Traditional and contemporary folk from the British Isles

DIGITAL RELEASES

HARRY BOARDMAN, DAVE HILLERY Trans Pennine TSDL215

TSDL215Harry Boardman sang both unaccompanied and accompanying himself on the anglo-concertina or banjo. He wasactive as a folk singer and collector of Lancashire folklore from the late 1950s with some collaboration from his wife Lesley. Dave Hillery appeared regularly with Harry at the Pack Horse Hotel in Bridge Street, Manchester in the early 1960s, developing his interest in Yorkshire regional material through their association.

Although most of the songs in this album represent well the character of their respective counties, there has been no attempt to create a definitive programme – they are simply the personal choice of two men from either side of the ‘backbone of England’.

  1. Scarborough Sands
  2. I’ll have a Collier for my Sweetheart
  3. Forty Miles
  4. Tommy Stroo’s Ghost
  5. Cowd Stringy Pie
  6. Tha’s Welcome, Little Bonny Brid
  7. Nellie o’ Bob’s o’t’ Crowtrees
  8. Weaver’s Song
  9. Happy Sam
  10. The Manchester Canal 
  11. Instrumental Dance-Tunes T-auld Wife of Coverdill/Lass O’ Dallogil/My Love, My Love
  12. The Cockfight
  13. Haley Paley
  14. With Henry Hunt We’ll Go
  15. The Ensilver Song

Recorded by Dick Swettenham in Manchester
First issued by Topic Records 1971

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CHRIS FOSTER All Things in Common TSDL391

TSDL391The second of Chris Foster’s highly regarded Topic albums. Chris Foster is a master of his trade. Alongside Nic Jones, Dick Gaughan and June Tabor, he established himself in the 1970s as one of the finest interpreters of the traditional ballads of the British Isles with tales of romance, magic, murder, liquor, love, adultery and cross dressing.

‘As one who has witnessed the development of ‘English’ guitar accompaniment to traditional songs, I have always ranked Chris as one of our most exciting interpreters…. My old vinyl copies of his 2 Topic albums remain precious. Chris remains a consummate artist.’   Graham Lobb – The Living Tradition.

  1. Black Fox
  2. Low Down in the Broom
  3. Grey Cock
  4. Pigeon on the Gate
  5. Unicorns
  6. King John and the Abbot of Canterbury
  7. Jump at the Sun
  8. The Working Chap
  9. When This Old Hat Was New
  10. The World Turned Upside Down

Record produced by Tony Engle

First issued by Topic Records 1979

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VARIOUS ARTISTS The Breeze From Erin TSDL184

The Breeze From Erin
Irish Folk Music on Wind Instruments

A splendid collection of Irish instrumental music recorded by several generations of musicians.
“Vital recordings, real examples of a live, healthy tradition.”

Willie Clancy : bagpipes and whistle
Festy Conlan : whistle
Eddie Corcoran : whistle
Tim Lyons : accordion
Tony McMahon : accordion
Seamus Tansey : flute, whistle and tambourine
with Reg Hall : piano

1   The Choice Wife (slip jig) Clancy, bagpipes
2  Banish Misfortune (jig) Conlan, whistle
3  The Bag of Potatoes : Sligo Maid (reels) Conlan. whistle, Lyons, accordion
4  Róisin Dubh (air) Tansey, flute, Dublin Reel : The Steampacket (reels) Tansey, flute, Hall, piano
5  Boil the Breakfast Early (reel) Tansey and Corcoran, whistle
6  Bean Dubh an Ghleanna (air) : The Ewe (reel) McMahon, accordion
7  The Morning Dew : The Woman of the House (reels) Clancy, whistle
8 The Queen of the Rushes (jig) Conlan, whistle Lyons, accordion
9  Paddy Ryan’s Dream : Mamma’s Pet (reels) Tansey, flute, Hall, piano
10  An Raibh Tú Ar an gCarraig (air) Conlan, whistle
11 The First House in Connacht : Miss McLeod (reels) Conlan, whistle
12 Bonny Kate : Jenny’s Chickens (reels) Corcoran, whistle, Tansey, tambourine
13 Taimse im Chodladh (air) Clancy, bagpipes

Recorded by Bill Leader
First issued by Topic Records 1969

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VARIOUS ARTISTS Morpeth Rant TSDL267

A collection of instrumental country music from the North-east of England. Of all the regions in England where traditional music exists, the North East is probably where it flourishes most strongly. Morpeth Rant is the second record of Northumbrian music to be published from a series of recording field trips made over the past three years. The first was Bonny North Tyne on Topic. The two records demonstrate some of the wide-ranging aspects of the music to be found in a variety of landscapes from the bleak, sheep-inhabited moorlands to the industrial and mining areas. The proximity of Scotland with its many well known country dance bands has had a great effect on local repertoires – as has the migration of Irish musicians to Tyneside. Northumbria has its own very strong tradition of indigenous music – often from the small-pipe repertoire – and concern and love for the local music has led to the composition of many tunes in the traditional form. The tunes on this record reflect the varied influences which have come to bear on the music of the North East.

1     Morpeth Rant / Miss Gayton’s Hompipe / Kathleen’s Fancy / Morpeth Rant Tommy Edmondson
2     Jig selection: AM Shinnie / The Hogmanay Jig / Elizabeth Adair Billy Atkinson
3     Strathspey Medley: Laird o’ Thrums / Iron Man / Laird o’ Drumblair Jimmy Pallister
4     Medley of Scott Skinner Waltzes including Our Highland Queen and Piper’s Wait Alan Coulson & Geoff Purvis
5     Kinclaven Brig / Bill Sutherland Martin Dunn
6     Hornpipes: The Glen Aln / The Redeside Billy Atkinson
7     The Crusaders March Billy Atkinson
8     Jig & hornpipe: Bill Charlton’s Fancy & Madam Bonaparte Geoff Purvis & Alan Coulson
9     Military Two Step: Doctor Angus Tommy Edmondson
10   The Beeswing with variations Martin Dunn
11   Jimmy Allen / The Girl with the Blue Dress On Jimmy Pallister
12   The Cheviot Hills Jimmy Pallister
13   Crossing The Minch / Banjo Breakdown Alan Coulson
14   Latham Ladies Alan Coulson & Geoff Purvis
15   Farewell to the Creeks Billy Atkinson
16   Longueval – waltz Billy Atkinson
17   The Farewell with variations Martin Dunn

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FRANK HINCHLIFFE In Sheffield Park TSDL308

A wonderfully gifted and delicate singer, Frank Hinchliffe of Sheffield was also the possessor of numerous fine traditional songs, many in uncommon versions. He was undoubtedly one of the major traditional singers to come to public notice in the 1970s.

Traditional Songs from South Yorkshire

1 The Pear Tree
2 The Golden Glove
3 The Spotted Cow
4 Mary Across the Wild Moor
5 The Nobleman and Thrasherman
6 Wilkins and Dinah
7 The Green Mossy Banks of the Lea
8 Wild and Wicked Youths
9 Sheffield Park
10 Hear the Nightingales Sing
11 The Poor Old Weaver’s Daughter
12 It Hails, It Rains
13 Nothing Else to Do
14 Edward
15 We’ve Been a While a-Wassailing

First published by Topic 1977

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BARRY DRANSFIELD Bowin’ and Scrapin’ TSDL386

Barry Dransfield recorded this unusual and exciting album of fiddle music for Topic in 1978.

A professional folk singer since 1965, Barry’s first recording success came with brother, Robin, in 1970 with their Melody maker Folk Album of the year, The Rout of the Blues. He made two more albums with his brother and collaborated with Ashley Hutchings, Richard Thompson, John Kirkpatrick and Shirley Collins on the seminal Morris On featuring his singing and fiddle playing.

1  Rattling Roaring Willie / Metal Man
2  Fiddler’s Progress
3  Who Knows Where the Time Goes? / My Lagan Love
4  Sheffield Hornpipe / Pet of the Pipers
5  Up the Aisle: Swedish Wedding March
Wedding Song / Bridie’s Wedding / Norwegian Wedding March / Wedding Morris
6  Sandy Bell’s
7  Obliged to Fiddle / Planxty Davy / Spanish Cloak
8  Bushes and Briars / Swedish Air
9  O’Carolan’s Concerto
10  Recitation upon a Gentleman Sitting on a Cremona Violin
11  Sally Gardens / Clonmel Races

Barry Dransfield : vocals, violin, cello, gimbri, bowed Appalachian dulcimer;
Robin Dransfield : vocals [2]

Recorded and produced by Nic Kinsey at Livingston Studios
First published by Topic 1978

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BERNARD O’SULLIVAN, TOMMY McMAHON Play Irish Traditional Music of County Clare TSDL1505

TSDL1505This is the second Topic LP of the music of Tommy McMahon and Bernard O’Sullivan. Like the first record it illustrates the richness, depth and variety of Clare concertina music. The selection here is very varied and includes reels, jigs, hornpipes, set dances, polkas and waltzes. Anyone in search of good concertina music may find it in West Clare. This is really concertina country. Every village has a traditional musician and in many cases it is a concertina player. The concertina as a traditional instrument has been in Clare for well over a hundred years. With the decline of the pipes and fiddle the concertina was a practical replacement. It was ideal for playing the newly composed sets of the last century. Though it was not capable of the embellishments or expressiveness of the pipes it was nevertheless an excellent little reed instrument for playing for country dances.

1 Polkas: I Have a Bonnet Trimmed with Blue, The Rakes of Mallow  Tommy McMahon & Bernard O’Sullivan
2 Reels: Farmer Moroney’s and Mulvihill’s reel  Tommy McMahon & Bernard O’Sullivan
3 Reels: Maud Millar’s and Morrison’s  Tommy McMahon
4 Reel: The Bucks of Oranmore  Bernard O’Sullivan
5 Waltzes: My Heart’s in the Highlands and The Dewdrop  Bernard O’Sullivan
6 Jigs: The Blooming Meadows, Mullagh Jig, Ballinakill Jig  Tommy McMahon & Bernard O’Sullivan
7 Reels: The Merry Sisters, Quilty Reel  Tommy McMahon
8 Hornpipes: The Cliff, The Derry Hornpipe  Tommy McMahon & Bernard O’Sullivan
9 Jigs: The Rose in the Heather selection  Tommy McMahon
10 Reels: Flowery Mountains, Kiss the Maid Behind the Barrel, The Milliner’s Daughter  Tommy McMahon & Bernard O’Sullivan
11 Reel: A Trip to Durrow  Tommy McMahon
12 Polka: Stack Ryan’s Polka  Bernard O’Sullivan
13 Set Dance: The Garden of Daisies  Tommy McMahon & Bernard O’Sullivan
14 Jigs: Andy Keone’s, Saddle the Pony, Tulla Jig  Tommy McMahon
15 Set Dance: The Three Sea Captains  Tommy McMahon
16 Reels: The Boys of Ballysadare, The Five Mile Chase  Tommy McMahon & Bernard O’Sullivan

Produced by Tony Engle, John Tams and Neil Wayne
First issued by Topic Records 1976.

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TSDL165 PADDY TUNNEY ~ The Irish Edge

First released in 1966, this collection by the great lyrical Donegal singer is one of his finest. The songs he sings are as deeply and genuinely romantic as the green countryside and dark mountains of his native country.

1    Craighie Hill
2    The Lark In The Morning
3    Johnny, Lovely Johnny
4    The Cow That Drank The Poteen
5    Blackwater Side
6    Out of The Window
7    The Month of January
8    The Rambling Boys of Pleasure
9    The Lowlands of Holland
10  The Wearing Of The Britches
11  The Old Man Rocking The Cradle
12  She’s A Gay Old Hag
13  St Peter’s Day Was a-Dawning

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TSDL146 HEDY WEST ~ Pretty Saro

HEDY WEST from North Georgia, at the southern end of the Appalachians. A L Lloyd regarded her as ‘far and away the of American girl singers in the revival.’ A sensitive and vibrant singer who accompanied herself in a distinctive style on the five-string banjo, her early recordings for the Topic label have had a remarkable influence on the folk song revival.

