Traditional and contemporary folk from the British Isles

DIGITAL RELEASES

JOHN KELLY Fiddle and Concertina Player TSDL1504

TSDL1504John Kelly was born in the district of Rehy West, County Clare, and for over thirty years was a force in Irish music – he was a member of Seán Ó Riada’s Ceoltóirí Cualainn, of the Castle Ceilidh Band, and of Ceoltóirí Laighean, and regular musician at respected Dublin sessions.
John’s fiddling is in the relaxed Clare style and his concertina playing is spikier, with subtle variations of notes, the occasional harmonic effect, and again that off-beat emphasis.
John taught at the Willie Clancy Scoil Éigse, and supported the Tradition Club held on Wednesdays at Slattery’s, just a few doors away from his Dublin home: he was recorded by John Tams and Neil Wayne in January 1974 and by Tony Engle and Patrick Hayes in March & April 1975.

1 Paddy on the Turnpike – reel (concertina)
2 a The Bunch of Rushes – reel (fiddle), b The Bunch of Rushes – reel (concertina)
3 John Kelly’s Slide/ Tom Keane’s Reel (concertina)
4 a Blackberry Blossoms – reel (concertina), b The Spike Island Lasses – reel (double-reed concertina)
5 The Heathery Breeze – reel (concertina)
6 Delia Keane’s Jig (concertina)
7 The Blacksmith’s Charm – hornpipe (concertina)
8 We were drinking and kissing the Ladies/ Old Tipperary – jigs (fiddle)
9 Rocking the Baby to Sleep – air (fiddle)
10 Eddie Dunn’s – reel (concertina)
11 The Fishermen’s Hornpipe (concertina)
12 The Sister Reels – Carney’s / Gilbert Clancy’s Favourite / The Ravelled Hank of Yarn (fiddle)
13 The Crooked Road to Dublin and The Duke of Leinster’s Wife – reels (concertina)
14 The West Cork Reel (concertina)
15 a The Ivy Leaf – reel (concertina), b The Ivy Leaf – reel (fiddle)
16 The Flogging Reel (double-reed concertina)
17 Scattery Island Slide (double-reed concertina)
18 The Ebb Tide – hornpipe (concertina)
19 The Blackbird – air/hornpipe/set dance (fiddle)
20 The Bunch of Keys – reel (fiddle)
21 Lord Wellington’s Reel (concertina)

Produced by John Tams, Neil Wayne and Tony Engle.
First issued by Topic Records 1975.

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HUGH GILLESPIE Classic recordings of Irish traditional fiddle music TSDL364

TSDL364The recordings of Hugh Gillespie have a quite different ‘feel’ from other American-Irish fiddle music of the late 1930s period. The somewhat unusual choice of guitar rather than piano for accompaniment certainly contributes to this distinctiveness, but probably the decisive factors are Gillespie’s ‘singing’ style and highly personal technique. He learned from Coleman a device he calls ‘back trebling’, and also uses drones and fractional flattening or sharpening of notes to great effect. Such techniques are by no means peculiar to Coleman or Gillespie – indeed, most Irish musicians use them in some degree – but every musician stamps them with his own particular emphases. In these recordings of Hugh Gillespie at his peak, between 1937 and 1939, the sum of these various elements is a unique and outstanding series of performances.

  1. Reel: Dowd’s Favorite
  2. Hornpipes: McKenna’s Farewell (The Liverpool/Hennessey’s)
  3. Reels: Master Crowley’s Reels
  4. The Irish Mazurka
  5. Reel: Jenny’s Welcome to Charlie
  6. Jigs:   Master Crowley’s Favourites
  7. Highland Flings: Finnea Lassies/Gurren’s Castle
  8. Reels: The Girl that Broke my Heart/Dick Cosgrove’s Reel
  9. Reels: Farewell to Leitrim/Tom Steele
  10. Jigs: Jackson’s Favorite/Kips
  11. Reels: Paddy Finley’s Fancy/Joe O’Connell’s Dream
  12. Waltz: Versevanna
  13. Reels: The Donegal Traveler/Miss Montgomery
  14. Hornpipes: Mountain Stream/Parker’s Fancy
  15. Jigs: Contentment is Wealth/Finley’s Jig
  16. Reels: Dowd’s Number Nine/Jackson’s

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THE HIGH LEVEL RANTERS Four In A Bar TSDL388

The High Level Ranters were one of the longest-established and most popular bands in Britain. A rare combination of individual talents, the group play the music of their native Northumbria with a command born of skill and understanding. ‘Four In A Bar’ is an all-instrumental collection, typical of the repertoire they played at regular sessions in Newcastle’s weekly ‘Folksong & Ballad’ club.
1  Whinham’s Jig / Billy’s Jig
2  Chips and Shavings / Jack’s Alive / Dear Tobacco
3  Town Green Polka / Jenny Bell Polka
4  The Biddlestone Hornpipe / The Last of the Twins
5  The Ruby / The Quarrelsome Piper
6  Rowly Burn / Coates’s Hornpipe
7  La Russe / The Winshield’s Hornpipe / Jane’s Fancy / Da Road to Houll
8  Blinkin’ Tibbie / The Pear Tree
9  Swalwell Lasses / South Shields Lasses
10  Moonshine Polka
11  The Quayside / Miss Ward’s Reel
12  The Butterclout / Such a Wife as Willie Had / Willy is a Bonny Lad

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RAMBLIN’ JACK ELLIOTT Talking Woody Guthrie TSDL093

One generation thinks of the Ramblin’ Jack Elliott who brought the image and songs of Woody Guthrie to an eager Europe in the 1950s. Another knows him as a guiding hand behind Bob Dylan and all the singers after him. To others, again, he is a travelling songster in the great American tradition.
1  Talking Columbia Blues
2  Pretty Boy Floyd
3  Ludlow Massacre
4  Talking Miner Blues
5  Hard Travelling
6  So Long its Been Good to Know You
7  Talking Dustbowl Blues
8  1913 Massacre
9 Rambling Boys
10  Talking Sailor Blues

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DAVIE STEWART TSDL293

TSDL293

“In a form of music that is mainly about continuity and convention, it is a rarity to come across an innovator, a rule-breaker; Davie Stewart was just such a character.  He deserves the overused word, ‘unique’; they made Davie and then they broke the mould.  His song accompaniments on melodeon or piano accordion have a peculiar otherworldly effect.  It is weird and wonderful stuff.”  Vic Smith

1 MacPherson’s Rant
2 The Jolly Beggar
3 Cantering: The 74th Highlanders’ Farewell to Edinburgh/The Piper’s Bonnet/Mrs
MacLeod of Raasay
4 I’m Often Drunk and I’m Seldom Sober
5 Jigs: Taghter Jack Walsh/The Connaughtman’s Ramble
6 The Overgate
7 The Merchant’s Son
8 The Daft Piper
9 Boolavogue
10 Hornpipe: Harvest Home
11 The Dowie Dens o’Yarrow

Production for Topic by Tony Engle
First issued by Topic Records 1978

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VARIOUS ARTISTS Sing, Say and Play – Traditional Songs & Music from Suffolk TSDL375

TSDL375By the time of the release of this 1978 Topic album, the musical evenings in pubs in the district around Woodbridge in East Suffolk had long been diminished due to the popularity of television and the ability for easy travel to new entertainments, but the tradition had gained recognition through the recordings of singers like Jumbo Brightwell, Jimmy Knights and Dick Woolnough, as well as musicians like Fred Pearce, Eely Whent and Albert Smith, and Keith Summers presented some of the best of those performers and songs on this album.

    1. The Blacksmith’s Daughter Jumbo Brightwell
    2. Ratcliff Highway Jimmy Knights
    3. The Barn Dance (Woodland Flowers) Fred Pearce
    4. Cock of the North Fred Pearce
    5. The London Prentice Boy Dick Woolnough
    6. The Next Tune Tonight – Turkey in the Straw Albert Smith/Eely Whent
    7. The Banks of the Nile Jumbo Brightwell
    8. Out With My Gun in the Morning Jimmy Knights
    9. Old Country Waltz Eely Whent
    10. Pigeon on the Gate Fred Pearce
    11. Strolling Down to Hastings Alien Stollery
    12. The Fellow Who Played The Trombone Jimmy Knights
    13. Sailor’s Hornpipe Medley Eely Whent
    14. The Oak and the Ash Jumbo Brightwell
    15. The Jolly Tinker Billy Bolton
    16. Two Step Eely Whent
    17. Yarmouth Hornpipe Fred Pearce
    18. The Parson’s Creed Jumbo Brightwell
    19. Marrowbones Jimmy Knights
    20. Golden Slippers Fred Pearce
    21. The Chinaman’s Song Alien Stollery
    22. Old Brown in the Rose and Crown/Red River Valley/Pigeon on the Gate Albert Smith
    23. Polka Medley: 1, 2, 3, 4, 5 The Bells of Love Jingle Bells  Eely Whent

Recorded by Keith Summers

Production by Keith Summers and Tony Engle

First issued by Topic Records 1978

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VARIOUS ARTISTS The Music of Cape Breton 1 TSDL353

This anthology of traditional, Gaelic singing and instrumental music has been selected from recordings made in the spring and summer of 1976 in Cape Breton Island, Nova Scotia. Until recent decades Cape Breton has existed in relative cultural isolation, and is now the only region in North America to have retained the Gaelic language, along with the wealth of songs and instrumental tunes, that arrived with the early 19th-century immigrants from the Highlands and Western Islands of Scotland. Since that time a highly evolved and varied folk-culture has flourished in the Gaelic-speaking rural communities down to the present, making this small corner of the Canadian Maritimes one of the most important areas of living Gaelic tradition remaining today.

1.    An t-Each Ruadh  Alexander Kerr with the North Shore Singers
2.    Slow Air: Coilsfield House Dan Joe MacInnis violin with Theresa MacLean piano
3.    Hinn, Heinn Thog Iad Amach. Mrs Rod McLean
4.    March, Reel & Jig: The Glencoe March / The Sandpoint / Untitled Joe Burke harmonica with Marie MacLellan piano
5.     Mo Nigh An Donn As Bòidche Malcolm Angus MacLeod
6.     Strathspeys & Reels: Captain Campbell / Marnoch Strathspey / Mrs General Campbell / Allt a’Ghobhainn (The Smith’s Burn) / O, She’s Comical /  Sandy MacIntyre’s Trip to Boston / Sir Reginald MacDonald / Dan J Campbell’s Reel Mike MacDougall violin with Mary Jessie MacDonald     piano
7.     Ma Phosas Mi Lauchie MacLellan
8.     Maili Dhonn, Bhoidheach Dhonn John Shaw with the North Shore Singers
9.     Tha Mo Ghaol Air ‘Aird a’ Chuain Tommy MacDonald
10.    Strathspeys & Reels: Sir Thomas Sinclair Ray / The Highlanders’ Farewell / Miss Lyle’s Strathspey / Miss Lyle’s reel / Sandy is my Darling / Bonnie Annie Alex Francis MacKay violin with Fr. John Angus Rankin piano
11.    O A Hù A, Nighean Dubh, Nighean Donn Neil MacLean with the North Shore Singers
12.    Jig & Hornpipe: Paddy’s Resource / The Flowers of Edinburgh Alex MacNeil mandolin with Charlie Dobbin mandolin and and Kevin McCormick piano
13.     Na h-Ighneagan Donna, Boidheach Lauchie MacLellan
14.     Ma Bhuannaich Thu Nighean Ghrinn Murdo MacAskill with the North Shore Singers

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EWAN MacCOLL Chorus From The Gallows TSDL502

Ewan MacColl was one of the architects of the folksong revival. Whether as an interpreter of ancient ballads or as a writer of new songs, he influenced almost everyone involved in folk music in the 1950s, ’60s and ’70s. He brought the same skill and understanding to songs of Britain’s industrial cities, ballads of Scots history and lyrics from the English countryside. His own compositions, many of which have passed into the common currency of folk music, are featured both on his own albums and on The Radio-Ballads.
Chorus From The Gallows, first released in 1960, opens with the tale of Craig and Derek Bentley and closes with “Go Down Ye Murderers,” which relates the story of Timothy John Evans, convicted and executed for murders he did not commit, both true and awful stories from the annals of 20th century British justice. The repertoire ranges from the cattle-rusting border raiders of the Middle Ages and the 18th-century highwayman Dick Turpin to MacColl’s own compositions about controversial murder trials of the 1950s.
1  Derek Bentley
2  The Black Velvet Band
3  Jamie Raeburn’s Farewell
4  Johnny O
5  Hughie The Graeme
6  Minorie
7  The Treadmill Song
8  Turpin Hero
9  The Crafty Farmer
10  McKaffery
11  Jimmy Wilson
12  The Lag’s Song
13  Van Dieman’s Land
14  Go Down Ye Murderers

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BOB HART Songs from Suffolk TSDL225

TSDL225Bob Hart, born 1892, belongs to the same grand company of East Anglian traditional singers as Harry Cox and Sam Larner, Jumbo Brightwell of Eastbridge and Bob Scarce of Blaxhall. Schooled in Southwold, Bob started farm work after a move to Trentham, but quickly left to work on a sailing trawler out of Lowestoft:

‘We used to travel as far as the Shetland Islands, from May to November, and work back to Grimsby. It was at Grimsby where I learned some of my songs, and where I first heard The Banks of Sweet Primroses. I learned As I Strolled out to Aylesbury from a man called Jack Harling, of Snape. Funny Little Place to Have One, Underneath her Apron, and The Female Cabin Boy are songs I seem to have always known. Broadside I learned from Bob Scarce of Blaxhall.’

1 Cod Banging
2 Australia
3 A Broadside
4 The Banks of Sweet Primroses
5 What a Funny Little Place to Have One
6 Bold General Wolfe
7 The Female Cabin Boy
8 As I Strolled out to Aylesbury
9 The Scarlet and the Blue
10 John Barleycorn
11 The Miner’s Dream of Home
12 The Young Sailor Cut Down
13 All Jolly Fellows that Follow the Plough
14 Underneath her Apron

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ROBIN DRANSFIELD Tidewave TSDL414

Together with his younger brother Barry, Robin Dransfield had a successful career as the leading young duo on the British folk scene during the late 1970s. They took the folk clubs by storm and recorded the seminal ‘Rout Of The Blues’ album. His solitary solo album, from 1980, is held in high regard by all aficionados of the finest English revival folk music.

