derived from the poems of local dialect writers, from Music Hall entertainers and from the traditional music of the North West. 1 The Maid in the Calico Dress |
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BOB SMITH'S IDEAL BAND Ideal Music TSDL319 Bob Smith's Ideal Band was the cente of a group of Glasgow musicians, singers and omedians, who played dance music, sang popular songs and enacted sketches on the Beltona label in the 1930s. Their colourful and entertaining music is the sound not of a folklorist's collection but of a genuinely popular regional idiom as it was recorded in its day. This 1977 collection was lovingly compiled from their finest 78rpm recordings. 1 Eightsome reel Part 1 (Fairy Dance / The Breakdown / De'il Among The
Tailors) |
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BOB DAVENPORT Postcards Home TSDL318 Bob Davenport has one of the most distinctive styles and one of the widest repertoires among singers on the folkclub scene. A favourite performer at festivals and a regular guest at folk clubs throughout Britain, he is a staunch supporter of traditional music. His 1977 record 'Postcards Home' examines hard times and war times through a powerful mix of song, music and speech. Songs by Richard Thompson and Bob Marley are interwoven with traditional music, poetry and music hall songs. As a contemporary Daily Telegraph review noted: "An impressive and timely achievment, full of poetry, irony and lively music." 1 Byker Hill / Blackleg Miner |
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DICK GAUGHAN Coppers & Brass TSDL315 The first album recorded for Topic by the reknowned Dick Gaughan, 'Coppers & Brass' is an impressive instrumental set from one of Scotland's finest folk musicians. Dick Gaughan performs a collection of jigs, hornpipes, reels and marches, learned from pipers and fiddlers and skilfully transferred to the guitar. 1 Coppers and Brass / Gander in the Pratie Hole |
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BELLE STEWART Queen Among The Heather TSDL307 The Stewarts are a family of Scots travellers who claimed descent from the Royal House of Stewart and have traditional music in their bones. Belle Stewart, a proud, dignified and a distinguished maintainer of noble traditions, ranks alongside Jeannie Robertson in the roll of the finest Scots ballad-singers. 'Queen Among the Heather' is the only full album of her work. 1 Queen Among the Heather |
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THE O'HALLORAN BROTHERS The Men of the Island TSDL305 Des and Vince O'Halloran are from the tiny Inishbofin Island, off the coast of Connemara. Though relatively young when these recordings were made and from a region not noted for a strongly maintained musical tradition, they play wonderfully close-knit and exciting music. 1 Reels: The Music in the Glen / The Green Fields of America |
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THE HIGH LEVEL RANTERS Ranting Lads TSDL297 The High Level Ranters were among the liveliest folk music groups in Britain, one of the longest-established and most popular bands. The incredible instrumental versatilty of the four piece - Alistair Anderson, Tom Gilfellon, Johnny Handle and Colin Ross - took the music of their native Northumberland around the world. The group researched much of their repertoire from 19th century tune books, helping to revive and bring before a new audience a vast repertory of local traditional music. All members of the group recorded solo records, but their most powerful recordings were undoubtedly made as an ensemble. 1 Fairly Shot of Her / A Wife of My Own |
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JOHN KIRKPATRICK & SUE HARRIS Among The Many Attractions At The Show Will Be A Really High Class Band TSDL295 A hugely popular act on the British folk scene, John Kirkpatrick and Sue Harris, made a series of fine records for the Topic label. John had also recorded with Ashley Hutchings' Morris On band and with Richard Thompson; both were founder members of the Albion Country Band and John would later join Steeleye Span. Their duo records are cherished by aficionados of the finest English country music from the mid-20th century revival. 1 The Edgmond Men's Souling Song |
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GEORGE MAYNARD Ye Subjects Of England TSDL286 One of the greatest English traditional singers - George 'Pop' Maynard from Sussex recorded rarely. This splendid album showcases his majestic and powerful style. 1 Polly on the Shore |
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ARCHIE FISHER Will Ye Gang, Love TSDL277 Archie Fisher's is a multifaceted talent. He is simultaneously a singer with great interpretive flair, a songwriter whose compositions have been taken up by many leading singers, a musician of outstanding ability and a skilled raconteur. Above all else he is a man of influence, whose taste and style have shown the way for many artists. 'Will Ye Gang, Love' was recorded in 1976 and captures a musician at the height of his powers. 1 O Charlie, O Charlie |