1    The House Carpenter
2    Pretty Saro
3    Old Smokey
4    Blow Ye Gentle Winds
5    My Soul’s Full Of Glory
6    Promised Land
7    Over There
8    Little Matty Groves
9    Rake And Rambling Boy
10  Joe Bowers
11  Whistle, Daughter, Whistle
12  I’m An Old Bachelor
13  Johnny Sands
14  My Good Old Man
15  Frankie Silvers
16  Lee Tharin’s Bar Room

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THE OLDHAM TINKERS For Old Time’s Sake TSDL276

The Oldham Tinkers specialise in the local songs and ballads of their native South Lancashire, and have an immense following. All the salt and savour of Lancashire song and humour is to be enjoyed in their records. ‘For Old Time’s Sake’ their third album for the Topic record label was popular with the late John Peel. He played their material often on his BBC radio programme, especially the tall tale of ‘John Willie’s Horse’.
1  Signora
2  Eaur Joe’s Lad
3  John Willie’s Horse
4  Barefoot Days Medley
5  Lancashire Witches
6  Come Whoam to Thi Childer an’ Me
7  Johnny Bugger
8  Billy Winker
9  Bits O’ Bromley Street
10  The Condemned Cell
11  The Maypole
12  For Old Time’s Sake

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THE CAMPBELL FAMILY The Singing Campbells TSDL120

Two generations of the Campbell family and their lodger recorded during a family get-together. The older Campbells recalled songs from their youth in Scotland; Bob Cooney, the lodger, remembered children’s rhymes from childhood; Ian and Lorna (from the influential Ian Campbell Folk Group) and their sister Winnie sand ancient songs freshly learned through the folk revival.
1  Faur does Bonnie Lorna Lie / Sleep Till Yer Mammy – Betty Campbell
2  Nicky Tams – Dave Campbell
3  The Road and the Miles to Dundee – Betty Campbell
4  Drumdelgie / I Ken Fur I’m Gaun – Dave Campbell & Bob Cooney
5  My Wee Man’s a Miner / Fa, Fa, Fa wid be a Bobby / Foul Friday / Me an’ Mi Mither / We Three Kings – The Campbell Family
6  Bogie’s Bonnie Belle – Winnie Campbell
7  The Cruel Mother – Ian Campbell
8  Lang a’Growin’ – Lorna Campbell
9  Lady Eliza – Winnie Campbell
10  Will Ye Gang Love – Ian Campbell
11  I Wish, I Wish – Lorna Campbell
12  McGinty’s Meal and Ale – Bob Cooney and the family

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THE WATERSONS, HARRY BOARDMAN & MAUREEN CRAIK New Voices TSDL125

‘New Voices’ was a ground-breaking collection, one of the first albums to feature the younger generation singers of the mid 20th century British folk revival. The record featured the recording debuts of Maureen Craik and Harry Boardman alongside the Watersons’ first recordings for Topic records. Boardman was an important agent in the later ‘Deep Lancashire’ and ‘The Wide Midlands’ projects and made several solo albums for the label. The Watersons career has gone from strength to strength, at the time of writing the various members of the family have continued their recording relationship with Topic for over forty years.
1  Boston Harbour –The Watersons
2  To The Begging – Harry Boardman
3  The White Cockade – Maureen Craik
4  Owdham – Harry Boardman
5  The Greenland Whale Fishery – The Watersons
6  Hard Times – Harry Boardman
7  The Sandgate Girl’s Lament – Maureen Craik
8  Three Score And Ten – The Watersons
9  The Broom of Cowdenknowes – The Watersons
10  Bonny At Morn – Maureen Craik
11  The Hand-Loom Versus The Power-Loom – Harry Boardman
12  A U Hinny Burd – Maureen Craik
13  The Shurat Weaver – Harry Boardman
14  King Arthur’s Servants – The Watersons
15  The Weaver of Wellbrook – Harry Boardman

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THE HEMLOCK COCK & BULL BAND All Buttoned Up TSDL421

TSDL421The Cock and Bull Band were formed in 1979 from the ashes of Hemlock. Members were Brad Bradstock, John Maxwell, Jean-Pierre Rasle and Dave Whetstone. Paul Martin replaced Brad in 1980 and the band recorded this, their debut album, on Topic Records in 1981 and began their ascent in the folk festival and ceilidh world. Maxwell, Martin and Rasle then put Cock and Bull on hold for a spell in The Albion Band before returning to record and release their second Topic album, Eyes Closed and Rocking in 1985, also available as a digital download on Topic TSDL440.

1 POLKAS: Donkey Riding, Buffalo Girls
2 HORNPIPES: Portabello, Briggham
3 SONG/WALTZ: Berger, Bergère, Bourrée Berrichonne
4 JIGS: Tit for Tat, Princess Amelia’s Birthday
5 SCHOTTISCHES: Mon Rêve, William Irwin’s Quickstep
6 POLKAS: The Cockade, Corn Riggs, The Twin Sisters
7 SCHOTTISCHES: Latrigg Side, The Dorsetshire Hornpipe
8 SONG: Needle-Cases
9 JIGS: A Trip to Shorts, Lewis Castle
10 THE END: Huzza, Cock and Bull

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DAVIE STEWART TSDL293

TSDL293

“In a form of music that is mainly about continuity and convention, it is a rarity to come across an innovator, a rule-breaker; Davie Stewart was just such a character.  He deserves the overused word, ‘unique’; they made Davie and then they broke the mould.  His song accompaniments on melodeon or piano accordion have a peculiar otherworldly effect.  It is weird and wonderful stuff.”  Vic Smith

1 MacPherson’s Rant
2 The Jolly Beggar
3 Cantering: The 74th Highlanders’ Farewell to Edinburgh/The Piper’s Bonnet/Mrs
MacLeod of Raasay
4 I’m Often Drunk and I’m Seldom Sober
5 Jigs: Taghter Jack Walsh/The Connaughtman’s Ramble
6 The Overgate
7 The Merchant’s Son
8 The Daft Piper
9 Boolavogue
10 Hornpipe: Harvest Home
11 The Dowie Dens o’Yarrow

Production for Topic by Tony Engle
First issued by Topic Records 1978

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GARY & VERA ASPEY From The North TSDL255

Gary and Vera Aspey from Atherton, near Manchester.

“If they find a rare and singable set of words with out a tune, then in the true spirit of the folk revival they make a melody for it, and a convincing one at that. Recently they have been seeking songs from the Lake District, an area rather neglected by the great song collectors of the past. Gary and Vera have a lively following in their beloved North, but already their reputation is spreading far out of their native territory.”

1  From the North  Gary and Vera vocal
2  The Parting  Vera vocal and concertina
3  Coal Picking  Gary vocal
4  The Three Foot Seam  Gary and Vera vocal, Vera and Bernard Wrigley, concertinas
5  Mill Girl’s Lullaby  Vera vocal and guitar, Wilf Darlington mandolin
6  King Cotton  Gary and Vera vocal and concertina
7  Auntie Ketyll  Vera vocal and guitar
8  Cum t’ thi Tay  Vera vocal and guitar
9   The Cradle Song  Gary and Vera vocal and guitar
10  The Roving Navvy  Gary and Vera vocal and concertina, Bernard Wrigley and Wilf Darlington, chorus
11  The Ship Canal Song  Gary and Vera vocal
12  Hailey-Go  Gary and Vera vocal and guitar
13  Tuppence on the Rope  Gary and Vera vocal and concertina, Bernard Wrigley bass concertina
14  A Bit of a Sing  Gary and Vera, Bernard Wrigley, Will Darlington

First published by Topic 1975

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LEN GRAHAM Wind And Water TSDL334

Len Graham of Antrim has been studying and performing the song tradition of Ireland, especially that of his native Ulster, for many years, and is well known and respected for both his scholarship and his singing. Wind and Water was his first solo recording.

“This is not a record of sea songs and shanties, so you may wonder why ‘Wind and Water’ for its title? It was wind and water that brought our ancestors to these shores, be they Celts, Norsemen, Normans or planters. It was also wind and water that propelled the missionaries, the ‘Wild Geese’ and the emigrants to foreign parts… These various comings and goings have left their mark
on the traditional songs of Ireland and, in particular, Ulster where forever history seems to stare one in the face. I hope the choice of songs on this record will in some way illustrate and reflect some of these influences.”
Len Graham

1 My Parents Reared me Tenderly
2 Maggie Picken
3 Séan Ó Duibhir a’ Ghleanna
4 The County Mayo
5 The Star of Moville
6 The Green Fields of Amerikay
7 Western Winds
8 Paídín Ó Raibheartaigh
9 My Willie-O
10 Daniel O’Connell and his Steam Engine
11 The Rights of Man
12 One Morning in May
13 The Knight Templar’s Dream

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HEDY WEST Old Times And Hard Times TSDL117

Hedy West comes from North Georgia, at the southern end of the Appalachians. A sensitive and vibrant singer, she accompanies herself in a distinctive style on 5-string banjo. A L Lloyd though her ‘far and away the best of American girl singers in the revival’.
1  The Wife Wrapt in Wether’s Skin
2  Fair Rosamund
3  Barbara Allen
4  Old Joe Clark
5  The Coalminer’s Child
6  Gambling Man
7  Brother Ephus
8  Polly
9  The Davidson-Wilder Blues
10 The Rich Irish Lady
11  Shut Up in the Mines at Coal Creek
12  The Wife of Usher’s Well
13  Lament for Barney Graham

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THE HIGH LEVEL RANTERS Ranting Lads TSDL297

The High Level Ranters were among the liveliest folk music groups in Britain, one of the longest-established and most popular bands. The incredible instrumental versatilty of the four piece – Alistair Anderson, Tom Gilfellon, Johnny Handle and Colin Ross – took the music of their native Northumberland around the world. The group researched much of their repertoire from 19th century tune books, helping to revive and bring before a new audience a vast repertory of local traditional music. All members of the group recorded solo records, but their most powerful recordings were undoubtedly made as an ensemble.
1  Fairly Shot of Her / A Wife of My Own
2  Dance to Yer Daddy
3  The Lass Doon On The Quay
4  The Kielder Hunt
5  Hornpipes – Alston Flower Show / Jane of Biddlestone
6  Fortune Turns The Wheel
7  Fenwick of Bywell
8  Elsie Marley / Hoop Her And Gird Her
9  Captain Bover / Here’s The Tender Comin’ / Success To The Fleet
10  Proudlock’s Hornpipe / The Hesleyside Reel
11  Stanley Market
12  Hornpipes – The Marquis of Waterford / Bottle Bank / The Hawk

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ROY HARRIS Champions Of Folly TSDL256

Few singers have such a vigorous, broad-ranging, fresh-sounding repertoire as Roy Harris from Nottingham, and none can handle it more convincingly. Guest musicians include Martin Carthy (guitar, mandola), Bobby Campbell (fiddle) and Vic Gammon (melodeon).
1  The Saucy Bold Robber
2  Bold Lovell
3  Steepleford Town
4  Captain Ward
5  The Methody Parson
6  Caroline and her Young Sailor Bold
7  The Beggar’s Song
8  When I was A Little Boy
9  The Dragoon’s Ride
10  Cropper Lads
11  The ‘Royal Charter’
12  The Topman and the Afterguard
13  The Jovial Hunter
14  Hard Times of Old England

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VARIOUS ARTISTS THe Wild Hills O’Wannie TSDL227

The Wild Hills O’Wannie is a tremendous collection of some of the finest exponents of the Northumbrian Small Pipes – George Atkinson, Diana Blackett-Ord, Tommy Breckons, Colin Caisley, Forster Charlton, Joe Hutton and Billy Pigg.

The pipes have at various times been called seductive, wild, plaintive, lyrical, exciting, and sophisticated. These apparently contradictory descriptions result from the unusual versatility of the instrument as well as from differences in the tonal quality of individual sets of pipes. Thus, it is possible for each performer to develop his own characteristic style of playing and if you listen carefully to this record you will soon become able to identify the player from the sound of the first few notes of a tune.

1    The Morpeth Rant  BILLY PIGG
2    Skye Crofters/ The SwalIow’s Tail BILLY PIGG
3    Sir Sidney Smith’s March TOMMY BRECKONS
4    The Barrington Hornpipe GEORGE ATKINSON
5    Blow the Wind Southerly DIANA BLACKETT-ORD
6    Lovat Scouts / Roxburgh Castle / Bonny North Tyne / Alston Flower Show JOE HUTTON
7    The Navvy on the Line / The Friendly Visit / Remember Me / Biddv the Bold Wife / Lamb Skinnet /
De ‘il amang the Tailors
GEORGE ATKINSON
8    Londonderrv Hornpipe / Boys of the Blue Hills / Corn Rigs / Harvest Home DIANA BLACKETT-ORD
9    The Blackthorn Stick / Biddv the Bold Wife JOE HUTTON
10   The Holey Ha’penny BILLY PIGG
11   The Humours of Bandon / Saddle the Pony JOE HUTTON
12   Noble Squire Dacre COLIN CAISLEY & FORSTER CHARLTON (duet)
13   Rowlev Burn Hornpipe JOE HUTTON
14   The Wild Hills o’Wannie BILLY PIGG
15   Westering Home DIANA BLACKETT~ORD
16   The Midlothian Pipe Band / Charlie Hunter JOE HUTTON
17   The Lark in the Clear Air BILLY PIGG
18   Fenwick o’ Bywell TOMMY BRECKONS
19   Variations on ‘Oh dear, what can the matter be’ GEORGE ATKINSON
20   The Gypsy’s Lullaby  / The Hawk  / Memories / Coates Hall BILLY PIGG
21   Salmon Tails up the Water / The Herd on the Hill / Sweet Hesleyside COLIN CAISLEY & FORSTER CHARLTON (duet)

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JOHN DOONAN At The Feis TSDL368

John Doonan was born and bred in Newcastle of an Irish father and mother and brought up in an atmosphere strictly Irish. His father was a well respected traditional fiddle player in the Newcastle area and it was through his strong influence that John inherited his fine style of flute-playing.