The Cutty Wren
The Barley & The Rye
Fair Maids Of February
When It’s Night-time In Italy It’s Wednesday Over Here
The Rigs O’Rye 
Spencer The Rover
Tidewave
The Cadgwith Anthem      
I Once Had A Dog     
10  The Three Muscadets
11  Mother Nature
Robin Dransfield vocals, guitar
with
Hurdy Gurdy – Christian “Le Roi” Gourhan
Concertina – Lea Nicholson
Brass – The White Shield Brass Ensemble
(Bob White: trumpet, Chris Stearn: bass trombone, euphonium)
Bass Guitar – Nick Greenwood
Piano – Chris Copping
Cello – Barry Dransfield

Recorded at Livingston Studios, Barnet, 1979/80
Produced by Nic Kinsey

First released by Topic Records 1980

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BELLE STEWART Queen Among The Heather TSDL307

The Stewarts are a family of Scots travellers who claimed descent from the Royal House of Stewart and have traditional music in their bones. Belle Stewart, a proud, dignified and a distinguished maintainer of noble traditions, ranks alongside Jeannie Robertson in the roll of the finest Scots ballad-singers. ‘Queen Among the Heather’ is the only full album of her work.
1  Queen Among the Heather
2  Here’s a Health to all True Lovers
3  Betsy Belle
4  The Berryfields of Blair
5  The Soft Country Chiel (The Toon o’ Dalry)
6  Whistlin’ at the Ploo’
7  The Bonnie Wee Lassie frae Gourock
8   The Overgate
9  Blooming Caroline o’ Edinburgh Toon
10  Busk, Busk, Bonnie Lassie
11  Late Last Night
12  The Twa Brothers
13  Leezie Lindsay

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DAVE AND TONI ARTHUR The Lark In The Morning TSDL190

The debut recording from Dave and Toni Arthur has become a much sought after recording amongst collectors of the finest British folk music. The Arthurs were an influential pair on the club scene, particularly admired for their powerful harmony singing.
1  All Frolicking I’ll Give Over
2  The Death of Queen Jane
3  Creeping Jane
4  The Merchant’s Daughter of Bristol
5  The Bold Dragoon
6  Cold Blows the Winter’s Wind
7  The Lark in the Morning
8  Poor Old Horse
9  Hey John Barleycorn
10  Bedlam
11  Admiral Benbow
12  Father, Father Build Me A Boat
13  The Press Gang
14  Six Jolly Miners

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DOMINIC BEHAN Easter Week and after TSDL044

TSDL044From Paddy Tunney’s notes in the 1965 issue of this classic Topic LP:

The songs he (Dominic Behan) has selected for this record number sixteen and all tell the story of the Irish Republican Army from the Easter Rising of 1916 to the present day. It is the story of hopes and aspirations, the heartbreaks and bitterness of a race that strove hard but stopped short of full nationhood.

1 Erin Go Brath
2 It’s a Grand Old Country
3 The Recruiting Sergeant
4 Slean Libh
5 Sergeant William Bailey
6 Barry’s Column
7 Roscarbery
8 The Boys of the County Cork
9 Johnston’s Motor Car
10 Sean Tracy
11 Take it Down from the Mast
12 The Castle of Drumboe
13 The Merry Ploughboy
14 Sean South
15 The Oul’ Alarm Clock
16 The Patriot Game

Recorded by Bill Leader 1958
First issued by Topic Records 1959

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JESSE FULLER Move on down the line TSCD134D

Jesse Fuller, “The Lone Cat” (1896 – 1976) was one of the great blues troubadours. A remarkably expressive singer and fine 12-string guitarist, Fuller developed his unique one-man-band style around his fotdella (foot-operated bass) and harmonica/kazoo rig. This collection includes his earliest recordings, including the original version of his classic San Francisco Bay Blues, together with a session taped in London in 1965 for Topic Records.

This album is available on CD from Fledg’ling Records www.thebeesknees.com

1  Move On Down The Line
2  Stealing
3  Ninety-nine Years and One Dark Day
4  Animal Fair
5  Sleeping in the Midnight Cold
6  Stackolee
7  John Henry
8  Railroad Worksong
9  Lining up the Track
10  Hangin’ Round a Skin Game
11  Railroad Blues
12  San Francisco Bay Blues

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RINGING STRINGS Fiddle Music of Norway-Shetland TSDL429

TSDL429The selections on this record reflect a certain affinity between Norwegian and Shetland musical traditions: a kind of musical bridge over the North Sea. These are conventional recordings, without gimmicks, intended to deepen the appreciation of this unique fiddle music from Northern Europe. This fiddling style is rich in tone-colours, original sounds and lively rhythms. Listeners with a good will and a sense of exploration will come across many fascinating finds.

1     HAUGELATTEN (The Tune from the Hills) Hauk and Knut Buen
2     SELJORD BRIDAL MARCH Tom Anderson with Hauk and Knut Buen
3     GRAVBAKKEN (The Grave Yard) Vidar Lande
4     FILLE-VERN (Ragged-Vern) – walking dance Vidar Lande
5     SORDALEN (Setesdalgangar) Vidar Lande
6     MAGGIE O’HAM (Foula Shaalds Dance) Tom Anderson and Knut Buen with Debbie Scott and Catriona MacDonald
7     PRESTEGANGAREN (The Parson’s Dance) Hauk Buen
8     FYKERUDEN (Homage to Fykerud) Hauk Buen
9     MARKENSMANDAGEN (The Market-Monday) Hauk Buen
10   KNUT LURASEN I (Hjerki Haukeland) Knut Buen
11   MARGIT HJUKSE (Listening Tune) Knut Buen
12   SIRI RUKAREN (Fiddler’s Wife) Hauk Buen
13   BOKKOEN (Dance tune by Bokko) Hauk Buen
14   UNST BRIDAL MARCH/DA BRIDE’S A BOANNIE TING Tom Anderson and Knut Buen
15   HOMSLIEN (Tune of the Goblins) Vidar Lande
16   SKRUBBEN (The Wolf) Vidar Lande
17   NORAFJELLS (North of the Mountains) Vidar Lande

Recorded in Edinburgh, Jondalen and Oslo

First issued by Topic Records 1983

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VARIOUS ARTISTS The Lambs on the Green Hills TSDL369

TSDL369County Clare has long been known as one of the richest areas for music and song throughout Ireland. Petrie, writing in his ‘Ancient Music of Ireland’, published in 1855, was enthusiastic about the tunes he heard. His remarks spring from his travels through Clare during the early 1820s and throw into relief musical traditions that clearly go back deeply into the eighteenth century at least. Even if it’s felt that Petrie’s enthusiasm may have run away with him we can’t doubt the more recent, towering figures of Garrett Barry, George Whelan (Kerry born), or Willie Clancy, and the Bobby Caseys, Miko Russells and John Kellys of today; all of whom testify to the strength of the musical heritage of the people of the Dal Cais.

1          The Bold Trooper – Nora Cleary
2          The Grey Mare – Ollie Conway
3          Farewell to Lissycasey – Siney Crotty
4          An Cailín Deas – Siney Crotty
5          The Lambs on the Green Hills – Mick Flynn
6          Lovely Mary to the Sea Do Not Go – Siney Crotty
7          Pat O’Donnell – Mick Flynn
8          Stór Mo Chroi – Mick Flynn
9          Bessie of Ballantown Brae – Nora Cleary
10        Farewell to Milltown – Nora Cleary

Recorded and produced by Roly Brown.
Editing and mastering by Tony Engle.
First issued by Topic Records 1978.

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DICK GAUGHAN Coppers & Brass TSDL315

The first album recorded for Topic by the reknowned Dick Gaughan, ‘Coppers & Brass’ is an impressive instrumental set from one of Scotland’s finest folk musicians. Dick Gaughan performs a collection of jigs, hornpipes, reels and marches, learned from pipers and fiddlers and skilfully transferred to the guitar.
1  Coppers and Brass / Gander in the Pratie Hole
2  O’Keefe’s / The Foxhunter’s
3  The Flowing Tide / The Fairies’ Hornpipe
4  The Oak Tree / The Music in the Glen
5  Planxty Johnson
6  Gurty’s Frolics
7  The Spey in Spate / The Hurricane
8  Alan McPherson of Mosspark / The Jig of Slurs
9  The Thrush in the Storm / The Flogging Reel
10  Ask My Father / Lads of Laoise / The Connaught Heifers
11  The Bird in the Bush / The Boy in the Gap / MacMahon’s Reel
12  Strike the Gay Harp / Shores of Lough Gowna
13  Jack Broke the Prison Door / Donald Blue / Wha’ll Dance wi’ Wattie

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JOHN DOONAN At The Feis TSDL368

John Doonan was born and bred in Newcastle of an Irish father and mother and brought up in an atmosphere strictly Irish. His father was a well respected traditional fiddle player in the Newcastle area and it was through his strong influence that John inherited his fine style of flute-playing.

Irish Traditional Dance Music In Strict Tempo
1 Reels: Jackie Coleman’s / Paddy Cavanagh’s / John Brennan’s
2 Slip jigs: Any Old Jig Will Do / The Butterfly
3 Set Dance: Rodney’s Glory
4 Slow jigs: The Idle Road / The Frost is All Over / The Black Rogue
5 Air: The Spalpeen’s Lament
6 Jigs: The Kesh / Morrison’s / Old Joe’s
7 Reels: The Shannon Breeze / Heathery Breeze / The Green Fields of America
8 Set Dance: The Blackthorn Stick
9 Set Dance: Hurry the Dance
10 Set Dance: Rub the Bag
11 Air & Set Dance: The Blackbird
12 Hornpipes: Spellan the Fiddler / The Rights of Man
13 Jigs: The Irish Washerwoman / Father O’Flynn / The Lilting Fisherman

John Doonan is accompanied by Malcolm Armstrong on tracks 1,6,7 and 13
and Brian Pandrich on piano tracks 3, 8, 9, and 10

First published by Topic Records 1978

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ALISON McMORLAND & PETA WEBB TSDL403

“Alison McMorland and Peta Webb are two ladies of immense talent and can be counted among the handful, of either sex, who are supreme in their art. Individually they are well respected; together they make that rare blend that is only to be found in singing of this quality, complementing each other perfectly and, even more rare, each somehow adding to the other to come up with something which is more than the combination of two voices. It is only after listening to the whole record that one becomes aware that there is no instrumental accompaniment.” Dick Gaughan from the original 1980 sleeve notes.
1  Two Pretty Boys
2  What Can A Young Lassie?
3  Jogging Up To Claudy
4  In London So Fair
5  The Convict’s Song
6  Sailing’s A Weary Life
7  The Factory Girl
8  The May Morning Dew
9  The Green Banks Of Yarrow
10  The Dowie Dens Of Yarrow
11  Our Ship Is Ready

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TSDL283 VARIOUS ARTISTS ~ Holey Ha’penny

Classic recordings of Traditional Music from the North-East of England
This record serves as a documentary of the thriving North-Eastern country music tradition in the second half of the 20th century. A tradition that continues to this day. Holey Ha’Penny is chiefly drawn from the 1954 field recordings by Peter Kennedy, with the addition of the only known record of the famous Northumbrian piper Tom Clough.

Tom Clough – Northumbrian Pipes        4.1.29
Jake Hutton – Fiddle, Bewcastle Fells, Cumberland 30.6.54
Tom Hunter – Fiddle, Bewcastle Fells, Cumberland 30.6.54
Billy Ballantine – Piccolo, Bewcastle Fells, Cumberland 30.6.54, Haydon Bridge, Northumberland 6.7.54 and Wark, Northumberland 29.6.54
Jimmy Hunter – Mouth organ, Haydon Bridge, Northumberland 6.7.54
Jim Rutherford – Fiddle, Otterburn, Northumberland 8.7.54
Ned Pearson – Fiddle, Cambo, Morpeth 16.6.54
Joe Hutton – Pipes, Stuart Shields, Otterburn, Northumberland 11.7.54
Adam Gray – Fiddle, Barden Mill, Northumberland 1.7.54
Willy Taylor – Melodeon, Warenford, Northumberland 7.6.54, Fiddle, Warenford, Northumberland 7.6.54
Bob Clark – Jews harp, Wltittingham, Northumberland 9.6.54
John Hepple – Pipes, Haltwhistle, Northumberland 1.7.54
George Hepple – Fiddle, Haltwhistle, Northumberland 1.7.54

1    Ho’ley Ha’Penny/Elsie Marley Tom Clough
2    The Gilsland Hornpipe Tom Hunter, Billy Ballantine
3    Morpeth Rant Jim Rutherford
4    Proudlocks Hompipe Billy Ballantine
5    Billy Ballantine’s Reel Billy Ballantine
6    Father’s Polka Ned Pearson
7    Schottische Ned Pearson
8    Varsoviana (Old and New) Ned Pearson
9    Highland Laddie  Ned Pearson
10   My Lodging is on Cold Ground/Bonnie Dundee Joe Hutton
11   Roxburgh Castle/Devil among the Tailors Joe Hutton
12   The Roman Wall Adam Gray
13   Tom Hepple’s Polka (The Girl with the Blue Dress On) Adam Gray
14   The Tow House Polka Adam Gray
15   The Kielder Schottische Jake Hutton, Tom Hunter, Billy Ballantine
16   The Keel Row (with variations) Tom Clough
17   Schottische Billy Ballantine, Jimmy Hunter
18   My Lodging’s on Cold Ground/Blow the Wind Southerly Billy Ballantine, Jimmy Hunter
19   Corn Rigs/The Manchester Hornpipe Bob Clark
20   The Linehope Lope Willy Taylor
21   Willy Taylor’s Polka Willy Taylor
22   Nae Good Luck – jig Willy Taylor
23   Whittingham Green Lane/Ward’s Brae John Hepple, George Hepple
24   Bonny North Tyne Billy Ballantine
25   Mosstrooper’s Polka Billy Ballantine
26   The Coquet Reel Billy Ballantine
27   Heel and Toe Polka Ned Pearson
28   The Pin Reel – jig Ned Pearson
29   Cambo March Ned Pearson
30   The Ferry Boat George Hepple
31   Malorca/Herd on the Hill/Devil among the Tailors John Hepple, George Hepple

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ARCHIE FISHER Will Ye Gang, Love TSDL277

Archie Fisher’s is a multifaceted talent. He is simultaneously a singer with great interpretive flair, a songwriter whose compositions have been taken up by many leading singers, a musician of outstanding ability and a skilled raconteur. Above all else he is a man of influence, whose taste and style have shown the way for many artists. ‘Will Ye Gang, Love’ was recorded in 1976 and captures a musician at the height of his powers.
1  O Charlie, O Charlie
2  Lindsay
3  The Broom a’ the Cowdenknowes
4  Mally Lee
5  Will Ye Gang, Love
6  The Flower of France and England, O
7  The Laird o’ Windy Wa’s
8  Men O’ Worth
9  Looly, Looly
10  Dreg Song
11  Adam Cameron
12  Blackbirds and Thrushes
13  The Gallant Ninety Two
14  The Rovin’ Ploughboy

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TSDL165 PADDY TUNNEY ~ The Irish Edge

First released in 1966, this collection by the great lyrical Donegal singer is one of his finest. The songs he sings are as deeply and genuinely romantic as the green countryside and dark mountains of his native country.