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THE OLDHAM TINKERS For Old Time's Sake TSDL276 The Oldham Tinkers specialise in the local songs and ballads of their native South Lancashire, and have an immense following. All the salt and savour of Lancashire song and humour is to be enjoyed in their records. 'For Old Time's Sake' their third album for the Topic record label was popular with the late John Peel. He played their material often on his BBC radio programme, especially the tall tale of 'John Willie's Horse'. 1 Signora |
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BOB DAVENPORT Down The Long Road TSDL274 Bob Davenport has one of the most distinctive styles and one of the widest repertoires of any singer performing in folk clubs. From the North East of England, he relished singing in the pubs of North London frequented by musicians from the Irish community - the Bedford Arms, The Laurel Tree and the Camden Stores. 'Down The Long Road' draws upon these two important strands in Bob's repertoire, as well as the country music of Southern England. Mr. Davenport is variously accompanied by notable Irish musicians - Lucy Farr, Jimmy Power, Johnny Gorman, and by members of Webb's Wonders, The Rakes and the Leeds Band. 1 Navvy Boots |
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ROY HARRIS Champions Of Folly TSDL256 Few singers have such a vigorous, broad-ranging, fresh-sounding repertoire as Roy Harris from Nottingham, and none can handle it more convincingly. Guest musicians include Martin Carthy (guitar, mandola), Bobby Campbell (fiddle) and Vic Gammon (melodeon). 1 The Saucy Bold Robber |
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VARIOUS ARTISTS Songs Of The Open Road TSDL253 Gypsies and travellers have preserved a wealth of English traditional song, which has been rarely collected. This splendid and influential collection of English traditional song performed by some of the finest Gypsy singers of Southern England, draws upon the diligent field recordings of the collector Mike Yates. 1 You Subjects of England - Jasper Smith |
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The RUSSELL FAMILY of Doolin, County Clare TSDL251 Miko, Pakie and Gussie Russell of Dolin, Co Clare, were an Irish musical family of singular attractiveness and interest, with aremarkably rich store of local Clare music. This record was recorded on location by John Tams and Neil Wayne in 1977, and is an exceptional document of the traditional music making still to be heard in the Irish countryside during the mid-1970s. 1 Campbell’s Reel |
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SEAMUS ENNIS The Wandering Minstrel TSDL250 Séamus Ennis was an inspiration to countless musicians around the world. He is numbered amongst the greatest Irish pipers of the twentieth century (as well as a tremendous storyteller and an inveterate folksong collector). His sole album for Topic records captured his pipe playing during a highpoint of his career and is regarded by many afficionados as one of his finest recordings. 1 The Wandering Minstrel / Jackson’s Morning Brush |
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JOHN KIRKPATRICK & SUE HARRIS The Rose Of Britain's Isle TSDL247 John Kirkpatrick and Sue Harris play and sing English country music with a rare authority. John is a well known session musician, recording with Richard and Linda Thompson, Gerry Rafferty, Pere Ubu, Roy Bailey and many others. John and Sue were founder members of the Albion Country Band, and John has been a member of Steeleye Span and Brass Monkey. 'The Rose Of Britain's Isle' was voted the record of the year 1974 by Folk Review. 1 The Rose of Britain’s Isle / Glorishears |
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SCAN TESTER, WALTER & DAISY BULWER, BILLY COOPER AND OTHERS Boscastle Breakdown TSDL240 An important collection of field recordings made between 1940 and the late 1960s, which focus upon the traditional instrumental music of rural England. Most of the musicians featured were born towards the end of the 19th century and developed their musical skills in the years before the Great War. The carnage of World War 1, the movement towards towns in search of employment and the influence of mass media, all served to bring about a decline in country music. This recording captures some of the finest surviving performers and the repertoire they played for social dancing in country pubs and village halls. 1 Jenny Lind / Untitled Polka - Scan Tester and Rabbidy Baxter |
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THE OLDHAM TINKERS Best O'T' Bunch TSDL237 The Oldham Tinkers specialise in the local songs and ballads of South Lancashire, and have an immense following their. Their debut album soon caught the attention of John Peel and brought their music to a much wider audience. 1 The Rochdale Mashers |
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VARIOUS ARTISTS The Lark In The Clear Air TSDL230 An important and influential record of song airs and dance tunes played on modest instruments such as would fit in your pocket, played by some of the finest London-based Irish musicians. "The expertise of the performers is to be admired for its own sake... a delightful disc." New Statesman. 1 Gillian Apples / The Prize Jig - John Doonan & John Wright |