Irish Traditional Dance Music In Strict Tempo
1 Reels: Jackie Coleman’s / Paddy Cavanagh’s / John Brennan’s
2 Slip jigs: Any Old Jig Will Do / The Butterfly
3 Set Dance: Rodney’s Glory
4 Slow jigs: The Idle Road / The Frost is All Over / The Black Rogue
5 Air: The Spalpeen’s Lament
6 Jigs: The Kesh / Morrison’s / Old Joe’s
7 Reels: The Shannon Breeze / Heathery Breeze / The Green Fields of America
8 Set Dance: The Blackthorn Stick
9 Set Dance: Hurry the Dance
10 Set Dance: Rub the Bag
11 Air & Set Dance: The Blackbird
12 Hornpipes: Spellan the Fiddler / The Rights of Man
13 Jigs: The Irish Washerwoman / Father O’Flynn / The Lilting Fisherman

John Doonan is accompanied by Malcolm Armstrong on tracks 1,6,7 and 13
and Brian Pandrich on piano tracks 3, 8, 9, and 10

First published by Topic Records 1978

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MARTIN & JESSICA SIMPSON True, Dare or Promise TSDL446

A remarkable album from Martin Simpson and his then wife, Jessica, with the band Flash Company. True, Dare or Promise features some of Martin Simpson’s most imaginative guitar playing through a remarkable series of arrangements that stretch British folk-rock towards the avant garde! The ensemble also features the fine (and much lamented) songwriter John B Spencer. Although they only performed a handful of gigs this album captures all the early promise of a fine ensemble.
1  Doney Girl
2  Past Caring
3  Not the Whiskey Talking
4  Young Man
5  Bedlam Boys
6  Wholly In My Keeping
7  Rising of the Woman
8  Man Smart, Woman Smarter
9  Essequibo River
10  The Keel Row

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THE CHEVIOT RANTERS The Sound of the Cheviots TSDL214

The Cheviot Ranters were the most distinguished and authentic of English country dance bands from England’s North-East. Darlings of the late John Peel on his early 1970s’ BBC radio shows, their fine recordings for the Topic label satisfying both the dancer and the armchair listener.
1  Circassian Circle – part 1 Original / Rugley Ford / Hesleyside Reel
2  Redesdale Hornpipe / King of the Fairies / The Lads of Whickham
3  Washington Quick Step – Bugle Horn / Farewell / Jackson’s Morning Brush
4  Northumbrian Waltz – Berwick Fair / Ma Bonnie Lad / Keach in the Creel
5  Morpeth Rant – Banks of Coquet / Rob Roy’s Cave / Kirk’s Hornpipe
6  Cumberland Reel – Quayside Shaver / Geordie’s Jig
7  Corn Rigs tunes – Dunstanburgh Castle / Goodnight and Joy Be Wi’ Ye
8  Waltz tunes – Bonnie Tyneside / Whittingham Green Lane / The Banks of Coquet
9  Drops of Brandy – The Moorbridge Hornpipe / Goswick Kirn / The Old Drove Road
10  Circassian Circle – part 2 The Three Sea Captains / Lannigan’s Ball / Ellingham Hall

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The BATTLEFIELD BAND : Opening Moves TSDL468

This collection is drawn from the first three albums recorded by the Battlefield Band for Topic Records in 1977, ’78 and ’79.
Tracks 1-3 come from The Battlefield Band (12TS313), 4-12 from At the Front (12TS381) and 13-17 from Stand Easy (12TS404)
The Battlefield Band were made up of core members Brian MacNeill and Alan Reid with Jamie McMenemy and John Gahagan. For the second album, John was replaced by Pat Kilbride and, for Stand Easy, Pat and Jamie had left, and the new members were Duncan MacGillivray and Jenny Clark. Since making these recordings the band has gone on to become one of the mainstays of the progressive folk music scene in Scotland.

1  Silver Spear / Humours of Tulla
2  The Shipyard Apprentice
3  The Cruel Brother
4  Ge Do Theid Mi Do M’Leabaidh
5  The Battle of Harlaw
6  Jenny Nettles / The Grays of Tongside
7  Tae The Beggin’
8  The Tamosher
9  The Blackbird & the Thrush / The Moray Club
10  Lang Johnnie Moir
11  The Brown Milkmaid / Dunnottar Castle / Maid of Glengarrysdale / Disused Railway
12  The Lady Leroy
13  Miss Drummond of Perth / Fiddler’s Joy / Traditional Reel / The Shetland Fiddler
14   My Last Farewell to Stirling / Cuidich’n Righ
15   I Hae Laid a Herrin’ in Salt / My Wife’s a Wanton Wee Thing / The Banks of the Allan
16  The Battle of Falkirk Muir
17  Joe McGann’s Fiddle / Center’s Bonnet

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VIN GARBUTT Eston California TSDL378

A singer of extraordinary power, a gifted guitarist and whistle-player, Vin Garbutt has been one of the most popular performers on the folk scene for nearly forty years. This, his first album recorded for Topic records is a career highlight.
1  Bantry Bay / Den Toppede Høne
2  The Land of Three Rivers
3  Gentle Annie
4  Hornpipes – The Belfast / The Japanese
5  The Hartlepool Monkey
6  Tonto McGuire
7  The Ring of Iron
8  Skibbereen
9  Their Ulster Peace
10  Reels – Tear the Calico / The Providence
11  The Waters Of Tyne

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TOM GILFELLON In The Middle Of The Tune TSDL282

A founder member of the High Level Ranters, Tom Gilfellon emerged occasionally with an inimitable collection of songs and tunes evoking the North-Eastern and the Irish strains of his background. Tom Gilfellon vocals, guitar, cittern  with Martin Carthy guitar, Johnny Handle vocal, accordian, piano and Liz Sobell dulcimer, harmonium and Stefan Sobell cittern, concertina

1     The Banks of Red Roses / The Boys of Ballysadare  Tom vocal/cittern; Stefan cittern; Liz dulcimer
2     The Workers’ Song  Tom vocal; Liz harmonium
3a   The Celebrated Working Man  Tom vocal; Johnny accordeon/chorus
3b   Uncle Albert’s last heroic farewell to the world  Tom recitation
4     Reels; Lady Ann Montgomery / The Wind that Shakes the Barley / The Foxhunter’s Reel  Tom cittern; Martin guitar
5     The Snow it Melts the Soonest  Tom vocal
6     The Bonny Gateshead Lass  Tom vocal; Stefan English concertina
7     Jigs: Thomas Friel’s/ The Battering Ram  Tom cittern; Martin guitar
8     The Two Sisters  Tom vocal
9     The Row in the Gutter  Tom vocal; Johnny piano
10   The Fiery Clockface  Tom vocal/guitar
11   Johnny Miner  Tom vocal

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ARCHIE FISHER Will Ye Gang, Love TSDL277

Archie Fisher’s is a multifaceted talent. He is simultaneously a singer with great interpretive flair, a songwriter whose compositions have been taken up by many leading singers, a musician of outstanding ability and a skilled raconteur. Above all else he is a man of influence, whose taste and style have shown the way for many artists. ‘Will Ye Gang, Love’ was recorded in 1976 and captures a musician at the height of his powers.
1  O Charlie, O Charlie
2  Lindsay
3  The Broom a’ the Cowdenknowes
4  Mally Lee
5  Will Ye Gang, Love
6  The Flower of France and England, O
7  The Laird o’ Windy Wa’s
8  Men O’ Worth
9  Looly, Looly
10  Dreg Song
11  Adam Cameron
12  Blackbirds and Thrushes
13  The Gallant Ninety Two
14  The Rovin’ Ploughboy

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JIMMY McBEATH Bound To Be A Row TSDL303

One of Scotland’s best known traditional singers, a former farm servant and traveller from Banffshire, the late Jimmy McBeath sang bothy ballads and other songs in a direct and authoritative style.

1    Bound To Be A Row
2    The Banks of Inverurie
3    Ythanside
4    Erin Go Bragh
5    Bogie’s Bonnie Belle
6    The Cow Wi’ The Iron Tail
7    Arlin’s Fine Braes
8    The Bonnie Lass o’ Fyvie
9    Pittenweem Jo
10  Ye Canna Pit It On Tae Sandy
11  The Boston Smuggler
12  Hielan’ Rory
13  The Magdalen Green
14  Marnin’ Fair
15  The Feeing Time

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THE COCK AND BULL BAND Eyes Closed and Rocking TSDL440

TSDL440The Cock and Bull Band were formed in 1979 from the ashes of Hemlock. Members were Brad Bradstock, John Maxwell, Jean-Pierre Rasle and Dave Whetstone. Paul Martin replaced Brad in 1980 and the band recorded their debut album All Buttoned Up on Topic Records in 1981 and began their ascent in the folk festival and ceilidh world. Maxwell, Martin and Rasle then put Cock and Bull on hold for a spell in The Albion Band before returning to record and release their second Topic album, Eyes Closed and Rocking in 1985.

  1. One for Dan
  2. Valse Villageoise – Bourrée à Ruols
  3. The Banister
  4. Sugar on the Doughnut – Advice to the Ladies
  5. The Wonder – Ridotta Rock
  6. Prince Frederick’s – Suky’s Delight
  7. Les Violettes Roses – Hop and Skip – Circle
  8. William Irwin’s I, II & III
  9. The Welch Rabbit – Hotfoot

Produced by Dave Whetstone and Tony Engle.
First issued by Topic Records 1985.

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MARY ANN CAROLAN Songs From The Irish Tradition TSDL362

Coming from a family of singers and musicians, of whom her father in particular was a well-known songster, Mary Ann Carolan was a splendid performer of ballads and songs in the style and tradition of County Louth, Eire. Mary had a repertoire of over sixty songs when this fine recording was made in 1978.

1  Bold Doherty
2  The Maid of Ballymore
3  Bob Riddley
4  The Old Oak Tree
5  The Tinker’s Old Budget
6  The Bonny Light Horseman
7  In London So Fair
8  My Father’s a Hedger and a Ditcher
9  Highland Mary
10  The Wedding at Baltray

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PETER BELLAMY The Fox Jumps Over The Parson’s Gate TSDL200

Peter Bellamy (1944 – 1991) was one of the most distinctive voices of the British folk revival, a singer who made the traditional songs and ballads of England vital, exciting and entertaining. As a member of the powerful acapella group the Young Tradition, he helped reawaken an interest in the traditional songs of England. Bellamy’s influences drew on a wide musical world; he was as passionate about the singing of the Copper Family, Ewan MacColl, Harry Cox and the prisoners of Parchman Farm as he was the music of the Rolling Stones. Bellamy’s recordings continue to inspire musicians around the world.
1  The Spotted Cow
2  Two Pretty Boys (The Two Brothers)
3  The Female Drummer
4  Here’s Adieu, Sweet Lovely Nancy
5  The Ghost Song (The Cruel Ships Carpenter)
6  The Carnal and Crane
7  The Little Black Horse (The Penny Wager)
8  The Barley and the Rye
9  The Turkish Lady
10  The Warlike Seaman (The Irish Captain)
11  The Blackberry Fold
12  Saint Stephen
13  The Rigs of London Town
14  The Fox Jumps Over the Parson’s Gate

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DAVE AND TONI ARTHUR The Lark In The Morning TSDL190

The debut recording from Dave and Toni Arthur has become a much sought after recording amongst collectors of the finest British folk music. The Arthurs were an influential pair on the club scene, particularly admired for their powerful harmony singing.
1  All Frolicking I’ll Give Over
2  The Death of Queen Jane
3  Creeping Jane
4  The Merchant’s Daughter of Bristol
5  The Bold Dragoon
6  Cold Blows the Winter’s Wind
7  The Lark in the Morning
8  Poor Old Horse
9  Hey John Barleycorn
10  Bedlam
11  Admiral Benbow
12  Father, Father Build Me A Boat
13  The Press Gang
14  Six Jolly Miners

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VARIOUS ARTISTS Songs Of The Open Road TSDL253