1    Craighie Hill
2    The Lark In The Morning
3    Johnny, Lovely Johnny
4    The Cow That Drank The Poteen
5    Blackwater Side
6    Out of The Window
7    The Month of January
8    The Rambling Boys of Pleasure
9    The Lowlands of Holland
10  The Wearing Of The Britches
11  The Old Man Rocking The Cradle
12  She’s A Gay Old Hag
13  St Peter’s Day Was a-Dawning

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FRANKIE ARMSTRONG Songs And Ballads TSDL273

Few could match the assurance and intensity of Frankie Armstrong’s singing. A committed feminist and radical, Frankie brought a refreshing energy to her performance of traditional and contemporary song. Songs and Ballads her debut album dates from 1975.

Frankie Armstrong vocals with Andrew Brown fiddle, Graham Goffee guitar, Susie Rothfield Appalachian dulcimer and voice, Heather Wood voice and Brian Pearson voice.

1    Little Duke Arthur’s Nurse (acc. fiddle, guitar, dulcimer)
2    The Pitmen’s Union (acc. guitar)
3    Lady Diamond (unacc.)
4    Lament for the Hull Trawlers (acc. fiddle and guitar)
5    The Month of January (duet with Heather Wood)
6    Three Drunken Maidens (vocal trio with Heather Wood and Susie Rothfield)
7    Jack the Lad (acc. fiddle and guitar)
8    The Whore’s Lament (acc. fiddle, with chorus)
9    Little Musgrave (acc. dulcimer)
10   The Collier Lass (unacc.)
11   The Female Drummer (acc. fiddle, guitar, dulcimer, with chorus)

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WILLIE CLANCY The Minstrel From Clare TSDL175

The musicians who have truly influenced Irish music in this century have not been many. Willie Clancy, piper, whistle-player and singer of Miltown Malbay, Co Clare, was indisputably one of them. He belonged to a strong tradition and left one after him.
1  Langstern Pony
2  The Templehouse / Over the Moor to Maggie
3  Bruachna Carraige Báine (The Brink of the White Rock)
4  Erin’s Lovely Lea
5  The Killavel Fancy / The Dogs Among the Bushes
6  The Family Ointment
7  The Dear Irish Boy
8  Caoineadh an Spailpín (The Spalpeen’s Lament)
9  The Pipe on the Hob
10  The Gander
11  The Legacy Jig
12  The Flogging Reel
13  The Song of the Riddles
14  Spailpín a Rúin (Spalpeen, my love)

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ROY HARRIS Champions Of Folly TSDL256

Few singers have such a vigorous, broad-ranging, fresh-sounding repertoire as Roy Harris from Nottingham, and none can handle it more convincingly. Guest musicians include Martin Carthy (guitar, mandola), Bobby Campbell (fiddle) and Vic Gammon (melodeon).
1  The Saucy Bold Robber
2  Bold Lovell
3  Steepleford Town
4  Captain Ward
5  The Methody Parson
6  Caroline and her Young Sailor Bold
7  The Beggar’s Song
8  When I was A Little Boy
9  The Dragoon’s Ride
10  Cropper Lads
11  The ‘Royal Charter’
12  The Topman and the Afterguard
13  The Jovial Hunter
14  Hard Times of Old England

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The LING FAMILY Singing Traditions of a Suffolk Family TSDL292

Most of the people in Blaxhall will tell you that there are two big families in the village, the Smiths and the Lings. The Smiths are known as good stepdancers and the Lings as good singers. lntermarriage and the relatively stable population of the village, now altered by an influx of newcomers, has made a complex web of relationships which are very difficult to disentangle. It seems, however, that most of the population are related in some degree, and that people define their own relationships with each other broadly on the basis of a “close” relationship or a “back” relationship. Close relatives are mothers, fathers, siblings, aunts and uncles, grandparents, and cousins; all others are “back” relatives. Confusions arise through marriage when names are changed, but awareness of family is strong and identity is kept. Lings can be traced in the genealogies of every other local family. The Lings split into factions whereby some Lings say that they are not related to other Lings because they have different historical or geographic origins. Ruby Ling in Snape, Percy Ling’s wife’s family, who were also Lings, and George and Basil Bennett whose mother was a Ling, all say that they are not related to the Blaxhall Lings. The Lings identify themselves into family groups, and it is in one of these particular groups that several singers are found.

1    Green Bushes  Geoff Ling
2    On Board the Leicester Castle  George Ling
3    The Lobster  Percy Ling
4    Died for Love  Geoff Ling
5    Little Ball of Yarn  Geoff Ling
6    The Lakes of Coolfin  George Ling
7    The Deserter  George Ling
8    Little Sweetheart  Percy Ling
9    Jolly Jack the Sailor  George Ling
10   A Group of Young Squaddies  Geoff Ling
11   On the Banks of the Clyde  Geoff Ling
12   Underneath Your Apron  Percy Ling
13   The Bonny Bunch of Roses  George Ling
14   Nancy of Yarmouth  George Ling
15   The Man all Tattered and Torn  Percy Ling
16   Fagin the Cobbler  Percy Ling

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BOB COPPER Sweet Rose In June TSDL328

As a scion of the famous family of ‘singing coppers’,he irreplaceable Bob Copper grew up into a rich tradition of Southern song. In the 1950s he recorded many country singers for the BBC, an experience reflected in three best-selling books and partly documented in Songs & Southern Breezes (TSDL317). Sweet Rose In June presents his own beautifully sung versions of countryside songs from the South of England.

1   The Trooper
2   The Bold ‘Princess Royal’
3   The Farmer from Chester
4   The Mistletoe Bough
5   The Bold Dragoon
6   Young Johnnie
7   The Parson and The Sucking Pig
8   Lord Thomas
9   The Squire’s Lost Lady
10 Bold General Wolfe
11 Dick Turpin
12 The Fox
13 Dogs and Ferrets
14 The Fisherman
15 Rose in June

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MARTIN SIMPSON Grinning In Your Face TSCD430D

Martin Simpson is justifiably regarded as one of the finest finger-style guitarists to have emerged from the British Isles. ‘Grinning In Your Face’ (1983) captures him at an early stage in his recording career, and is a remarkably assured and exuberant recording.
1  It Doesn’t Matter Anymore
2  Little Birdie
3  The First Cut is the Deepest
4  Roving Gambler
5  This War May Last for Years
6  Masters of War
7  Reuben’s Train
8  Your Cheatin’ Heart
9  Handsome Molly
10  Townships – Biko
11  Moonshine
12  Green Linnet / Grinning in your Face

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A L LLOYD First Person TSDL118

A L Lloyd occupied a unique position in the British folksong revival. Much-loved father-figure and mentor to many younger singers, he was a performer of persuasive charm, as well as an international authority on folklore and a frequent broadcaster. Lloyd was for a while artistic director of Topic Records and encouraged the early recordings of many of the folk scene’s finest performers. ‘First Person’ is a remarkable selection of his own favourite English folk songs. Lloyd is accompanied by Alf Edwards – concertina and Dave Swarbrick – fiddle.
1  Four Drunken Maidens
2  St. James’ Hospital
3  Kelly Gang
4  I Wish My Love
5  Jack Orion
6  Lover’s Ghost
7  Rocking the Cradle
8  Drover’s Dream
9  Short Jacket and White Trousers
10  Sovay, the Female Highwayman
11  Reynardine
12  Farewell Nancy
13  Fanny Blair
14  Shickered As He Could Be

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DOMINIC BEHAN Down By the Liffeyside: Irish Street Ballads TSDL035

Long the enfant terrible of the folk revival, Dominic Behan – poet, patriot, playwright and rebel – spills over with outrageous talent. This archive recording from 1960 shows him as a powerful and honest singer, a worthy heir of the great Dublin heritage of song and ballad. Behan is accompanied by Peggy Seeger, Leon Rosselson and Ralph Rinzler.

1  Get Me Down Me Filling Knife
2  The Saint
3  Down By the Liffeyside
4  Ross’ Farewell to Dublin
5  Waxy Dargell
6  Red Roses For Me
7  Thank You Mam, Said Dan
8  John Mitchell
9  The Finding of Moses
10  Master McGrath
11  Dicey Riley
12  Finnegan’s Wake
13  The Women are Worse that the Men
14  Easy and Slow
15  The Spanish Lady
16  The Twang Man
17  Bold Robert Emmett
18  Biddy Mulligan

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VARIOUS ARTISTS Bonny North Tyne TSDL239

Bonny North Tyne is a splendid collection of Northumbrian Country Music played by John Armstrong fiddle, Billy Atkinson mouth organ, Billy Conran whistle, George Hepple fiddle, Joe Hutton small-pipes and Donald Ridley accordeon. These recordings were made in Northumberland by Tony Engle and Tony Wilson in the early 1970s.

1       Tell her I am / Teviot Brig  Billy Atkinson
2       Barrington Hornpipe / Rowley Bum  Joe Hutton
3       The Rowan Tree / Jock of Hazeldean  John Armstrong & Joe Hutton
4a     Green Castle / Spot On  Billy Conroy
4b     Corn Rigs  Billy Conroy
5       Sheffield Hornpipe / Untitled Hornpipe / Miss Thompson’s Hornpipe / Liddle’s Hompipe  George Hepple & Donald Ridley
6       Hexham Races / Stool of Repentance  Billy Atkinson
7       The Wonder Hornpipe / Navvie on the line  Joe Hutton
8       The Bum Divot  George Hepple & Donald Ridley
9       Horsley Lassies / Bellingham Boat / The Howlet and the Weasel  George Hepple & Donald Ridley
10      Sir Sidney Smith’s March  John Armstrong & Joe Hutton
11      Liverpool Hornpipe / Steamboat Hornpipe  Billy Conroy
12      J B Milne/The New High Level  Billy Atkinson
13      Bonny North Tyne/The Redesdale Hompipe  Joe Hutton
14      Drink to Me Only /Will Ye No Come Back Again  John Armstrong & Joe Hutton
15      Nancy / Whinshield’s Hompipe / Whinham’s Reel  George Hepple & Donald Ridley
16      Geordie’s Jig  George Hepple
17      Jenny Bell Polka  Billy Conroy
18      Napoleon’s Grand March / Untitled March  Billy Conroy
19      The Friendly Visit / Green Castle / Lass on the Strand  Billy Atkinson
20     The Girl with the Blue Dress On / The Big Ship  George Hepple & Donald Ridley

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 HEDY WEST Ballads TSDL163

Many of the finest traditional ballads from the British Isles were preserved by the families of settlers in the American South, where they existed alongside native American balladry. Hedy West, a native of North Georgia in the Appalachians, was one of the very few performers who were at home with the various manners of performing these ballad traditions. ‘Ballads’ is a splendid recording from 1967 which continues to influence contemporary musicians like Martin Simpson, three decades later.
1  The Foggy Dew
2  Girl I Left In Danville
3  The Unquiet Grave
4  Beaulampkin
5  Down In Adairsville
6  The Sheffield Apprentice
7  Lucy Wan
8  Little Sadie
9  The Cruel Mother
10  Love Henry
11  The Texan Rangers
12  George Collins

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The HIGH LEVEL RANTERS NORTHUMBERLAND FOR EVER TSDL186

The debut album from the mighty HIGH LEVEL RANTERS is a tremendous collection of dance and song from the North East of England. The Ranters were a group of Northeastern musicians whose regular meeting-place was the Bridge Inn under the shadow of Newcastle-upon-Tyne’s High Level Bridge (hence their, conceivably punning, name). They comprise Johnny Handle (accordion and sundry other sonorous engines), Colin Ross and Foster Charlton (both fiddlers doubling on small-pipes), Alistair Anderson (concertina), Tom Gilfellon (guitar);

1 Shew’s the way to Wallington /The Peacock Followed the Hen Band
2 The Sandgate Girl’s Lament / Elsie Marley Johnny Handle acc Band
3 Bellingham Boat / Lambskinnet Band
4 Adam Buckham Johnny Handle acc Band
5 Meggy’s Foot Concertina Guitar Jews Harp
6 The Lads of North Tyne / The Redesdale Hornpipe Band
7 The Hexhamshire Lass Tom Gilfellon acc Band
8 The Breakdown / Blanchland Races Band
9 The Lads of Alnwick / Lamshaw’s Fancy Band
10 Byker Hill Tom Gilfellon acc Band
11 Whinham’s Reel / Nancy Band
12 Because he was a Bonny Lad / Salmon Tails up the Water /
Sweet Hesleyside
Small-pipe Duet
13 Dance to Your Daddy Band featuring fiddle duet
14 Billy Boy Tom Gilfellon acc Band
15 Nae Guid Luck Aboot the Hoose Concertina solo
16 Mi’ Laddie sits ower late up Johnny Handle acc Jews Harp
17 The Keel Row / Kafoozalum / The Washing Day Band

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ANDREW CRONSHAW The Language Of Snakes TSDL1050

Muliti-instrumentalist Andrew Cronshaw variously draws upon the traditional music of the Scottish Highlands, Northern Spain, Finnland and his native England to weave a music of great beauty and originality. 1993’s The Language of Snakes was his sixth solo album. Working with a close band of musical collaborators, Cronshaw magically transforms his disparate source material with a series of unexpected textures and arrangements.
1  Through Moorfields
2  Kindness For Ever More
3  MacDonnel’s March / Kilcoy’s March
4  Baile de Procesión
5  Cronnan na Caillach a bhan sa Bhein Bhreic
6  Marcha Procesional do San Benito
7  Apple Praities
8  Ailean Duinn
9  A Maruxa
10  The Waterford Waltz
11  Tupakkarulla / Tuuti Hussaa Ja Lullaa / The Other Boot Dance
12  Hithil Ùil Agus Ò, Hithil O Hòrino
13  Tha Mi Sgith ‘m Ònaran
14  An Gille Donn / Vaskilinun Vaikerrus

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KEVIN MITCHELL Free and Easy TSDL314

Kevin Mitchell one of the finest singers of song from North Ulster was born in the city of Derry 36 years ago. In 1969 he settled in Glasgow where he worked as an industrial painter, and is married, with two children. When asked to describe his singing voice, words like distinctive, personal style, lyrical and even beautiful come to mind, but none of them are enough. One thing is certain, if you ever hear him singing you will remember it.