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BILLY BENNINGTON , PERCY BROWN, OSCAR WOODS, HAROLD COLVILL English Country Music From East Anglia TSDL229 A pioneering record of traditional East Anglian musicians playing functional music for dancing. This is the music of the rural public house tap room - step dances, polkas and waltzes. The exemplary location recordings capture "relaxed, unspectacular and homely but often highly skilled performances" from four of the finest country musicians - Billy Bennington (hammer dulcimer), Percy Brown (melodeon), Harold Colvill (mouth organ) and Oscar Woods (melodeon). 1 Jig - Oscar Woods |
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THE CHEVIOT RANTERS The Cheviot Hills TSDL222 The Cheviot Hills' was the second album by the acclaimed Cheviot Ranters' Country Dance Band for Topic records, it is a wonderful programme of old time and country dances ideal for the dancer and the listener alike. The Cheviot Ranters were arguably the the most distinguished and 'authentic' of the English folk dance bands, and grew out of the monthly meetings of the Northumbrian Pipers' Society. Formed in 1955 the band played for local social dances in Northumberland and Durham. Within a year they had established themselves as a prominent dance band on radio and television. Their early 1970s recordings for the Topic label reached a wide audience, including the enthusiastic patronage of the radio dj John Peel. 1 Cumberland Square Eight: My Love She’s But a Lassie Yet / Caddam
Woods / Rose Tree |
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FRANKIE ARMSTRONG Lovely On The Water TSDL216 Few singers match the assurance and intensity of Frankie' Armstrong's singing. Born in Cumberland, Frankie typically came to folk song as a teenager and member of an amateur skiffle group. She was a member of the influential Critics Group led by Ewan MacColl and first recorded on A L Lloyd's 'The Bird In The Bush' project. In Lloyd's memorable phrase "she can sing to pull down the stars". Armstrong is an important interpreter of ballads, often approaching her material from a feminist perspective. 1 Tarry Trousers |
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THE CHEVIOT RANTERS The Sound of the Cheviots TSDL214 The Cheviot Ranters were the most distinguished and authentic of English country dance bands from England's North-East. Darlings of the late John Peel on his early 1970s' BBC radio shows, their fine recordings for the Topic label satisfying both the dancer and the armchair listener. 1 Circassian Circle - part 1 Original / Rugley Ford / Hesleyside Reel
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OAK Welcome To Our Fair TSDL212 The four piece ensemble Oak were the leading lights of a movement to rediscover English country music in the early 1970s. The group comprised Rod and Danny Stradling, Peta Webb and Tony Engle. Their songs, music and style were derived from traditional country performers. Their sole album - 'Welcome To Our Fair' - has been an tremendously influential recording for a whole generation of British folk musicians. 1 Thousands or More |
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The OLDHAM TINKERS Owdham's Burning Sands TSDL206 The mighty Oldham Tinkers specialise in the local songs and ballads of their native South Lancashire. True inheritors of the spirit of great Lancashire mucial comics like George Formby. "All the salt and savour of Lancashire song and humour is to be enjoyed in their records." 'Oldham's Burning Sands' was the group's first recording for Topic Records and a perennial favourite with the late John Peel. 1 Success to the Weavers |
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A L LLOYD The Great Australian Legend TSDL203 This album offers a collection of traditional song from Australia. The great folksong collector and singer, A L Lloyd is accompanied by Trevor Lucas, Martyn Wyndham-Reade, Dave Swarbrick & Alf Edwards. 1 Waltzing Matilda - A L Lloyd |
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PETER BELLAMY The Fox Jumps Over The Parson's Gate TSDL200 Peter Bellamy (1944 - 1991) was one of the most distinctive voices of the British folk revival, a singer who made the traditional songs and ballads of England vital, exciting and entertaining. As a member of the powerful acapella group the Young Tradition, he helped reawaken an interest in the traditional songs of England. Bellamy's influences drew on a wide musical world; he was as passionate about the singing of the Copper Family, Ewan MacColl, Harry Cox and the prisoners of Parchman Farm as he was the music of the Rolling Stones. Bellamy's recordings continue to inspire musicians around the world. 1 The Spotted Cow |