Gypsies and travellers have preserved a wealth of English traditional song, which has been rarely collected. This splendid and influential collection of English traditional song performed by some of the finest Gypsy singers of Southern England, draws upon the diligent field recordings of the collector Mike Yates.
1  You Subjects of England – Jasper Smith
2  Little Dun Dee – Mrs Haynes
3  Hartlake Bridge – Jasper Smith
4  The Young Officer – Mrs Haynes
5  All Through Mi Rakli – Mrs Haynes
6  At the Atchin Tan – Mrs Haynes
7  The Oakham Poachers – Wiggy Smith
8  Thorneymoor Park – Jasper Smith
9  The Farmer of Chester – Joe Jones
10  The King and the Keeper – Joe Jones
11  Georgie – Levi Smith
12  The Haymakers – Levi Smith
13  The Broomdasher – Levi Smith
14  Barbara Allen – Phoebe Smith
15  Lavender – Bill Ellson
16  The Squire and the Gypsy – Jasper Smith
17  Erin’s Lovely Home – Mrs Haynes
18 The Game of Cards – Levi Smith
19  While the Yogger Mush Lays Sleeping – Jasper Smith
20  The Deserter – Wiggy Smith

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DAVY GRAHAM 3/4 AD TSDL070

The whole guitar-based section of the late twentieth century British folk revival owes an enormous debt to Davy Graham. The ideas explored across his earliest recordings have had a huge impact and continue to resound through the work of succeeding generations of musicians. For innumerable young guitarists, Davy Graham was the undisputed guitar hero of the British folk-blues clubs in the early and mid-1960s: a remarkable and wildly inventive musician. This fabulous duo EP with Alexis Korner captures Davy at the beginning of his recording career.
1  Angi
2  Davy’s Train Blues
3  3/4 AD

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LIZZIE HIGGINS Princess of the Thistle TSDL185

Lizzie Higgins was born in the centre of Aberdeen in 1929, the daughter of Jeannie Robertson the world-renowned ballad singer and the great piper Donald Higgins. Her forbears on both sides were travellers and she inherited a rich heritage of traditional music. At the time of these recordings Lizzie was regarded as the finest living interpreter of Scots traditional song.
1 Wha’s at the Windy
2  Lovely Molly
3  The Fair of Ballnafannin
4  Young Emsley
5  Bonnie Udny
6  Far Over the Forth
7  Laird of the Dainty Doonby
8  The Seasons
9  Davy Faa
10  The Banks of Red Roses
11  The Maid of Glenshea
12  The College Boy

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CILLA FISHER & ARTIE TREZISE Cilla & Artie TSDL405

‘Cilla & Artie’ is a splendid album from Cilla Fisher (a member of the influential Fisher Family) and her husband Artie Trezise. The record was ‘The Melody Maker Folk Album of the Year – 1979′. Joining Cilla and Artie is an international collection of “session” musicians including Alistair Anderson, Johnny & Phil Cunningham, Rick Lee, Brian McNeill and Bob Zentz. The songs are mostly from the tradition with, “Blue Bleezin’ Blind Drunk” and “The Gypsy Laddies” but also include a grand version of Stan Rodgers’ “The Jeanie C” and the wildest ever arrangement of Ewan MacColl’s “Fisher Lassies”.
1  Norland Wind
2  The Beggar Man
3  What Can A Young Lassie
4  Fisher Lassies
5  Generations of Change
6  Fair Maid of London Town
7  The Wicked Wife
8  The Gypsie Laddies
9  Blue Bleezin’ Blind Drunk
10  John Grumlie
11  The Jeannie C

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GARY & VERA ASPEY Seeing Double TSDL407

photoGary & Vera Aspey’s 1979 album was their last for Topic, continuing the effective combination of sensitive instrumentation from Vera with well-matched vocals from them both.

1. Seeing Double
2. My Good-Looking Man
3. Miss Tickle Toby
4. The Dowie Dens of Yarrow
5. The Cruise of the Calibar
6. Hounds and Horn Together
7. The Bolinder Boatman
8. The Testimony of Patience Kershaw
9. July Wakes
10. Knocker-Upper Man
11. The Price of Coal
12. The Coal and Albert Berry

Produced by Tony Engle

First issued by Topic 1979.

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KEVIN MITCHELL Free and Easy TSDL314

Kevin Mitchell one of the finest singers of song from North Ulster was born in the city of Derry 36 years ago. In 1969 he settled in Glasgow where he worked as an industrial painter, and is married, with two children. When asked to describe his singing voice, words like distinctive, personal style, lyrical and even beautiful come to mind, but none of them are enough. One thing is certain, if you ever hear him singing you will remember it.

1    Free and Easy
2    The Lurgy Streams
3    The Mickey Dam
4    Nancy Bell
5    The Boys of MuIlaghbawn
6    Going to Mass Last Sunday
7    The Magherafelt May Fair
8    The Light Horse
9    The Moorlough Shore
10   Two Strings on a Bow
11   Seán Ó Duibhir (Sean O’ Dwyer)
12   The Oul’ Grey Man

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BELLE STEWART Queen Among The Heather TSDL307

The Stewarts are a family of Scots travellers who claimed descent from the Royal House of Stewart and have traditional music in their bones. Belle Stewart, a proud, dignified and a distinguished maintainer of noble traditions, ranks alongside Jeannie Robertson in the roll of the finest Scots ballad-singers. ‘Queen Among the Heather’ is the only full album of her work.
1  Queen Among the Heather
2  Here’s a Health to all True Lovers
3  Betsy Belle
4  The Berryfields of Blair
5  The Soft Country Chiel (The Toon o’ Dalry)
6  Whistlin’ at the Ploo’
7  The Bonnie Wee Lassie frae Gourock
8   The Overgate
9  Blooming Caroline o’ Edinburgh Toon
10  Busk, Busk, Bonnie Lassie
11  Late Last Night
12  The Twa Brothers
13  Leezie Lindsay

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BLOWZABELLA Vanilla TSDL1028

Blowzabella is a genuinely unique band that makes an inimitable, driving, drone-based sound played with a fabulous sense of melody, rhythmic expertise and sheer feeling. They compose their own music which is influenced by English and European traditional dance music. Vanilla, first released on the Topic Special Delivery label in 1990, is one of their finest recordings.

Andy Cutting : melodeons, percussion
Nigel Eaton : hurdy gurdies, ‘cello, percussion
Jo Freya : Voclas, tenor saxophone, clarinet
Paul James : soprano saxophone, bagpipes, rauschfeife, percussion
Ian Luff : bass guitars, cittern, guitar, percussion
Jon Swayne : alto & soprano saxophones, bagpipes

1   Spaghetti Panic (A Cutting)
2   La Belle C’est Endormir / Famous Wolf (trad. N Eaton)
3   Jan Mijne Man / Go Mauve (trad. I Luff)
4   Fulmine (R Tesi arr A Cutting)
5   Beanfield / Monster Café (J Swayne/N Eaton)
6   I Wish, I Wish (trad. arr Freya)
7   Down Side / Solveig’s Song / Doctor Feg (P James/Greig:Ibsen/N Eaton)
8   Horizonto (P James)
9   In Continental Mood / The Old Queen / Flatworld (A Cutting/I Luff/A Cutting)
10  The Lover’s Ghost (trad. arr Freya)
11  The R.S.B. & the Hobb (A Cutting/I Luff)
12  Spaghetti Panic (Live) (A Cutting)

First issued as Special Delivery SPDCD1028 / 1990

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JOE HEANEY Irish Traditional Songs in Gaelic & English TSDL091

TSDL091‘Whether he is singing in Irish or English, Heaney is a remarkably discreet singer, not given to dramatic or comic effect, with an uneventful surface to his songs, but a world of secrets underneath. Outside a few settlements in his native West, it would be hard to find his equal.’

From the original sleevenotes by A. L. Lloyd

1 THE ROCKS OF BAWN
2 ONE MORNING IN JUNE
3 CASADH AN t-SUGAIN   The Twisting of the Rope
4 THE WIFE OF THE BOLD TENANT FARMER
5 THE TREES THEY GROW TALL
6 PEIGIN IS PEADAR   Peggy and Peter
7 CUNNLA
8 CAOINEADH NA TRI MHUIRE   The Lament of the Three Marys
9 AN TIGHEARNA RANDAL   Lord Randal
10 BEAN AN LEANNA   The Woman with the Beer
11 JOHN MITCHEL

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JEANNIE ROBERTSON Great Traditional Singer TSDL052

JEANNIE ROBERTSON comes of roving stock – on both her father’s and mother’s side, her ancestors belonged to the travelling clans (Stewarts and Robertsons) who roamed the North-East of Scotland. Jeannie herself, although born in the city, spent much of her youth travelling “up the Dee and down the Don” with her people, and learned many of her songs at their campfires.

1 The Bonny Wee Lassie Who Never Said No
2 What a Voice
3 My PIaidie’s Awa’
4 The Gipsy Laddies
5 When I Was No but Sweet Sixteen
6 MacCrimmon’s Lament
7 Roy’s Wife of Aldivalloch
8 Lord Lovat

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Mrs SARAH MAKEM Ulster Ballad Singer TSDL182

Sarah Makem was one of the finest singers of Ulster singers. This recording made in 1967 is a fine portrait of the traditional Ulster repertoire – an area where Irish, English and Scots traditions to some extent converge. Sarah learnt her songs in the traditional way – “When I was young we used to have dances in the street to the music of a mouth organ, or if the mouth organ wasn’t available then someone had to lilt. Well, at these street dances anyone was likely to be asked for a song, so I always tried to have one or two ready and I kept learning as many as I could from my mother singing around the house.”
1  Farewell My Love, Remember Me
2  The Banks of Red Roses
3  It was in the Month of January
4  Robert Burns and His Highland Mary
5  The Factory Girl
6  The Jolly Thresher
7  Caroline and her Young Sailor Bold
8  The Wind that Shakes the Barley
9  I Courted A Wee Girl
10  A Servant Maid in Her Father’s Garden
11  Barbara Allen

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THE HIGH LEVEL RANTERS Four In A Bar TSDL388

The High Level Ranters were one of the longest-established and most popular bands in Britain. A rare combination of individual talents, the group play the music of their native Northumbria with a command born of skill and understanding. ‘Four In A Bar’ is an all-instrumental collection, typical of the repertoire they played at regular sessions in Newcastle’s weekly ‘Folksong & Ballad’ club.
1  Whinham’s Jig / Billy’s Jig
2  Chips and Shavings / Jack’s Alive / Dear Tobacco
3  Town Green Polka / Jenny Bell Polka
4  The Biddlestone Hornpipe / The Last of the Twins
5  The Ruby / The Quarrelsome Piper
6  Rowly Burn / Coates’s Hornpipe
7  La Russe / The Winshield’s Hornpipe / Jane’s Fancy / Da Road to Houll
8  Blinkin’ Tibbie / The Pear Tree
9  Swalwell Lasses / South Shields Lasses
10  Moonshine Polka
11  The Quayside / Miss Ward’s Reel
12  The Butterclout / Such a Wife as Willie Had / Willy is a Bonny Lad

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ROSE MURPHY Milltown Lass TSDL316

The captivating fiddle and accordion player, Rose Murphy, was born in 1900 into an intensely musical family in Milltown, County Galway. She spent much of her adult life living around Rotherham in South Yorkshire, and was 76 years young when this recording was made. The album delightfully recaptures the dancing repertoire styles of her youth in the West of Ireland.
1  Reel: Salamanca / The Milltown Lasses
2  Trim the Velvet
3  Jig: The Silver Tip / The Frog in the Well
4  The Lark in the Clear Air
5  Polkas: The First of May / The Last of June (Jenny Lind)
6  Jigs: Paddy in London / Over the Garden Wall
7  Hornpipe: Road to Ballysodare
8  Reels: The Teetotaller / The Bunch of Keys
9  Reel: The Whistler and His Dog
10  Reels: The Flax in Bloom / The College Grove / The Maid on the Mountain
11  Reel: Ladybower’s Reel / The Sister Reel
12  Reel: Drowsy Maggie
13  Hornpipes: The Harvest Home / The Londonderry
14  Jigs: The Frost Is All Over / The Goose in the Bog
15  Reel: The Lonely Maid
16  Air: The Coolin
17  Barn Dance: Turkey in the Straw
18  Slip Jig: Mother I’m Up In the Roost (What Are You Doing, You Divil You!)
19  Miss Monahan’s / Miss Gallagher’s
20  Reel: Rakish Paddy
21  Hornpipe The Belfast (or Sweep’s) Hornpipe

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TSDL164 The EXILES ~ The Hale & The Hanged

Second influential recording from the Exiles – three Scots musicians resident in London – again mixes a traditional and contemporary repertoire.

