Traditional and contemporary folk from the British Isles

DIGITAL RELEASES

FRANKIE ARMSTRONG Lovely On The Water TSDL216

Few singers match the assurance and intensity of Frankie’ Armstrong’s singing. Born in Cumberland, Frankie typically came to folk song as a teenager and member of an amateur skiffle group. She was a member of the influential Critics Group led by Ewan MacColl and first recorded on A L Lloyd’s ‘The Bird In The Bush’ project. In Lloyd’s memorable phrase “she can sing to pull down the stars”. Armstrong is an important interpreter of ballads, often approaching her material from a feminist perspective.
1  Tarry Trousers
2  The Green Valley
3  Low Down in the Broom
4  The Cruel Mother
5  The Crafty Maid’s Policy
6  The Maid on the Shore
7  The Frog and the Mouse
8  Lovely on the Water
9  The Brown Girl
10  The Young Girl Cut Down in Her Prime
11  The Saucy Sailor
12  The Two Sisters

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TSDL146 HEDY WEST ~ Pretty Saro

HEDY WEST from North Georgia, at the southern end of the Appalachians. A L Lloyd regarded her as ‘far and away the of American girl singers in the revival.’ A sensitive and vibrant singer who accompanied herself in a distinctive style on the five-string banjo, her early recordings for the Topic label have had a remarkable influence on the folk song revival.

1    The House Carpenter
2    Pretty Saro
3    Old Smokey
4    Blow Ye Gentle Winds
5    My Soul’s Full Of Glory
6    Promised Land
7    Over There
8    Little Matty Groves
9    Rake And Rambling Boy
10  Joe Bowers
11  Whistle, Daughter, Whistle
12  I’m An Old Bachelor
13  Johnny Sands
14  My Good Old Man
15  Frankie Silvers
16  Lee Tharin’s Bar Room

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MARTIN & JESSICA SIMPSON True, Dare or Promise TSDL446

A remarkable album from Martin Simpson and his then wife, Jessica, with the band Flash Company. True, Dare or Promise features some of Martin Simpson’s most imaginative guitar playing through a remarkable series of arrangements that stretch British folk-rock towards the avant garde! The ensemble also features the fine (and much lamented) songwriter John B Spencer. Although they only performed a handful of gigs this album captures all the early promise of a fine ensemble.
1  Doney Girl
2  Past Caring
3  Not the Whiskey Talking
4  Young Man
5  Bedlam Boys
6  Wholly In My Keeping
7  Rising of the Woman
8  Man Smart, Woman Smarter
9  Essequibo River
10  The Keel Row

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The IRISH COUNTRY FOUR Songs, Ballads and Instrumental Tunes from Ulster TSDL209

The IRISH COUNTRY FOUR from Belfast had a wonderfully original take on traditional repertoire from Ulster. Their sole recording was reviewed at the time  as ‘an excellent records… they sing the songs and play the tunes of their homeland with an involvement that is quick to rub off on the listener.

1     Reels: Roaring Mary and The Old Torn Petticoat
played by the group (union pipes, whistle, guitar and bones)
2     The Cotton-mill Song
sung by Jess Harpur (w. guitar) and chorus
3    The Granemore Hare
sung by Jess Harpur, acc. Brian Bailie (flute) and Valerie Bailie (guitar)
4     The boys of Mullaghbawn
sung by the group (unaccompanied)
5     Pulling the Lint
sung by Trevor Stewart (unaccompanied)
6      Air: The Melodious Little Fort of Bruff
played by Brian Bailie (whistle)
7     General Munro
sung by Jess Harpur and Valerie Bailie, with Brian Bailie (flute)
8     The Load of Kale Plants
sung by Trevor Stewart, with Brian Bailie (flute)
9     O’Meally’s Hornpipe
played by the group (union pipes, whistle and guitar)
10   Jigs: Kitty’s Bonnet and The Flax-dresser
played by the group (union pipes, whistle, flute, bodhran)
11   The Doffing Mistress
sung by Valerie Bailie, Jess Harpur, Trevor Stewart (w. guitar and mandoline)
12   The Maid of Ballydoo
sung by Jess Harpur (w. guitar) and chorus
13   Air: Blind Mary
played by Trevor Stewart (union pipes)
14   Magherafelt Hiring Fair
sung by Valerie Bailie and Trevor Stewart (w. guitar)
15   The Heights of Alma
sung by Trevor Stewart and Jess Harpur (unaccompanied)
16   P for Paddy
sung by Trevor Stewart, acc. Brian Bailie (flute) and chorus
17   Reels: Martin Mulhaire’s no. 1 / Kitty goes a-milking and Pigeon on the gate
played by the group (whistle, union pipes, bodhran and bones)

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VARIOUS ARTISTS The Music of Cape Breton 2 TSDL354

Scottish fiddle music arrived in Cape Breton Island with the Highland settlers over a century and a half ago, and the strongly Highland character of this region of Nova Scotia, in the Canadian Maritimes, remains to this day. Cape Breton with its harbours, heavily forested mountains and fertile valleys provided the Highlander with ample opportunity to exercise his old country skills in fishing, hunting and farming: the rural way of life of the Western Highland Gaels, together with their highly evolved oral and musical traditions, adapted easily to the new setting.

1    Strathspey, Hornpipe & Reel: The Sow’s Tail / Londonderry Hornpipe / Duncan on the Plainstones THERESA MacLELLAN (acc Marie MacLeIIan)
2    Strathspeys & Reels: The WarIock’s Strathspey/ Bog an Lochain (Athole Cummers) / The Nine Pint Coggie / Calum Fhionnlaidh / Prince Charlie / Tarbolton Lodge MIKE MacDOUGALL (acc Mary Jessie MacDonald)
3    March, Strathspeys & Reel: Donald MacLean’s Farewell to Oban / Cairistiona Chaimbeul (Christy Campbell) / Port ‘ic Artair (MacArthur’s Tune / Untitled JOHN WILLIE CAMPBELL (acc Kevin McCormick)
4    Strathspeys & Reels: Lucy Campbell / Calum Crùbach (Miss Drummond of Perth) / Untitled / Cota Mór Ealasaid (Elizabeth’s Big Coat) / Untitled MARY MacDONALD (acc Mary Jessie McDonald)
5    Slow Air, Strathspeys & Reels: Niel Gow’s Lamentation for Abercairney / Johnnie Pringle / Munlochie Bridge / The Duke of Gordon’s Birthday / Perrie Werrie / Peggie     Menzies / West Mabou Reel ALEX FRANCIS MacKAY (acc Fr John Angus Rankin)
6    Jigs: The Black Sporran / WaIking the Floor JOHN NEIL MacLEAN (acc Phyllis MacLeod)
7    March & Strathspey: A Sheana-bhean Bhochd (Glengarry’s March) / Donald MacMaster’s Strathspe DAN JOE and GEORGE MaclNNIS (acc Marie MacLe|Ian)
8    Strathspey & Reel: J Scott Skinner Strathspey / GiIlian’s Reel (Muir o’ Gellan) JOHN NEIL MacLEAN (acc Phyllis MacLeod)
9    Strathspeys & Reels: Unidentified / Calum Breugach /  The Duke of Athole / George the IV / The King’s / Miss Lyle’s Reel ALEX FRANCIS MacKAY (acc Fr John Angus Rankin)
10    Strathspey & Reels: Alex MacEachern’s Strathspey / Fear nan Casan Caola (The Rejected Suitor) / Untitled JOHN WILLIE CAMPBELL (acc Kevin McCormick)
11    Strathspeys & Reels: Miss Lyle’s Strathspey / The Highlanders’ Farewell to Ireland / King George / Tulloch Gorm (old setting with variations) / Lord MacDonald / Miss Johnstone MARY MacDONALD (acc Mary Jessie MacDonald)
12    Jigs: Untitled / Untitled / Dan the Cobbler JOE MacLEAN (acc Mary Jessie MacDonald)

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JUMBO BRIGHTWELL Songs from the Eel’s Foot TSDL261

From the original LP notes:TSDL261

As at many local pubs, Saturday nights were for singing and the Eel’s Foot was no exception, having a Chairman – Philip Lumpton – who would keep the tiny bar in order with a gavel or the cribbage board and the ruling was that everyone had ‘to sing, say or pay’. Jumbo however remembers one chap, a steamroller driver, who ‘whenever it was his turn to sing someone would generally pay him a tanner not to – he wasn’t all that good.’ The money went into a kitty to supply the singers with beer which had to be brought by hand from the cellar to the bar, one pint at a time.

1 The Flower of London
2 The Derby Miller
3 The Loss of the Ramillies
4 The Green Mossy Banks of the Lea
5 Blow the Candle Out
6 The Bold Princess Royal
7 Newry Town
8 The Indian Lass
9 Muddley Barracks
10 The False Hearted Knight
11 The Lost Heiress
12 Down in the Fields Where the Buttercups Grow
13 Rambleaway
14 The Life of a Man

Produced by Tony Engle and Keith Summers
First issued by Topic Records 1975

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THE O’HALLORAN BROTHERS The Men of the Island TSDL305

Des and Vince O’Halloran are from the tiny Inishbofin Island, off the coast of Connemara. Though relatively young when these recordings were made and from a region not noted for a strongly maintained musical tradition, they play wonderfully close-knit and exciting music.
1  Reels: The Music in the Glen / The Green Fields of America
2  Jigs: The Lark in the Morning / The Connaughtman’s Rambles
3  The Lowlands of Holland
4  Barn Dances: Stack of Barley / Johnny, Will You Marry Me?
5  Jigs: Pat Burke’s / Fraher’s
6  Sweet Inniscarra
7  Waltz and Jigs: Martin Byrne’s Waltz / A Hundred Pipers / Dingle Regatta
8  Granuaile
9  Reels: The Sailor on the Rock / The Maid I Ne’er Forgot
10  Reel: The Limerick Lasses
11  Jig: The Lake Shore / The Exile’s Return
12  Reels: The Eel in the Sink / Larry Redigan’s
13  Moorlough Mary
14  The Bucks of Oranmore / The Wind that Shakes the Barley

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JOHN KIRKPATRICK & SUE HARRIS Stolen Ground TSDL453

Accordion maestro John Kirkpatrick and the classically-trained oboist Sue Harris created a beautiful blend of English country dance tunes and songs with influences from Music Hall, Flaco Jimenez and Ry Cooder. Throughout the 1970s they were a sought after act on the UK folk scene and recorded a number of fine albums for the Topic label. 1989’s Stolen Ground, the duo’s final album for the Topic label, is undobtedly one of their finest records.
1  Arthur McBride
2  The Juggler
3  Clee Hill Tunes
4  Mother Earth
5  Black Deer
6  Must I Be Bound / Mrs Saggs
7  The Chickens They Are Crowing
8  Shepherd’s Branle
9  The Old Miner

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JOE HEANEY Irish Traditional Songs in Gaelic & English TSDL091

TSDL091‘Whether he is singing in Irish or English, Heaney is a remarkably discreet singer, not given to dramatic or comic effect, with an uneventful surface to his songs, but a world of secrets underneath. Outside a few settlements in his native West, it would be hard to find his equal.’

From the original sleevenotes by A. L. Lloyd

1 THE ROCKS OF BAWN
2 ONE MORNING IN JUNE
3 CASADH AN t-SUGAIN   The Twisting of the Rope
4 THE WIFE OF THE BOLD TENANT FARMER
5 THE TREES THEY GROW TALL
6 PEIGIN IS PEADAR   Peggy and Peter
7 CUNNLA
8 CAOINEADH NA TRI MHUIRE   The Lament of the Three Marys
9 AN TIGHEARNA RANDAL   Lord Randal
10 BEAN AN LEANNA   The Woman with the Beer
11 JOHN MITCHEL

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PADDY TUNNEY & ARTHUR KEARNEY Ireland Her Own TSDL153

tsdl153When Chesterton wrote of the Irish ‘All their wars were merry and all their songs are sad’ he was sacrificing accuracy for the sake of a paradox. The wars themselves were ruthless savage campaigns of destruction on the one hand and desperate struggles for existence on the other. The British fought as conquerors with scant regard for the rules of war, the Irish fought for something ancient and good, and they fought as crusaders. Their songs reflected their attitude, full of sadness for previous defeats, but convinced of the justice of their cause and confident that the final battle would be won.

Tudors, Stuarts, Commonwealth and After
1. Follow me up to Carlow  Arthur Kearney
2. Sean O’Dwyer a Gleanna  Paddy Tunney
3. Jackets Green  Arthur Kearney
4. The Battle of Aughrim  Frank Kelly – violin, Joe Tunney– melodeon
The United Irishmen and the Rebellion of 1798
5. The Ribbon Blade  Paddy Tunney
6. General Munro  Arthur Kearney
7. The Memory of the Dead  Frank Kelly – violin, Joe Tunney – melodeon
The Young Ireland Movement and the Fenians
8. The Bold Fenian Men  Paddy Tunney
9. John Mitchel  Paddy Tunney
10. The Felons of our Land  Arthur Kearney
The Sinn Fein and the War of Independence
11. The Dawning of the Day  Frank Kelly – violin, Joe Tunney – melodeon
12. The Song of the Dawn  Arthur Kearney
13. The Valley of Knockanure  Paddy Tunney
14. The Grand Oul’ Dame Britannia  Paddy Tunney
15. Kevin Barry  Paddy Tunney

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PADDY TUNNEY The Mountain Streams Where The Moorcocks Crow TSDL264

Paddy Tunney established himself as that rare thing a singer really in a class of his own. One of Paddy`s peculiarities is that he chooses a high proportion of songs that are hexatonic or pentatonic. ‘ln the present instance. these ‘gapped‘ scales. along with the decorated styles of his singing, produce a homogeneity of character which alone would make this a record for the connoisseur of traditional singing.’ Recorded in London in 1975 The Mountain Streams Where The Moorcocks Crow is a splendid collection of songs and ballads from Paddy’s large repertoire.

1     The Mountain Streams where the Moorcocks Crow
2     The Wee Weaver
3     The Boys of Mullaghbawn
4     The Old Petticoat
5     Coinleach Glas An Fhomhair
6     Donall Og
7     The Reaping of the Rushes Green
8     One Morning in June
9     Lady Margaret
10   Inis Dhun Ramha
11   The Old Oak Tree
12   Drinking Good Whiskey
13   Sweet Omagh Town
14   The Green Fields of Canada

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A. L. LLOYD and EWAN MacCOLL English and Scottish Folk Ballads TSDL103

TSDL103‘Our ballads are well known in book versions, though it must be said that the great anthologies don’t always contain the best specimens. They are less well known in sung versions, though they were made to be sung, not read. In this connection, the poet Robert Frost has something pertinent to say: “Voice and ear are left at a loss what to do with the ballad until supplied with the tune it was written to go with… Unsung, it stays half-lacking.”   May this record do something to repair a lack.’