1    Free and Easy
2    The Lurgy Streams
3    The Mickey Dam
4    Nancy Bell
5    The Boys of MuIlaghbawn
6    Going to Mass Last Sunday
7    The Magherafelt May Fair
8    The Light Horse
9    The Moorlough Shore
10   Two Strings on a Bow
11   Seán Ó Duibhir (Sean O’ Dwyer)
12   The Oul’ Grey Man

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CHRIS FOSTER Layers TSDL329

TSDL329Chris Foster was born in Somerset. It is there that he first heard and started singing traditional songs. He trained as an artist at the Norwich, then Chelsea Schools of Art. His professional “break” came in the early 1970s when a music agent spotted him singing at Dingles Folk Club in London. This led to eight years as a professional solo folk singer/guitarist.

He recorded two, highly regarded albums in the late 1970s: “Layers” (1977) and “All Things in Common” (1979), both on Topic Records. Both featured mainly traditional songs with often complex fingerstyle accompaniments on a Fylde acoustic guitar.

  1. The Ranter
  2. The Coast of Peru
  3. Worcester City
  4. Glastonbury Town
  5. Lady Maisry
  6. Jack the Sailor
  7. The Golden Glove
  8. When a Man’s in Love
  9. The Buxom Lass
  10. The Flower of Serving Men
  11. The Banks of Newfoundland

Recorded and produced by Tony Engle

First issued by Topic Records 1977

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JOHN KIRKPATRICK & SUE HARRIS Shreds And Patches TSDL355

John Kirkpatrick and Sue Harris play a beautiful blend of Kirkpatrick’s morris dance based accordion-driven music and Sue’s classically trained oboe arrangements. Throughout the 1970s they were a sought after act on the UK folk scene and recorded a number of fine albums for the Topic label. ‘Shreds and Patches’ is regarded by many aficionados as one of their finest.
1  Waterman’s Dance
2  The Gipsy Laddie
3  Apple Core / Nipper
4  The Tailor and the Louse
5  Peg Huglestone’s Hornpipe
6  Little Sir William
7  The Game of All Fours
8  Penny For Them
9  Whitefryer’s Hornpipe / Shreds and Patches
10  Johnny Sands
11  Oakham Poachers
12  Bread and Jam Waltzer / Mr Gubbin’s Bicycle

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JOHNNY HANDLE The Collier Lad TSDL270

Onetime member of the esteemed High Level Ranters, Johnny Handle is also a solo performer of great charm, humour and a wonderful songwriter. The Collier Lad mirrors many aspects of life in the North-east, from the lore of the miner to the lure of the Geordie streets.

Johnny Handle guitar, accordeon & piano with Alistair Anderson English concertina, Tommy Gilfellon Guitar and Colin Ross fiddle.

In Bye
1   The Collier Lad *
2   Dust
3   The Durham Big Meetin’ Day
4   The Old Man of the Village
5   The New Spotlight
6   Farewell to the Monty
7   Stottin’ Doon the Waal *
On Bank
8   The Day we went to the Coast
9   Schooldays
10  Is there Owt Secure?
11  The Old Pubs ±
12  Decorating
13  The Fearless Mariner
14  Danny’s *
* ably assisted by the rest of the High Level Ranters
± with Alistair Anderson, chorus

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JOHN KIRKPATRICK & SUE HARRIS The Rose Of Britain’s Isle TSDL247

John Kirkpatrick and Sue Harris play and sing English country music with a rare authority. John is a well known session musician, recording with Richard and Linda Thompson, Gerry Rafferty, Pere Ubu, Roy Bailey and many others. John and Sue were founder members of the Albion Country Band, and John has been a member of Steeleye Span and Brass Monkey. ‘The Rose Of Britain’s Isle’ was voted the record of the year 1974 by Folk Review.
1  The Rose of Britain’s Isle / Glorishears
2  Up in the North
3  Hunsden House and Whimbleton House
4  Queen of the May
5  Old Man Jones
6  Not for Joe
7  Weyhill Fair
8  The Milkmaid’s Song
9  Rising Sun and the Crown
10  Sweet Swansea
11  The Yellow Joak and The White Joak
12  The Lady and the Soldier
13  Fireside Polka / Down Sides and up the Middle

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CILLA FISHER & ARTIE TREZISE Cilla & Artie TSDL405

‘Cilla & Artie’ is a splendid album from Cilla Fisher (a member of the influential Fisher Family) and her husband Artie Trezise. The record was ‘The Melody Maker Folk Album of the Year – 1979′. Joining Cilla and Artie is an international collection of “session” musicians including Alistair Anderson, Johnny & Phil Cunningham, Rick Lee, Brian McNeill and Bob Zentz. The songs are mostly from the tradition with, “Blue Bleezin’ Blind Drunk” and “The Gypsy Laddies” but also include a grand version of Stan Rodgers’ “The Jeanie C” and the wildest ever arrangement of Ewan MacColl’s “Fisher Lassies”.
1  Norland Wind
2  The Beggar Man
3  What Can A Young Lassie
4  Fisher Lassies
5  Generations of Change
6  Fair Maid of London Town
7  The Wicked Wife
8  The Gypsie Laddies
9  Blue Bleezin’ Blind Drunk
10  John Grumlie
11  The Jeannie C

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BERNARD O’SULLIVAN, TOMMY McMAHON Play Irish Traditional Music of County Clare TSDL1505

TSDL1505This is the second Topic LP of the music of Tommy McMahon and Bernard O’Sullivan. Like the first record it illustrates the richness, depth and variety of Clare concertina music. The selection here is very varied and includes reels, jigs, hornpipes, set dances, polkas and waltzes. Anyone in search of good concertina music may find it in West Clare. This is really concertina country. Every village has a traditional musician and in many cases it is a concertina player. The concertina as a traditional instrument has been in Clare for well over a hundred years. With the decline of the pipes and fiddle the concertina was a practical replacement. It was ideal for playing the newly composed sets of the last century. Though it was not capable of the embellishments or expressiveness of the pipes it was nevertheless an excellent little reed instrument for playing for country dances.

1 Polkas: I Have a Bonnet Trimmed with Blue, The Rakes of Mallow  Tommy McMahon & Bernard O’Sullivan
2 Reels: Farmer Moroney’s and Mulvihill’s reel  Tommy McMahon & Bernard O’Sullivan
3 Reels: Maud Millar’s and Morrison’s  Tommy McMahon
4 Reel: The Bucks of Oranmore  Bernard O’Sullivan
5 Waltzes: My Heart’s in the Highlands and The Dewdrop  Bernard O’Sullivan
6 Jigs: The Blooming Meadows, Mullagh Jig, Ballinakill Jig  Tommy McMahon & Bernard O’Sullivan
7 Reels: The Merry Sisters, Quilty Reel  Tommy McMahon
8 Hornpipes: The Cliff, The Derry Hornpipe  Tommy McMahon & Bernard O’Sullivan
9 Jigs: The Rose in the Heather selection  Tommy McMahon
10 Reels: Flowery Mountains, Kiss the Maid Behind the Barrel, The Milliner’s Daughter  Tommy McMahon & Bernard O’Sullivan
11 Reel: A Trip to Durrow  Tommy McMahon
12 Polka: Stack Ryan’s Polka  Bernard O’Sullivan
13 Set Dance: The Garden of Daisies  Tommy McMahon & Bernard O’Sullivan
14 Jigs: Andy Keone’s, Saddle the Pony, Tulla Jig  Tommy McMahon
15 Set Dance: The Three Sea Captains  Tommy McMahon
16 Reels: The Boys of Ballysadare, The Five Mile Chase  Tommy McMahon & Bernard O’Sullivan

Produced by Tony Engle, John Tams and Neil Wayne
First issued by Topic Records 1976.

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JOHN WRIGHT Unaccompanied TSDL348

A revival musician with an unusual understanding of traditional music. John Wright is a fine singer and a performer on the fiddle and mouth-organ, an unquestionably one of the finest exponents of jew’s-harp playing.

1      Awake, Awake, You Drowsy Sleeper
2     Four-Hand Reel (mouth-organ)
3     Murphy’s Hornpipe (jew’s harp)
4     Gypsy Hornpipe (fiddle)
5     Henry Martin
6     Bridget Cruise Nos 2 & 3 (jew’s harp)
7     Tailor By My Trade
8     Dornoch Links / The Shepherd’s Crook / Lochiel’s Awa’ to France Scottish Pipe Tunes (jew’s harp)
9     Young Charlotte
10    The Varsoviana – Eng|and (mouth-organ)
11    La Valse Vienne – France (fiddle)
12    La Scottisch Anglaise – France (fiddle)
13    L’Angoise – France (fiddle)
14    Our Captain Cried All Hands / Country Dances (fiddle):
15   Ninepins
16   Saturday Night and Sunday Morning
17   The Punk’s Delight

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WILLIE SCOTT The Shepherd’s Song TSDL183

Willie Scott, recorded in his 70s, came from a long line of singing Scots, bred to the trade of shepherd in the rolling Border country where the North of England and the South of Scotland march together.

1  The Shepherd’s Song
2  Piper MacNeil
3  The Kielder Hunt
4  Jamie Reaburn
5  Bonnie Wee Trampin’ Lass
6  Bloody Waterloo
7  Jock Geddes
8  The Dowie Dens of Yarrow
9  Herd Laddie o’ the Glen
10  The Lads That Were Reared Among Heather

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BOB DAVENPORT AND THE RAKES 1977 TSDL350

Bob Davenport has one of the most distinctive styles and one of the widest repertoires among singers on the folkclub scene. A favourite at festivals and a regular guest at folk clubs throughout Britain, he is a staunch supporter of the traditional music of the working people. He is at his finest when accompanied by the Rakes, surely the best English country ensemble of them all.
Waltzes: With my Love on the Road / Wild Colonial Boy
2  The Ploughboy Lad
3  Single Jigs: Patsy Geary’s / The Peeler and the Goat
4  Princess Royal
5  Lake of Coolfin
6  The Man in the Moon / The Jealous Sailor / Jealous Heart
7  Keep Your Feet Still Geordie Hinnie
8  Three Men Went A-Hunting
9  Country Dance: Three Around Three
10  The Dowie Dens ofYarrow
11  Polkas: McCusker’s No. 1 / McCusker’s No. 2 / Jenny Lind
12  Slieve Gallion Braes
13  The Star of the County Down
14 Old Green River

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BOB DAVENPORT Down The Long Road TSDL274

Bob Davenport has one of the most distinctive styles and one of the widest repertoires of any singer performing in folk clubs. From the North East of England, he relished singing in the pubs of North London frequented by musicians from the Irish community – the Bedford Arms, The Laurel Tree and the Camden Stores. ‘Down The Long Road’ draws upon these two important strands in Bob’s repertoire, as well as the country music of Southern England. Mr. Davenport is variously accompanied by notable Irish musicians – Lucy Farr, Jimmy Power, Johnny Gorman, and by members of Webb’s Wonders, The Rakes and the Leeds Band.
1  Navvy Boots
2  Down the Long Road
3  The Rambling Man
4  Barn Dance Selection: Louis James’ Quadrille / The Dancing Dustman
5  When I Was Single
6  I’m a Poor Unhappy Married Man
7  Jig Selection: When There Isn’t a Girl About / Peggy Wood / Looking for a Partner
8  Wild Wild Whiskey
9  Whiskey in the Jar
10  Reels: The Steam Packet / The Sligo Maid
11  Herbert Smith’s Polka
12  One Day While in the North Country
13  A-Begging I Will Go
14  The Wealthy Squire
15  By Tyne’s Bonny Banks
16  Once I Had an Old Hen
17  Polka Medley: Jenny Lind / J B Milne / The Girl With the Blue Dress On
18  Bogie’s Bonnie Belle
19  Irish Molly Barn Dance
20  Toast / The Blarney Stone

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The IRISH COUNTRY FOUR Songs, Ballads and Instrumental Tunes from Ulster TSDL209

The IRISH COUNTRY FOUR from Belfast had a wonderfully original take on traditional repertoire from Ulster. Their sole recording was reviewed at the time  as ‘an excellent records… they sing the songs and play the tunes of their homeland with an involvement that is quick to rub off on the listener.

