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VARIOUS ARTISTS TSCD931

Featuring: Umm Kulthumm, Fathiyyah Ahmed,
Munira al-Mahdiyyah etc.
A CD compilation of fantastic Arab women,
stars of Egyptian theatre and song who recorded in the nineteen twenties
and early thirties. Taken from original 78rpm recordings of the time and
remastered to the highest standards, this collection features among others
the legendary Umm Kulthum.
Between 1890 and 1920, theatres and European-style
cabarets sprang up all over Egypt. Performers flocked there from all over
the Arab world and from Europe. Isadora Duncan, Pavlova and Mistinguette
included Cairo in their world tours.
At their peak, the most famous female
Arabic women singers were earning as much, if not more, than their male
counterparts. The 1920s was the heyday of this music and its recordings
and these performers can be seen as having struck a blow for the emancipation
of women. The Wall Street crash and the associated economic downturn marked
the end of the recording industries’ boom years, leaving us a legacy
of remarkable performances of immense power.
Winner of The German Critics’
Award (Preis der deutschen Schallplattenkritik). The award was
inaugurated in 1963 to set the “most rigorous standards for supreme
achievement” in the field of recording.
• "A fascinating variety of vocal
styles covering the spectrum from Upper-Egyptian to quintessential Paris."
  
BBC Music Magazine
• "A painstakingly compiled and
copiously annotated compendium of sixteen rare sides. One can’t
help but compare the rare recording to its equivalents in American Appalachian
and country blues music of the time, except for one primary difference
- those genres arose from rural life, these Egyptian sounds very much
emanate from urban – and urbane – society. Saniyyah Hassaneyn’s
“Ataftu Wardah Hamra” (I Plucked a Red Rose) – a vocal
so burdened by the weight of the world that Bessie Smith or Billie Holliday
could easily have made it their own." All Music Guide
• "Enormously evocative, these
recordings open the door to a cast of larger than life characters."
fROOTS - PLAYLIST
• "The breadth of styles present
on the compilation is remarkable. – an essential addition to both
university library collections and private collections of Arab music."
Ethnomusicology
• "The album is remarkable on
a variety of scholarly and documentary accounts. The album as a whole
resembles a self-contained monograph that supplements the music with ample
documentation, which includes interesting anecdotes, quotes and highlights
of the artists’ personal lives. A commendable contribution to the
study of Near Eastern, and by extension, World music." Ethnomusicology
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