From the original sleevenotes by A. L. Lloyd

  1. Henry Martin A. L. Lloyd
  2. The Baron of Brackley Ewan MacColl
  3. The Cruel Mother A. L. Lloyd
  4. Lord Randal Ewan MacColl
  5. The Bitter Withy A. L. Lloyd
  6. The ‘Sweet Kumadie’ Ewan MacColl
  7. The Demon Lover A. L. Lloyd
  8. Hughie the Graeme Ewan MacColl
  9. The Prickly Bush A. L. Lloyd
  10. The Beggar Man Ewan MacColl

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EWAN MacCOLL Bundook Ballads TSDL130

An anthology of soldiers songs, ribald, cynical and occasionally sentimental. Performed in his inimitable style by Ewan MacColl with Peggy Seeger, Jimmy MacGregor and John Cole.
1  Any Complaints
2  The Fortress Songs
3  Farewell to Sicily
4  The Ballad of Wadi Maktilla
5  The Dying Soldier
6  The Ghost Army of Korea
7  Browned Off
8  When this Ruddy War is Over
9  Join the British Army
10  On the Move Tonight
11  The Second Front Song
12  Seven Years in the Sand
13  Hand Me Down Me Petticoat
14  The Young Trooper Cut Down In His Prime
15  Bless ‘Em All

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PHOEBE SMITH Once I Had A True Love TSDL193

Once a traveller, Phoebe Smith was settled in her East Anglian home at the time of these recordings. She sings in the distinctive, highly dramatic style of the travellers, and excels in traditional ballads. “One of the finest performers.”
1  Once I Had A True Love
2  A Blacksmith Courted Me
3  Young Ellender
4  Higher Germany
5  Molly Vaughan
6  The Tanyard Side
7  The Yellow Handkerchief
8  The Wexport Girl
9  The Dear Little Maiden

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VARIOUS ARTISTS The Music of Cape Breton 1 TSDL353

This anthology of traditional, Gaelic singing and instrumental music has been selected from recordings made in the spring and summer of 1976 in Cape Breton Island, Nova Scotia. Until recent decades Cape Breton has existed in relative cultural isolation, and is now the only region in North America to have retained the Gaelic language, along with the wealth of songs and instrumental tunes, that arrived with the early 19th-century immigrants from the Highlands and Western Islands of Scotland. Since that time a highly evolved and varied folk-culture has flourished in the Gaelic-speaking rural communities down to the present, making this small corner of the Canadian Maritimes one of the most important areas of living Gaelic tradition remaining today.

1.    An t-Each Ruadh  Alexander Kerr with the North Shore Singers
2.    Slow Air: Coilsfield House Dan Joe MacInnis violin with Theresa MacLean piano
3.    Hinn, Heinn Thog Iad Amach. Mrs Rod McLean
4.    March, Reel & Jig: The Glencoe March / The Sandpoint / Untitled Joe Burke harmonica with Marie MacLellan piano
5.     Mo Nigh An Donn As Bòidche Malcolm Angus MacLeod
6.     Strathspeys & Reels: Captain Campbell / Marnoch Strathspey / Mrs General Campbell / Allt a’Ghobhainn (The Smith’s Burn) / O, She’s Comical /  Sandy MacIntyre’s Trip to Boston / Sir Reginald MacDonald / Dan J Campbell’s Reel Mike MacDougall violin with Mary Jessie MacDonald     piano
7.     Ma Phosas Mi Lauchie MacLellan
8.     Maili Dhonn, Bhoidheach Dhonn John Shaw with the North Shore Singers
9.     Tha Mo Ghaol Air ‘Aird a’ Chuain Tommy MacDonald
10.    Strathspeys & Reels: Sir Thomas Sinclair Ray / The Highlanders’ Farewell / Miss Lyle’s Strathspey / Miss Lyle’s reel / Sandy is my Darling / Bonnie Annie Alex Francis MacKay violin with Fr. John Angus Rankin piano
11.    O A Hù A, Nighean Dubh, Nighean Donn Neil MacLean with the North Shore Singers
12.    Jig & Hornpipe: Paddy’s Resource / The Flowers of Edinburgh Alex MacNeil mandolin with Charlie Dobbin mandolin and and Kevin McCormick piano
13.     Na h-Ighneagan Donna, Boidheach Lauchie MacLellan
14.     Ma Bhuannaich Thu Nighean Ghrinn Murdo MacAskill with the North Shore Singers

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VARIOUS ARTISTS Songs Of The Open Road TSDL253

Gypsies and travellers have preserved a wealth of English traditional song, which has been rarely collected. This splendid and influential collection of English traditional song performed by some of the finest Gypsy singers of Southern England, draws upon the diligent field recordings of the collector Mike Yates.
1  You Subjects of England – Jasper Smith
2  Little Dun Dee – Mrs Haynes
3  Hartlake Bridge – Jasper Smith
4  The Young Officer – Mrs Haynes
5  All Through Mi Rakli – Mrs Haynes
6  At the Atchin Tan – Mrs Haynes
7  The Oakham Poachers – Wiggy Smith
8  Thorneymoor Park – Jasper Smith
9  The Farmer of Chester – Joe Jones
10  The King and the Keeper – Joe Jones
11  Georgie – Levi Smith
12  The Haymakers – Levi Smith
13  The Broomdasher – Levi Smith
14  Barbara Allen – Phoebe Smith
15  Lavender – Bill Ellson
16  The Squire and the Gypsy – Jasper Smith
17  Erin’s Lovely Home – Mrs Haynes
18 The Game of Cards – Levi Smith
19  While the Yogger Mush Lays Sleeping – Jasper Smith
20  The Deserter – Wiggy Smith

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THE HIGH LEVEL RANTERS Four In A Bar TSDL388

The High Level Ranters were one of the longest-established and most popular bands in Britain. A rare combination of individual talents, the group play the music of their native Northumbria with a command born of skill and understanding. ‘Four In A Bar’ is an all-instrumental collection, typical of the repertoire they played at regular sessions in Newcastle’s weekly ‘Folksong & Ballad’ club.
1  Whinham’s Jig / Billy’s Jig
2  Chips and Shavings / Jack’s Alive / Dear Tobacco
3  Town Green Polka / Jenny Bell Polka
4  The Biddlestone Hornpipe / The Last of the Twins
5  The Ruby / The Quarrelsome Piper
6  Rowly Burn / Coates’s Hornpipe
7  La Russe / The Winshield’s Hornpipe / Jane’s Fancy / Da Road to Houll
8  Blinkin’ Tibbie / The Pear Tree
9  Swalwell Lasses / South Shields Lasses
10  Moonshine Polka
11  The Quayside / Miss Ward’s Reel
12  The Butterclout / Such a Wife as Willie Had / Willy is a Bonny Lad

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JESSE FULLER Move on down the line TSCD134D

Jesse Fuller, “The Lone Cat” (1896 – 1976) was one of the great blues troubadours. A remarkably expressive singer and fine 12-string guitarist, Fuller developed his unique one-man-band style around his fotdella (foot-operated bass) and harmonica/kazoo rig. This collection includes his earliest recordings, including the original version of his classic San Francisco Bay Blues, together with a session taped in London in 1965 for Topic Records.

This album is available on CD from Fledg’ling Records www.thebeesknees.com

1  Move On Down The Line
2  Stealing
3  Ninety-nine Years and One Dark Day
4  Animal Fair
5  Sleeping in the Midnight Cold
6  Stackolee
7  John Henry
8  Railroad Worksong
9  Lining up the Track
10  Hangin’ Round a Skin Game
11  Railroad Blues
12  San Francisco Bay Blues

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The BATTLEFIELD BAND : Opening Moves TSDL468

This collection is drawn from the first three albums recorded by the Battlefield Band for Topic Records in 1977, ’78 and ’79.
Tracks 1-3 come from The Battlefield Band (12TS313), 4-12 from At the Front (12TS381) and 13-17 from Stand Easy (12TS404)
The Battlefield Band were made up of core members Brian MacNeill and Alan Reid with Jamie McMenemy and John Gahagan. For the second album, John was replaced by Pat Kilbride and, for Stand Easy, Pat and Jamie had left, and the new members were Duncan MacGillivray and Jenny Clark. Since making these recordings the band has gone on to become one of the mainstays of the progressive folk music scene in Scotland.

1  Silver Spear / Humours of Tulla
2  The Shipyard Apprentice
3  The Cruel Brother
4  Ge Do Theid Mi Do M’Leabaidh
5  The Battle of Harlaw
6  Jenny Nettles / The Grays of Tongside
7  Tae The Beggin’
8  The Tamosher
9  The Blackbird & the Thrush / The Moray Club
10  Lang Johnnie Moir
11  The Brown Milkmaid / Dunnottar Castle / Maid of Glengarrysdale / Disused Railway
12  The Lady Leroy
13  Miss Drummond of Perth / Fiddler’s Joy / Traditional Reel / The Shetland Fiddler
14   My Last Farewell to Stirling / Cuidich’n Righ
15   I Hae Laid a Herrin’ in Salt / My Wife’s a Wanton Wee Thing / The Banks of the Allan
16  The Battle of Falkirk Muir
17  Joe McGann’s Fiddle / Center’s Bonnet

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THE CHEVIOT RANTERS Cheviot Barn Dance TSDL245

TSDL245Cheviot Barn Dance is the third recording of The Cheviot Ranters Country Dance Band on Topic. As with their previous records The Sound of the Cheviots (12TS214) and The Cheviot Hills (12TS222) it is a programme of old time and country dances. Formed in 1955, the Cheviot Ranters were arguably the most distinguished and authentic of the English folk dance bands and grew out of the monthly meetings of the Northumbrian Pipers’ Society.

  1. DASHING WHITE SERGEANT: Original; Rakes of Mallow; Catherine’s Reel
  2. CALL OF THE PIPES: Barren Rocks of Aden; Sweet Maid of Glendaruch; The Earl of Mansfield
  3. NOTTINGHAM SWING: Marquis o’ Lorne; Showman’s Fancy; Beggar Boy
  4. MILITARY TWO STEP: I do like to be beside the seaside; Here we are again; Mademoiselle from Armentieres; Hello, hello, who’s your lady friend
  5. SWEDISH MASQUERADE: Original
  6. LUCKY SEVEN: Davy Davy Knick Knack; Toland Dance; Aiken Drum
  7. LA RUSSE: Original; Good Humour; Come let us dance and sing
  8. KEEL ROW: Original; There’s nae luck aboot the hoose; Castles in the Air
  9. BRIDGE OF ATHLONE: The frost is all over; Pet of the Pipers; Smash the Windows
  10. CIRCLE WALTZ: We parted on the shore; I belong to Glasgow; Oh Oh Antonio; Peggy O’Neill
  11. CHEVIOT RANT: Original; Cloudy Crags; Traditional Air
  12. POLKA: The Brownieside Polka

First issued by Topic Records 1974

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VARIOUS ARTISTS Travellers: Songs, Stories and Tunes from English Gypsies TSDL395

I’m a stranger in this country,TSDL395
From America I came.

Chris Willett

Well, not quite from America! But gypsies, or travellers to use a preferred term, were strangers when they first set foot in the British Isles over 400 years ago.   To this day many have remained apart from the rest of society. And yet, as this album attests, they have integrated sufficiently to pick up and retain much of the musical heritage that was once common to all. Paradoxically, much of the music performed here was originally the creation of the non-gypsy community. Today this music is often best remembered by the gypsies.

1 The American Stranger – CHRIS WILLETT
2 Bold Keeper – HARRY BRAZIL
3 Go From My Window – WISDOM SMITH
4 Little Footman Boy – ALICE PENFOLD
5 God Killed the Devil-O/Meeting the Devil/Yonder Comes the Devil – LEMMIE BRAZIL/JASPER SMITH/JOE JONES
6 Sally Monroe – HARRY BRAZIL
7 Pepper and Salt – JASPER SMITH
8 Lovely Johnny – MARY ANN HAYNES
9 The Loyal Lover – HARRY BRAZIL
10 Climbing Up the Apple Tree/Tuning/Bird Scaring Cry/Hacking Clover – JASPER SMITH
11 Step Dance Tune – BILL ELSON
12 Barbara Allen – DEBBIE & PENNY HARRIS
13 Hares in the Old Plantation – WIGGY SMITH
14 Rambling Irishman – HARRY BRAZIL
15 Down in the Meadow/Love is Pleasing – JASPER SMITH/BILL ELSON
16 A Blacksmith Courted Me – HARRY BRAZIL
17 Once I Was a Servant – CHRIS WILLETT
18 The Gown So Green – HARRY BRAZIL
19 The Flower Show – HARRY BRAZIL
20 Waxey Candles – JASPER SMITH
21 The Coachman/Bonny Black Hare/The Cuckoo’s Nest – JASPER SMITH/LEMMIE BRAZIL/JOE JONES
22 Hopping Down in Kent/My Lovely Hops – MARY ANN HAYNES
23 Swinging Down the Lane – CHRIS WILLETT
24 Will There Be Any Travellers In Heaven – DERBY SMITH

Production by Mike Yates and Tony Engle.
First issued by Topic 1985.

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WILLIE CLANCY The Minstrel From Clare TSDL175

The musicians who have truly influenced Irish music in this century have not been many. Willie Clancy, piper, whistle-player and singer of Miltown Malbay, Co Clare, was indisputably one of them. He belonged to a strong tradition and left one after him.
1  Langstern Pony
2  The Templehouse / Over the Moor to Maggie
3  Bruachna Carraige Báine (The Brink of the White Rock)
4  Erin’s Lovely Lea
5  The Killavel Fancy / The Dogs Among the Bushes
6  The Family Ointment
7  The Dear Irish Boy
8  Caoineadh an Spailpín (The Spalpeen’s Lament)
9  The Pipe on the Hob
10  The Gander
11  The Legacy Jig
12  The Flogging Reel
13  The Song of the Riddles
14  Spailpín a Rúin (Spalpeen, my love)

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EWAN MacCOLL with PEGGY SEEGER The Jacobite Rebellions TSDL079

TSDL079Songs of the Jacobite Wars of 1715 and 1745 sung by Ewan MacColl with guitar and banjo accompaniments by Peggy Seeger.

‘These songs recall a social order which has long since passed away under the wheels of the locomotive, the arterial road, the factory, and the hydroelectric power station. They recall the bravery of men who died for a cause in which they believed. And above all, they recall the loyalty felt towards the young prince who, with grace and charm, came to lead the clansmen in his fathers’ cause; and who, though doomed to failure, won the hearts and devotion of men and women in his own generation and in those which have followed..

From the original sleevenotes by Angus Buchanan

1 Ye Jacobites by Name
2 Such a Parcel of Rogues in a Nation
3 Will Ye Go to Sherriffmuir
4 Wae’s Me for Prince Charlie
5 Charlie Is My Darling
6 The Haughs of Cromdale
7 The Bonnie Moorhen
8 Johnnie Cope
9 Came Ye O’er frae France
10 There’s Three, Brave Loyal Fellows
11 This is no My Ain House
12 The Piper O’ Dundee
13 Donald MacGillavry
14 Maclean’s Welcome
15 Will Ye No Come Back Again?