ENOCH KENT – vocal, whistle & guitar
BOBBY CAMPBELL – vocal, fiddle, mandolin, mandola & guitar
GORDON McCULLOCH – vocal, guitar & banjo
TIM LYONS – button accordion*

1    The Jolly Beggar
2    The Fair Flower of Northumberland
3    Reels: The Corner House / The Sally Gardens*
4    The Laird o’ the Windy Wa’
5    Dainty Davie
6    Le Reel du Pendu
7    Queen Eleanor’s Confession
8    The Poolan Laddie
9    The Shoals Of Herring
10  Airs, Slip Jig & Reel: The Coolin / I Walked Up To Her / Rocky Road To Dublin / The wee Weaver
11  The Battle of Harlaw
12  I Will Lay Ye Doon, Love
13  Planxty Davis*

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PEGGY SEEGER, TOM PALEY & CLAUDIA PALEY Who’s Going To Shoe Your Pretty Little Foot? TSDL113

Peggy Seeger and Tom Paley, both New York, are brilliant exponents of American instrumental traditions. Guitar, banjo, autoharp and dulcimer weave a delicate majesty on a great selection of traditional material. This stunning collection, recorded in London in 1964 by Bill Leader, is a powerful example of their musical accuity and has been an influence on many younger performers.
1  Who’s That Knocking at My Window
2  Love Henry
3  The Lass of Roch Royal
4  Who’s Going to Shoe your Pretty Little Foot?
5  Pretty Polly
6  Englewood Mine
7  Buck Dancer’s Choice
8  Just as the Tide Was Flowing
9  The Kicking Mule
10  The Heartless Lady
11  The Fiddling Soldier
12  Tittery Nan
13  Loving Reilly
14  The Cuckoo
15  If He’d Be a Buckaroo
16  The Girl on the Greenbriar Shore

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VARIOUS ARTISTS The Music of Cape Breton 2 TSDL354

Scottish fiddle music arrived in Cape Breton Island with the Highland settlers over a century and a half ago, and the strongly Highland character of this region of Nova Scotia, in the Canadian Maritimes, remains to this day. Cape Breton with its harbours, heavily forested mountains and fertile valleys provided the Highlander with ample opportunity to exercise his old country skills in fishing, hunting and farming: the rural way of life of the Western Highland Gaels, together with their highly evolved oral and musical traditions, adapted easily to the new setting.

1    Strathspey, Hornpipe & Reel: The Sow’s Tail / Londonderry Hornpipe / Duncan on the Plainstones THERESA MacLELLAN (acc Marie MacLeIIan)
2    Strathspeys & Reels: The WarIock’s Strathspey/ Bog an Lochain (Athole Cummers) / The Nine Pint Coggie / Calum Fhionnlaidh / Prince Charlie / Tarbolton Lodge MIKE MacDOUGALL (acc Mary Jessie MacDonald)
3    March, Strathspeys & Reel: Donald MacLean’s Farewell to Oban / Cairistiona Chaimbeul (Christy Campbell) / Port ‘ic Artair (MacArthur’s Tune / Untitled JOHN WILLIE CAMPBELL (acc Kevin McCormick)
4    Strathspeys & Reels: Lucy Campbell / Calum Crùbach (Miss Drummond of Perth) / Untitled / Cota Mór Ealasaid (Elizabeth’s Big Coat) / Untitled MARY MacDONALD (acc Mary Jessie McDonald)
5    Slow Air, Strathspeys & Reels: Niel Gow’s Lamentation for Abercairney / Johnnie Pringle / Munlochie Bridge / The Duke of Gordon’s Birthday / Perrie Werrie / Peggie     Menzies / West Mabou Reel ALEX FRANCIS MacKAY (acc Fr John Angus Rankin)
6    Jigs: The Black Sporran / WaIking the Floor JOHN NEIL MacLEAN (acc Phyllis MacLeod)
7    March & Strathspey: A Sheana-bhean Bhochd (Glengarry’s March) / Donald MacMaster’s Strathspe DAN JOE and GEORGE MaclNNIS (acc Marie MacLe|Ian)
8    Strathspey & Reel: J Scott Skinner Strathspey / GiIlian’s Reel (Muir o’ Gellan) JOHN NEIL MacLEAN (acc Phyllis MacLeod)
9    Strathspeys & Reels: Unidentified / Calum Breugach /  The Duke of Athole / George the IV / The King’s / Miss Lyle’s Reel ALEX FRANCIS MacKAY (acc Fr John Angus Rankin)
10    Strathspey & Reels: Alex MacEachern’s Strathspey / Fear nan Casan Caola (The Rejected Suitor) / Untitled JOHN WILLIE CAMPBELL (acc Kevin McCormick)
11    Strathspeys & Reels: Miss Lyle’s Strathspey / The Highlanders’ Farewell to Ireland / King George / Tulloch Gorm (old setting with variations) / Lord MacDonald / Miss Johnstone MARY MacDONALD (acc Mary Jessie MacDonald)
12    Jigs: Untitled / Untitled / Dan the Cobbler JOE MacLEAN (acc Mary Jessie MacDonald)

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JOHN KELLY Fiddle and Concertina Player TSDL1504

TSDL1504John Kelly was born in the district of Rehy West, County Clare, and for over thirty years was a force in Irish music – he was a member of Seán Ó Riada’s Ceoltóirí Cualainn, of the Castle Ceilidh Band, and of Ceoltóirí Laighean, and regular musician at respected Dublin sessions.
John’s fiddling is in the relaxed Clare style and his concertina playing is spikier, with subtle variations of notes, the occasional harmonic effect, and again that off-beat emphasis.
John taught at the Willie Clancy Scoil Éigse, and supported the Tradition Club held on Wednesdays at Slattery’s, just a few doors away from his Dublin home: he was recorded by John Tams and Neil Wayne in January 1974 and by Tony Engle and Patrick Hayes in March & April 1975.

1 Paddy on the Turnpike – reel (concertina)
2 a The Bunch of Rushes – reel (fiddle), b The Bunch of Rushes – reel (concertina)
3 John Kelly’s Slide/ Tom Keane’s Reel (concertina)
4 a Blackberry Blossoms – reel (concertina), b The Spike Island Lasses – reel (double-reed concertina)
5 The Heathery Breeze – reel (concertina)
6 Delia Keane’s Jig (concertina)
7 The Blacksmith’s Charm – hornpipe (concertina)
8 We were drinking and kissing the Ladies/ Old Tipperary – jigs (fiddle)
9 Rocking the Baby to Sleep – air (fiddle)
10 Eddie Dunn’s – reel (concertina)
11 The Fishermen’s Hornpipe (concertina)
12 The Sister Reels – Carney’s / Gilbert Clancy’s Favourite / The Ravelled Hank of Yarn (fiddle)
13 The Crooked Road to Dublin and The Duke of Leinster’s Wife – reels (concertina)
14 The West Cork Reel (concertina)
15 a The Ivy Leaf – reel (concertina), b The Ivy Leaf – reel (fiddle)
16 The Flogging Reel (double-reed concertina)
17 Scattery Island Slide (double-reed concertina)
18 The Ebb Tide – hornpipe (concertina)
19 The Blackbird – air/hornpipe/set dance (fiddle)
20 The Bunch of Keys – reel (fiddle)
21 Lord Wellington’s Reel (concertina)

Produced by John Tams, Neil Wayne and Tony Engle.
First issued by Topic Records 1975.

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JIMMY POWER Irish Fiddle Player TSDL306

Jimmy Power was one of the finest Irish traditional fiddle players. He was also one of the most familiar and best-respected figures on the London-Irish music scene of the 1970s. His exceptional repertoire was developed playing for dancing in English pubs and at the grueling feisanna competitions. Power was a very individual player with a unique style embracing short, sharp bowing and plenty of trebling. He is accompanied by pianist Reg Hall on this fine album.
1  Tommy Potts’ Rambling Pitchfork / The Strayaway Child
2  The Chorus / McKenna’s
3  Jockey to the Fair / Miss Brown’s Fancy
4  Coleman’s Favourite / The Promenade
5  Dwyer’s / The Harvest Home
6  Jackie Coleman’s / The Castle
7  The Nine Points of Roguery / The Crib of Perches
8  Whelan’s / The Old Lark in the Morning
9  The Mountain Road
10  Follow Me Down to Limerick / Hardiman the Fiddler
11  Youghal Harbour
12  The Walls of Liscarrol
13  The Jug of Punch / The Moving Bogs of Powelsborough
14  Statia Donnelly’s

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WILLIE SCOTT The Shepherd’s Song TSDL183

Willie Scott, recorded in his 70s, came from a long line of singing Scots, bred to the trade of shepherd in the rolling Border country where the North of England and the South of Scotland march together.

1  The Shepherd’s Song
2  Piper MacNeil
3  The Kielder Hunt
4  Jamie Reaburn
5  Bonnie Wee Trampin’ Lass
6  Bloody Waterloo
7  Jock Geddes
8  The Dowie Dens of Yarrow
9  Herd Laddie o’ the Glen
10  The Lads That Were Reared Among Heather

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WALTER PARDON A Country Life TSDL392

Walter Pardon (1914 – 1996) was one of the best singers of traditional folk-song in England, yet, outside his family, no one knew of his singing until he was 59 years old. Born in Knapton, near North Walsham in Norfolk, in a cottage where he lived for the rest of his life, Pardon finally came to national prominence in the folk-song world in the 1970s through a cassette tape passed to Peter Bellamy. The folklorist Mike Yates began a project to record and document Walter’s repertoire of over 150 songs. These recordings from the late 1970s capture a beautiful, gentle singer at the height of his powers.
1  Raggle Taggle Gypsies
2  Peggy Bawn
3  Bold Princess Royal
4  One Cold Morning in December
5  The Devil and the Farmer’s Wife
6  An Old Man’s Advice
7  Uncle Walter’s Tune
8  A Country Life
9  Cupid the Ploughboy
10  The Dandy Man
11  Jack Hall
12  I Wish, I Wish
13  Broomfield Hill
14  The Hungry Army

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TSDL283 VARIOUS ARTISTS ~ Holey Ha’penny

Classic recordings of Traditional Music from the North-East of England
This record serves as a documentary of the thriving North-Eastern country music tradition in the second half of the 20th century. A tradition that continues to this day. Holey Ha’Penny is chiefly drawn from the 1954 field recordings by Peter Kennedy, with the addition of the only known record of the famous Northumbrian piper Tom Clough.

Tom Clough – Northumbrian Pipes        4.1.29
Jake Hutton – Fiddle, Bewcastle Fells, Cumberland 30.6.54
Tom Hunter – Fiddle, Bewcastle Fells, Cumberland 30.6.54
Billy Ballantine – Piccolo, Bewcastle Fells, Cumberland 30.6.54, Haydon Bridge, Northumberland 6.7.54 and Wark, Northumberland 29.6.54
Jimmy Hunter – Mouth organ, Haydon Bridge, Northumberland 6.7.54
Jim Rutherford – Fiddle, Otterburn, Northumberland 8.7.54
Ned Pearson – Fiddle, Cambo, Morpeth 16.6.54
Joe Hutton – Pipes, Stuart Shields, Otterburn, Northumberland 11.7.54
Adam Gray – Fiddle, Barden Mill, Northumberland 1.7.54
Willy Taylor – Melodeon, Warenford, Northumberland 7.6.54, Fiddle, Warenford, Northumberland 7.6.54
Bob Clark – Jews harp, Wltittingham, Northumberland 9.6.54
John Hepple – Pipes, Haltwhistle, Northumberland 1.7.54
George Hepple – Fiddle, Haltwhistle, Northumberland 1.7.54

1    Ho’ley Ha’Penny/Elsie Marley Tom Clough
2    The Gilsland Hornpipe Tom Hunter, Billy Ballantine
3    Morpeth Rant Jim Rutherford
4    Proudlocks Hompipe Billy Ballantine
5    Billy Ballantine’s Reel Billy Ballantine
6    Father’s Polka Ned Pearson
7    Schottische Ned Pearson
8    Varsoviana (Old and New) Ned Pearson
9    Highland Laddie  Ned Pearson
10   My Lodging is on Cold Ground/Bonnie Dundee Joe Hutton
11   Roxburgh Castle/Devil among the Tailors Joe Hutton
12   The Roman Wall Adam Gray
13   Tom Hepple’s Polka (The Girl with the Blue Dress On) Adam Gray
14   The Tow House Polka Adam Gray
15   The Kielder Schottische Jake Hutton, Tom Hunter, Billy Ballantine
16   The Keel Row (with variations) Tom Clough
17   Schottische Billy Ballantine, Jimmy Hunter
18   My Lodging’s on Cold Ground/Blow the Wind Southerly Billy Ballantine, Jimmy Hunter
19   Corn Rigs/The Manchester Hornpipe Bob Clark
20   The Linehope Lope Willy Taylor
21   Willy Taylor’s Polka Willy Taylor
22   Nae Good Luck – jig Willy Taylor
23   Whittingham Green Lane/Ward’s Brae John Hepple, George Hepple
24   Bonny North Tyne Billy Ballantine
25   Mosstrooper’s Polka Billy Ballantine
26   The Coquet Reel Billy Ballantine
27   Heel and Toe Polka Ned Pearson
28   The Pin Reel – jig Ned Pearson
29   Cambo March Ned Pearson
30   The Ferry Boat George Hepple
31   Malorca/Herd on the Hill/Devil among the Tailors John Hepple, George Hepple