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PHOEBE SMITH Once I Had A True Love TSDL193 Once a traveller, Phoebe Smith was settled in her East Anglian home at the time of these recordings. She sings in the distinctive, highly dramatic style of the travellers, and excels in traditional ballads. "One of the finest performers." 1 Once I Had A True Love |
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DAVE AND TONI ARTHUR The Lark In The Morning TSDL190 The debut recording from Dave and Toni Arthur has become a much sought after recording amongst collectors of the finest British folk music. The Arthurs were an influential pair on the club scene, particularly admired for their powerful harmony singing. 1 All Frolicking I’ll Give Over |
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LIZZIE HIGGINS Princess of the Thistle TSDL185 Lizzie Higgins was born in the centre of Aberdeen in 1929, the daughter of Jeannie Robertson the world-renowned ballad singer and the great piper Donald Higgins. Her forbears on both sides were travellers and she inherited a rich heritage of traditional music. At the time of these recordings Lizzie was regarded as the finest living interpreter of Scots traditional song. 1 Wha’s at the Windy |
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WILLIE SCOTT The Shepherd's Song TSDL183 Willie Scott, recorded in his 70s, came from a long line of singing Scots, bred to the trade of shepherd in the rolling Border country where the North of England and the South of Scotland march together. 1 The Shepherd’s Song |
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Mrs SARAH MAKEM Ulster Ballad Singer TSDL182 Sarah Makem was one of the finest singers of Ulster singers. This recording made in 1967 is a fine portrait of the traditional Ulster repertoire - an area where Irish, English and Scots traditions to some extent converge. Sarah learnt her songs in the traditional way - "When I was young we used to have dances in the street to the music of a mouth organ, or if the mouth organ wasn't available then someone had to lilt. Well, at these street dances anyone was likely to be asked for a song, so I always tried to have one or two ready and I kept learning as many as I could from my mother singing around the house." 1 Farewell My Love, Remember Me |
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WILLIE CLANCY The Minstrel From Clare TSDL175 The musicians who have truly influenced Irish music in this century have not been many. Willie Clancy, piper, whistle-player and singer of Miltown Malbay, Co Clare, was indisputably one of them. He belonged to a strong tradition and left one after him. 1 Langstern Pony |
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HEDY WEST Ballads TSDL163 Many of the finest traditional ballads from the British Isles were preserved by the families of settlers in the American South, where they existed alongside native American balladry. Hedy West, a native of North Georgia in the Appalachians, was one of the very few performers who were at home with the various manners of performing these ballad traditions. 'Ballads' is a splendid recording from 1967 which continues to influence contemporary musicians like Martin Simpson, three decades later. 1 The Foggy Dew |
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EWAN MACCOLL The Manchester Angel TSDL147 Ewan MacColl was one of the architects of the mid twentieth century British folk revival. A polemicst, writer and a singer of extraordinary dramatic power. His influence on the whole movement has been of the utmost importance. MacColl's singing brings both the past alive and expresses the mood of his own times. 1 We Poor Labouring Men |
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PADDY TUNNEY A Wild Bees' Nest TSDL139 Paddy Tunney of Donegal is a supremely gifted lyrical singer and a master of intricate vocal ornament. The songs he sings are as deeply and genuinely romantic as the green countryside and dark mountains of his native country. A Wild Bees' Nest is one of his finest records. 1 The Rollicking Boys Around Tandaragee |
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THE FISHER FAMILY Traditional & New Songs From Scotland TSDL137 The Fisher family - stalwarts of the folk song revival - captured at a family get-together; a series of magical recordings by Bill Leader devoted to the family's younger generation. Ray and Archie Fisher together with their sisters come into their own on this delightful anthology of Scots songs old and new. 1 Come All Ye Fisher Lassies - The Fisher Family |
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JESSE FULLER Move on down the line TSCD134D Jesse Fuller, "The Lone Cat" (1896 - 1976) was one of the great blues troubadours. A remarkably expressive singer and fine 12-string guitarist, Fuller developed his unique one-man-band style around his fotdella (foot-operated bass) and harmonica/kazoo rig. This collection includes his earliest recordings, including the original version of his classic San Francisco Bay Blues, together with a session taped in London in 1965 for Topic Records. 1 Move On Down The Line |