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MARTIN SIMPSON Sad or High Kicking! TSDL438

Martin Simpson has spoken of his early studio recordings as “scrapbooks of the millions of things that I was into at that time.” For most fans this 1986 album displays a young master developing a remarkable relationship with his guitar.
1  Jazzman
2  Shawnee Town
3  Moth
4  Living Without You
5  For Jessica, Sad or High Kicking / My Dearest Dear
6  Icarus
7  No Depression in Heaven
8  Let It Be Me
9  Stillness in Company
10  The Lakes of Ponchartrain

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HUGH GILLESPIE Classic recordings of Irish traditional fiddle music TSDL364

TSDL364The recordings of Hugh Gillespie have a quite different ‘feel’ from other American-Irish fiddle music of the late 1930s period. The somewhat unusual choice of guitar rather than piano for accompaniment certainly contributes to this distinctiveness, but probably the decisive factors are Gillespie’s ‘singing’ style and highly personal technique. He learned from Coleman a device he calls ‘back trebling’, and also uses drones and fractional flattening or sharpening of notes to great effect. Such techniques are by no means peculiar to Coleman or Gillespie – indeed, most Irish musicians use them in some degree – but every musician stamps them with his own particular emphases. In these recordings of Hugh Gillespie at his peak, between 1937 and 1939, the sum of these various elements is a unique and outstanding series of performances.

  1. Reel: Dowd’s Favorite
  2. Hornpipes: McKenna’s Farewell (The Liverpool/Hennessey’s)
  3. Reels: Master Crowley’s Reels
  4. The Irish Mazurka
  5. Reel: Jenny’s Welcome to Charlie
  6. Jigs:   Master Crowley’s Favourites
  7. Highland Flings: Finnea Lassies/Gurren’s Castle
  8. Reels: The Girl that Broke my Heart/Dick Cosgrove’s Reel
  9. Reels: Farewell to Leitrim/Tom Steele
  10. Jigs: Jackson’s Favorite/Kips
  11. Reels: Paddy Finley’s Fancy/Joe O’Connell’s Dream
  12. Waltz: Versevanna
  13. Reels: The Donegal Traveler/Miss Montgomery
  14. Hornpipes: Mountain Stream/Parker’s Fancy
  15. Jigs: Contentment is Wealth/Finley’s Jig
  16. Reels: Dowd’s Number Nine/Jackson’s

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DAVY GRAHAM 3/4 AD TSDL070

The whole guitar-based section of the late twentieth century British folk revival owes an enormous debt to Davy Graham. The ideas explored across his earliest recordings have had a huge impact and continue to resound through the work of succeeding generations of musicians. For innumerable young guitarists, Davy Graham was the undisputed guitar hero of the British folk-blues clubs in the early and mid-1960s: a remarkable and wildly inventive musician. This fabulous duo EP with Alexis Korner captures Davy at the beginning of his recording career.
1  Angi
2  Davy’s Train Blues
3  3/4 AD

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VARIOUS ARTISTS Morpeth Rant TSDL267

A collection of instrumental country music from the North-east of England. Of all the regions in England where traditional music exists, the North East is probably where it flourishes most strongly. Morpeth Rant is the second record of Northumbrian music to be published from a series of recording field trips made over the past three years. The first was Bonny North Tyne on Topic. The two records demonstrate some of the wide-ranging aspects of the music to be found in a variety of landscapes from the bleak, sheep-inhabited moorlands to the industrial and mining areas. The proximity of Scotland with its many well known country dance bands has had a great effect on local repertoires – as has the migration of Irish musicians to Tyneside. Northumbria has its own very strong tradition of indigenous music – often from the small-pipe repertoire – and concern and love for the local music has led to the composition of many tunes in the traditional form. The tunes on this record reflect the varied influences which have come to bear on the music of the North East.

1     Morpeth Rant / Miss Gayton’s Hompipe / Kathleen’s Fancy / Morpeth Rant Tommy Edmondson
2     Jig selection: AM Shinnie / The Hogmanay Jig / Elizabeth Adair Billy Atkinson
3     Strathspey Medley: Laird o’ Thrums / Iron Man / Laird o’ Drumblair Jimmy Pallister
4     Medley of Scott Skinner Waltzes including Our Highland Queen and Piper’s Wait Alan Coulson & Geoff Purvis
5     Kinclaven Brig / Bill Sutherland Martin Dunn
6     Hornpipes: The Glen Aln / The Redeside Billy Atkinson
7     The Crusaders March Billy Atkinson
8     Jig & hornpipe: Bill Charlton’s Fancy & Madam Bonaparte Geoff Purvis & Alan Coulson
9     Military Two Step: Doctor Angus Tommy Edmondson
10   The Beeswing with variations Martin Dunn
11   Jimmy Allen / The Girl with the Blue Dress On Jimmy Pallister
12   The Cheviot Hills Jimmy Pallister
13   Crossing The Minch / Banjo Breakdown Alan Coulson
14   Latham Ladies Alan Coulson & Geoff Purvis
15   Farewell to the Creeks Billy Atkinson
16   Longueval – waltz Billy Atkinson
17   The Farewell with variations Martin Dunn

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JOHN KIRKPATRICK & SUE HARRIS Shreds And Patches TSDL355

John Kirkpatrick and Sue Harris play a beautiful blend of Kirkpatrick’s morris dance based accordion-driven music and Sue’s classically trained oboe arrangements. Throughout the 1970s they were a sought after act on the UK folk scene and recorded a number of fine albums for the Topic label. ‘Shreds and Patches’ is regarded by many aficionados as one of their finest.
1  Waterman’s Dance
2  The Gipsy Laddie
3  Apple Core / Nipper
4  The Tailor and the Louse
5  Peg Huglestone’s Hornpipe
6  Little Sir William
7  The Game of All Fours
8  Penny For Them
9  Whitefryer’s Hornpipe / Shreds and Patches
10  Johnny Sands
11  Oakham Poachers
12  Bread and Jam Waltzer / Mr Gubbin’s Bicycle

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THE OLDHAM TINKERS Best O’T’ Bunch TSDL237

The Oldham Tinkers specialise in the local songs and ballads of South Lancashire, and have an immense following their. Their debut album soon caught the attention of John Peel and brought their music to a much wider audience.
1  The Rochdale Mashers
2  Seeing Double
3  The Pennine Rangers
4  The Two Jews
5  A Piecer’s Tale
6  Best o’t’ Bunch
7  The Lancashire Toreador
8  A Cob-Coaling Medley
9  The Four-Loom Weaver
10  John Willie’s Ragtime Band
11  Platt’s
12  Good Time Coming
13  I Mean to Wait for Jack
14  Skiing Owdham Style
15  A Mon Like Thee

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EWAN MacCOLL & PEGGY SEEGER Steam Whistle Ballads TSDL104

TSDL104From the original LP notes:

The British Labour Movement has a rich heritage of songs – songs that convey a sense of history, as well as imagery and emotion for present day industrial workers and their friends.

The force and tang of these songs proves irresistible to modern tastes, and many talented song-makers outside of industry as well as within it have been fired to imitate this kind of do-it-yourself workers’ song. Among the best of these is Ewan MacColl, who presents here a number of songs created by industrial workers, interspersed with songs on industrial themes made by himself.

1 The Wark of the Weavers
2 Droylsden Wakes
3 The Four Loom Weaver
4 The Calton Weaver
5 Oh, Dear Me
6 The Coal-Owner and the Pitman’s Wife
7 Fourpence a Day
8 The Gresford Disaster
9 Will Caird
10 The Iron Horse
11 Poor Paddy works on the Railway
12 Cannily Cannily
13 The Song of the Iron Road
14 The Blantyre Explosion
15 The Collier Laddie
16 Moses of the Mail

Recording by Bill Leader.
First issued by Topic Records 1964.

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THE OLDHAM TINKERS For Old Time’s Sake TSDL276

The Oldham Tinkers specialise in the local songs and ballads of their native South Lancashire, and have an immense following. All the salt and savour of Lancashire song and humour is to be enjoyed in their records. ‘For Old Time’s Sake’ their third album for the Topic record label was popular with the late John Peel. He played their material often on his BBC radio programme, especially the tall tale of ‘John Willie’s Horse’.
1  Signora
2  Eaur Joe’s Lad
3  John Willie’s Horse
4  Barefoot Days Medley
5  Lancashire Witches
6  Come Whoam to Thi Childer an’ Me
7  Johnny Bugger
8  Billy Winker
9  Bits O’ Bromley Street
10  The Condemned Cell
11  The Maypole
12  For Old Time’s Sake

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BOB CANN West Country Melodeon TSDL275

Bob Cann is an exceptional melodeon player from the south edge of Dartmoor in Devon. As a young man he played for hours-long step-dancing competitions; in middle-age he won an all-England folk instrumentalist trophy (beating the renowned piper Billy Pigg) from the English Folk Dance and Song Society. His repertoire is typical of the finest country dance musician but his playing is of the highest order – exciting and eminently danceable.
1  Uncle George’s Hornpipe (The Cliff) / Tommy Roberts’ Hornpipe
2  Hot Punch / Uncle’s Jig
3  Uncle George’s Waltz / Uncle Jim’s Waltz
4  The Primrose Polka
5  Dorsetshire Hornpipe
6  The Kester Rocky Waltz
7  Family Jig / Uncle George’s
8  Woodland Flowers / Uncle Jim’s
9  Ford Farm Reel / Cornish Quickstep
10  Harry Gidley’s Waltz
11  When its Nightime in Italy (It’s Wednesday Over Here) / Climbn’ Up de Golden Stairs
12  Lyrinka
13  Schottische Hornpipe / Cokey Hornpipe

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VARIOUS ARTISTS The Breeze From Erin TSDL184

The Breeze From Erin
Irish Folk Music on Wind Instruments

A splendid collection of Irish instrumental music recorded by several generations of musicians.
“Vital recordings, real examples of a live, healthy tradition.”

Willie Clancy : bagpipes and whistle
Festy Conlan : whistle
Eddie Corcoran : whistle
Tim Lyons : accordion
Tony McMahon : accordion
Seamus Tansey : flute, whistle and tambourine
with Reg Hall : piano

1   The Choice Wife (slip jig) Clancy, bagpipes
2  Banish Misfortune (jig) Conlan, whistle
3  The Bag of Potatoes : Sligo Maid (reels) Conlan. whistle, Lyons, accordion
4  Róisin Dubh (air) Tansey, flute, Dublin Reel : The Steampacket (reels) Tansey, flute, Hall, piano
5  Boil the Breakfast Early (reel) Tansey and Corcoran, whistle
6  Bean Dubh an Ghleanna (air) : The Ewe (reel) McMahon, accordion
7  The Morning Dew : The Woman of the House (reels) Clancy, whistle
8 The Queen of the Rushes (jig) Conlan, whistle Lyons, accordion
9  Paddy Ryan’s Dream : Mamma’s Pet (reels) Tansey, flute, Hall, piano
10  An Raibh Tú Ar an gCarraig (air) Conlan, whistle
11 The First House in Connacht : Miss McLeod (reels) Conlan, whistle
12 Bonny Kate : Jenny’s Chickens (reels) Corcoran, whistle, Tansey, tambourine
13 Taimse im Chodladh (air) Clancy, bagpipes

Recorded by Bill Leader
First issued by Topic Records 1969

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LIZZIE HIGGINS Up And Awa’ Wi’ The Laverock TSDL260

This is the second solo record featuring the singing of Lizzie Higgins, one of our finest traditional singers, recorded in 1975 at the height of her powers.

The north-east of Scotland has been known for 200 years as a region rich in tradition, and recent collecting has shown this still to be the case. Lizzie features on this record some of the big ballads for which the area is famed, such as The Twa Brothers, The Cruel Mother and The Forester. Like her famous mother, the late Jeannie Robertson, she has the grandeur to give these pieces their full majestic impact. Her father, Donald Higgins, was equally important in her musical development, for his piping had a distinct effect upon her singing style, with its fluid decoration and its expressive and commanding tone.

1    Up and Awa Wi’ the Laverock
2    Lord Lovat
3    Soo Sewin’ Silk
4    Lady Mary Ann
5    MacDonald of Glencoe
6    The Forester
7    Tammy Toddles
8    Aul’ Roguie Gray
9    The Twa Brothers
10  The Cruel Mother
11   The Lassie Gathering Nuts

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OAK Welcome To Our Fair TSDL212

The four piece ensemble Oak were the leading lights of a movement to rediscover English country music in the early 1970s. The group comprised Rod and Danny Stradling, Peta Webb and Tony Engle. Their songs, music and style were derived from traditional country performers. Their sole album – ‘Welcome To Our Fair’ – has been an tremendously influential recording for a whole generation of British folk musicians.

1  Thousands or More
2  New Rigged Ship / Rig-a-jig-jig
3  The Lakes of Cool Flynn
4  The Nutley Waltz / The Faithful Sailor Boy
5  Roving Round the County Tyrone
6  The Scarlet and the Blue
7  Shepherds Arise
8  Scan’s Polka
9  Australia
10  Cupid’s Garden
11  False, False
12  Our Good Ship Lies in Harbour
13  The Bunch of Thyme / The Perfect Cure / The Sweets of May

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BELLE STEWART Queen Among The Heather TSDL307

The Stewarts are a family of Scots travellers who claimed descent from the Royal House of Stewart and have traditional music in their bones. Belle Stewart, a proud, dignified and a distinguished maintainer of noble traditions, ranks alongside Jeannie Robertson in the roll of the finest Scots ballad-singers. ‘Queen Among the Heather’ is the only full album of her work.
1  Queen Among the Heather
2  Here’s a Health to all True Lovers
3  Betsy Belle
4  The Berryfields of Blair
5  The Soft Country Chiel (The Toon o’ Dalry)
6  Whistlin’ at the Ploo’
7  The Bonnie Wee Lassie frae Gourock
8   The Overgate
9  Blooming Caroline o’ Edinburgh Toon
10  Busk, Busk, Bonnie Lassie
11  Late Last Night
12  The Twa Brothers
13  Leezie Lindsay

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JIMMY McBEATH Wild Rover No More TSDL173

One of Scotland’s best known traditional singers, Jimmy McBeath, was a former farm servant and traveller from Banffshire. He sang in a direct any authoritative style bothy ballads and songs learnt on the road. His 1967 album has long been regarded as a very important collection of traditional song.

1  The Bold English Navvy
2  Come A’ Ye Tramps an’ Hawkers
3  Johnny McIndoe
4  The Wind Blew The Bonnie Lassie’s Plaidie Awa’
5  The Merchant and the Beggar Maid
6  Nicky Tams
7  The Barnyards o’ Delgaty
8  I’m A Stranger in this Country
9  The Moss O’ Burreldale
10  The Highlandman’s Ball
11  McPherson’s Rant
12  Grat For Gruel
13  Drumdelgie
14  Wild Rover No More

First published by Topic 1967

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JACK ELLIOTT Muleskinner TSDL106

TSDL106‘In 1956 skiffle was going strong in London and Jack began to sing in pubs and create something of a name for himself. In 1957 he sent for his buddy Derroll Adams, banjo-picker from Portland, Oregon and together the two sang and made a Topic album billed as the Rambling Boys. This record is a release of material on JACK TAKES THE FLOOR, Topic 10T15, with additional songs.’