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The RUSSELL FAMILY of Doolin, County Clare TSDL251

Miko, Pakie and Gussie Russell of Dolin, Co Clare, were an Irish musical family of singular attractiveness and interest, with aremarkably rich store of local Clare music. This record was recorded on location by John Tams and Neil Wayne in 1977, and is an exceptional document of the traditional music making still to be heard in the Irish countryside during the mid-1970s.
1  Campbell’s Reel
2  The Heather Breeze / The Traveller
3  St. Kevin of Glendalough
4  The Potlick / The Peeler’s Jacket
5  The Five Mile Chase
6  Russell’s Hornpipe / Fisher’s Hornpipe
7  The Poor Little Fisher Boy
8  The Walls of Liscarroll / The Battering Ram
9  Garret Barry’s Reel
10  Tommy Glenny’s Reel
11  The Connemara Stockings / The Westmeath Hunt
12  When Musheen Went to Bunnan
13  Tatter Jack Walsh
14  The De’il Among the Tailors
15  The Roscrea Cows
16  Fair Haired Boy / The Black Haired Lass
17  Off to California
18  Give the Girl her Fourpence
19  Nora Daly

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VARIOUS ARTISTS Owdham Edge – Popular song & verse from Lancashire TSDL204

TSDL204Until Topic Records featured Harry Boardman singing six Lancashire songs on the 1965 LP ‘New Voices’, available recordings of songs with their roots in the North West of England were scarce. The growing demand for such material led to the release of ‘Deep Lancashire’ in 1968 and then, in 1970, ‘Owdham Edge’, featuring Harry Boardman once again, as well as the first recordings by one Mike Harding.

  1. Sam Shuttle and Betty Reedhook sung by Harry Boardman (banjo), acc. Lesley Boardman (mandolin) & Bob Diehl (fiddle)
  2. Owdham Edge sung by John Howarth and The Oldham Tinkers (with banjo, mandolin and guitar)
  3. Our Sarah’s Getten’ A Chap sung by John Howarth and The Oldham Tinkers (with banjo, mandolin and guitar)
  4. The Miners’ Lock-Out sung by Harry Boardman (banjo); acc. Lesley Boardman (tenor banjo) & Mike Harding (Jews Harp)
  5. Street Scene recited by Harvey Kershaw
  6. Pounds, Shillings and Pence sung by Tim and Robin Boardman, leading into Down at our School sung by The Oldham Tinkers (with banjo, mandolin and guitar)
  7. The Little Piecer sung by Dave Brooks (concertina)
  8. Sammy Shuttleworth sung by Mike Harding (concertina), acc. Bernard Wrigley (bass concertina) & John Tenent (tenor horn)
  9. Bowton’s Yard sung by Harry Boardman (banjo) acc. Lesley Boardman (tenor banjo) & Bob Diehl (fiddle)
  10. Toddlin’ Whoam sung by Larry Kearns (guitar)
  11. The Bard’s Reformation sung by Harry Boardman (banjo), acc. Lesley Boardman (tenor banjo) & Bob Diehl (fiddle)
  12. Schoolyard Song sung by Harry Ogden (guitar), acc. Ian Hope (fiddle)
  13. Nobbut a Cockstride Away sung by Mary Kershaw acc. Harvey Kershaw (piano)
  14. Billy Suet’s Song sung by Harry Boardman (concertina)
  15. Canute sung by The Oldham Tinkers (with banjo, tin whistle and guitar)
  16. Our Bill sung by Bernard Wrigley (guitar)

Recorded by Sean Davies

First issued by Topic Records 1970

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ANDREW CRONSHAW The Language Of Snakes TSDL1050

Muliti-instrumentalist Andrew Cronshaw variously draws upon the traditional music of the Scottish Highlands, Northern Spain, Finnland and his native England to weave a music of great beauty and originality. 1993’s The Language of Snakes was his sixth solo album. Working with a close band of musical collaborators, Cronshaw magically transforms his disparate source material with a series of unexpected textures and arrangements.
1  Through Moorfields
2  Kindness For Ever More
3  MacDonnel’s March / Kilcoy’s March
4  Baile de Procesión
5  Cronnan na Caillach a bhan sa Bhein Bhreic
6  Marcha Procesional do San Benito
7  Apple Praities
8  Ailean Duinn
9  A Maruxa
10  The Waterford Waltz
11  Tupakkarulla / Tuuti Hussaa Ja Lullaa / The Other Boot Dance
12  Hithil Ùil Agus Ò, Hithil O Hòrino
13  Tha Mi Sgith ‘m Ã’naran
14  An Gille Donn / Vaskilinun Vaikerrus

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PETA WEBB I Have Wandered In Exile TSDL223

TSDL223Peta Webb’s 1973 LP for Topic came after great interest in her work with Oak; this album showcases her individual vocal style, with songs learned from some of the great Irish traditional singers, Brigid Tunney, Winnie Ryan and John Docherty among them.

  1. I have wandered in exile  with Lucy Farr, fiddle
  2. Oxford City
  3. The Moorlough Shore
  4. The Blackbird of Avondale with Lucy Farr, fiddle; Reg Hall, melodeon
  5. Blackwater Side
  6. The Pride of Glencoe with Michael Plunkett, fiddle
  7. I am a poor girl
  8. Moorlough Mary
  9. The Lovely Banks of Lea with Lucy Farr, fiddle

Recorded by Tony Engle

First issued by Topic Records 1973

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PADDY TUNNEY & ARTHUR KEARNEY Ireland Her Own TSDL153

tsdl153When Chesterton wrote of the Irish ‘All their wars were merry and all their songs are sad’ he was sacrificing accuracy for the sake of a paradox. The wars themselves were ruthless savage campaigns of destruction on the one hand and desperate struggles for existence on the other. The British fought as conquerors with scant regard for the rules of war, the Irish fought for something ancient and good, and they fought as crusaders. Their songs reflected their attitude, full of sadness for previous defeats, but convinced of the justice of their cause and confident that the final battle would be won.

Tudors, Stuarts, Commonwealth and After
1. Follow me up to Carlow  Arthur Kearney
2. Sean O’Dwyer a Gleanna  Paddy Tunney
3. Jackets Green  Arthur Kearney
4. The Battle of Aughrim  Frank Kelly – violin, Joe Tunney– melodeon
The United Irishmen and the Rebellion of 1798
5. The Ribbon Blade  Paddy Tunney
6. General Munro  Arthur Kearney
7. The Memory of the Dead  Frank Kelly – violin, Joe Tunney – melodeon
The Young Ireland Movement and the Fenians
8. The Bold Fenian Men  Paddy Tunney
9. John Mitchel  Paddy Tunney
10. The Felons of our Land  Arthur Kearney
The Sinn Fein and the War of Independence
11. The Dawning of the Day  Frank Kelly – violin, Joe Tunney – melodeon
12. The Song of the Dawn  Arthur Kearney
13. The Valley of Knockanure  Paddy Tunney
14. The Grand Oul’ Dame Britannia  Paddy Tunney
15. Kevin Barry  Paddy Tunney

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ROBIN DRANSFIELD Tidewave TSDL414

Together with his younger brother Barry, Robin Dransfield had a successful career as the leading young duo on the British folk scene during the late 1970s. They took the folk clubs by storm and recorded the seminal ‘Rout Of The Blues’ album. His solitary solo album, from 1980, is held in high regard by all aficionados of the finest English revival folk music.

1  The Cutty Wren
2  The Barley & The Rye
3  Fair Maids Of February
4  When It’s Night-time In Italy It’s Wednesday Over Here
5  The Rigs O’Rye 
6  Spencer The Rover
7  Tidewave
8  The Cadgwith Anthem      
9  I Once Had A Dog     
10  The Three Muscadets
11  Mother Nature
Robin Dransfield vocals, guitar
with
Hurdy Gurdy – Christian “Le Roi” Gourhan
Concertina – Lea Nicholson
Brass – The White Shield Brass Ensemble
(Bob White: trumpet, Chris Stearn: bass trombone, euphonium)
Bass Guitar – Nick Greenwood
Piano – Chris Copping
Cello – Barry Dransfield

Recorded at Livingston Studios, Barnet, 1979/80
Produced by Nic Kinsey

First released by Topic Records 1980

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A L LLOYD First Person TSDL118

A L Lloyd occupied a unique position in the British folksong revival. Much-loved father-figure and mentor to many younger singers, he was a performer of persuasive charm, as well as an international authority on folklore and a frequent broadcaster. Lloyd was for a while artistic director of Topic Records and encouraged the early recordings of many of the folk scene’s finest performers. ‘First Person’ is a remarkable selection of his own favourite English folk songs. Lloyd is accompanied by Alf Edwards – concertina and Dave Swarbrick – fiddle.
1  Four Drunken Maidens
2  St. James’ Hospital
3  Kelly Gang
4  I Wish My Love
5  Jack Orion
6  Lover’s Ghost
7  Rocking the Cradle
8  Drover’s Dream
9  Short Jacket and White Trousers
10  Sovay, the Female Highwayman
11  Reynardine
12  Farewell Nancy
13  Fanny Blair
14  Shickered As He Could Be

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TSDL143 The EXILES ~ Freedom, Come All Ye

The EXILES – Enoch Kent, Bobby Campbell and Gordon McCulloch – were an innovative group of Scots singers and instrumentalists, away from their native home, whose repertoire extended over both traditional and contemporary fields. Freedom, Come All Ye was their debut Topic recording from 1966 is acknowledged as a classic.

Enoch Kent – vocal & whistle
Bobby Campbell – vocal, fiddle, mandolin, mandola & guitar
Gordon McCulloch – vocal, guitar, banjo & harmonica
Paul Lenihan – vocal *

1     The Ballad of Accounting
2    The Moving-On song
3    We’re Only Over Here For Exploration*
4    Thank Christ for Christmas
5    The Pigeon
6    The Poud-a-Week Rise
7    Freedom, Come All Ye
8    For A’ That and A’ That
9    Arthur MacBride
10  Willie Brennan
11  Wae’s Me for Prince Charlie
12  La Pique
13  Van Dieman’s Land
14  Twa Recruiting Sergeants

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The WILLETT FAMILY The Roving Journeymen TSDL084

A very important recording of three members of a Southern English family of travellers – Tom, Chris and Ben Willett, showing their distinctive style of singing and a repertoire of fine country songs. Recorded on location in Middlesex and Kent, the record was the first album of English gypsy music to be released commercially.
1  Lord Bateman – Tom Willett
2  The Blacksmith Courted Me – Tom Willett
3  The Little Ball of Yarn – Ben Willett
4  Died For Love – Tom Willett
5  The Rambling Sailor – Chris Willett
6  Riding Down to Portsmouth – Tom Willett
7  As I Was Going to Salisbury – Chris Willett
8  The Roving Journeyman – Tom Willett
9  The Roving Journeyman – Chris Willett
10  While Gamekeepers Lie Sleeping – Tom Willett
11  The Old Miser – Chris Willett
12  The Game of Cards – Tom Willett

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PAT MITCHELL Uilleann Pipes TSDL294

The several strands that make up Pat Mitchell’s piping are none of them especially unusual, but cumulatively interesting in the way they reveal how Pat’s music has evolved without what has always been held to be the massive benefit of an immediate environment in which traditional music is alive and esteemed. Pat, like many other people who might be classed as urban, twentieth century – some would say, disinherited – has gone looking for his music, and it’s important to document his case for an understanding of how such a person fares, and for some insight into the state of traditional music in Ireland today.