1     Reels: Roaring Mary and The Old Torn Petticoat
played by the group (union pipes, whistle, guitar and bones)
2     The Cotton-mill Song
sung by Jess Harpur (w. guitar) and chorus
3    The Granemore Hare
sung by Jess Harpur, acc. Brian Bailie (flute) and Valerie Bailie (guitar)
4     The boys of Mullaghbawn
sung by the group (unaccompanied)
5     Pulling the Lint
sung by Trevor Stewart (unaccompanied)
6      Air: The Melodious Little Fort of Bruff
played by Brian Bailie (whistle)
7     General Munro
sung by Jess Harpur and Valerie Bailie, with Brian Bailie (flute)
8     The Load of Kale Plants
sung by Trevor Stewart, with Brian Bailie (flute)
9     O’Meally’s Hornpipe
played by the group (union pipes, whistle and guitar)
10   Jigs: Kitty’s Bonnet and The Flax-dresser
played by the group (union pipes, whistle, flute, bodhran)
11   The Doffing Mistress
sung by Valerie Bailie, Jess Harpur, Trevor Stewart (w. guitar and mandoline)
12   The Maid of Ballydoo
sung by Jess Harpur (w. guitar) and chorus
13   Air: Blind Mary
played by Trevor Stewart (union pipes)
14   Magherafelt Hiring Fair
sung by Valerie Bailie and Trevor Stewart (w. guitar)
15   The Heights of Alma
sung by Trevor Stewart and Jess Harpur (unaccompanied)
16   P for Paddy
sung by Trevor Stewart, acc. Brian Bailie (flute) and chorus
17   Reels: Martin Mulhaire’s no. 1 / Kitty goes a-milking and Pigeon on the gate
played by the group (whistle, union pipes, bodhran and bones)

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TOM GILFELLON In The Middle Of The Tune TSDL282

A founder member of the High Level Ranters, Tom Gilfellon emerged occasionally with an inimitable collection of songs and tunes evoking the North-Eastern and the Irish strains of his background. Tom Gilfellon vocals, guitar, cittern  with Martin Carthy guitar, Johnny Handle vocal, accordian, piano and Liz Sobell dulcimer, harmonium and Stefan Sobell cittern, concertina

1     The Banks of Red Roses / The Boys of Ballysadare  Tom vocal/cittern; Stefan cittern; Liz dulcimer
2     The Workers’ Song  Tom vocal; Liz harmonium
3a   The Celebrated Working Man  Tom vocal; Johnny accordeon/chorus
3b   Uncle Albert’s last heroic farewell to the world  Tom recitation
4     Reels; Lady Ann Montgomery / The Wind that Shakes the Barley / The Foxhunter’s Reel  Tom cittern; Martin guitar
5     The Snow it Melts the Soonest  Tom vocal
6     The Bonny Gateshead Lass  Tom vocal; Stefan English concertina
7     Jigs: Thomas Friel’s/ The Battering Ram  Tom cittern; Martin guitar
8     The Two Sisters  Tom vocal
9     The Row in the Gutter  Tom vocal; Johnny piano
10   The Fiery Clockface  Tom vocal/guitar
11   Johnny Miner  Tom vocal

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VARIOUS ARTISTS Folk Music of Norway TSDL351

Genuine folk music as part of an old and lively national culture is still flourishing in Norway, a country with a wild nature, numerous valleys, snow-covered mountains, lakes, deep forests, glorious fjords, remote communities, dark and long winters and shining summer nights. Norway has a long and rich tradition of musical expression. Norwegian folk music has survived through many generations and historical changes. Old folk tunes have kept surprisingly well, better than in the neighbouring lands and in some of the other industrial countries. The selection on this record represents some of the main types and styles of living folk-playing and singing, with their special sound and moods, from south west and central parts of Norway. The players and singers are some of the most outstanding folk musicians of the younger generation who carry on the folk traditions of their districts.

1 Fanitullen (The Devil’s Tune) Knut Buen Hardanger fiddle
2 Kjerringa med staven (The Old Wife with the Staff) Hanne Kiersti Buen singing with Knut Buen Hardanger fiddle
3 Rotnheimsknut (hailing)
4 Gangar etter Myllarguten (walking dance) Knut Buen Hardanger fiddle
5 Moykjaeringsvise (spinster’s song)
6 Three stev about the hulder (cattle songs)
7 So er drengjen i uppvokstre (Boys in Their Youth)
8 Bånsu|ler (three lullabies) Hanne Kjersti Buen singing
9 Katt-Ola-Visa Edvard Ruud singing
10 Nordfjordingen (springar)
11 Ramsen (springar) Hauk Buen Hardanger fiddle
12 Bruremarsj (wedding march) Knut and Hauk Buen Hardanger fiddles
13 Hamburger-polka fra Hardanger
14 Springleik fra Jostedalen Vestlandsgruppa band
15 Springar fra Hardanger fiddlers of Vestlandsgruppa
16 Slåttestev (dance songs)
17 Haugebonden (ballad) Agnes Buen Garnås singing
18 Fanteladda (dance tune)
19 I Oletiadden (pastoral melody) Elizabeth Kvaerne langeleik
20 Når mitt pie, trett av moie (When My Eye, Tired of Troubles) (hymn)
21 Store Store Gud (Great Great God) (hymn) Sondre Bratland singing
22 Myllarguten bruremarsj (bridal march by Myllarguten)
23 Fanitullen (The Devil’s Tune) (second version) Knut Buen Hardanger fiddle

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ROSE MURPHY Milltown Lass TSDL316

The captivating fiddle and accordion player, Rose Murphy, was born in 1900 into an intensely musical family in Milltown, County Galway. She spent much of her adult life living around Rotherham in South Yorkshire, and was 76 years young when this recording was made. The album delightfully recaptures the dancing repertoire styles of her youth in the West of Ireland.
1  Reel: Salamanca / The Milltown Lasses
2  Trim the Velvet
3  Jig: The Silver Tip / The Frog in the Well
4  The Lark in the Clear Air
5  Polkas: The First of May / The Last of June (Jenny Lind)
6  Jigs: Paddy in London / Over the Garden Wall
7  Hornpipe: Road to Ballysodare
8  Reels: The Teetotaller / The Bunch of Keys
9  Reel: The Whistler and His Dog
10  Reels: The Flax in Bloom / The College Grove / The Maid on the Mountain
11  Reel: Ladybower’s Reel / The Sister Reel
12  Reel: Drowsy Maggie
13  Hornpipes: The Harvest Home / The Londonderry
14  Jigs: The Frost Is All Over / The Goose in the Bog
15  Reel: The Lonely Maid
16  Air: The Coolin
17  Barn Dance: Turkey in the Straw
18  Slip Jig: Mother I’m Up In the Roost (What Are You Doing, You Divil You!)
19  Miss Monahan’s / Miss Gallagher’s
20  Reel: Rakish Paddy
21  Hornpipe The Belfast (or Sweep’s) Hornpipe

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ANDREW CRONSHAW Till The Beasts’ Returning TSDL447

Andrew Cronshaw – musical explorer and enthusiast – recorded several fine albums for Topic records during the 1980s and ’90s. Till The Beasts’ Returning is undoubtedly the finest – a magical collection of tunes from the far north of Scotland, from the pen of Mr Cronshaw plus a delightful solo reading of ‘Our Captain Cried’ by the incomparable June Tabor.
1  The Dark-Haired Youth / Taladh ar Slanair
2  Freumh as Craobh Taigh Challadair (The Hawthorn Tree of Cawdor)
3  Wasps In The Woodpile
4  Turning The Tide
5  Alala de Castro / Ronda de Cuestacion
6  Seana Mhellan
7  Giullan nam Bo (The Cow Boy)
8  Our Captain Cried
9  Ho Ho Nighean Donn (Ho Ho, Brown Maid) / The First of May / The Prince of Wales’ Jig
10  The Saratoga Hornpipe
11  An Old Highland Air

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TSDL146 HEDY WEST ~ Pretty Saro

HEDY WEST from North Georgia, at the southern end of the Appalachians. A L Lloyd regarded her as ‘far and away the of American girl singers in the revival.’ A sensitive and vibrant singer who accompanied herself in a distinctive style on the five-string banjo, her early recordings for the Topic label have had a remarkable influence on the folk song revival.

1    The House Carpenter
2    Pretty Saro
3    Old Smokey
4    Blow Ye Gentle Winds
5    My Soul’s Full Of Glory
6    Promised Land
7    Over There
8    Little Matty Groves
9    Rake And Rambling Boy
10  Joe Bowers
11  Whistle, Daughter, Whistle
12  I’m An Old Bachelor
13  Johnny Sands
14  My Good Old Man
15  Frankie Silvers
16  Lee Tharin’s Bar Room

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BOB ROBERTS Songs From The Sailing Barges TSDL361

A fine traditional singer from a bygone world. Bob Roberts was Dorset-born but grew up in Suffolk. He spent most of his working life on sailing barges carrying cargo round Britain or across the Channel to Europe. His repertoire was a treasury of bargemen’s songs, which he sang with a mellow grace to his own melodeon accompaniment. Roberts was active on the folk scene during the 1950s and 60s, but was seldom heard before these recordings made in 1977 returned him to clubs and festivals.
1  The Candlelight Fisherman
2  The Grey Hawk
3  Stormy Weather Boys
4  Waltz with Me
5  Haul Away Joe
6  The Oily Rig (recitation)
7   The Little Ball of Yarn
8   The Single Sailor
9   Young Collins
10  The Fish and Chip Ship
11  While Gamekeepers Lie Sleeping
12  Windy Old Weather
13  The London Waterman
14  Bob Robert’s Waltz
15  Whiskey Johnny
16  The Foggy Dew
17  Bell Bottom Trousers
18  The Black Shawl
19  Little Boy Billee
20  The Collier Brig
21  Leave Her, Johnny

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Mrs SARAH MAKEM Ulster Ballad Singer TSDL182

Sarah Makem was one of the finest singers of Ulster singers. This recording made in 1967 is a fine portrait of the traditional Ulster repertoire – an area where Irish, English and Scots traditions to some extent converge. Sarah learnt her songs in the traditional way – “When I was young we used to have dances in the street to the music of a mouth organ, or if the mouth organ wasn’t available then someone had to lilt. Well, at these street dances anyone was likely to be asked for a song, so I always tried to have one or two ready and I kept learning as many as I could from my mother singing around the house.”
1  Farewell My Love, Remember Me
2  The Banks of Red Roses
3  It was in the Month of January
4  Robert Burns and His Highland Mary
5  The Factory Girl
6  The Jolly Thresher
7  Caroline and her Young Sailor Bold
8  The Wind that Shakes the Barley
9  I Courted A Wee Girl
10  A Servant Maid in Her Father’s Garden
11  Barbara Allen

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TSDL280 J SCOTT SKINNER ~ The Strathspey King

J SCOTT SKINNER (1843 – 1927) was in his time the chief composer and exponent of Scots violin music. His own pieces no less than his versions of traditional tunes became settled in the tradition, and a command of the Skinner repertoire and, equally important, the master’s style is among the most respected attainments of a Scots fiddler.

1     The President – Air and Variations
2     Lucania Polka
3     The Freebooter / Tullochgorum / The East Neuk o’ Fife
4     Allegory / The Miller o’ Hirn / Mackenzie Frazer / The Auld Wheel
5     Bagpipe Marches – Athole Highlanders’ Farewell to Loch Katrine / Cameron Highlanders / The Inverness Gathering
6     Celebrated Hornpipes – Arthur Seat / Eugene Stratton / The Banks
7     Highland Reels – Laird o’ Thrums / Gavin M’Millan / Laird o’ Drumblair / Gladstone’s Reel
8     Medley No. 2 – Bonnie Lass o’ Bon Accord / Marquis of Huntly’s Farewell / The Ten Pound Fiddle
9     Highland Schottische No. 2 – Sandy Cameron / Miller o’ Hirn / The Glenlivet
10   Triumph Country Dance – Triumph / Timour the Tartar / The Left Handed Fiddler / Speed the Plough / De’il Among the Tailors
11    Home Sweet Home / The Iron Man Strathspey / The Bungalow Reel
12    Cradle Song – Cradle Song / The Braes of Auchtertyre / The Athole Highlanders’ Farewell to Loch Katrine
13    Glengrant / Tulchan Lodge / The Parrot – Humorous Pizzicato
14    Mrs. Scott Skinner / Mackenzie Hay / The Devil’s Elbow

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THE CAMPBELL FAMILY The Singing Campbells TSDL120

Two generations of the Campbell family and their lodger recorded during a family get-together. The older Campbells recalled songs from their youth in Scotland; Bob Cooney, the lodger, remembered children’s rhymes from childhood; Ian and Lorna (from the influential Ian Campbell Folk Group) and their sister Winnie sand ancient songs freshly learned through the folk revival.
1  Faur does Bonnie Lorna Lie / Sleep Till Yer Mammy – Betty Campbell
2  Nicky Tams – Dave Campbell
3  The Road and the Miles to Dundee – Betty Campbell
4  Drumdelgie / I Ken Fur I’m Gaun – Dave Campbell & Bob Cooney
5  My Wee Man’s a Miner / Fa, Fa, Fa wid be a Bobby / Foul Friday / Me an’ Mi Mither / We Three Kings – The Campbell Family
6  Bogie’s Bonnie Belle – Winnie Campbell
7  The Cruel Mother – Ian Campbell
8  Lang a’Growin’ – Lorna Campbell
9  Lady Eliza – Winnie Campbell
10  Will Ye Gang Love – Ian Campbell
11  I Wish, I Wish – Lorna Campbell
12  McGinty’s Meal and Ale – Bob Cooney and the family

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THE NEW VICTORY BAND One More Dance And Then TSDL382

A smile, a tear, a tapping foot – the New Victory Band can evoke them all with an enviable expertise. Old-time dances, music hall songs, even a ragtime tune on the harmonium was within their scope. Their sole album stands as an important example of the new movement in English country dance music that developed during the 1970s. ‘One More Dance and Then…’ is stuffed full of variety, humour, pathos, fine music and fun.
1  Polkas – Harper’s Frolick / Bonny Kate
2  Schottische – The Mountain Belle
3  You Can’t Take That on the Train
4  Waltzes – Charles Lynch’s / Cajun Waltz / The Banks of the Dee
5  Pretty Little Girl from Nowhere
6  Nellie’s First Rag
7  Polkas – Robbie Hobkirk’s / Father’s
8  Jigs – Mrs Grace Bowie / The Hogmanay
9  Mamie May
10  Polkas – (I’m Going To Get My) Moustache (Blacked As Soon As I Get There) / Corn Riggs
11  One More Dance and Then
12  Long, Long Trail

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JACK AND CHARLIE COEN The Branch Line TSDL337

The Coen brothers, Galwaymen by birth, were both resident in New York when this fine location recording was taped. Jack played the flute and Charlie the concertina, both were distinguished members of the New York Irish community when the folklorist Mick Moloney encouraged them to make this album.
1  Scatter the Mud / Larry Redican’s Jig
2  The Sailor’s Cravat / Repeal of the Union
3  John Conroy’s Jig / Jim Conroy’s Jig
4  The Peach Blossom / The Fiddler’s Contest
5  Jim Conroy’s Reel / The Pullet
6  Redican’s Mother / The Humours of Kilkenny
7  Mike Coen’s Polka / The Branch Line
8  Have a Drink with Me / The Blarney Pilgrim
9  Two Woodford Flings
10  The Waddling Gander / O’Connell’s Jig on Top of Mount Everest
11  Lads of Laois / Green Groves of Erin
12  The Tongs by the Fire / The Spinning Wheel
13  Whelan’s Reel / Jenny Dang the Weaver
14  Jack Coen’s Jig / Paddy O’Brien’s Jig

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THE CHEVIOT RANTERS Cheviot Barn Dance TSDL245

TSDL245Cheviot Barn Dance is the third recording of The Cheviot Ranters Country Dance Band on Topic. As with their previous records The Sound of the Cheviots (12TS214) and The Cheviot Hills (12TS222) it is a programme of old time and country dances. Formed in 1955, the Cheviot Ranters were arguably the most distinguished and authentic of the English folk dance bands and grew out of the monthly meetings of the Northumbrian Pipers’ Society.