From the original sleevenotes

1 San Fancisco Bay Blues
2 Ol’ Riley
3 The Boll Weevil
4 Bed Bug Blues
5 New York Town
6 Old Blue
7 Grey Goose
8 Mule Skinner’s Blues
9 East Texas Talking Blues
10 Cocaine
11 Dink’s Song
12 Black Baby
13 Salty Dog

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A.L. LLOYD Outback Ballads TSDL051

A colourful collection of ballads and songs from Australia. A L (Bert) Lloyd was a leading architect of the British folk song revival and spent an early part of his life working in the Australian outback. Lloyd learnt these songs in the usual manner of folk singers; that is by picking them up from the singing of his workmates – sheep shearers, cattle drovers, farm hands and so on – in the bush. He is accompanied by three fine instrumentalists – Peggy Seeger, Ralph Rinzler and John Cole.
1  Flash Jack From Gundagai
2  Lachlan Tigers
3  The Cockies Of Bungaree
4  South Australia
5  Banks Of The Condamine
6  Bluey Brink
7  The Overlanders
8  1,000 Miles Away
9  The Flash Stockman
10  The Wild Colonial Boy
11  Brisbane Ladies
12  Bold Jack Donahue
13  The Shearer’s Dream
14  The Derby Ram

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VINCENT GRIFFIN Traditional Fiddle Music From County Clare TSDL338

A chance meeting with the Boys of the Lough in California led to Vincent Griffin making his first solo record in 1977. His playing has plenty of character and his repertoire is full of grand fiddle tunes.

*1 Reels: Fahey’s 1 & 2
*2 Jigs: Paddy Fahey’s / The Cliffs of Moher
3 Reels: Paddy Ryan’s Dream / Mammy’s Pet
*4 Reels: Martin Rocheford’s / The Sligo Maid
*5 Hornpipes: The New Century / The Cuckoo
6 Jigs: Coleman’s
7 Reels: Lord McDonaId’s / Ballinasloe Fair
*8 Reels: The Reefs/McFadden’s Favourite
*9 Reels: The New Year’s In / Youghal Quay
10 Air: Se Bhfath mo Bhfuartha (The Cause of my Sorrow)
11 Reel: Lord Gordon’s
*12 Reels: Dr. Gilbert / The Queen of May
*13 Jigs: The Trip to Sligo / Garrett Barry’s
14 Reels: The Night in Ennis / The Maid Behind the Bar
*15 Reels: Crow|ey’s
*16 Reels: Lady Anne Montgomery / Down the Broom /T he Gatehouse Maid

On tracks marked * Vincent is accompanied on piano and ** on harp by Geraldine Carrig.

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BILL HARDIE / SCOTT SKINNER The Music of Scott Skinner – Traditional Scots Fiddling TSDL268

TSDL268It is very appropriate that the artistry of William Hardie should be featured on this disc along with that of J. Scott Skinner, for many authorities believe him to be the finest living exponent of the Scott Skinner style.

William Hardie, accompanied on this record by his son, comes from a family with a long and honoured place in Scottish musical life – his great-great grandfather, Peter Hardie, (1775 – 1863), was a pupil of Niel Gow and a violin maker and composer of note; Peter’s cousin, Matthew Hardie (1755 – 1826), is widely regarded as the doyen of Scottish violin makers, and Charles Hardie (1849 – 1893), the grand-uncle of the present artist, was considered one of the best violinists in Scotland in his day, and held by Skinner to excel particularly in slow airs, light reels and hornpipes.

Bill Hardie / stereo

1 The Marquis of Huntly’s Snuff Mull/Mrs Chree/Carnie’s Canter
2 James F. Dickie’s Delight/The Laird o’ Drumblair/James F. Dickie’s reel
3 MacPherson’s Rant/Tullochgorum/The East Neuk o’ Fife
4 Master Francis Sitwell & variations/Newcastle Hornpipe]
5 Hornpipes: The North Shore/The Liverpool
6 The Dean Brig o’ Edinburgh/Banks Hornpipe

Bill Hardie is accompanied by his son, Alastair Hardie, on piano on tracks 1, 2, 4, 6 – tracks 3 and 5 are solo.

Scott Skinner / 78rpm discs / mono

7 The Laird o’ Drumblair (1683e) (Zonophone X-47905)
(The Laird o’ Drumblair/The Baker Reel/Will ye no come back Again?)
8 The Freebooter
(Is Your War Pipe asleep) (26746) (Rena Double Face 1285) (MacPherson’s Rant/Tullochgorum & variations/The East Neuk of Fife & variations)
9 Birlin Reels
(26749) (Rena Double Face 1283)
(The Auld Wheel/Spinning Wheel/Bride’s Reel/MacKenzie Frazer/Fairy Dance)
10 German Schottische
(26760) (Rena Double Face 1286)
(Bohemian Melodies)
11
(a) Goodbye Gramin (b) Johnny Steele (strathspey) (c) James Hardie (reel) (73072) (Regal G8021)
12 Highland Schottische (26761) (Regal Zonophone G6617
Maggie Cameron/Athole Brose/The Devil in the Kitchen/Forbes Morrison
13 Sean Trews
and Whistle o’er the Lave O’t, and Wha widna Fecht for Charlie? (Antique Dance) (26764) (Regal G6625)

Recorded and produced by Tony Engle.
First issued by Topic 1975.

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The STEWART FAMILY The Stewarts Of Blair TSDL138

There is a Scots saying that a Stewart is ‘either a tinker or sib to the King’. Nobody who knows the Stewarts of Blairgowrie, who spring from a long and famous line of Scots travelling folk, will feel like arguing the toss as to which of these possibilities confers the higher status. By general consent the Stewarts rank high among the singing ‘folk’ families of Europe and the world, and (as Robert Burns would have agreed) this and similar considerations of sense and merit confer the only patent of nobility worth a docken. The descendants of ‘auld Jimmy Stewart of Struan’, who crossed from Perthshire into Aberdeenshire via Glenshee and the Devil’s Elbow about the middle of the last century, are now scattered up and down the high roads and the low roads of Scotland, and there is a flourishing colony of them in Canada. There can be few more musically gifted clans or families in all Europe. Pipers, Fiddlers, melodeon players, tin whistlers can be counted among them in dozens, and you practically never encounter an indifferent performer. Alex’s father, old John Stewart, was one of the finest pipers in Scotland.

Alex, Belle, Cathie and Sheila Stewart recorded in 1965 by Bill Leader

1     Huntingtower
2     Caroline of Edinburgh Town
3     In London’s Fair City
4     Queen Amang the Heather
5     Dowie Dens o’ Yarrow
6     The Lakes o’ Shillin
7     Ower Yon Hill There Lives a Lassie
8     The Convict’s Song
9     Young Jamie Foyers
10    The Corncrake amang the Whinny Knowes
11    Busk, Busk, Bonnie Lassie
12    March; Strathspey; Reel

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PEGGY SEEGER Come Along John TSDL018

Peggy Seeger performs eight songs for children from the American tradition, accompanied by her sisters Penny and Barbara. First released in 1958.

 

1    All Around The Kitchen
2   Come Along John
3   Billy Barlow
4   Old Aunt Kate
5   Little Bird, Little Bird, Go Through My Window
6   Lula Gal
7   Rissolty, Rossolty
8   The Derby Ram

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GARY & VERA ASPEY A Taste Of Hotpot TSDL299

Gary & Vera Aspey‘s very popular, highly enjoyable (and often hilarious) stage act captured on a 1976 live album.

Recorded in performance at the Scotgate Folk Club, Scotgate Inn, Stamford, Lincs, March 1976; the Chipping Sodbury Folk Club, The George, Chipping Sodbury, Glos, March 1976; and the Lord Coniers, Kiveton, Yorks, May 1976.

1  The Eekdale And Ennerdale Hunt Song
2  Weepin’ An’ Wailin’ Away
3  The Shuttle Kissing Song
4  Foddered Me Yowes
5  The Nightingale
6   Don’t Married Girls
7   Kids’ Songs
8   The Coal Hole Cavalry
9   Morning Stands On Tiptoe

Recorded and produced by Tony Engle
First published by TOPIC 1976

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SHIRLEY & DOLLY COLLINS For As Many As Will TSDL380

‘For As Many As Will’ dates from 1978 and was the last studio recording by Shirley & Dolly Collins. The sisters were brought up on the Sussex coast with a strong intuitive for English traditional song. Through a remarkable series of landmark recordings during the 1960s and ’70s they helped define the possibilities of the English folksong revival. ‘For As Many As Will’ includes a stunning reading of Richard Thompson’s ‘Never Again’, alongside fine traditional material like ‘Lord Allenwater’, ‘Gilderoy’, ‘The Moon Shines Bright’ and a medley from John Gay’s ‘The Beggar’s Opera’.
1  Lancashire Lass
2  Never Again
3  Lord Allenwater
4  The Blacksmith Courted Me
5  Beggar’s Opera Medley – Can Love Be Control’d by Advice? / O Polly You Might Have Toy’d and Kist / Oh What Pain it is to Part / The Miser Thus a Shilling Sees / Youth’s the Season Made For Joys / Hither Dear Husband, Turn your Eyes; Lumps of Pudding
6  Gilderoy
7  Rockley Firs / Sweet Jenny Jones
8  German Tune
9  The Moon Shines Bright
10  Harvest Home Medley – Peas, Beans, Oats and the Barley / The Mistress’s Health / Poor Tom

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VIN GARBUTT Eston California TSDL378

A singer of extraordinary power, a gifted guitarist and whistle-player, Vin Garbutt has been one of the most popular performers on the folk scene for nearly forty years. This, his first album recorded for Topic records is a career highlight.
1  Bantry Bay / Den Toppede Høne
2  The Land of Three Rivers
3  Gentle Annie
4  Hornpipes – The Belfast / The Japanese
5  The Hartlepool Monkey
6  Tonto McGuire
7  The Ring of Iron
8  Skibbereen
9  Their Ulster Peace
10  Reels – Tear the Calico / The Providence
11  The Waters Of Tyne

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HEDY WEST Old Times And Hard Times TSDL117

Hedy West comes from North Georgia, at the southern end of the Appalachians. A sensitive and vibrant singer, she accompanies herself in a distinctive style on 5-string banjo. A L Lloyd though her ‘far and away the best of American girl singers in the revival’.
1  The Wife Wrapt in Wether’s Skin
2  Fair Rosamund
3  Barbara Allen
4  Old Joe Clark
5  The Coalminer’s Child
6  Gambling Man
7  Brother Ephus
8  Polly
9  The Davidson-Wilder Blues
10 The Rich Irish Lady
11  Shut Up in the Mines at Coal Creek
12  The Wife of Usher’s Well
13  Lament for Barney Graham

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GEORGE MAYNARD Ye Subjects Of England TSDL286

One of the greatest English traditional singers – George ‘Pop’ Maynard from Sussex recorded rarely. This splendid album showcases his majestic and powerful style.
1  Polly on the Shore
2  The Sweet Nightingale (The Birds In The Spring)
3  Locks and Bolts
4  Down by the Seaside
5  Jack the Jolly Tar-O
6  The Seeds of Love
7  Shooting Goshen’s Cocks Up
8  William Taylor
9  Rolling in the Dew
10  A Sailor in the North Country
11  The Banks of Claudy
12  Three Sons of Rogues
13  The Weaver’s Daughter
14  A Wager, A Wager
15  The Sun Being Set

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BILLY BENNINGTON , PERCY BROWN, OSCAR WOODS, HAROLD COLVILL English Country Music From East Anglia TSDL229

A pioneering record of traditional East Anglian musicians playing functional music for dancing. This is the music of the rural public house tap room – step dances, polkas and waltzes. The exemplary location recordings capture “relaxed, unspectacular and homely but often highly skilled performances” from four of the finest country musicians – Billy Bennington (hammer dulcimer), Percy Brown (melodeon), Harold Colvill (mouth organ) and Oscar Woods (melodeon).

1  Jig – Oscar Woods
2  Gay Ladies – Billy Bennington
3  Old Joe, the Boat is Going Over / Untitled Polka – Percy Brown
4  Step dance tune (The Sailor’s Hornpipe) – Oscar Woods
5  Waltz: Dulcie Belle – Billy Bennington
6  Step Dance: Yarmouth Breakdown – Percy Brown
7  Italian’ Waltz – Oscar Woods
8  Untitled Polka – Oscar Woods
9  Step Dance: Yarmouth Hornpipe – Billy Bennington
10  Polka: On the Green – Billy Bennington
11  The Oyster Girl – Harold Covill
12  March: On Parade – Billy Bennington
13  Waltz for the Veleta – Percy Brown
14  Step Dance Tune – Oscar Woods
15  Slow Step Dance Tune – Billy Bennington
16  Oh, Joe the Boat is Going Over – Oscar Woods
17  Barn Dance Tune – Percy Brown
18  Sheringham Breakdown – Percy Brown
19  The Nutting Girl – Harold Covill
20  Jack’s the Lad (The Sailor’s Hornpipe) – Billy Bennington
21  Red Wing – Billy Bennington
22  Heel and Toe Polka – Percy Brown

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JOHN KIRKPATRICK & SUE HARRIS Among The Many Attractions At The Show Will Be A Really High Class Band TSDL295

A hugely popular act on the British folk scene, John Kirkpatrick and Sue Harris, made a series of fine records for the Topic label. John had also recorded with Ashley Hutchings’ Morris On band and with Richard Thompson; both were founder members of the Albion Country Band and John would later join Steeleye Span. Their duo records are cherished by aficionados of the finest English country music from the mid-20th century revival.
1  The Edgmond Men’s Souling Song
2  Artichokes and Cauliflowers
3  The Bricklayers / Double Change Sides
4  The Cherry Tree Carol
5  John of the Greeney Cheshire Way
6  A Shropshire Lad
7  I Wish, I Wish
8  Old Sir Simon the King
9  Adieu to Old England
10  The Blue Eyed Stranger / The Winster Morris Reel
11  Jim Jones
12  Blacksmith’s Morris / Charles’s Hornpipe
13  Cold Blows the Wind
14  Wilson’s Favourite / Shrewsbury Wakes

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SARAH OGAN GUNNING A Girl of Constant Sorrow TSDL171

From  the original LP notes:TSDL171

Like other folksingers, her repertoire encompasses a variety of emotions: anger at needless poverty and exploitation, affirmation of self-help as a way of life, pleasure in love, solace in religion, peace in death. Sarah’s prodigious talent has permitted her to fuse disparate radical elements with traditional forms to create a handful of significant songs beyond the legacy of well-known material left to her by her family.

1 I AM A GIRL OF CONSTANT SORROW
2 LOVING NANCY
3 OLD JACK FROST
4 MAY I GO WITH YOU JOHNNY?
5 THE HAND OF GOD ON THE WALL
6 DOWN ON THE PICKET LINE
7 I HATE THE COMPANY BOSSES
8 I’M GOING TO ORGANIZE
9 CHRIST WAS A WAYWORN TRAVELER
10 WHY DO YOU STAND THERE IN THE RAIN?
11 DREADFUL MEMORIES
12 OLD SOUTHERN TOWN
13 I HAVE LETTERS FROM MY FATHER
14 CAPTAIN DEVIN
15 GEE WHIZ WHAT THEY DONE TO ME
16 DAVY CROCKETT
17 BATTLE OF MILL SPRING
18 JUST THE SAME TODAY
19 SALLY
20 OH DEATH

First issued by Topic Records 1967.