1      Reels: Garrett Barry’s / The Virginia  
2      March: Sullivan’s March 
3      Reel: Concertina Reel  
4      Air: Lord Mayo 
5      Reel: College Groves
6      Double Jigs: Port Liadroma / Sean Tiobraid Arann  
7      Reel: Star of Munster
8      Single Jig and Double Jig: Frieze Breeches
9      Descriptive Piece: Máirseáil Alasdruim
10    Single Jig: Willie’s Single
11    Hompipe and Reels: Kildare Hornpipe / Castle Kelly / Sailor’s Bonnet
12    Marching tune: Eagle’s Whistle
13    Double Jig: The Maiden That Jigged it in Style
14    Air: An Draighnean Donn
15    Double Jig: The Old Hag in the Kiln
16    Reel: Galtee Reel
17    Double Jigs: The Lark in the Morning
18    Reels: Patsy Tuohey’s Reel/The Green Fields of Rossbeigh
19    Piece: Nora Criona
20    Reel: Flogging Reel

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LIZZIE HIGGINS Up And Awa’ Wi’ The Laverock TSDL260

This is the second solo record featuring the singing of Lizzie Higgins, one of our finest traditional singers, recorded in 1975 at the height of her powers.

The north-east of Scotland has been known for 200 years as a region rich in tradition, and recent collecting has shown this still to be the case. Lizzie features on this record some of the big ballads for which the area is famed, such as The Twa Brothers, The Cruel Mother and The Forester. Like her famous mother, the late Jeannie Robertson, she has the grandeur to give these pieces their full majestic impact. Her father, Donald Higgins, was equally important in her musical development, for his piping had a distinct effect upon her singing style, with its fluid decoration and its expressive and commanding tone.

1    Up and Awa Wi’ the Laverock
2    Lord Lovat
3    Soo Sewin’ Silk
4    Lady Mary Ann
5    MacDonald of Glencoe
6    The Forester
7    Tammy Toddles
8    Aul’ Roguie Gray
9    The Twa Brothers
10  The Cruel Mother
11   The Lassie Gathering Nuts

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PHOEBE SMITH Once I Had A True Love TSDL193

Once a traveller, Phoebe Smith was settled in her East Anglian home at the time of these recordings. She sings in the distinctive, highly dramatic style of the travellers, and excels in traditional ballads. “One of the finest performers.”
1  Once I Had A True Love
2  A Blacksmith Courted Me
3  Young Ellender
4  Higher Germany
5  Molly Vaughan
6  The Tanyard Side
7  The Yellow Handkerchief
8  The Wexport Girl
9  The Dear Little Maiden

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PEGGY SEEGER Come Along John TSDL018

Peggy Seeger performs eight songs for children from the American tradition, accompanied by her sisters Penny and Barbara. First released in 1958.

 

1    All Around The Kitchen
2   Come Along John
3   Billy Barlow
4   Old Aunt Kate
5   Little Bird, Little Bird, Go Through My Window
6   Lula Gal
7   Rissolty, Rossolty
8   The Derby Ram

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FRANKIE ARMSTRONG Songs And Ballads TSDL273

Few could match the assurance and intensity of Frankie Armstrong’s singing. A committed feminist and radical, Frankie brought a refreshing energy to her performance of traditional and contemporary song. Songs and Ballads her debut album dates from 1975.

Frankie Armstrong vocals with Andrew Brown fiddle, Graham Goffee guitar, Susie Rothfield Appalachian dulcimer and voice, Heather Wood voice and Brian Pearson voice.

1    Little Duke Arthur’s Nurse (acc. fiddle, guitar, dulcimer)
2    The Pitmen’s Union (acc. guitar)
3    Lady Diamond (unacc.)
4    Lament for the Hull Trawlers (acc. fiddle and guitar)
5    The Month of January (duet with Heather Wood)
6    Three Drunken Maidens (vocal trio with Heather Wood and Susie Rothfield)
7    Jack the Lad (acc. fiddle and guitar)
8    The Whore’s Lament (acc. fiddle, with chorus)
9    Little Musgrave (acc. dulcimer)
10   The Collier Lass (unacc.)
11   The Female Drummer (acc. fiddle, guitar, dulcimer, with chorus)

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The CAMERON MEN TSDL321

The Cameron Men is a superb collection of classic Scots Fiddle Recordings from the Thirties. The Cameron men were a group of brothers from Kirriemuir, with a strong family tradition of fiddling. This album, derived from 1930s Beltona and Edison Bell Winner 78s, includes solo fiddle pieces by William and James Cameron, and eight supremely graceful tracks by a fiddle trio (William, James and George) with a fourth brother Stewart, at the piano.

1  Cameron Men (M162, BL2087) March, Strathspey & Reel: The Abercairney Highlanders / Ballochmyle / Speed the Plough
2  Cameron Men (M160, BL2240) Polka
3  James Cameron (M585, BL2301) The Auld Lichties [John MacFadyen of Melfort / Brig of Perth / The Earl of Crawford’s Reel]
4  William Cameron (13956, Edison Bell Winner 5428) Farewell to Gartly / Stirling Castle / Soldier’s Joy
5  Cameron Men (M166, BL2241) Miss Drummond of Perth / Maggie Cameron / The Favourite
6  James Cameron (M14673, BL1988) Jigs: The Flock and Wee Pickle Tow / The Blackthorn Stick / Teviot Brig / Humors of Donnybrook
7  William Cameron (13960, EBW 5430) Air, Strathspey & Reel: Our Highland Queen / Forth Brig / Forth Brig
8  Cameron Men (M163, BL2120) March, Strathspey & Reel: Loch Katrine / Miss Lyall / Loch Leven
9 James Cameron (M587, BL2302) Rossity Ends (A Good Going Violin Medley) [unidentified 6/8 march / Smith’s a Gallant Fireman / Pretty Peggy]
10 James Cameron (M14678, 1989) Jigs: Cumberland Reel / Father O’Flynn / Auld Brig o’ Ayr / The Wind That Shakes the Barley
11 Cameron Men (M161, BL2241) March, Strathspey & Reel: Earl Dalhousie / Lady Mary Ramsey / Soldier’s Joy
12 William Cameron (13961, EBW 5431) Jig, Strathspey & Reel: Banks O’ Allan / Craigellachie Brig / Lasses o’Stewarton
13 Cameron Men (M165, BL2217) Dashing White Sergeant / My Love She’s But a Lassie Yet / The Rose Tree
14 James Cameron (M14674, BL1974) Jigs, Strathspey & Reel: The Rakes of Kildare / Swallow Tail / The Queen’s Welcome to Deeside / The Drummer
15  Cameron Men (M159, BL2217) Circassian Circle: Original / Brechin Brig / Victoria Hornpipe
16  Cameron Men (M164, BL2120) March, Strathspey & Reel: Bonnie Ann / Bob Johnston / Bob Johnston 

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IRISH TRADITIONAL CONCERTINA STYLES TSDL1506

TSDL1506From the original LP notes by Neil Wayne:

In this, the sixth Topic/Free Reed release, we present a sample of the playing of eight musicians from various parts of Ireland who play the Anglo concertina.

Today, the richest store of traditional concertina playing is to be found in County Clare, and indeed five of these musicians live and work in that county. However, the instrument’s popularity has been more widespread and Mrs. O’Dwyer, who learnt to play in County Limerick as a young girl, tells of many players in that county.

Also, the instrument is regaining popularity amongst the newer generation of musicians, and we feature on the recording items from two younger Dublin concertina players.

This record, then, surveys the Irish traditional concertina styles that can be heard in and around County Clare today, and includes selections from younger musicians, as well as some of the finest traditional players of the concertina in Ireland.

1 reel King of the Clans Sonny Murray
2 set tunes No Title/Behind the Bush in Parkhanna Mrs Ellen O’Dwyer
3 jig Kit O’Mahoney’s Paddy Murphy
4 reel The Mountain Road Gerald Haugh
5 Reels Solus Lillis/Tom Carey
6 slow air The Fairy Child Michael MacAogain
7 set dance The Argrume Set Mrs Ellen O’Dwyer
8 barn dance The Barn Dance Mrs Ellen O’Dwyer
9 reels Chancy Cheory/West along the Road Sonny Murray
10 reel The Morning Dew Sonny Murray
11 reel Spike Island Lasses Sean O’Dwyer
12 jigs Jigs incl. Jenny’s Beaver Hat Mrs Ellen O’Dwyer
13 reels Toss the Feathers/Drowsy Maggie Mrs Ellen O’Dwyer
14 reel The Mason’s Apron Paddy Murphy
15 flings Sean O’Dwyer’s Fling/The Kerry Hornpipe Sean O’Dwyer
16 jig Kesh Jig Gerald Haugh
17 jig The Clare Jig (Stack’s Favourite) Solus Lillis/Tom Carey
18 air Air from Thomas Moor Solus Lillis
19 hornpipe The Fairy Hornpipe Michael MacAogain
20 March  Mrs Ellen O’Dwyer
21 set dance Mrs O’Dwyer’s Fancy Mrs Ellen O’Dwyer
22 jigs Apples in Winter Solus Lillis/Tom Carey

Produced by John Tams, Neil Wayne and Tony Engle.
First issued by Topic Records 1977.

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TSDL287 SEAN McALOON & JOHN REA ~ Drops Of Brandy

SEAN McALOON from Co. Fermanagh and JOHN REA from Co. Antrim, were traditional musicians of choice quality. McAloon was a master of the fiddle and uilleann pipes, Rea the hammer dulcimer, and their duets on the latter two instruments are rare delights. These magnificent performances were recorded by Robin Morton (of the Boys of the Lough).

Sean McAloon Uillean Pipes & Fiddle
John Rea Dulcimer

1  Jigs: The Maid in the Meadow (dulcimer) / The Castlebar Races / Trip to the Cottage (dulcimer and concert pipes)
2  Reels: The Mountain Lark / Crooked Road to Dublin (concert pipes)
3  Jigs: Jackson’s Drum / Jackson’s Mistake / Jackson’s Coagy (dulcimer)
4  Air: Blind Mary (flat pipes)
5  Hornpipes: Madame Bonaparte / O’Dwyer’s Hornpipe (dulcimer)
6  Reels: Crowley’s No. 1 / Crowley’s No. 2 (fiddle)
7  Jigs: Moloney’s / Paddy O’Brien’s (concert pipes)
8  Reels: First House in Connaught (concert pipes ) / The Copperplate (dulcimer and concert pipes)
9  Air: An Buachaill Caol Dubh (The Dark Slender Boy) /  Slip Jig: Drops of Brandy (flat pipes)
10  Reels: Coil the Hawser / Lord McDonald’s (dulcimer)
11  Hornpipes: Alexandria’s / Higgin’s (flat pipes)
12  Reels: The Sligo Maid (fiddle) / Sheehan’s (fiddle and dulcimer)
13  Jigs: Wandering Minstrel / Katy is Waiting / The Basket of Shamrocks (dulcimer)
14  Hornpipes: Tim the Turncoat / The Quarrelsome Piper (concert pipes and dulcimer)
15  Jigs: The Old Siege of Valencia (dulcimer) / The Lark in the Morning (dulcimer, fiddle and bodhran)

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BOB CANN West Country Melodeon TSDL275

Bob Cann is an exceptional melodeon player from the south edge of Dartmoor in Devon. As a young man he played for hours-long step-dancing competitions; in middle-age he won an all-England folk instrumentalist trophy (beating the renowned piper Billy Pigg) from the English Folk Dance and Song Society. His repertoire is typical of the finest country dance musician but his playing is of the highest order – exciting and eminently danceable.
1  Uncle George’s Hornpipe (The Cliff) / Tommy Roberts’ Hornpipe
2  Hot Punch / Uncle’s Jig
3  Uncle George’s Waltz / Uncle Jim’s Waltz
4  The Primrose Polka
5  Dorsetshire Hornpipe
6  The Kester Rocky Waltz
7  Family Jig / Uncle George’s
8  Woodland Flowers / Uncle Jim’s
9  Ford Farm Reel / Cornish Quickstep
10  Harry Gidley’s Waltz
11  When its Nightime in Italy (It’s Wednesday Over Here) / Climbn’ Up de Golden Stairs
12  Lyrinka
13  Schottische Hornpipe / Cokey Hornpipe

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EWAN MacCOLL Bundook Ballads TSDL130

An anthology of soldiers songs, ribald, cynical and occasionally sentimental. Performed in his inimitable style by Ewan MacColl with Peggy Seeger, Jimmy MacGregor and John Cole.
1  Any Complaints
2  The Fortress Songs
3  Farewell to Sicily
4  The Ballad of Wadi Maktilla
5  The Dying Soldier
6  The Ghost Army of Korea
7  Browned Off
8  When this Ruddy War is Over
9  Join the British Army
10  On the Move Tonight
11  The Second Front Song
12  Seven Years in the Sand
13  Hand Me Down Me Petticoat
14  The Young Trooper Cut Down In His Prime
15  Bless ‘Em All

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VARIOUS ARTISTS The Music of Cape Breton 1 TSDL353

This anthology of traditional, Gaelic singing and instrumental music has been selected from recordings made in the spring and summer of 1976 in Cape Breton Island, Nova Scotia. Until recent decades Cape Breton has existed in relative cultural isolation, and is now the only region in North America to have retained the Gaelic language, along with the wealth of songs and instrumental tunes, that arrived with the early 19th-century immigrants from the Highlands and Western Islands of Scotland. Since that time a highly evolved and varied folk-culture has flourished in the Gaelic-speaking rural communities down to the present, making this small corner of the Canadian Maritimes one of the most important areas of living Gaelic tradition remaining today.