  1. DASHING WHITE SERGEANT: Original; Rakes of Mallow; Catherine’s Reel
  2. CALL OF THE PIPES: Barren Rocks of Aden; Sweet Maid of Glendaruch; The Earl of Mansfield
  3. NOTTINGHAM SWING: Marquis o’ Lorne; Showman’s Fancy; Beggar Boy
  4. MILITARY TWO STEP: I do like to be beside the seaside; Here we are again; Mademoiselle from Armentieres; Hello, hello, who’s your lady friend
  5. SWEDISH MASQUERADE: Original
  6. LUCKY SEVEN: Davy Davy Knick Knack; Toland Dance; Aiken Drum
  7. LA RUSSE: Original; Good Humour; Come let us dance and sing
  8. KEEL ROW: Original; There’s nae luck aboot the hoose; Castles in the Air
  9. BRIDGE OF ATHLONE: The frost is all over; Pet of the Pipers; Smash the Windows
  10. CIRCLE WALTZ: We parted on the shore; I belong to Glasgow; Oh Oh Antonio; Peggy O’Neill
  11. CHEVIOT RANT: Original; Cloudy Crags; Traditional Air
  12. POLKA: The Brownieside Polka

First issued by Topic Records 1974

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JOHN LYONS ~ The May Morning Dew TSDL248

JOHN LYONS of Crussa, County Clare, lived amidst the traditional music of his area of Ireland all of his life and was a very fine singer and melodeon player. This recording from 1974 manages to capture both the nuances and strengths of his music.

“The fervour and humour of these performances make attractive listening.” Ballymena Guardian.

1  The Maid on the Shore
2  The May Morning Dew
3  Morrison’s Jig / The Pipe on the Hob
4  The Tailor Bawn
5  After Aughrim
6  The Boys of Barna-shraide
7  Erin’s Lovely Lea
8  The Blackthorn / Unnamed reel
9  Farmer Michael Hayes
10  The Lambs on the Green Hills
11  Fiac an Madrarua
12  Kitty’s Wedding
13  Farewell, Lovely Mary

First published by Topic 1974

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MARTIN & JESSICA SIMPSON True, Dare or Promise TSDL446

A remarkable album from Martin Simpson and his then wife, Jessica, with the band Flash Company. True, Dare or Promise features some of Martin Simpson’s most imaginative guitar playing through a remarkable series of arrangements that stretch British folk-rock towards the avant garde! The ensemble also features the fine (and much lamented) songwriter John B Spencer. Although they only performed a handful of gigs this album captures all the early promise of a fine ensemble.
1  Doney Girl
2  Past Caring
3  Not the Whiskey Talking
4  Young Man
5  Bedlam Boys
6  Wholly In My Keeping
7  Rising of the Woman
8  Man Smart, Woman Smarter
9  Essequibo River
10  The Keel Row

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GARY & VERA ASPEY A Taste Of Hotpot TSDL299

Gary & Vera Aspey‘s very popular, highly enjoyable (and often hilarious) stage act captured on a 1976 live album.

Recorded in performance at the Scotgate Folk Club, Scotgate Inn, Stamford, Lincs, March 1976; the Chipping Sodbury Folk Club, The George, Chipping Sodbury, Glos, March 1976; and the Lord Coniers, Kiveton, Yorks, May 1976.

The Eekdale And Ennerdale Hunt Song
Weepin’ An’ Wailin’ Away
The Shuttle Kissing Song
Foddered Me Yowes
The Nightingale
6   Don’t Married Girls
7   Kids’ Songs
8   The Coal Hole Cavalry
9   Morning Stands On Tiptoe

Recorded and produced by Tony Engle
First published by TOPIC 1976

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VARIOUS ARTISTS The Travelling Songster TSDL304

An anthology from Gypsy singers recorded in Southern England by Mike Yates. Music of English travellers, ranging from broadside ballads to mouth-organ tunes, and including examples of the gypsy mouth-music called ‘tuning’ – all performed by members of the great Smith clan, from Surrey, Kent and Suffolk.

1    The Small Birds Whistle  Jasper Smith
2    The Sheepfold  Phoebe Smith
3    One Penny  Levy Smith
4    The Basket of Eggs  Minty Smith
5    The Pony March / Whistling Rufus / Tuning  Jasper
6    Green Bushe  Phoebe
7    Raking the Hay  Phoebe
8    The Moon Shines Bright  Jasper
9    Father Had a Knife Jasper
10  The Jew’s Garden  Minty
11   Step Dance Tunes  Jasper  Tuning  Minty
12   Sweet William  Phoebe
13   Johnny Abourne  Phoebe
14   Died for Love  Jasper
15   The Irish Girl  Levy
16   Captain Thunderbold  Phoebe
17   Jigs & Polkas including: Cock of the North / Flowers of Edinburgh / The Girl l left Behind Me / Tuning   Jasper & Levy

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PACKIE MANUS BYRNE Songs Of A Donegal Man TSDL257

PACKIE BYRNE was born in Co. Donegal in 1917 into a community where traditional music and song were deeply imbedded, Packie could not help but continue this tradition. Throughout his life he was a notable singer, also becoming very well-known in the London area as a whistle player of great skill. This album shows a less well-known side of Packie – a carrier of fine traditional ballads, some of which were quite rare.

1   John and the Farmer
2   The Rich Man’s Daughter
3   The Holland Handkerchief
4   Molly Bawn
5   The Jolly Ploughboy
6   Young Alvin
7   Johnny o’ Hazelgreen
8   Lament to the Moon
9   The Creel

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WALTER PARDON A Country Life TSDL392

Walter Pardon (1914 – 1996) was one of the best singers of traditional folk-song in England, yet, outside his family, no one knew of his singing until he was 59 years old. Born in Knapton, near North Walsham in Norfolk, in a cottage where he lived for the rest of his life, Pardon finally came to national prominence in the folk-song world in the 1970s through a cassette tape passed to Peter Bellamy. The folklorist Mike Yates began a project to record and document Walter’s repertoire of over 150 songs. These recordings from the late 1970s capture a beautiful, gentle singer at the height of his powers.
1  Raggle Taggle Gypsies
2  Peggy Bawn
3  Bold Princess Royal
4  One Cold Morning in December
5  The Devil and the Farmer’s Wife
6  An Old Man’s Advice
7  Uncle Walter’s Tune
8  A Country Life
9  Cupid the Ploughboy
10  The Dandy Man
11  Jack Hall
12  I Wish, I Wish
13  Broomfield Hill
14  The Hungry Army

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GEORGE HANNA & SARAH ANNE O’NEILL On The Shores Of Lough Neagh TSDL372

“Many recordings of Ulster folk songs have been issued, but little or none from the Co. Tyrone. This record presents a sample from the repertory of a brother and sister, who come of a singing family within a singing region from which they have never moved. They are the carriers of a distinct and beautiful style. They are supported by their enthusiasm for songs which attract other singers who, with them, make a community within which an interchange of ideas is continually taking place. A delightful illustration of this is that Sarah Anne’s changes to John Reilly on track 9 are so pleasing to Brian Mullan, who gave her the song a year or so ago, that he plans to relearn it from her! Both these singers are intensely creative but in different ways. Geordie possesses the family style to a much higher degree than his sister. It entails a breaking up of the tune and words into short phrases delivered with great force. It is also distinct in the placing and shape of the decoration. This results from the shortness of the phrases and allows a highly meaningful performance without any overstatement. Sarah Anne’s ability to tidy up the words of a song or to lilt a tune to unsung verses complements Geordie’s skill and the two interact; they sing a large number of the same songs, share the same style and adopt one another’s changes. In short, these two singers represent the living tradition not its dying kicks.” from the original 1978 sleeve-notes.

GEORGE HANNA
1   Brockagh Brae
2   On Yonder Hill There Sits a Hare
3   The Blackbird of Sweet Avondale
4   Erin’s Lovely Home
5   Young Edmund in the Lowlands Low
6   Kate of Ballinamore

SARAH ANNE O’NElLL
7   The Rambler from Clare
8   A Fair Young Maid in Her Father’s Garden
9   John Reilly
10 Gosford’s Fair Demesne
11 Carrickmannon Lake
12 The Fisher’s Cot

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The New HIGH LEVEL RANTERS TSDL425

This was the first recording made by the New High Level Ranters. It sees the group changed by the departure of Alistair Anderson and Tom Gilfellon, wholeft to pursue their own ways in making their own kind of music. The two lads who replace them are Jim Hall and Peter Wood, who contribute their particular skills in playing and singing, thus continuing the Ranters’ commitment to British folk music and especially the music of the North East of England.

The original members of the group are Colin Ross and Johnnie Handle, who are perhaps too well-known to merit description. Anyway, Colin plays the fiddle and pipes and Johnnie sings and plays the accordion. There was never any doubt in their minds that the group would carry on after Ali and Tom left, so it was only natural that Jim and Pete, fellow members of Folk Song and Ballad Club, Newcastle, be asked to come into the Ranters.

Fisherman’s Friend / Black and Grey
Ca’ Hawkie
The Old Drove Road / Kennedy North
Jim Jones
The Tynemouth Volunteer Life Brigade
John Peel
Durham Regatta / Little Jenny
The Snows They Melt the Soonest
Yellow Haired Laddie / The Glen Coe March
10  New Song of the Coal
11  Skipper’s Wedding
12  The Duke of Fife / Maggie Laudert

First published by Topic Records 1982

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JOHN KIRKPATRICK & SUE HARRIS Stolen Ground TSDL453

Accordion maestro John Kirkpatrick and the classically-trained oboist Sue Harris created a beautiful blend of English country dance tunes and songs with influences from Music Hall, Flaco Jimenez and Ry Cooder. Throughout the 1970s they were a sought after act on the UK folk scene and recorded a number of fine albums for the Topic label. 1989’s Stolen Ground, the duo’s final album for the Topic label, is undobtedly one of their finest records.
1  Arthur McBride
2  The Juggler
3  Clee Hill Tunes
4  Mother Earth
5  Black Deer
6  Must I Be Bound / Mrs Saggs
7  The Chickens They Are Crowing
8  Shepherd’s Branle
9  The Old Miner

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VARIOUS ARTISTS THe Wild Hills O’Wannie TSDL227

The Wild Hills O’Wannie is a tremendous collection of some of the finest exponents of the Northumbrian Small Pipes – George Atkinson, Diana Blackett-Ord, Tommy Breckons, Colin Caisley, Forster Charlton, Joe Hutton and Billy Pigg.

The pipes have at various times been called seductive, wild, plaintive, lyrical, exciting, and sophisticated. These apparently contradictory descriptions result from the unusual versatility of the instrument as well as from differences in the tonal quality of individual sets of pipes. Thus, it is possible for each performer to develop his own characteristic style of playing and if you listen carefully to this record you will soon become able to identify the player from the sound of the first few notes of a tune.

1    The Morpeth Rant  BILLY PIGG
2    Skye Crofters/ The SwalIow’s Tail BILLY PIGG
3    Sir Sidney Smith’s March TOMMY BRECKONS
4    The Barrington Hornpipe GEORGE ATKINSON
5    Blow the Wind Southerly DIANA BLACKETT-ORD
6    Lovat Scouts / Roxburgh Castle / Bonny North Tyne / Alston Flower Show JOE HUTTON
7    The Navvy on the Line / The Friendly Visit / Remember Me / Biddv the Bold Wife / Lamb Skinnet /
De ‘il amang the Tailors
GEORGE ATKINSON
8    Londonderrv Hornpipe / Boys of the Blue Hills / Corn Rigs / Harvest Home DIANA BLACKETT-ORD
9    The Blackthorn Stick / Biddv the Bold Wife JOE HUTTON
10   The Holey Ha’penny BILLY PIGG
11   The Humours of Bandon / Saddle the Pony JOE HUTTON
12   Noble Squire Dacre COLIN CAISLEY & FORSTER CHARLTON (duet)
13   Rowlev Burn Hornpipe JOE HUTTON
14   The Wild Hills o’Wannie BILLY PIGG
15   Westering Home DIANA BLACKETT~ORD
16   The Midlothian Pipe Band / Charlie Hunter JOE HUTTON
17   The Lark in the Clear Air BILLY PIGG
18   Fenwick o’ Bywell TOMMY BRECKONS
19   Variations on ‘Oh dear, what can the matter be’ GEORGE ATKINSON
20   The Gypsy’s Lullaby  / The Hawk  / Memories / Coates Hall BILLY PIGG
21   Salmon Tails up the Water / The Herd on the Hill / Sweet Hesleyside COLIN CAISLEY & FORSTER CHARLTON (duet)

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JOHN REILLY The Bonny Green Tree TSDL359

thebonnygreentree_12t359A man who did not read or write but who was one of the most learned men to grace the roads of Ireland. John Reilly now lies with his mother in an un-marked grave in the cemetery of Ballaghadereen. But he has here a memorial more fitting than stone. The songs he loved and which were part of the very fabric of his existence still live on.

1. Adieu Unto All True Lovers
2. The Raggle Taggle Gypsy
3. The Well Below the Valley
4. Tippin’ lt Up to Nancy
5. Lord Baker
6. Old Caravee
7. The Bonny Green Tree
8. Once There Lived a Captain
9. Peter Heany
10. What Put the Blood?
11. Rozzin Box
12. The Braes of Strawblane
13. One Morning I Rambled from Glasgow
14. The Pride of Cloonkeen

Produced by Tom Munnelly, Roly Brown and Tony Engle.

First issued by Topic Records 1978.