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The LING FAMILY Singing Traditions of a Suffolk Family TSDL292

Most of the people in Blaxhall will tell you that there are two big families in the village, the Smiths and the Lings. The Smiths are known as good stepdancers and the Lings as good singers. lntermarriage and the relatively stable population of the village, now altered by an influx of newcomers, has made a complex web of relationships which are very difficult to disentangle. It seems, however, that most of the population are related in some degree, and that people define their own relationships with each other broadly on the basis of a “close” relationship or a “back” relationship. Close relatives are mothers, fathers, siblings, aunts and uncles, grandparents, and cousins; all others are “back” relatives. Confusions arise through marriage when names are changed, but awareness of family is strong and identity is kept. Lings can be traced in the genealogies of every other local family. The Lings split into factions whereby some Lings say that they are not related to other Lings because they have different historical or geographic origins. Ruby Ling in Snape, Percy Ling’s wife’s family, who were also Lings, and George and Basil Bennett whose mother was a Ling, all say that they are not related to the Blaxhall Lings. The Lings identify themselves into family groups, and it is in one of these particular groups that several singers are found.

1    Green Bushes  Geoff Ling
2    On Board the Leicester Castle  George Ling
3    The Lobster  Percy Ling
4    Died for Love  Geoff Ling
5    Little Ball of Yarn  Geoff Ling
6    The Lakes of Coolfin  George Ling
7    The Deserter  George Ling
8    Little Sweetheart  Percy Ling
9    Jolly Jack the Sailor  George Ling
10   A Group of Young Squaddies  Geoff Ling
11   On the Banks of the Clyde  Geoff Ling
12   Underneath Your Apron  Percy Ling
13   The Bonny Bunch of Roses  George Ling
14   Nancy of Yarmouth  George Ling
15   The Man all Tattered and Torn  Percy Ling
16   Fagin the Cobbler  Percy Ling

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The RUSSELL FAMILY of Doolin, County Clare TSDL251

Miko, Pakie and Gussie Russell of Dolin, Co Clare, were an Irish musical family of singular attractiveness and interest, with aremarkably rich store of local Clare music. This record was recorded on location by John Tams and Neil Wayne in 1977, and is an exceptional document of the traditional music making still to be heard in the Irish countryside during the mid-1970s.
1  Campbell’s Reel
2  The Heather Breeze / The Traveller
3  St. Kevin of Glendalough
4  The Potlick / The Peeler’s Jacket
5  The Five Mile Chase
6  Russell’s Hornpipe / Fisher’s Hornpipe
7  The Poor Little Fisher Boy
8  The Walls of Liscarroll / The Battering Ram
9  Garret Barry’s Reel
10  Tommy Glenny’s Reel
11  The Connemara Stockings / The Westmeath Hunt
12  When Musheen Went to Bunnan
13  Tatter Jack Walsh
14  The De’il Among the Tailors
15  The Roscrea Cows
16  Fair Haired Boy / The Black Haired Lass
17  Off to California
18  Give the Girl her Fourpence
19  Nora Daly

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JOHN REILLY The Bonny Green Tree TSDL359

thebonnygreentree_12t359A man who did not read or write but who was one of the most learned men to grace the roads of Ireland. John Reilly now lies with his mother in an un-marked grave in the cemetery of Ballaghadereen. But he has here a memorial more fitting than stone. The songs he loved and which were part of the very fabric of his existence still live on.

1. Adieu Unto All True Lovers
2. The Raggle Taggle Gypsy
3. The Well Below the Valley
4. Tippin’ lt Up to Nancy
5. Lord Baker
6. Old Caravee
7. The Bonny Green Tree
8. Once There Lived a Captain
9. Peter Heany
10. What Put the Blood?
11. Rozzin Box
12. The Braes of Strawblane
13. One Morning I Rambled from Glasgow
14. The Pride of Cloonkeen

Produced by Tom Munnelly, Roly Brown and Tony Engle.

First issued by Topic Records 1978.

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THE HOUSE BAND The House Band TSDL439

TSDL439The House Band’s first album, and the first of three for Topic, this was recorded in January 1985, just before a long European tour for the band that year, and a tour of New Zealand at the end of the year and into 1986.   They played original and traditional compositions in a Celtic/British folk style, with influences from reggae, country, pop, jazz and world music.

1 The Tornado Two-Step – The Cooper – The Woodpecker
2 Here’s The Tender Coming
3 Major Harrison’s Fedora
4 War Party – Lost Night
5 An Erminig Hag An Greskenn – The Anti-Social Worker
6 The Pitman’s Grievance
7 E I Ah Could Hew
8 Green Fields of Canada –The Amalgamation
9 Cawsand Bay
10 The Swallowstail – Lady Charlotte Campbell’s – Gordon Campbell’s “Mess”

First issued by Topic Records 1985

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CHRIS DRONEY The Flowing Tide TSDL1503

TSDL1503Chris Droney’s repertoire, unlike that of many musicians, is not dominated by the reel and the jig; his playing is well leavened with the set dances, marches, polkas, hornpipes and slow airs of Clare, music that epitomizes the true traditional repertoire of one of the finer concertina players of County Clare.

1 Bellharbour Reel/Tim Maloney’s Reel
2 The Cuckoo Hornpipe
3 Three Little Drummers/The Eagles Nest – jigs
4 Burren No.1/Chris Droney’s favourite – reels
5 Sliam na Gapall/The Lakes of Sligopolkas
6 The Blue Gentian Waltz
7 Roddy McCorley’s March
8 The Treble Jig/The Battering Ram
9 The Union Reel/The Kilfenora Reel
10 The Three Part Jig/The Moate Hunt – jigs
11 The Templehouse Reel/Matt Molloy’s Reel
12 The Killy Hornpipe/The Flowing Tide (Ann’s favourite) – hornpipes
13 The Sailor’s Polka/The Old Time (Rakes of Mallow) – polka
14 Untitled Slow Air
15 Down the Broom Reel/Sheehy’s Reel

Produced by Tony Engle, John Tams and Neil Wayne.
First issued by Topic Records 1975.

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BERNARD O’SULLIVAN & TOMMY McMAHON Clare Concertinas TSDL1502

Bernard O’Sullivan was a farmer and concertina player of Country Clare, with an extensive repertoire of traditional tunes, when these recordings were made in 1975 by John Tams and Neil Wayne. His companion Tommy McMahon, a generation younger, learnt both from Bernard an from his wide contest experience, which included All-Ireland senior championship prizes in 1971, ’72 and ’73.

1   Polkas: The Babes in the Wood / Cooraclare Polka / Clare Dragoons Bernard O’Sullivan / Tommy McMahon
2   Jigs: The Shady Groves of Piedmont / The Humours of Ennistymon Bernard O’Sullivan / Tommy McMahon
3   Reels: The Old Torn Petticoat / Tommy People’s Favourite Tommy McMahon
4   Set dance: Mount Fabus Hunt Bernard O’Sullivan / Tommy McMahon
5   Reels: Ollie Conway’s Selection Tommy McMahon
6   Reels: Kilrush Races / The Clogher Reel / Burren Reel Tommy McMahon / Bernard O’Sullivan
7   Set dance: Bonaparte’s Retreat Tommy McMahon / Bernard O’Sullivan
8   March: Bonaparte’s March Bernard O’Sullivan
9   Jigs: Barron’s / Jackson’s / The Milltown Jig Tommy McMahon
10  Set dance: Rodney’s Glory Tommy McMahon / Bernard O’Sullivan
11  Reel: Tommy McMahon’s Reel Tommy McMahon
12  Waltz: Over The Waves Bernard O’Sullivan / Tommy McMahon
13  Polkas: Girl I Left Behind / Maggie in the Wood Bernard O’Sullivan
14  Jigs: Martin Talty’s / Thomas Friel’s / Joe Cunnean’s Tommy McMahon
15  Hornpipes: Sean Ryan’s / Danganella hornpipe Tommy McMahon
16  Set dance: Job O’ Journeywork Tommy McMahon / Bernard O’Sullivan
17  Reels: The Ash Plant / The Maid of Mount Cisco Bernard O’Sullivan / Tommy McMahon

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A L LLOYD The Great Australian Legend TSDL203

This album offers a collection of traditional song from Australia. The great folksong collector and singer, A L Lloyd is accompanied by Trevor Lucas, Martyn Wyndham-Reade, Dave Swarbrick & Alf Edwards.
1  Waltzing Matilda – A L Lloyd
2  Jim Jones at Botany Bay – A L Lloyd
3  The Wild Colonial Boy – A L Lloyd
4  The Streets of Forbes – Trevor Lucas
5  The Hold-up at Eugowra Rocks – A L Lloyd
6  The Flash Stockman – Martyn Wyndham-Reade
7  Five Miles from Gungadai – Trevor Lucas
8  The Lime Juice Tub – A L Lloyd & Martyn Wyndham-Reade
9  Euabalong Ball – A L Lloyd
10  Banks of the Condamine – Trevor Lucas
11  Click Go the Shears – Martyn Wyndham-Reade
12  Flash Jack from Gungadai – A L Lloyd
13  The Road to Gungadai – Martyn Wyndham-Reade
14  Hard Tack – Martyn Wyndham-Reade
15  On the Road with Liddy – A L Lloyd

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ROBIN DRANSFIELD Tidewave TSDL414

Together with his younger brother Barry, Robin Dransfield had a successful career as the leading young duo on the British folk scene during the late 1970s. They took the folk clubs by storm and recorded the seminal ‘Rout Of The Blues’ album. His solitary solo album, from 1980, is held in high regard by all aficionados of the finest English revival folk music.

1  The Cutty Wren
2  The Barley & The Rye
3  Fair Maids Of February
4  When It’s Night-time In Italy It’s Wednesday Over Here
5  The Rigs O’Rye 
6  Spencer The Rover
7  Tidewave
8  The Cadgwith Anthem      
9  I Once Had A Dog     
10  The Three Muscadets
11  Mother Nature
Robin Dransfield vocals, guitar
with
Hurdy Gurdy – Christian “Le Roi” Gourhan
Concertina – Lea Nicholson
Brass – The White Shield Brass Ensemble
(Bob White: trumpet, Chris Stearn: bass trombone, euphonium)
Bass Guitar – Nick Greenwood
Piano – Chris Copping
Cello – Barry Dransfield

Recorded at Livingston Studios, Barnet, 1979/80
Produced by Nic Kinsey

First released by Topic Records 1980

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JOHN DOONAN At The Feis TSDL368

John Doonan was born and bred in Newcastle of an Irish father and mother and brought up in an atmosphere strictly Irish. His father was a well respected traditional fiddle player in the Newcastle area and it was through his strong influence that John inherited his fine style of flute-playing.

Irish Traditional Dance Music In Strict Tempo
1 Reels: Jackie Coleman’s / Paddy Cavanagh’s / John Brennan’s
2 Slip jigs: Any Old Jig Will Do / The Butterfly
3 Set Dance: Rodney’s Glory
4 Slow jigs: The Idle Road / The Frost is All Over / The Black Rogue
5 Air: The Spalpeen’s Lament
6 Jigs: The Kesh / Morrison’s / Old Joe’s
7 Reels: The Shannon Breeze / Heathery Breeze / The Green Fields of America
8 Set Dance: The Blackthorn Stick
9 Set Dance: Hurry the Dance
10 Set Dance: Rub the Bag
11 Air & Set Dance: The Blackbird
12 Hornpipes: Spellan the Fiddler / The Rights of Man
13 Jigs: The Irish Washerwoman / Father O’Flynn / The Lilting Fisherman

John Doonan is accompanied by Malcolm Armstrong on tracks 1,6,7 and 13
and Brian Pandrich on piano tracks 3, 8, 9, and 10

First published by Topic Records 1978

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ALISTAIR ANDERSON Corby Crag TSDL371

Solo recording from one of the leading figures in music from the North East of England and inded in the English folksong revival of the late twentieth century. English concertina and smallpipe maestro Alistair Anderson has been at the forefront of the performance of traditional music for over four decades. An internationally recognised ambassador for the music of Northumberland, between 1968 and 1979 he toured the world as a member of the High Level Ranters. He has an enviable reputation as a solo performer and an enthusiastic educator and folk activist. In 2006 he was awarded the prestigious Gold Medal of the English Folk Dance and Song Society.
1  The Hawk Polka / Thrunton Woods
2  The Keelman’s Petition / The Tipp Staff
3  La Fille de Lyon / Cotillion des Marionettes
4  Blake’s Hornpipe / President Garfield’s Hornpipe / Bonny Broom Hill
5  Felton Ionnin
6  Kriden Fair / Tich Richardson’s Favourite / Hey to the Camp / Brosehill
7  Alistair Anderson’s Favourite / Old French
8  The Belfast Hornpipe / The Prize Potato
9  The Trip to Carlisle / Corby Crag
10  Ali Anderson / Henry Atkinson
11  Blaydon Flats / Whittingham Games / James Brown
12  Derwent Water’s Bonnie Lord / The Bride’s Favourite
13  Remember Me / The Left Handed Fiddler
14  Geld Him Lasses, Geld Him / Uncle John
15  The Darkening

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THE OLDHAM TINKERS That Lancashire Band TSDL399

The Oldham Tinkers from South Lancashire made their recording debut on the best selling ‘Deep Lancashire’ collection in 1968. Throughout the next decade they took their music to a wide international audience. Their fifth ‘solo’ album for the Topic label is another powerful mixture of Lancashire humour and pathos. Their beguiling songs are derived from the poems of local dialect writers, from Music Hall entertainers and from the traditional music of the North West of England.
1  Old May Song
2  John Willie’s Performing Newt
3  Nowt About Owt
4  Children’s Chants & Songs – Captain’s Medley
5  Eawr House – As Was
6  Oh! That Lancashire Jazz Band
7  The Lark
8  John Willie’s Grand-Dad
9  Tribute to Owd Paddy
10  Old King Coal
11  Steeple Jack
12  The Crime Lake Boggart
13  An Oldham Rugby Medley
14  McCarthy’s Party

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FRANK HINCHLIFFE In Sheffield Park TSDL308

A wonderfully gifted and delicate singer, Frank Hinchliffe of Sheffield was also the possessor of numerous fine traditional songs, many in uncommon versions. He was undoubtedly one of the major traditional singers to come to public notice in the 1970s.

Traditional Songs from South Yorkshire

1 The Pear Tree
2 The Golden Glove
3 The Spotted Cow
4 Mary Across the Wild Moor
5 The Nobleman and Thrasherman
6 Wilkins and Dinah
7 The Green Mossy Banks of the Lea
8 Wild and Wicked Youths
9 Sheffield Park
10 Hear the Nightingales Sing
11 The Poor Old Weaver’s Daughter
12 It Hails, It Rains
13 Nothing Else to Do
14 Edward
15 We’ve Been a While a-Wassailing

First published by Topic 1977

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RAY & ARCHIE FISHER et al Bonny Lass Come O’er the Burn TSDL128

tsdl128

The brother and sister team of Ray and Archie Fisher first became known to a wider audience in 1961 when they appeared for a long run in the Scottish Television documentary ‘Here and Now’, and as regular guests on B.B.C. ‘Hootenanny’ and ‘Singalong’. But they were already well established among Scottish folk-enthusiasts.

Dolina Maclennan is a native of the island of Lewis. English is in fact her second language, although she makes light of its difficulties. Her Gaelic songs have been passed down to her through her family.

Robin Gray is of mixed Lewis and Shetland descent, but has lived most of his life in Edinburgh. His maternal grandmother was a well known Gaelic bard.