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THE WATERSONS, HARRY BOARDMAN & MAUREEN CRAIK New Voices TSDL125 'New Voices' was a ground-breaking collection, one of the first albums to feature the younger generation singers of the mid 20th century British folk revival. The record featured the recording debuts of Maureen Craik and Harry Boardman alongside the Watersons' first recordings for Topic records. Boardman was an important agent in the later 'Deep Lancashire' and 'The Wide Midlands' projects and made several solo albums for the label. The Watersons career has gone from strength to strength, at the time of writing the various members of the family have continued their recording relationship with Topic for over forty years. 1 Boston Harbour -The Watersons |
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THE CAMPBELL FAMILY The Singing Campbells TSDL120 Two generations of the Campbell family and their lodger recorded during a family get-together. The older Campbells recalled songs from their youth in Scotland; Bob Cooney, the lodger, remembered children's rhymes from childhood; Ian and Lorna (from the influential Ian Campbell Folk Group) and their sister Winnie sand ancient songs freshly learned through the folk revival. 1 Faur does Bonnie Lorna Lie / Sleep Till Yer Mammy - Betty Campbell |
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HEDY WEST Old Times And Hard Times TSDL117 Hedy West comes from North Georgia, at the southern end of the Appalachians. A sensitive and vibrant singer, she accompanies herself in a distinctive style on 5-string banjo. A L Lloyd though her 'far and away the best of American girl singers in the revival'. 1 The Wife Wrapt in Wether's Skin |
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PEGGY SEEGER, TOM PALEY & CLAUDIA PALEY Who's Going To Shoe Your Pretty Little Foot? TSDL113 Peggy Seeger and Tom Paley, both New York, are brilliant exponents of American instrumental traditions. Guitar, banjo, autoharp and dulcimer weave a delicate majesty on a great selection of traditional material. This stunning collection, recorded in London in 1964 by Bill Leader, is a powerful example of their musical accuity and has been an influence on many younger performers. 1 Who's That Knocking at My Window |
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VARIOUS ARTSTS Farewell Nancy TSDL110 Shanties and forebitters sung with zest and a feeling for authenticity. Ballads of shipwreck and disaster, songs of humour and love performed by a 'who's who' of the English folk song revival - Louis Killen, Cyril Tawney and Ian Campbell, accompanied by master-fiddler Dave Swarbrick. 1 The Wild Goose - Louis Killen |
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RAMBLIN' JACK ELLIOTT Talking Woody Guthrie TSDL093 One generation thinks of the Ramblin' Jack Elliott who brought the image and songs of Woody Guthrie to an eager Europe in the 1950s. Another knows him as a guiding hand behind Bob Dylan and all the singers after him. To others, again, he is a travelling songster in the great American tradition. 1 Talking Columbia Blues |
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The WILLETT FAMILY The Roving Journeymen TSDL084 A very important recording of three members of a Southern English family of travellers - Tom, Chris and Ben Willett, showing their distinctive style of singing and a repertoire of fine country songs. Recorded on location in Middlesex and Kent, the record was the first album of English gypsy music to be released commercially. 1 Lord Bateman - Tom Willett |
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DAVY GRAHAM 3/4 AD TSDL070 The whole guitar-based section of the late twentieth century British folk revival owes an enormous debt to Davy Graham. The ideas explored across his earliest recordings have had a huge impact and continue to resound through the work of succeeding generations of musicians. For innumerable young guitarists, Davy Graham was the undisputed guitar hero of the British folk-blues clubs in the early and mid-1960s: a remarkable and wildly inventive musician. 1 Angi |
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A.L. LLOYD Outback Ballads TSDL051 A colourful collection of ballads and songs from Australia. A L (Bert) Lloyd was a leading architect of the British folk song revival and spent an early part of his life working in the Australian outback. Lloyd learnt these songs in the usual manner of folk singers; that is by picking them up from the singing of his workmates - sheep shearers, cattle drovers, farm hands and so on - in the bush. He is accompanied by three fine instrumentalists - Peggy Seeger, Ralph Rinzler and John Cole. 1 Flash Jack From Gundagai |
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DOMINIC BEHAN Down By the Liffeyside: Irish Street BalladsTSDL035 Long the enfant terrible of the folk revival, Dominic Behan - poet, patriot, playwright, rebel - spills over with outrageous talent. This recording shows him as a powerful and honest singer, a worthy heir of the great Dublin heritage of song and ballad. 1 Get Me Down Me Filling Knife |
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© Topic Records Ltd 2000 > 2010 |