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EWAN MacCOLL Bundook Ballads TSDL130

An anthology of soldiers songs, ribald, cynical and occasionally sentimental. Performed in his inimitable style by Ewan MacColl with Peggy Seeger, Jimmy MacGregor and John Cole.
1  Any Complaints
2  The Fortress Songs
3  Farewell to Sicily
4  The Ballad of Wadi Maktilla
5  The Dying Soldier
6  The Ghost Army of Korea
7  Browned Off
8  When this Ruddy War is Over
9  Join the British Army
10  On the Move Tonight
11  The Second Front Song
12  Seven Years in the Sand
13  Hand Me Down Me Petticoat
14  The Young Trooper Cut Down In His Prime
15  Bless ‘Em All

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GEORGE MAYNARD Ye Subjects Of England TSDL286

One of the greatest English traditional singers – George ‘Pop’ Maynard from Sussex recorded rarely. This splendid album showcases his majestic and powerful style.
1  Polly on the Shore
2  The Sweet Nightingale (The Birds In The Spring)
3  Locks and Bolts
4  Down by the Seaside
5  Jack the Jolly Tar-O
6  The Seeds of Love
7  Shooting Goshen’s Cocks Up
8  William Taylor
9  Rolling in the Dew
10  A Sailor in the North Country
11  The Banks of Claudy
12  Three Sons of Rogues
13  The Weaver’s Daughter
14  A Wager, A Wager
15  The Sun Being Set

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UMPS AND DUMPS The Moon’s In A Fit TSDL416

Umps and Dumps were an exuberant dance band led by John Kirkpatrick and Sue Harris. The ensemble’s sole recording is a splendid example of the energy typical of the English country dance scene of the early 1980s.
1  Up Sides
2  After You’ve Got
3  Woodland Voices
4  The Watercress Girl
5  Maybe She’ll Write Me
6  Rogue’s March / Dashing White Sergeant
7  Marmalade Polka
8  Underneath Her Apron
9  Lichfield Tattoo
10  The Willow Tree
11  Donkey, Jack Donkey / Here it Comes Again
12  Dark Town Strutter’s Ball / Cajun Two Step

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VERA ASPEY The Blackbird TSDL356

TSDL356Vera Aspey’s 1977 solo LP garnered lavish praise on release, Maurice Rosenbaum of the Daily Telegraph declaring it one of his albums of the year. A selection of mostly traditional material, with one Gary and Vera Aspey original and an Alfred Noyes poem set to the music of Phil Ochs, this album showcased Vera’s range and talent to stunning effect.

1. The Blackbird
2. Owd Betty Barlow
3. Ladybird
4. The Maypole Inn
5. The Pit Brow Lassies
6. My Johnny Was a Shoemaker
7. Coal Black Faces
8. The Highwayman
9. Shule Agra
10. Aggie Bell
11. The Sprig of Thyme

Produced by Tony Engle.

First issued by Topic Records 1977.

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THE OLDHAM TINKERS For Old Time’s Sake TSDL276

The Oldham Tinkers specialise in the local songs and ballads of their native South Lancashire, and have an immense following. All the salt and savour of Lancashire song and humour is to be enjoyed in their records. ‘For Old Time’s Sake’ their third album for the Topic record label was popular with the late John Peel. He played their material often on his BBC radio programme, especially the tall tale of ‘John Willie’s Horse’.
1  Signora
2  Eaur Joe’s Lad
3  John Willie’s Horse
4  Barefoot Days Medley
5  Lancashire Witches
6  Come Whoam to Thi Childer an’ Me
7  Johnny Bugger
8  Billy Winker
9  Bits O’ Bromley Street
10  The Condemned Cell
11  The Maypole
12  For Old Time’s Sake

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LEN GRAHAM Wind And Water TSDL334

Len Graham of Antrim has been studying and performing the song tradition of Ireland, especially that of his native Ulster, for many years, and is well known and respected for both his scholarship and his singing. Wind and Water was his first solo recording.

“This is not a record of sea songs and shanties, so you may wonder why ‘Wind and Water’ for its title? It was wind and water that brought our ancestors to these shores, be they Celts, Norsemen, Normans or planters. It was also wind and water that propelled the missionaries, the ‘Wild Geese’ and the emigrants to foreign parts… These various comings and goings have left their mark
on the traditional songs of Ireland and, in particular, Ulster where forever history seems to stare one in the face. I hope the choice of songs on this record will in some way illustrate and reflect some of these influences.”
Len Graham

1 My Parents Reared me Tenderly
2 Maggie Picken
3 Séan Ó Duibhir a’ Ghleanna
4 The County Mayo
5 The Star of Moville
6 The Green Fields of Amerikay
7 Western Winds
8 Paídín Ó Raibheartaigh
9 My Willie-O
10 Daniel O’Connell and his Steam Engine
11 The Rights of Man
12 One Morning in May
13 The Knight Templar’s Dream

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PAT MITCHELL Uilleann Pipes TSDL294

The several strands that make up Pat Mitchell’s piping are none of them especially unusual, but cumulatively interesting in the way they reveal how Pat’s music has evolved without what has always been held to be the massive benefit of an immediate environment in which traditional music is alive and esteemed. Pat, like many other people who might be classed as urban, twentieth century – some would say, disinherited – has gone looking for his music, and it’s important to document his case for an understanding of how such a person fares, and for some insight into the state of traditional music in Ireland today.

1      Reels: Garrett Barry’s / The Virginia  
2      March: Sullivan’s March 
3      Reel: Concertina Reel  
4      Air: Lord Mayo 
5      Reel: College Groves
6      Double Jigs: Port Liadroma / Sean Tiobraid Arann  
7      Reel: Star of Munster
8      Single Jig and Double Jig: Frieze Breeches
9      Descriptive Piece: Máirseáil Alasdruim
10    Single Jig: Willie’s Single
11    Hompipe and Reels: Kildare Hornpipe / Castle Kelly / Sailor’s Bonnet
12    Marching tune: Eagle’s Whistle
13    Double Jig: The Maiden That Jigged it in Style
14    Air: An Draighnean Donn
15    Double Jig: The Old Hag in the Kiln
16    Reel: Galtee Reel
17    Double Jigs: The Lark in the Morning
18    Reels: Patsy Tuohey’s Reel/The Green Fields of Rossbeigh
19    Piece: Nora Criona
20    Reel: Flogging Reel

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THE HOUSE BAND Pacific TSDL445

TSDL445After a long European and New Zealand tour in 1985/6, the original line-up of The House Band disbanded, and Chris Parkinson and Ged Foley formed a new group with Brian Brooks and John Skelton. This line-up recorded ‘Pacific’ for Topic in 1987, with the band touring America extensively in the late 1980s and 1990s.

  1. PACIFIC
  2. DIAMANTINA DROVER
  3. JOY AFTER SORROW
  4. IN AT THE DEEP END
  5. OLD MAN RIVER
  6. THE PIT STANDS IDLE
  7. GOING PLACES
  8. FOR THE SAKE OF EXAMPLE
  9. BLAZING RUSE

Produced by The House Band and David Kenny

First issued by Topic Records 1987

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MARTIN SIMPSON Sad or High Kicking! TSDL438

Martin Simpson has spoken of his early studio recordings as “scrapbooks of the millions of things that I was into at that time.” For most fans this 1986 album displays a young master developing a remarkable relationship with his guitar.
1  Jazzman
2  Shawnee Town
3  Moth
4  Living Without You
5  For Jessica, Sad or High Kicking / My Dearest Dear
6  Icarus
7  No Depression in Heaven
8  Let It Be Me
9  Stillness in Company
10  The Lakes of Ponchartrain

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VARIOUS ARTSTS Farewell Nancy TSDL110

Shanties and forebitters sung with zest and a feeling for authenticity. Ballads of shipwreck and disaster, songs of humour and love performed by a ‘who’s who’ of the English folk song revival – Louis Killen, Cyril Tawney and Ian Campbell, accompanied by master-fiddler Dave Swarbrick.

1  The Wild Goose – Louis Killen
2  Lovely Nancy – Ian Campbell
3  The Nightingale – Cyril Tawney
4  Heave Away My Johnny – Louis Killen
5  Row Bullies Row – Ian Campbell Group
6  The Fireship – Cyril Tawney
7  Tom’s Gone To Hilo – Bob Davenport
8  Ship in Distress – Louis Killen
9  Lowlands Low – Ian Campbell Group
10  One Morning In Spring – Cyril Tawney
11  Hilo Johnny Brown – Louis Killen
12  Poor Old Horse – Ian Campbell Group
13  Bold Princess Royal – Louis Killen
14  Billy Boy – Bob Davenport
15  Bold Benjamin – Cyril Tawney
16  The Hog Eye Man – Ian Campbell Group
17  Goodbye, Fare Thee Well – Louis Killen

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PEGGY SEEGER, TOM PALEY & CLAUDIA PALEY Who’s Going To Shoe Your Pretty Little Foot? TSDL113

Peggy Seeger and Tom Paley, both New York, are brilliant exponents of American instrumental traditions. Guitar, banjo, autoharp and dulcimer weave a delicate majesty on a great selection of traditional material. This stunning collection, recorded in London in 1964 by Bill Leader, is a powerful example of their musical accuity and has been an influence on many younger performers.
1  Who’s That Knocking at My Window
2  Love Henry
3  The Lass of Roch Royal
4  Who’s Going to Shoe your Pretty Little Foot?
5  Pretty Polly
6  Englewood Mine
7  Buck Dancer’s Choice
8  Just as the Tide Was Flowing
9  The Kicking Mule
10  The Heartless Lady
11  The Fiddling Soldier
12  Tittery Nan
13  Loving Reilly
14  The Cuckoo
15  If He’d Be a Buckaroo
16  The Girl on the Greenbriar Shore

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BILL CADDICK The Wild West Show TSDL441

Bill Caddick has an enviable reputation – sometime member of the Albion Band, Home Service and songwriter of choice for June Tabor. He has recorded few albums during his long performing career; many fans regard The Wild West Show as one of this finest recordings. The album was recorded by Andrew Cronshaw and sees a crack team of close friends and former Home Service colleagues accompany Caddick, including June Tabor who adds sublime duet vocals to ‘Eights And Aces’.
1  Superman
2  Spanish Nights
3  Fork-lift Truck
4  Moses (Smooth Talking)
5  Two-Fisted Heroes
6  Forgotten The Blues
7  Dance To The Music Of Time
8  Stay On The Line
9  Eights And Aces
10  The Wild West Show

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VARIOUS ARTISTS The Wide Midlands TSDL210

TSDL210The Wide Midlands: Songs, stories and tunes from the central Counties.

‘Birmingham, the Midland metropolis, was an important centre for the printing of broadsides and it is inevitable that this selection should lean towards the West Midlands. As well as broadsides, a number of industrial songs and fragments have been included, which have survived in oral tradition. The final song was written as lately as 1970. The toughness, the resilience, the humour and pride of the urban Midlander, both in hard times and in easier days, are the qualities which emerge from these songs and stories. They are as much ‘in the idiom of the people’ as their cousins from the country.’

 

1 The Dudley Boys  Sung by Peter Coe, Chris Richards, Mick Bramwich and Les Ivall, acc. Adrian Morris (whistle), Jim Haywood (tabor) & Helena Ivall (tenor drum)
2 When shall we get married, John? sung by Julie West & Roy Palmer, acc. Martyn Briggs (banjo) & Mick Nash (guitar)
3 The slap-bum tailor sung by Roy Palmer and chorus
4 Swaggering Boney/The black joke played by John Rose (fiddle) & Paul Hooke (guitar)
5 Stop that clock/Early in the morning/When you get up in the morning sung by Graham Langley, Doreen Davis, Pam Bishop & Steve Lynn
6 Jolly Joe the collier’s son sung by The Singing Tradition (Julie West, Martyn Briggs, Bob Lapworth & Mick Nash)
7 Owd never could told by Tom Langley
8 I can’t find Brummagem sung by Richard Hamilton, acc. Pam Bishop (guitar) & John Wrench (mouth organ)
9 The Birmingham Jack of all trades sung by Dave Rogers & chorus, acc. John Wrench (guitar) & Pam Bishop (concertina)
10 The nailmakers’ strike sung by Chris Rogers & Pam Bishop
11 The old miner sung by The Singing Tradition
12 Birmingham Sally sung by Chris Richards
13 Buffoon/Staffordshire Hornpipe played by John Rose (fiddle) & Paul Hooke (guitar)
14 Aye for Saturday Night sung by Joan Smith, acc. Pam Bishop (whistle)
15 The Aston Villa Supporter
told by Tom Langley
16 Motor Trade Workers sung by Graham Langley and Bob Etheridge, acc. John Wrench (guitar)

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ROY HARRIS By Sandbank Fields TSDL327

“In the course of singing these songs over the years I’ve probably altered them hugely from the way they came to me but I hope my informants won’t think them too much harmed. My thanks to them all anyway. However, dear listener, don’t run away with the idea that I spend my time singing nothing but songs such as these. After all, I have always loved singing and sung all the songs that were available to me. So, off-duty at least, these songs mix with the songs of Crosby, Jolson, Paul Robeson and Hank Williams, to name only four of my favourite singers. The real gift that the folk revival has given me is the knowledge of these traditional songs so that they can share a place in my affections with the radio songs I had known for years. I hope you will enjoy the songs here; if you want to learn any to sing yourself – go ahead!” Roy Harris from the original album sleevenotes.

1   As I Was Going to Banbury
2   The Knight and the Shepherd ‘s Daughter
3   The Baker of Colebrook
4   The 23rd of March
5   Go from My Window
6   Think on This (When You Smoke Tobacco)
7   The Dockyard Gate
8   The Lady of Carlisle
9   Robin Hood and Little John
10  Sandbank Fields
11  The Spithead Sailor
12  The Unhappy Parting

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THE OLDHAM TINKERS That Lancashire Band TSDL399

The Oldham Tinkers from South Lancashire made their recording debut on the best selling ‘Deep Lancashire’ collection in 1968. Throughout the next decade they took their music to a wide international audience. Their fifth ‘solo’ album for the Topic label is another powerful mixture of Lancashire humour and pathos. Their beguiling songs are derived from the poems of local dialect writers, from Music Hall entertainers and from the traditional music of the North West of England.
1  Old May Song
2  John Willie’s Performing Newt
3  Nowt About Owt
4  Children’s Chants & Songs – Captain’s Medley
5  Eawr House – As Was
6  Oh! That Lancashire Jazz Band
7  The Lark
8  John Willie’s Grand-Dad
9  Tribute to Owd Paddy
10  Old King Coal
11  Steeple Jack
12  The Crime Lake Boggart
13  An Oldham Rugby Medley
14  McCarthy’s Party

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SARAH OGAN GUNNING A Girl of Constant Sorrow TSDL171

From  the original LP notes:TSDL171

Like other folksingers, her repertoire encompasses a variety of emotions: anger at needless poverty and exploitation, affirmation of self-help as a way of life, pleasure in love, solace in religion, peace in death. Sarah’s prodigious talent has permitted her to fuse disparate radical elements with traditional forms to create a handful of significant songs beyond the legacy of well-known material left to her by her family.