In Enoch Kent you will find a living synopsis of most of the best characteristics of the folk-song revival. He was ready and eager to learn from the great ethnic singers of Scotland like Jeannie Robertson and Jimmy Macbeath.

1. The Twa Corbies – Ray Fisher acc. Archie Fisher (guitar)
2. Fil U O Ru Hu O  – Dolina Maclennan unacc.
3. Gypsy Laddie – Robin Gray acc. himself (guitar)
4. Beggar Man – Enoch Kent unacc.
5. Hug O Ran O Ru – Dolina Maclennan unacc.
6. Donal Don – Enoch Kent acc. himself (guitar)
7. Kilbogie – Ray & Archie Fisher acc. Archie Fisher (guitar)
8. The Night Visiting Song – Ray & Archie Fisher acc. Archie Fisher (guitar)
9. Bonny Lass Come O’er the Burn – Enoch Kent unacc.
10. Far Over the Forth – Ray Fisher unacc.
11. The Butcher Boy – Enoch Kent acc. himself (guitar)
12. Port a Beul – Dolina Maclennan unacc.
13. Erin Go Brath – Enoch Kent unacc.
14. Bratach Bana – Dolina Maclennan acc. Robin Gray (guitar)

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JACK ELLIOTT & DERROLL ADAMS Roll On Buddy TSDL105

TSDL105‘Together, they form a team, sometimes a little ragged, but never lacking in the fire which is essential to success.  Their joint travels around Europe taught them a great deal which home life could not have done and they came back to Britain, better than when they had first left it.  For a short time I was privileged to work with them on mandolin.  We had a ball as a trio and I learned more in a few weeks, more of the sheer pleasure of playing music, than I had done in several years of more serious attempts to progress.’

From the original sleevenotes by Alexis Korner

1          Rich and Rambling Boys  1,2
2          Buffalo Skinner  1
3          I wish I was a Rock  2
4          It’s Hard ain’t it Hard  1
5          All Around the Water Tank  1
6          Mother’s not Dead  1,2
7          East Virginia Blues  1,2
8          The Old Bachelor  2
9          Danville Girl  1
10       The State of Arkansas  1
11       The Death of Mr Garfield  2
12       Roll on Buddy  1,2

1  Jack Elliott
2  Derroll Adams

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EWAN MacCOLL Chorus From The Gallows TSDL502

Ewan MacColl was one of the architects of the folksong revival. Whether as an interpreter of ancient ballads or as a writer of new songs, he influenced almost everyone involved in folk music in the 1950s, ’60s and ’70s. He brought the same skill and understanding to songs of Britain’s industrial cities, ballads of Scots history and lyrics from the English countryside. His own compositions, many of which have passed into the common currency of folk music, are featured both on his own albums and on The Radio-Ballads.
Chorus From The Gallows, first released in 1960, opens with the tale of Craig and Derek Bentley and closes with “Go Down Ye Murderers,” which relates the story of Timothy John Evans, convicted and executed for murders he did not commit, both true and awful stories from the annals of 20th century British justice. The repertoire ranges from the cattle-rusting border raiders of the Middle Ages and the 18th-century highwayman Dick Turpin to MacColl’s own compositions about controversial murder trials of the 1950s.
1  Derek Bentley
2  The Black Velvet Band
3  Jamie Raeburn’s Farewell
4  Johnny O
5  Hughie The Graeme
6  Minorie
7  The Treadmill Song
8  Turpin Hero
9  The Crafty Farmer
10  McKaffery
11  Jimmy Wilson
12  The Lag’s Song
13  Van Dieman’s Land
14  Go Down Ye Murderers

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FELIX DORAN The Last Of The Travelling Pipers TSDL288

Traveller, horse-dealer and uilleann piper, Felix Doran was also a great-grandson of the famous 19th-century piper John Cash of Wexford. Carrying on the tradition of that extraordinarily influential musician, Doran played all over Ireland for many years.

1 Air: Mary of Murroe / Reel: The Green Gates
2 Air: The Dear Irish Boy / Reel: The Primrose Lass
3 Reel: Rakish Paddy
4 Air: Rolandstown Churchyard
5 Reel: The Ash Plant
6 Jig: The Lark in the Morning
7 The Fox Hunt
8 Reels: George White’s Favourite / The Ivy Leaf
9 Air: The Coolin
10 Reel: Boys of the Lough
11 Reels: Pigeon on the Gate / Miss Monaghan

First published by Topic Records in 1976

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 HEDY WEST Ballads TSDL163

Many of the finest traditional ballads from the British Isles were preserved by the families of settlers in the American South, where they existed alongside native American balladry. Hedy West, a native of North Georgia in the Appalachians, was one of the very few performers who were at home with the various manners of performing these ballad traditions. ‘Ballads’ is a splendid recording from 1967 which continues to influence contemporary musicians like Martin Simpson, three decades later.
1  The Foggy Dew
2  Girl I Left In Danville
3  The Unquiet Grave
4  Beaulampkin
5  Down In Adairsville
6  The Sheffield Apprentice
7  Lucy Wan
8  Little Sadie
9  The Cruel Mother
10  Love Henry
11  The Texan Rangers
12  George Collins

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ARCHIE FISHER Will Ye Gang, Love TSDL277

Archie Fisher’s is a multifaceted talent. He is simultaneously a singer with great interpretive flair, a songwriter whose compositions have been taken up by many leading singers, a musician of outstanding ability and a skilled raconteur. Above all else he is a man of influence, whose taste and style have shown the way for many artists. ‘Will Ye Gang, Love’ was recorded in 1976 and captures a musician at the height of his powers.
1  O Charlie, O Charlie
2  Lindsay
3  The Broom a’ the Cowdenknowes
4  Mally Lee
5  Will Ye Gang, Love
6  The Flower of France and England, O
7  The Laird o’ Windy Wa’s
8  Men O’ Worth
9  Looly, Looly
10  Dreg Song
11  Adam Cameron
12  Blackbirds and Thrushes
13  The Gallant Ninety Two
14  The Rovin’ Ploughboy

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JOHN REA Traditional Music on the Hammer Dulcimer TSDL373

TSDL373John Rea and his five brothers were all taught to play the fiddle by their father, but in 1924 a dulcimer was made for John, and that became his instrument. His father was a big influence on John’s repertoire, and many of the tunes he played had Scottish roots, in common with much of the music played by Antrim traditional musicians.

1 Highlands: Whistle o’er the Lave o’t/The Braes of Tulimet and reel: Scudding Through the Whins
2 Jigs: Bundle and Go/The Jug o’ Punch
3 Reels: The Galway Reel/Dinny O’Brien’s Reel
4 Jigs: The Ladies of France/Jackson’s Trip to Aughrim/Jackson’s Return from Dover
5 Hornpipes: The Belfast Hornpipe/The Rights of Man
6 Reels: The Sailor on the Rope/The Bonny Bunch of Roses
7 Set Dance: The Three Sea Captains
8 Jig and Strathspey: Kitty’s Fancy/Lady Anne Hope
9 Reels: The Boys of Ballycastle/The Five Mile Heat
10 Hornpipes: The Mountain Hornpipe/ The Kingston Hornpipe
11 Jigs: The Kinnegad Slashers/The Tenpenny Bit
12 Hornpipe and Jig: The Plains of Boyle/Jackson’s Slippers
13 Reels: Roaring Mary/Tim Moloney
14 Set Dance and Highland: St. Patrick’s Day/Duncan Davidson

Produced and recorded by Robin Morton, August 1977.

First issued by Topic Records 1979.

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VARIOUS ARTISTS Sing, Say and Play – Traditional Songs & Music from Suffolk TSDL375

TSDL375By the time of the release of this 1978 Topic album, the musical evenings in pubs in the district around Woodbridge in East Suffolk had long been diminished due to the popularity of television and the ability for easy travel to new entertainments, but the tradition had gained recognition through the recordings of singers like Jumbo Brightwell, Jimmy Knights and Dick Woolnough, as well as musicians like Fred Pearce, Eely Whent and Albert Smith, and Keith Summers presented some of the best of those performers and songs on this album.

    1. The Blacksmith’s Daughter Jumbo Brightwell
    2. Ratcliff Highway Jimmy Knights
    3. The Barn Dance (Woodland Flowers) Fred Pearce
    4. Cock of the North Fred Pearce
    5. The London Prentice Boy Dick Woolnough
    6. The Next Tune Tonight – Turkey in the Straw Albert Smith/Eely Whent
    7. The Banks of the Nile Jumbo Brightwell
    8. Out With My Gun in the Morning Jimmy Knights
    9. Old Country Waltz Eely Whent
    10. Pigeon on the Gate Fred Pearce
    11. Strolling Down to Hastings Alien Stollery
    12. The Fellow Who Played The Trombone Jimmy Knights
    13. Sailor’s Hornpipe Medley Eely Whent
    14. The Oak and the Ash Jumbo Brightwell
    15. The Jolly Tinker Billy Bolton
    16. Two Step Eely Whent
    17. Yarmouth Hornpipe Fred Pearce
    18. The Parson’s Creed Jumbo Brightwell
    19. Marrowbones Jimmy Knights
    20. Golden Slippers Fred Pearce
    21. The Chinaman’s Song Alien Stollery
    22. Old Brown in the Rose and Crown/Red River Valley/Pigeon on the Gate Albert Smith
    23. Polka Medley: 1, 2, 3, 4, 5 The Bells of Love Jingle Bells  Eely Whent

Recorded by Keith Summers

Production by Keith Summers and Tony Engle

First issued by Topic Records 1978

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GARY & VERA ASPEY Seeing Double TSDL407

photoGary & Vera Aspey’s 1979 album was their last for Topic, continuing the effective combination of sensitive instrumentation from Vera with well-matched vocals from them both.

1. Seeing Double
2. My Good-Looking Man
3. Miss Tickle Toby
4. The Dowie Dens of Yarrow
5. The Cruise of the Calibar
6. Hounds and Horn Together
7. The Bolinder Boatman
8. The Testimony of Patience Kershaw
9. July Wakes
10. Knocker-Upper Man
11. The Price of Coal
12. The Coal and Albert Berry

Produced by Tony Engle

First issued by Topic 1979.

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SAM LARNER A Garland For Sam TSDL244

TSDL244This record celebrates one of the finest folk singers of our time, Sam Larner, born in Winterton, Norfolk, in 1878. Winterton is just north of Yarmouth, on the coastal edge of a stretch of flat watery country that, half a century ago, within a few square miles, sheltered a remarkable nest of singing birds, including Harry Cox of Barton (later Catfield), Ted Goffin of Catfield, Bob Miller of Sutton, and Jimmy Sutton (called ‘Old Larpin’) of Winterton. The composer E J Moeran noted fine songs from all these men during and shortly after the first world war, but he missed Sam Larner, who was perhaps away at sea.

  1. Alphabet Song
  2. Merry Month of May
  3. Napoleon’s Dream
  4. London Steamer
  5. Bonny Bunch of Roses
  6. Barbara Allen
  7. The Smacksman
  8. The Lofty Tall Ship
  9. Raking the Hay
  10. Will Watch
  11. The Outlandish Knight
  12. Haisboro Light Song
  13. Old Bob Ridley-o
  14. The Bold Princess Royal
  15. In Scarboro’ Town

Produced by Tony Engle.

First issued by Topic Records 1974.

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PETA WEBB I Have Wandered In Exile TSDL223

TSDL223Peta Webb’s 1973 LP for Topic came after great interest in her work with Oak; this album showcases her individual vocal style, with songs learned from some of the great Irish traditional singers, Brigid Tunney, Winnie Ryan and John Docherty among them.

  1. I have wandered in exile  with Lucy Farr, fiddle
  2. Oxford City
  3. The Moorlough Shore
  4. The Blackbird of Avondale with Lucy Farr, fiddle; Reg Hall, melodeon
  5. Blackwater Side
  6. The Pride of Glencoe with Michael Plunkett, fiddle
  7. I am a poor girl
  8. Moorlough Mary
  9. The Lovely Banks of Lea with Lucy Farr, fiddle

Recorded by Tony Engle

First issued by Topic Records 1973

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VARIOUS ARTISTS Bonny North Tyne TSDL239

Bonny North Tyne is a splendid collection of Northumbrian Country Music played by John Armstrong fiddle, Billy Atkinson mouth organ, Billy Conran whistle, George Hepple fiddle, Joe Hutton small-pipes and Donald Ridley accordeon. These recordings were made in Northumberland by Tony Engle and Tony Wilson in the early 1970s.

1       Tell her I am / Teviot Brig  Billy Atkinson
2       Barrington Hornpipe / Rowley Bum  Joe Hutton
3       The Rowan Tree / Jock of Hazeldean  John Armstrong & Joe Hutton
4a     Green Castle / Spot On  Billy Conroy
4b     Corn Rigs  Billy Conroy
5       Sheffield Hornpipe / Untitled Hornpipe / Miss Thompson’s Hornpipe / Liddle’s Hompipe  George Hepple & Donald Ridley
6       Hexham Races / Stool of Repentance  Billy Atkinson
7       The Wonder Hornpipe / Navvie on the line  Joe Hutton
8       The Bum Divot  George Hepple & Donald Ridley
9       Horsley Lassies / Bellingham Boat / The Howlet and the Weasel  George Hepple & Donald Ridley
10      Sir Sidney Smith’s March  John Armstrong & Joe Hutton
11      Liverpool Hornpipe / Steamboat Hornpipe  Billy Conroy
12      J B Milne/The New High Level  Billy Atkinson
13      Bonny North Tyne/The Redesdale Hompipe  Joe Hutton
14      Drink to Me Only /Will Ye No Come Back Again  John Armstrong & Joe Hutton
15      Nancy / Whinshield’s Hompipe / Whinham’s Reel  George Hepple & Donald Ridley
16      Geordie’s Jig  George Hepple
17      Jenny Bell Polka  Billy Conroy
18      Napoleon’s Grand March / Untitled March  Billy Conroy
19      The Friendly Visit / Green Castle / Lass on the Strand  Billy Atkinson
20     The Girl with the Blue Dress On / The Big Ship  George Hepple & Donald Ridley

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TSDL143 The EXILES ~ Freedom, Come All Ye

The EXILES – Enoch Kent, Bobby Campbell and Gordon McCulloch – were an innovative group of Scots singers and instrumentalists, away from their native home, whose repertoire extended over both traditional and contemporary fields. Freedom, Come All Ye was their debut Topic recording from 1966 is acknowledged as a classic.

Enoch Kent – vocal & whistle
Bobby Campbell – vocal, fiddle, mandolin, mandola & guitar
Gordon McCulloch – vocal, guitar, banjo & harmonica
Paul Lenihan – vocal *

1     The Ballad of Accounting
2    The Moving-On song
3    We’re Only Over Here For Exploration*
4    Thank Christ for Christmas
5    The Pigeon
6    The Poud-a-Week Rise
7    Freedom, Come All Ye
8    For A’ That and A’ That
9    Arthur MacBride
10  Willie Brennan
11  Wae’s Me for Prince Charlie
12  La Pique
13  Van Dieman’s Land
14  Twa Recruiting Sergeants

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WALTER PARDON A Country Life TSDL392

Walter Pardon (1914 – 1996) was one of the best singers of traditional folk-song in England, yet, outside his family, no one knew of his singing until he was 59 years old. Born in Knapton, near North Walsham in Norfolk, in a cottage where he lived for the rest of his life, Pardon finally came to national prominence in the folk-song world in the 1970s through a cassette tape passed to Peter Bellamy. The folklorist Mike Yates began a project to record and document Walter’s repertoire of over 150 songs. These recordings from the late 1970s capture a beautiful, gentle singer at the height of his powers.
1  Raggle Taggle Gypsies
2  Peggy Bawn
3  Bold Princess Royal
4  One Cold Morning in December
5  The Devil and the Farmer’s Wife
6  An Old Man’s Advice
7  Uncle Walter’s Tune
8  A Country Life
9  Cupid the Ploughboy
10  The Dandy Man
11  Jack Hall
12  I Wish, I Wish
13  Broomfield Hill
14  The Hungry Army

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TSDL280 J SCOTT SKINNER ~ The Strathspey King

J SCOTT SKINNER (1843 – 1927) was in his time the chief composer and exponent of Scots violin music. His own pieces no less than his versions of traditional tunes became settled in the tradition, and a command of the Skinner repertoire and, equally important, the master’s style is among the most respected attainments of a Scots fiddler.

1     The President – Air and Variations
2     Lucania Polka
3     The Freebooter / Tullochgorum / The East Neuk o’ Fife
4     Allegory / The Miller o’ Hirn / Mackenzie Frazer / The Auld Wheel
5     Bagpipe Marches – Athole Highlanders’ Farewell to Loch Katrine / Cameron Highlanders / The Inverness Gathering
6     Celebrated Hornpipes – Arthur Seat / Eugene Stratton / The Banks
7     Highland Reels – Laird o’ Thrums / Gavin M’Millan / Laird o’ Drumblair / Gladstone’s Reel
8     Medley No. 2 – Bonnie Lass o’ Bon Accord / Marquis of Huntly’s Farewell / The Ten Pound Fiddle
9     Highland Schottische No. 2 – Sandy Cameron / Miller o’ Hirn / The Glenlivet
10   Triumph Country Dance – Triumph / Timour the Tartar / The Left Handed Fiddler / Speed the Plough / De’il Among the Tailors
11    Home Sweet Home / The Iron Man Strathspey / The Bungalow Reel
12    Cradle Song – Cradle Song / The Braes of Auchtertyre / The Athole Highlanders’ Farewell to Loch Katrine
13    Glengrant / Tulchan Lodge / The Parrot – Humorous Pizzicato
14    Mrs. Scott Skinner / Mackenzie Hay / The Devil’s Elbow

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THE WATERSONS, HARRY BOARDMAN & MAUREEN CRAIK New Voices TSDL125

‘New Voices’ was a ground-breaking collection, one of the first albums to feature the younger generation singers of the mid 20th century British folk revival. The record featured the recording debuts of Maureen Craik and Harry Boardman alongside the Watersons’ first recordings for Topic records. Boardman was an important agent in the later ‘Deep Lancashire’ and ‘The Wide Midlands’ projects and made several solo albums for the label. The Watersons career has gone from strength to strength, at the time of writing the various members of the family have continued their recording relationship with Topic for over forty years.
1  Boston Harbour –The Watersons
2  To The Begging – Harry Boardman
3  The White Cockade – Maureen Craik
4  Owdham – Harry Boardman
5  The Greenland Whale Fishery – The Watersons
6  Hard Times – Harry Boardman
7  The Sandgate Girl’s Lament – Maureen Craik
8  Three Score And Ten – The Watersons
9  The Broom of Cowdenknowes – The Watersons
10  Bonny At Morn – Maureen Craik
11  The Hand-Loom Versus The Power-Loom – Harry Boardman
12  A U Hinny Burd – Maureen Craik
13  The Shurat Weaver – Harry Boardman
14  King Arthur’s Servants – The Watersons
15  The Weaver of Wellbrook – Harry Boardman

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The OLDHAM TINKERS Oldham’s Burning Sands TSDL206

The mighty Oldham Tinkers specialise in the local songs and ballads of their native South Lancashire. True inheritors of the spirit of great Lancashire mucial comics like George Formby. “All the salt and savour of Lancashire song and humour is to be enjoyed in their records.” ‘Oldham’s Burning Sands’ was the group’s first recording for Topic Records and a perennial favourite with the late John Peel.
1  Success to the Weavers
2  The Lancashire Miller
3  Charlie Chaplin
4  Eawr Market Neet
5  The Owdam Chap’s Visit to Th’ Queen
6  In Our Town
7  Oldham’s Burning Sands
8  A Fine Old English Gentleman
9  Peterloo
10  We’re Off In A Motor Car
11  The Oldham Pensioner
12  The Stockport Strike
13  Th’ Childer’s Holiday

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ROY HARRIS By Sandbank Fields TSDL327

“In the course of singing these songs over the years I’ve probably altered them hugely from the way they came to me but I hope my informants won’t think them too much harmed. My thanks to them all anyway. However, dear listener, don’t run away with the idea that I spend my time singing nothing but songs such as these. After all, I have always loved singing and sung all the songs that were available to me. So, off-duty at least, these songs mix with the songs of Crosby, Jolson, Paul Robeson and Hank Williams, to name only four of my favourite singers. The real gift that the folk revival has given me is the knowledge of these traditional songs so that they can share a place in my affections with the radio songs I had known for years. I hope you will enjoy the songs here; if you want to learn any to sing yourself – go ahead!” Roy Harris from the original album sleevenotes.

1   As I Was Going to Banbury
2   The Knight and the Shepherd ‘s Daughter
3   The Baker of Colebrook
4   The 23rd of March
5   Go from My Window
6   Think on This (When You Smoke Tobacco)
7   The Dockyard Gate
8   The Lady of Carlisle
9   Robin Hood and Little John
10  Sandbank Fields
11  The Spithead Sailor
12  The Unhappy Parting

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VARIOUS ARTISTS The Wide Midlands TSDL210

TSDL210The Wide Midlands: Songs, stories and tunes from the central Counties.

‘Birmingham, the Midland metropolis, was an important centre for the printing of broadsides and it is inevitable that this selection should lean towards the West Midlands. As well as broadsides, a number of industrial songs and fragments have been included, which have survived in oral tradition. The final song was written as lately as 1970. The toughness, the resilience, the humour and pride of the urban Midlander, both in hard times and in easier days, are the qualities which emerge from these songs and stories. They are as much ‘in the idiom of the people’ as their cousins from the country.’

 

1 The Dudley Boys  Sung by Peter Coe, Chris Richards, Mick Bramwich and Les Ivall, acc. Adrian Morris (whistle), Jim Haywood (tabor) & Helena Ivall (tenor drum)
2 When shall we get married, John? sung by Julie West & Roy Palmer, acc. Martyn Briggs (banjo) & Mick Nash (guitar)
3 The slap-bum tailor sung by Roy Palmer and chorus
4 Swaggering Boney/The black joke played by John Rose (fiddle) & Paul Hooke (guitar)
5 Stop that clock/Early in the morning/When you get up in the morning sung by Graham Langley, Doreen Davis, Pam Bishop & Steve Lynn
6 Jolly Joe the collier’s son sung by The Singing Tradition (Julie West, Martyn Briggs, Bob Lapworth & Mick Nash)
7 Owd never could told by Tom Langley
8 I can’t find Brummagem sung by Richard Hamilton, acc. Pam Bishop (guitar) & John Wrench (mouth organ)
9 The Birmingham Jack of all trades sung by Dave Rogers & chorus, acc. John Wrench (guitar) & Pam Bishop (concertina)
10 The nailmakers’ strike sung by Chris Rogers & Pam Bishop
11 The old miner sung by The Singing Tradition
12 Birmingham Sally sung by Chris Richards
13 Buffoon/Staffordshire Hornpipe played by John Rose (fiddle) & Paul Hooke (guitar)
14 Aye for Saturday Night sung by Joan Smith, acc. Pam Bishop (whistle)
15 The Aston Villa Supporter
told by Tom Langley
16 Motor Trade Workers sung by Graham Langley and Bob Etheridge, acc. John Wrench (guitar)

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VARIOUS ARTISTS The Streets of Glasgow TSDL226

tsdl226This record is a partial musical portrait of Glasgow, the city that more than any other in these islands, arouses shame, admiration and very real fear – the Glasgow of the old tradition, half-pastoral, half-urban, and nothing at all to do with the haggis or saffron kilts or tongued brogues; the Glasgow where the bewildered newcomer from the Highlands faces the line of a hundred grimy tenements; the Glasgow of the Hampden roar, of the bitter snarl of Orange against Green, of the shrill ironies of tough ten-year-olds of the courts of Govan and the concrete wastes of Easterhouse; the Glasgow of the factory gate demo, the Social Security queue, and the UCS work-in.

The Clutha, Terry Dick, Flora MacNeill, Geordie McIntyre, Freddie Anderson, Mick Broderick, Gordeanna McCulloch, Duncan Cameron, John Cameron, children from Barmulloch Primary School

1. DANCE TUNE MEDLEY played by The
Clutha (Calum Allan & Erlend Voy – fiddles; Ron
Alexander – guitar; John Eaglesham – concertina)
2. FOOTBALL SONGS Sung by Terry Dick with
chorus
3. MACDONALD’S FIRST VISIT TO GLASGOW
sung by Flora MacNeill
4. THE SPORTS O’ GLASGOW GREEN sung by
Geordie McIntyre
5. LET GLASGOW FLOURISH recited by
Freddy Anderson
6. THE COLLIER’S EIGHT HOUR DAY sung by
John Eaglesham acc The Clutha
7. THE WEEKEND SONG sung by Gordeanna
McCulloch
8. O’REILLY AND THE BIG MACNEILL sung by
Geordie McIntyre acc. Duncan Cameron – banjo;
Johnny Cameron – guitar
9. BOTTLING SONGS sung by Gordeanna
McCulloch, Sheila Christie with chorus, acc. The
Clutha
10. THE BLEACHER LASSIE O’ KELVINHAUGH
sung by Gordeanna McCulloch
11. THREE NIGHTS AND A SUNDAY DOUBLE
TIME sung by Geordie McIntyre acc. Johnny
Cameron – acoustic guitar; Duncan Cameron –
bass guitar
12. CHILDREN’S STREET & PLAYGROUND
SONGS sung by children of Barmulloch Primary
School
13. THE BALLAD OF THE Q4 sung by Mick
Broderick acc. Johnny Cameron – acoustic guitar;
Duncan Cameron – bass guitar
14. THE WORKS OUTING sung by Geordie
McIntyre acc. Erlend Voy & John Eaglesham –
concertinas
15. MARCH TUNE MEDLEY played by The
Clutha

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DAVIE STEWART TSDL293

TSDL293

“In a form of music that is mainly about continuity and convention, it is a rarity to come across an innovator, a rule-breaker; Davie Stewart was just such a character.  He deserves the overused word, ‘unique’; they made Davie and then they broke the mould.  His song accompaniments on melodeon or piano accordion have a peculiar otherworldly effect.  It is weird and wonderful stuff.”  Vic Smith

1 MacPherson’s Rant
2 The Jolly Beggar
3 Cantering: The 74th Highlanders’ Farewell to Edinburgh/The Piper’s Bonnet/Mrs
MacLeod of Raasay
4 I’m Often Drunk and I’m Seldom Sober
5 Jigs: Taghter Jack Walsh/The Connaughtman’s Ramble
6 The Overgate
7 The Merchant’s Son
8 The Daft Piper
9 Boolavogue
10 Hornpipe: Harvest Home
11 The Dowie Dens o’Yarrow

Production for Topic by Tony Engle
First issued by Topic Records 1978

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SEAMUS ENNIS The Wandering Minstrel TSDL250

Séamus Ennis was an inspiration to countless musicians around the world. He is numbered amongst the greatest Irish pipers of the twentieth century (as well as a tremendous storyteller and an inveterate folksong collector). His sole album for Topic records captured his pipe playing during a highpoint of his career and is regarded by many afficionados as one of his finest recordings.
1  The Wandering Minstrel / Jackson’s Morning Brush
2  The Boys of Bluehill / Dunphy’s Hornpipe
3  The Glen-Nephin Cuckoo / The Little Fair Cannavans
4  The Frieze Britches
5  The Flags of Dublin / The Wind that Shakes the Barley
6  The Little Stack of Barley / Cronin’s Horpipe
7  The New Demesne
8  The Blackbird
9  Gillan’s Apples / The Walls of Liscarroll / The Stone in the Field
10  Molly O’Malone
11  Kiss the Maid Behind the Barrel
12  Happy to Meet & Sorry to Part

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JEANNIE ROBERTSON Great Traditional Singer TSDL052

JEANNIE ROBERTSON comes of roving stock – on both her father’s and mother’s side, her ancestors belonged to the travelling clans (Stewarts and Robertsons) who roamed the North-East of Scotland. Jeannie herself, although born in the city, spent much of her youth travelling “up the Dee and down the Don” with her people, and learned many of her songs at their campfires.

1 The Bonny Wee Lassie Who Never Said No
2 What a Voice
3 My PIaidie’s Awa’
4 The Gipsy Laddies
5 When I Was No but Sweet Sixteen
6 MacCrimmon’s Lament
7 Roy’s Wife of Aldivalloch
8 Lord Lovat

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BILL CADDICK The Wild West Show TSDL441

Bill Caddick has an enviable reputation – sometime member of the Albion Band, Home Service and songwriter of choice for June Tabor. He has recorded few albums during his long performing career; many fans regard The Wild West Show as one of this finest recordings. The album was recorded by Andrew Cronshaw and sees a crack team of close friends and former Home Service colleagues accompany Caddick, including June Tabor who adds sublime duet vocals to ‘Eights And Aces’.
1  Superman
2  Spanish Nights
3  Fork-lift Truck
4  Moses (Smooth Talking)
5  Two-Fisted Heroes
6  Forgotten The Blues
7  Dance To The Music Of Time
8  Stay On The Line
9  Eights And Aces
10  The Wild West Show

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THE GAUGERS Beware of the Aberdonian TSDL284

TSDL284Formed on New Year’s Day, 1974, The Gaugers comprised Peter Hall, Tom Spiers and Arthur Watson. The Gaugers dispensed a heady distillate of 100 per cent proof North-East spirit. So fundamental was their commitment to the rich yet underexploited wealth of song from Buchan and wider Aberdeenshire, that Arthur Watson, once declared in an interview that “anything from south of Stonehaven would be considered ‘World Music’.