1 I AM A GIRL OF CONSTANT SORROW
2 LOVING NANCY
3 OLD JACK FROST
4 MAY I GO WITH YOU JOHNNY?
5 THE HAND OF GOD ON THE WALL
6 DOWN ON THE PICKET LINE
7 I HATE THE COMPANY BOSSES
8 I’M GOING TO ORGANIZE
9 CHRIST WAS A WAYWORN TRAVELER
10 WHY DO YOU STAND THERE IN THE RAIN?
11 DREADFUL MEMORIES
12 OLD SOUTHERN TOWN
13 I HAVE LETTERS FROM MY FATHER
14 CAPTAIN DEVIN
15 GEE WHIZ WHAT THEY DONE TO ME
16 DAVY CROCKETT
17 BATTLE OF MILL SPRING
18 JUST THE SAME TODAY
19 SALLY
20 OH DEATH

First issued by Topic Records 1967.

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THE OLDHAM TINKERS Sit Thee Down TSDL323

The Oldham Tinkers from Oldham in South Lancashire made their debut on the best selling ‘Deep Lancashire’ collection in 1968. Throughout the next decade they took their music to a wide international audience. Their fourth ‘solo’ album for the Topic label was a powerful mixture of Lancashire humour and pathos. Their songs are derived from the poems of local dialect writers, from Music Hall entertainers and from the traditional music of the North West.
1  The Maid in the Calico Dress
2  Elsie Bell
3  Pity Me My Darling
4  The Talking Dog
5  To Sarah
6  Tall Tales Medley
7  Sit Thee Down
8  John Willie’s Ferret
9  The Deserter
10  Poor Little Hauve-Timer
11  Dad’s Medals
12  Fishing
13  Jumping Jack
14  Jim’s Medley

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ALISTAIR ANDERSON Corby Crag TSDL371

Solo recording from one of the leading figures in music from the North East of England and inded in the English folksong revival of the late twentieth century. English concertina and smallpipe maestro Alistair Anderson has been at the forefront of the performance of traditional music for over four decades. An internationally recognised ambassador for the music of Northumberland, between 1968 and 1979 he toured the world as a member of the High Level Ranters. He has an enviable reputation as a solo performer and an enthusiastic educator and folk activist. In 2006 he was awarded the prestigious Gold Medal of the English Folk Dance and Song Society.
1  The Hawk Polka / Thrunton Woods
2  The Keelman’s Petition / The Tipp Staff
3  La Fille de Lyon / Cotillion des Marionettes
4  Blake’s Hornpipe / President Garfield’s Hornpipe / Bonny Broom Hill
5  Felton Ionnin
6  Kriden Fair / Tich Richardson’s Favourite / Hey to the Camp / Brosehill
7  Alistair Anderson’s Favourite / Old French
8  The Belfast Hornpipe / The Prize Potato
9  The Trip to Carlisle / Corby Crag
10  Ali Anderson / Henry Atkinson
11  Blaydon Flats / Whittingham Games / James Brown
12  Derwent Water’s Bonnie Lord / The Bride’s Favourite
13  Remember Me / The Left Handed Fiddler
14  Geld Him Lasses, Geld Him / Uncle John
15  The Darkening

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VIN GARBUTT Eston California TSDL378

A singer of extraordinary power, a gifted guitarist and whistle-player, Vin Garbutt has been one of the most popular performers on the folk scene for nearly forty years. This, his first album recorded for Topic records is a career highlight.
1  Bantry Bay / Den Toppede Høne
2  The Land of Three Rivers
3  Gentle Annie
4  Hornpipes – The Belfast / The Japanese
5  The Hartlepool Monkey
6  Tonto McGuire
7  The Ring of Iron
8  Skibbereen
9  Their Ulster Peace
10  Reels – Tear the Calico / The Providence
11  The Waters Of Tyne

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SEAMUS ENNIS The Wandering Minstrel TSDL250

Séamus Ennis was an inspiration to countless musicians around the world. He is numbered amongst the greatest Irish pipers of the twentieth century (as well as a tremendous storyteller and an inveterate folksong collector). His sole album for Topic records captured his pipe playing during a highpoint of his career and is regarded by many afficionados as one of his finest recordings.
1  The Wandering Minstrel / Jackson’s Morning Brush
2  The Boys of Bluehill / Dunphy’s Hornpipe
3  The Glen-Nephin Cuckoo / The Little Fair Cannavans
4  The Frieze Britches
5  The Flags of Dublin / The Wind that Shakes the Barley
6  The Little Stack of Barley / Cronin’s Horpipe
7  The New Demesne
8  The Blackbird
9  Gillan’s Apples / The Walls of Liscarroll / The Stone in the Field
10  Molly O’Malone
11  Kiss the Maid Behind the Barrel
12  Happy to Meet & Sorry to Part

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BLOWZABELLA Vanilla TSDL1028

Blowzabella is a genuinely unique band that makes an inimitable, driving, drone-based sound played with a fabulous sense of melody, rhythmic expertise and sheer feeling. They compose their own music which is influenced by English and European traditional dance music. Vanilla, first released on the Topic Special Delivery label in 1990, is one of their finest recordings.

Andy Cutting : melodeons, percussion
Nigel Eaton : hurdy gurdies, ‘cello, percussion
Jo Freya : Voclas, tenor saxophone, clarinet
Paul James : soprano saxophone, bagpipes, rauschfeife, percussion
Ian Luff : bass guitars, cittern, guitar, percussion
Jon Swayne : alto & soprano saxophones, bagpipes

1   Spaghetti Panic (A Cutting)
2   La Belle C’est Endormir / Famous Wolf (trad. N Eaton)
3   Jan Mijne Man / Go Mauve (trad. I Luff)
  Fulmine (R Tesi arr A Cutting)
5   Beanfield / Monster Café (J Swayne/N Eaton)
6   I Wish, I Wish (trad. arr Freya)
7   Down Side / Solveig’s Song / Doctor Feg (P James/Greig:Ibsen/N Eaton)
8   Horizonto (P James)
9   In Continental Mood / The Old Queen / Flatworld (A Cutting/I Luff/A Cutting)
10  The Lover’s Ghost (trad. arr Freya)
11  The R.S.B. & the Hobb (A Cutting/I Luff)
12  Spaghetti Panic (Live) (A Cutting)

First issued as Special Delivery SPDCD1028 / 1990

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JUMBO BRIGHTWELL Songs from the Eel’s Foot TSDL261

From the original LP notes:TSDL261

As at many local pubs, Saturday nights were for singing and the Eel’s Foot was no exception, having a Chairman – Philip Lumpton – who would keep the tiny bar in order with a gavel or the cribbage board and the ruling was that everyone had ‘to sing, say or pay’. Jumbo however remembers one chap, a steamroller driver, who ‘whenever it was his turn to sing someone would generally pay him a tanner not to – he wasn’t all that good.’ The money went into a kitty to supply the singers with beer which had to be brought by hand from the cellar to the bar, one pint at a time.

1 The Flower of London
2 The Derby Miller
3 The Loss of the Ramillies
4 The Green Mossy Banks of the Lea
5 Blow the Candle Out
6 The Bold Princess Royal
7 Newry Town
8 The Indian Lass
9 Muddley Barracks
10 The False Hearted Knight
11 The Lost Heiress
12 Down in the Fields Where the Buttercups Grow
13 Rambleaway
14 The Life of a Man

Produced by Tony Engle and Keith Summers
First issued by Topic Records 1975

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The OLDHAM TINKERS Oldham’s Burning Sands TSDL206

The mighty Oldham Tinkers specialise in the local songs and ballads of their native South Lancashire. True inheritors of the spirit of great Lancashire mucial comics like George Formby. “All the salt and savour of Lancashire song and humour is to be enjoyed in their records.” ‘Oldham’s Burning Sands’ was the group’s first recording for Topic Records and a perennial favourite with the late John Peel.
1  Success to the Weavers
2  The Lancashire Miller
3  Charlie Chaplin
4  Eawr Market Neet
5  The Owdam Chap’s Visit to Th’ Queen
6  In Our Town
7  Oldham’s Burning Sands
8  A Fine Old English Gentleman
9  Peterloo
10  We’re Off In A Motor Car
11  The Oldham Pensioner
12  The Stockport Strike
13  Th’ Childer’s Holiday

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VARIOUS ARTISTS Songs Of The Open Road TSDL253

Gypsies and travellers have preserved a wealth of English traditional song, which has been rarely collected. This splendid and influential collection of English traditional song performed by some of the finest Gypsy singers of Southern England, draws upon the diligent field recordings of the collector Mike Yates.
1  You Subjects of England – Jasper Smith
2  Little Dun Dee – Mrs Haynes
3  Hartlake Bridge – Jasper Smith
4  The Young Officer – Mrs Haynes
5  All Through Mi Rakli – Mrs Haynes
6  At the Atchin Tan – Mrs Haynes
7  The Oakham Poachers – Wiggy Smith
8  Thorneymoor Park – Jasper Smith
9  The Farmer of Chester – Joe Jones
10  The King and the Keeper – Joe Jones
11  Georgie – Levi Smith
12  The Haymakers – Levi Smith
13  The Broomdasher – Levi Smith
14  Barbara Allen – Phoebe Smith
15  Lavender – Bill Ellson
16  The Squire and the Gypsy – Jasper Smith
17  Erin’s Lovely Home – Mrs Haynes
18 The Game of Cards – Levi Smith
19  While the Yogger Mush Lays Sleeping – Jasper Smith
20  The Deserter – Wiggy Smith

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JIMMY McBEATH Bound To Be A Row TSDL303

One of Scotland’s best known traditional singers, a former farm servant and traveller from Banffshire, the late Jimmy McBeath sang bothy ballads and other songs in a direct and authoritative style.

1    Bound To Be A Row
2    The Banks of Inverurie
3    Ythanside
4    Erin Go Bragh
5    Bogie’s Bonnie Belle
6    The Cow Wi’ The Iron Tail
7    Arlin’s Fine Braes
8    The Bonnie Lass o’ Fyvie
9    Pittenweem Jo
10  Ye Canna Pit It On Tae Sandy
11  The Boston Smuggler
12  Hielan’ Rory
13  The Magdalen Green
14  Marnin’ Fair
15  The Feeing Time

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TSDL289 PADDY TUNNEY ~ The Flowery Vale

Irish traditional song runs the gamut between heroic and lyric. The great Donegal singer Paddy Tunney was a supremely lyrical singer and a master of intricate vocal ornament. The Flowery Vale was recorded in London in February 1975.

1    Tis Pretty to be in Ballinderry
2    Captain Coulson
3    Ta Me Mo Shui
4    What Brought the Blood
5    The Blighted Lover
6    The Twisting of the Rope
7    The Blackbird
8    Old Ardboe
9    The Old Man Rocking the Cradle
10   Siubhan Ni Dhuibhir
11   Dobbin’s Flowery Vale
12   Going to Mass Last Sunday

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LIZZIE HIGGINS Princess of the Thistle TSDL185

Lizzie Higgins was born in the centre of Aberdeen in 1929, the daughter of Jeannie Robertson the world-renowned ballad singer and the great piper Donald Higgins. Her forbears on both sides were travellers and she inherited a rich heritage of traditional music. At the time of these recordings Lizzie was regarded as the finest living interpreter of Scots traditional song.
1 Wha’s at the Windy
2  Lovely Molly
3  The Fair of Ballnafannin
4  Young Emsley
5  Bonnie Udny
6  Far Over the Forth
7  Laird of the Dainty Doonby
8  The Seasons
9  Davy Faa
10  The Banks of Red Roses
11  The Maid of Glenshea
12  The College Boy

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THE HOUSE BAND The House Band TSDL439

TSDL439The House Band’s first album, and the first of three for Topic, this was recorded in January 1985, just before a long European tour for the band that year, and a tour of New Zealand at the end of the year and into 1986.   They played original and traditional compositions in a Celtic/British folk style, with influences from reggae, country, pop, jazz and world music.

1 The Tornado Two-Step – The Cooper – The Woodpecker
2 Here’s The Tender Coming
3 Major Harrison’s Fedora
4 War Party – Lost Night
5 An Erminig Hag An Greskenn – The Anti-Social Worker
6 The Pitman’s Grievance
7 E I Ah Could Hew
8 Green Fields of Canada –The Amalgamation
9 Cawsand Bay
10 The Swallowstail – Lady Charlotte Campbell’s – Gordon Campbell’s “Mess”

First issued by Topic Records 1985

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The WILLETT FAMILY The Roving Journeymen TSDL084

A very important recording of three members of a Southern English family of travellers – Tom, Chris and Ben Willett, showing their distinctive style of singing and a repertoire of fine country songs. Recorded on location in Middlesex and Kent, the record was the first album of English gypsy music to be released commercially.
1  Lord Bateman – Tom Willett
2  The Blacksmith Courted Me – Tom Willett
3  The Little Ball of Yarn – Ben Willett
4  Died For Love – Tom Willett
5  The Rambling Sailor – Chris Willett
6  Riding Down to Portsmouth – Tom Willett
7  As I Was Going to Salisbury – Chris Willett
8  The Roving Journeyman – Tom Willett
9  The Roving Journeyman – Chris Willett
10  While Gamekeepers Lie Sleeping – Tom Willett
11  The Old Miser – Chris Willett
12  The Game of Cards – Tom Willett

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JACK ELLIOTT Muleskinner TSDL106

TSDL106‘In 1956 skiffle was going strong in London and Jack began to sing in pubs and create something of a name for himself. In 1957 he sent for his buddy Derroll Adams, banjo-picker from Portland, Oregon and together the two sang and made a Topic album billed as the Rambling Boys. This record is a release of material on JACK TAKES THE FLOOR, Topic 10T15, with additional songs.’

From the original sleevenotes

1 San Fancisco Bay Blues
2 Ol’ Riley
3 The Boll Weevil
4 Bed Bug Blues
5 New York Town
6 Old Blue
7 Grey Goose
8 Mule Skinner’s Blues
9 East Texas Talking Blues
10 Cocaine
11 Dink’s Song
12 Black Baby
13 Salty Dog

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EWAN MACCOLL The Manchester Angel TSDL147

Ewan MacColl was one of the architects of the mid twentieth century British folk revival. A polemicst, writer and a singer of extraordinary dramatic power. His influence on the whole movement has been of the utmost importance. MacColl’s singing brings both the past alive and expresses the mood of his own times.
1  We Poor Labouring Men
2  Georgie
3  Barbara Allen
4  Sheepcrook and Black Dog
5  Bramble Briar (Strawberry Town)
6  One Night As I Lay On My Bed
7  The Grey Cock
8  To the Begging I Will Go
9  The Sheep-Stealer
10  The Manchester Angel
11  The Bold Richard
12  The Press Gang
13  Round Cape Horn
14  Through Moorfields
15  Homeward Bound

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