  1. Young Jackie Peter vocal/concertina, Tom fiddle, Arthur whistle
  2. The Cruel Brother Tom vocal/fiddle, Arthur dulcimer, Peter vocal
  3. Monymusk Lads Arthur vocal, Tom fiddle, Peter concertina
  4. The Keys to the Cellar/Go to Berwick, Johnnie Tom fiddle, Arthur whistle/dulcimer, Peter concertina
  5. The Lass o’ the Moorland Hills Peter vocal, Tom fiddle
  6. The Bonny Lass o’ Anglesey Arthur vocal, Tom fiddle, Peter concertina
  7. Sleep Sound in the Morning/Donald Blue Tom fiddle, Peter concertina, Arthur dulcimer/bodhran
  8. The Aberdonian Tom vocal, Peter vocal/baritone concertina, Arthur vocal/whistle
  9. Lochaber No More Tom fiddle, Arthur whistle, Peter concertina
  10. The Minister’s Sheep Peter vocal, Arthur and Tom chorus
  11. Bogie’s Bonnie Belle Tom vocal, Peter concertina, Arthur whistle
  12. The Ewie wi’ the Crookit Horn/The Jolly Shepherd/Polly Stewart Tom fiddle, Arthur whistle, Peter concertina
  13. The Scranky Black Farmer Arthur vocal, Tom fiddle, Peter concertina

Recorded by Tony Engle

First issued by Topic Records 1976

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HARRY BOARDMAN, DAVE HILLERY Trans Pennine TSDL215

TSDL215Harry Boardman sang both unaccompanied and accompanying himself on the anglo-concertina or banjo. He wasactive as a folk singer and collector of Lancashire folklore from the late 1950s with some collaboration from his wife Lesley. Dave Hillery appeared regularly with Harry at the Pack Horse Hotel in Bridge Street, Manchester in the early 1960s, developing his interest in Yorkshire regional material through their association.

Although most of the songs in this album represent well the character of their respective counties, there has been no attempt to create a definitive programme – they are simply the personal choice of two men from either side of the ‘backbone of England’.

  1. Scarborough Sands
  2. I’ll have a Collier for my Sweetheart
  3. Forty Miles
  4. Tommy Stroo’s Ghost
  5. Cowd Stringy Pie
  6. Tha’s Welcome, Little Bonny Brid
  7. Nellie o’ Bob’s o’t’ Crowtrees
  8. Weaver’s Song
  9. Happy Sam
  10. The Manchester Canal 
  11. Instrumental Dance-Tunes T-auld Wife of Coverdill/Lass O’ Dallogil/My Love, My Love
  12. The Cockfight
  13. Haley Paley
  14. With Henry Hunt We’ll Go
  15. The Ensilver Song

Recorded by Dick Swettenham in Manchester
First issued by Topic Records 1971

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THE NEW VICTORY BAND One More Dance And Then TSDL382

A smile, a tear, a tapping foot – the New Victory Band can evoke them all with an enviable expertise. Old-time dances, music hall songs, even a ragtime tune on the harmonium was within their scope. Their sole album stands as an important example of the new movement in English country dance music that developed during the 1970s. ‘One More Dance and Then…’ is stuffed full of variety, humour, pathos, fine music and fun.
1  Polkas – Harper’s Frolick / Bonny Kate
2  Schottische – The Mountain Belle
3  You Can’t Take That on the Train
4  Waltzes – Charles Lynch’s / Cajun Waltz / The Banks of the Dee
5  Pretty Little Girl from Nowhere
6  Nellie’s First Rag
7  Polkas – Robbie Hobkirk’s / Father’s
8  Jigs – Mrs Grace Bowie / The Hogmanay
9  Mamie May
10  Polkas – (I’m Going To Get My) Moustache (Blacked As Soon As I Get There) / Corn Riggs
11  One More Dance and Then
12  Long, Long Trail

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ROSE MURPHY Milltown Lass TSDL316

The captivating fiddle and accordion player, Rose Murphy, was born in 1900 into an intensely musical family in Milltown, County Galway. She spent much of her adult life living around Rotherham in South Yorkshire, and was 76 years young when this recording was made. The album delightfully recaptures the dancing repertoire styles of her youth in the West of Ireland.
1  Reel: Salamanca / The Milltown Lasses
2  Trim the Velvet
3  Jig: The Silver Tip / The Frog in the Well
4  The Lark in the Clear Air
5  Polkas: The First of May / The Last of June (Jenny Lind)
6  Jigs: Paddy in London / Over the Garden Wall
7  Hornpipe: Road to Ballysodare
8  Reels: The Teetotaller / The Bunch of Keys
9  Reel: The Whistler and His Dog
10  Reels: The Flax in Bloom / The College Grove / The Maid on the Mountain
11  Reel: Ladybower’s Reel / The Sister Reel
12  Reel: Drowsy Maggie
13  Hornpipes: The Harvest Home / The Londonderry
14  Jigs: The Frost Is All Over / The Goose in the Bog
15  Reel: The Lonely Maid
16  Air: The Coolin
17  Barn Dance: Turkey in the Straw
18  Slip Jig: Mother I’m Up In the Roost (What Are You Doing, You Divil You!)
19  Miss Monahan’s / Miss Gallagher’s
20  Reel: Rakish Paddy
21  Hornpipe The Belfast (or Sweep’s) Hornpipe

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MARTIN SIMPSON Grinning In Your Face TSCD430D

Martin Simpson is justifiably regarded as one of the finest finger-style guitarists to have emerged from the British Isles. ‘Grinning In Your Face’ (1983) captures him at an early stage in his recording career, and is a remarkably assured and exuberant recording.
1  It Doesn’t Matter Anymore
2  Little Birdie
3  The First Cut is the Deepest
4  Roving Gambler
5  This War May Last for Years
6  Masters of War
7  Reuben’s Train
8  Your Cheatin’ Heart
9  Handsome Molly
10  Townships – Biko
11  Moonshine
12  Green Linnet / Grinning in your Face

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SCAN TESTER, WALTER & DAISY BULWER, BILLY COOPER AND OTHERS Boscastle Breakdown TSDL240

An important collection of field recordings made between 1940 and the late 1960s, which focus upon the traditional instrumental music of rural England. Most of the musicians featured were born towards the end of the 19th century and developed their musical skills in the years before the Great War. The carnage of World War 1, the movement towards towns in search of employment and the influence of mass media, all served to bring about a decline in country music. This recording captures some of the finest surviving performers and the repertoire they played for social dancing in country pubs and village halls.
1  Jenny Lind / Untitled Polka – Scan Tester and Rabbidy Baxter
2  The Irish Washerwoman / Garryowen / Rory O’More / St Patrick’s Day – Billy Cooper
3  The Boscastle Breakdown – The Tintagel and Boscatle Players
4  The Boscastle Breakdown (six hornpipes) – William Hocken
5  The Helston Furry Dance – Mr Dangar’s Trio
6  Lady Evesham’s Jig – Mr Dangar’s Trio
7  Untitled Polka – Walter and Daisy Bulwer and Reg Hall
8  The Yarmouth Hornpipe introducing The Four Hand Reel / The Sailor’s Hornpipe – Billy Cooper
9  Dulcie Bell – Billy Cooper
10  The Breakdown / The Flowers of Edinburgh – Harry Lee
11  The Italian Schottische – The Dorset Trio
12  The Lass of Dalogil – The Dorset Trio
13  Bonfire Tune / Untitled Polka – Albert Farmer
14  Untitled Waltz / The Cuckoo Waltz – Albert Farmer
15  Unidentified Tune – Harry Lee
16  The Sailor’s Hornpipe / The Shipdham Hornpipe / Untitled Polka / The White Cockade / Untitled Polka – Walter and Daisy Bulwer

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UMPS AND DUMPS The Moon’s In A Fit TSDL416

Umps and Dumps were an exuberant dance band led by John Kirkpatrick and Sue Harris. The ensemble’s sole recording is a splendid example of the energy typical of the English country dance scene of the early 1980s.
1  Up Sides
2  After You’ve Got
3  Woodland Voices
4  The Watercress Girl
5  Maybe She’ll Write Me
6  Rogue’s March / Dashing White Sergeant
7  Marmalade Polka
8  Underneath Her Apron
9  Lichfield Tattoo
10  The Willow Tree
11  Donkey, Jack Donkey / Here it Comes Again
12  Dark Town Strutter’s Ball / Cajun Two Step

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Mrs SARAH MAKEM Ulster Ballad Singer TSDL182

Sarah Makem was one of the finest singers of Ulster singers. This recording made in 1967 is a fine portrait of the traditional Ulster repertoire – an area where Irish, English and Scots traditions to some extent converge. Sarah learnt her songs in the traditional way – “When I was young we used to have dances in the street to the music of a mouth organ, or if the mouth organ wasn’t available then someone had to lilt. Well, at these street dances anyone was likely to be asked for a song, so I always tried to have one or two ready and I kept learning as many as I could from my mother singing around the house.”
1  Farewell My Love, Remember Me
2  The Banks of Red Roses
3  It was in the Month of January
4  Robert Burns and His Highland Mary
5  The Factory Girl
6  The Jolly Thresher
7  Caroline and her Young Sailor Bold
8  The Wind that Shakes the Barley
9  I Courted A Wee Girl
10  A Servant Maid in Her Father’s Garden
11  Barbara Allen

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BOB SMITH’S IDEAL BAND Ideal Music TSDL319

Bob Smith’s Ideal Band was the cente of a group of Glasgow musicians, singers and omedians, who played dance music, sang popular songs and enacted sketches on the Beltona label in the 1930s. Their colourful and entertaining music is the sound not of a folklorist’s collection but of a genuinely popular regional idiom as it was recorded in its day. This 1977 collection was lovingly compiled from their finest 78rpm recordings.
1   Eightsome reel Part 1 (Fairy Dance / The Breakdown / De’il Among The Tailors)
2  Ashcroft’s Reel / Londonderry Air / Breakdown
3  Argyll and Sutherland Highlanders
4  Liverpool and Highland Hornpipes (inc. Down Home Rag)
5  The International
6  Medley of Popular Waltzes (Let Me Call You Sweetheart / Smile Awhile / Down At The Old Bull and Bush / By The Side of the Zuyder Zee / Let Me Call You Sweetheart)
7  The Canal Cruise Parts 1 & 2 (incs. Life On The Ocean Wave / The Drunken Sailor / Miss MacLeod / A Man’s A Man for All That)
8  La Varsovienne
9  Big Reason Blues
10  The Boston Two-step
11  Horseguards Blue
12  Happy Hours
13  Woodland Voices
14  Eightsome reel Part 2 (Kate Dalrymple / Wind That Shakes The Barley / Soldier’s Joy / Miss MacLeod)
15  Ideal One-Step
16  The Middy March
17  Empress Tango
18  The Red Flag
19  Wull’s Wireless Wails Parts 1 & 2 (Flowers of Edinburgh / When You and I were Young, Maggie / Highland Laddie / Orange and Blue / Kafoozalum)
20  Medley of Irish Waltzes: The Irish Jaunting Car / Come Back To Erin / Eileen Alannah)
21  The Ideal Lancers: 1st. Fig: (Rakes of Mallow / My Love is Like a Red, Red Rose / The Girl I Left Behind Me) 2nd. Fig: (Lass of Gowrie / Kate Dalrymple / Loch Lomond) 3rd. Fig: (Blackthorn Stick / Irish Washerwoman) 4th Fig: (The Alma /Atholl Highlanders / Bonny Dundee) 5th Fig: (unidentified / Atholl Highlanders / Nora Creina / Biddy the Bowl Wife / Rakes of Kildare / Barren Rocks of Aden)
22  Dulcimer Tunes from An Old ‘National Hall’ Favourite parts 1 & 2: (The Favourite Hornpipe / Unidentified Barn Dance)
23  I Still Love You / Waltz Hesitation
24  The Call of the Pipes Part 1
25  Why Worry

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ALISON McMORLAND & PETA WEBB TSDL403

“Alison McMorland and Peta Webb are two ladies of immense talent and can be counted among the handful, of either sex, who are supreme in their art. Individually they are well respected; together they make that rare blend that is only to be found in singing of this quality, complementing each other perfectly and, even more rare, each somehow adding to the other to come up with something which is more than the combination of two voices. It is only after listening to the whole record that one becomes aware that there is no instrumental accompaniment.” Dick Gaughan from the original 1980 sleeve notes.
1  Two Pretty Boys
2  What Can A Young Lassie?
3  Jogging Up To Claudy
4  In London So Fair
5  The Convict’s Song
6  Sailing’s A Weary Life
7  The Factory Girl
8  The May Morning Dew
9  The Green Banks Of Yarrow
10  The Dowie Dens Of Yarrow
11  Our Ship Is Ready

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THE COCK AND BULL BAND Eyes Closed and Rocking TSDL440

TSDL440The Cock and Bull Band were formed in 1979 from the ashes of Hemlock. Members were Brad Bradstock, John Maxwell, Jean-Pierre Rasle and Dave Whetstone. Paul Martin replaced Brad in 1980 and the band recorded their debut album All Buttoned Up on Topic Records in 1981 and began their ascent in the folk festival and ceilidh world. Maxwell, Martin and Rasle then put Cock and Bull on hold for a spell in The Albion Band before returning to record and release their second Topic album, Eyes Closed and Rocking in 1985.

  1. One for Dan
  2. Valse Villageoise – Bourrée à Ruols
  3. The Banister
  4. Sugar on the Doughnut – Advice to the Ladies
  5. The Wonder – Ridotta Rock
  6. Prince Frederick’s – Suky’s Delight
  7. Les Violettes Roses – Hop and Skip – Circle
  8. William Irwin’s I, II & III
  9. The Welch Rabbit – Hotfoot

Produced by Dave Whetstone and Tony Engle.
First issued by Topic Records 1985.

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PEGGY SEEGER, TOM PALEY & CLAUDIA PALEY Who’s Going To Shoe Your Pretty Little Foot? TSDL113

Peggy Seeger and Tom Paley, both New York, are brilliant exponents of American instrumental traditions. Guitar, banjo, autoharp and dulcimer weave a delicate majesty on a great selection of traditional material. This stunning collection, recorded in London in 1964 by Bill Leader, is a powerful example of their musical accuity and has been an influence on many younger performers.
1  Who’s That Knocking at My Window
2  Love Henry
3  The Lass of Roch Royal
4  Who’s Going to Shoe your Pretty Little Foot?
5  Pretty Polly
6  Englewood Mine
7  Buck Dancer’s Choice
8  Just as the Tide Was Flowing
9  The Kicking Mule
10  The Heartless Lady
11  The Fiddling Soldier
12  Tittery Nan
13  Loving Reilly
14  The Cuckoo
15  If He’d Be a Buckaroo
16  The Girl on the Greenbriar Shore

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THE FISHER FAMILY Traditional & New Songs From Scotland TSDL137

The Fisher family – stalwarts of the folk song revival – captured at a family get-together; a series of magical recordings by Bill Leader devoted to the family’s younger generation. Ray and Archie Fisher together with their sisters come into their own on this delightful anthology of Scots songs old and new.
1  Come All Ye Fisher Lassies – The Fisher Family
2  Schooldays Over – Ray & Archie Fisher
3  The Rigs O’Rye – Archie Fisher
4  Donal Ogue – Joyce Fisher
5  For Our Lang Biding Here – Archie Fisher
6  Joy of My Heart – The Fisher Family
7  Hey Ca Through – Ray, Joyce, Audrey & Priscilla Fisher
8  What’s Poor Mary Weeping For? / Bonnie Lass O’Ballochmyle – Ray & Archie Fisher
9   Am A Miller Tae Ma Trade – Cindy & Joyce Fisher
10  I Am A Freeborn Man – Archie Fisher
11  The Birkin Tree – Joyce & Cindy Fisher
12  Aince Upon a Time – Ray & Archie Fisher

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