1.    An t-Each Ruadh  Alexander Kerr with the North Shore Singers
2.    Slow Air: Coilsfield House Dan Joe MacInnis violin with Theresa MacLean piano
3.    Hinn, Heinn Thog Iad Amach. Mrs Rod McLean
4.    March, Reel & Jig: The Glencoe March / The Sandpoint / Untitled Joe Burke harmonica with Marie MacLellan piano
5.     Mo Nigh An Donn As Bòidche Malcolm Angus MacLeod
6.     Strathspeys & Reels: Captain Campbell / Marnoch Strathspey / Mrs General Campbell / Allt a’Ghobhainn (The Smith’s Burn) / O, She’s Comical /  Sandy MacIntyre’s Trip to Boston / Sir Reginald MacDonald / Dan J Campbell’s Reel Mike MacDougall violin with Mary Jessie MacDonald     piano
7.     Ma Phosas Mi Lauchie MacLellan
8.     Maili Dhonn, Bhoidheach Dhonn John Shaw with the North Shore Singers
9.     Tha Mo Ghaol Air ‘Aird a’ Chuain Tommy MacDonald
10.    Strathspeys & Reels: Sir Thomas Sinclair Ray / The Highlanders’ Farewell / Miss Lyle’s Strathspey / Miss Lyle’s reel / Sandy is my Darling / Bonnie Annie Alex Francis MacKay violin with Fr. John Angus Rankin piano
11.    O A Hù A, Nighean Dubh, Nighean Donn Neil MacLean with the North Shore Singers
12.    Jig & Hornpipe: Paddy’s Resource / The Flowers of Edinburgh Alex MacNeil mandolin with Charlie Dobbin mandolin and and Kevin McCormick piano
13.     Na h-Ighneagan Donna, Boidheach Lauchie MacLellan
14.     Ma Bhuannaich Thu Nighean Ghrinn Murdo MacAskill with the North Shore Singers

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EWAN MACCOLL The Manchester Angel TSDL147

Ewan MacColl was one of the architects of the mid twentieth century British folk revival. A polemicst, writer and a singer of extraordinary dramatic power. His influence on the whole movement has been of the utmost importance. MacColl’s singing brings both the past alive and expresses the mood of his own times.
1  We Poor Labouring Men
2  Georgie
3  Barbara Allen
4  Sheepcrook and Black Dog
5  Bramble Briar (Strawberry Town)
6  One Night As I Lay On My Bed
7  The Grey Cock
8  To the Begging I Will Go
9  The Sheep-Stealer
10  The Manchester Angel
11  The Bold Richard
12  The Press Gang
13  Round Cape Horn
14  Through Moorfields
15  Homeward Bound

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The STEWART FAMILY The Travelling Stewarts TSDL179

The Stewarts are a proud family of Scots travellers who claim descent from the Royal House of Stewart and who have music in their bones. Belle Stewart was one of the great traditional ballad singers and her daughters, Sheila and Cathie, inherited the family talent in full measure. Belle’s husband Alex Stewart was a fine exponent of the Highland warpipes. For The Travelling Stewarts album the family were joined by many of their relatives, including Jeannie Robertson, Lizzie Higgins and Davy Stewart.

‘You’ll never see me laughing or shouting at a Pakistani or anybody like that; no, never… Long, long years ago when I was a wee boy. My auld mother told me that all travellers came from the same place as these people. and so I never do anything that might offend them. Anyway, they`re having a hard time of it. just like the travellers…’
Davy Stewart, itinerant singer.

1    Johnnie, My Man  Lizzie Higgins
2    Willie’s Fatal Visit  Jeannie Robertson
3    The Battle’s O’er; Scotland the Brave; The 51st Division in Egypt  Played by Donald and Isaac Higgins, pipes
4    Bogie’s Bonnie Belle  Jane Stewart
5    McGinty’s Meal and Ale  Davy Stewart
6    My Bonnie Tammy  Christina Stewart
7    MacPherson’s Lament  Maggie McPhee
8    The Drunken Piper; Brig o’ Perth; Reel o’ Tulloch  Played by Alex Stewart, pipes
9    Loch Dhui  Belle Stewart acc. Alex Stewart, goose
10   The Dawning of the Day  Cathie Stewart, acc. Alex Stewart, goose
11   Donald’s Return to Glencoe  Sheila Stewart

Recorded in Scotland by Bill Leader, 1967
First Issued by Topic 1968

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VERA ASPEY The Blackbird TSDL356

TSDL356Vera Aspey’s 1977 solo LP garnered lavish praise on release, Maurice Rosenbaum of the Daily Telegraph declaring it one of his albums of the year. A selection of mostly traditional material, with one Gary and Vera Aspey original and an Alfred Noyes poem set to the music of Phil Ochs, this album showcased Vera’s range and talent to stunning effect.

1. The Blackbird
2. Owd Betty Barlow
3. Ladybird
4. The Maypole Inn
5. The Pit Brow Lassies
6. My Johnny Was a Shoemaker
7. Coal Black Faces
8. The Highwayman
9. Shule Agra
10. Aggie Bell
11. The Sprig of Thyme

Produced by Tony Engle.

First issued by Topic Records 1977.

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PADDY TUNNEY A Wild Bees’ Nest TSDL139

Paddy Tunney of Donegal is a supremely gifted lyrical singer and a master of intricate vocal ornament. The songs he sings are as deeply and genuinely romantic as the green countryside and dark mountains of his native country. A Wild Bees’ Nest is one of his finest records.

1  The Rollicking Boys Around Tandaragee
2  The Colleen Rue
3  The Flower of Sweet Strabane
4  The Waterford Boys
5  Easter Snow
6  I Once Had a True Love
7 Sheela Nee Eyre
8  When a Man’s In Love
9  The Banks of Dunmore
10  Bonny Tavern Green
11  Castlehyde

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SEAMUS ENNIS The Wandering Minstrel TSDL250

Séamus Ennis was an inspiration to countless musicians around the world. He is numbered amongst the greatest Irish pipers of the twentieth century (as well as a tremendous storyteller and an inveterate folksong collector). His sole album for Topic records captured his pipe playing during a highpoint of his career and is regarded by many afficionados as one of his finest recordings.
1  The Wandering Minstrel / Jackson’s Morning Brush
2  The Boys of Bluehill / Dunphy’s Hornpipe
3  The Glen-Nephin Cuckoo / The Little Fair Cannavans
4  The Frieze Britches
5  The Flags of Dublin / The Wind that Shakes the Barley
6  The Little Stack of Barley / Cronin’s Horpipe
7  The New Demesne
8  The Blackbird
9  Gillan’s Apples / The Walls of Liscarroll / The Stone in the Field
10  Molly O’Malone
11  Kiss the Maid Behind the Barrel
12  Happy to Meet & Sorry to Part

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JOHN KIRKPATRICK & SUE HARRIS Shreds And Patches TSDL355

John Kirkpatrick and Sue Harris play a beautiful blend of Kirkpatrick’s morris dance based accordion-driven music and Sue’s classically trained oboe arrangements. Throughout the 1970s they were a sought after act on the UK folk scene and recorded a number of fine albums for the Topic label. ‘Shreds and Patches’ is regarded by many aficionados as one of their finest.
1  Waterman’s Dance
2  The Gipsy Laddie
3  Apple Core / Nipper
4  The Tailor and the Louse
5  Peg Huglestone’s Hornpipe
6  Little Sir William
7  The Game of All Fours
8  Penny For Them
9  Whitefryer’s Hornpipe / Shreds and Patches
10  Johnny Sands
11  Oakham Poachers
12  Bread and Jam Waltzer / Mr Gubbin’s Bicycle

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The New HIGH LEVEL RANTERS TSDL425

This was the first recording made by the New High Level Ranters. It sees the group changed by the departure of Alistair Anderson and Tom Gilfellon, wholeft to pursue their own ways in making their own kind of music. The two lads who replace them are Jim Hall and Peter Wood, who contribute their particular skills in playing and singing, thus continuing the Ranters’ commitment to British folk music and especially the music of the North East of England.

The original members of the group are Colin Ross and Johnnie Handle, who are perhaps too well-known to merit description. Anyway, Colin plays the fiddle and pipes and Johnnie sings and plays the accordion. There was never any doubt in their minds that the group would carry on after Ali and Tom left, so it was only natural that Jim and Pete, fellow members of Folk Song and Ballad Club, Newcastle, be asked to come into the Ranters.

1  Fisherman’s Friend / Black and Grey
2  Ca’ Hawkie
3  The Old Drove Road / Kennedy North
4  Jim Jones
5  The Tynemouth Volunteer Life Brigade
6  John Peel
7  Durham Regatta / Little Jenny
8  The Snows They Melt the Soonest
9  Yellow Haired Laddie / The Glen Coe March
10  New Song of the Coal
11  Skipper’s Wedding
12  The Duke of Fife / Maggie Laudert

First published by Topic Records 1982

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ANDREW CRONSHAW Till The Beasts’ Returning TSDL447

Andrew Cronshaw – musical explorer and enthusiast – recorded several fine albums for Topic records during the 1980s and ’90s. Till The Beasts’ Returning is undoubtedly the finest – a magical collection of tunes from the far north of Scotland, from the pen of Mr Cronshaw plus a delightful solo reading of ‘Our Captain Cried’ by the incomparable June Tabor.
1  The Dark-Haired Youth / Taladh ar Slanair
2  Freumh as Craobh Taigh Challadair (The Hawthorn Tree of Cawdor)
3  Wasps In The Woodpile
4  Turning The Tide
5  Alala de Castro / Ronda de Cuestacion
6  Seana Mhellan
7  Giullan nam Bo (The Cow Boy)
8  Our Captain Cried
9  Ho Ho Nighean Donn (Ho Ho, Brown Maid) / The First of May / The Prince of Wales’ Jig
10  The Saratoga Hornpipe
11  An Old Highland Air

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THE HOUSE BAND The House Band TSDL439

TSDL439The House Band’s first album, and the first of three for Topic, this was recorded in January 1985, just before a long European tour for the band that year, and a tour of New Zealand at the end of the year and into 1986.   They played original and traditional compositions in a Celtic/British folk style, with influences from reggae, country, pop, jazz and world music.

1 The Tornado Two-Step – The Cooper – The Woodpecker
2 Here’s The Tender Coming
3 Major Harrison’s Fedora
4 War Party – Lost Night
5 An Erminig Hag An Greskenn – The Anti-Social Worker
6 The Pitman’s Grievance
7 E I Ah Could Hew
8 Green Fields of Canada –The Amalgamation
9 Cawsand Bay
10 The Swallowstail – Lady Charlotte Campbell’s – Gordon Campbell’s “Mess”

First issued by Topic Records 1985

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JIMMY McBEATH Wild Rover No More TSDL173

One of Scotland’s best known traditional singers, Jimmy McBeath, was a former farm servant and traveller from Banffshire. He sang in a direct any authoritative style bothy ballads and songs learnt on the road. His 1967 album has long been regarded as a very important collection of traditional song.

1  The Bold English Navvy
2  Come A’ Ye Tramps an’ Hawkers
3  Johnny McIndoe
4  The Wind Blew The Bonnie Lassie’s Plaidie Awa’
5  The Merchant and the Beggar Maid
6  Nicky Tams
7  The Barnyards o’ Delgaty
8  I’m A Stranger in this Country
9  The Moss O’ Burreldale
10  The Highlandman’s Ball
11  McPherson’s Rant
12  Grat For Gruel
13  Drumdelgie
14  Wild Rover No More

First published by Topic 1967

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The IRISH COUNTRY FOUR Songs, Ballads and Instrumental Tunes from Ulster TSDL209

The IRISH COUNTRY FOUR from Belfast had a wonderfully original take on traditional repertoire from Ulster. Their sole recording was reviewed at the time  as ‘an excellent records… they sing the songs and play the tunes of their homeland with an involvement that is quick to rub off on the listener.

1     Reels: Roaring Mary and The Old Torn Petticoat
played by the group (union pipes, whistle, guitar and bones)
2     The Cotton-mill Song
sung by Jess Harpur (w. guitar) and chorus
3    The Granemore Hare
sung by Jess Harpur, acc. Brian Bailie (flute) and Valerie Bailie (guitar)
4     The boys of Mullaghbawn
sung by the group (unaccompanied)
5     Pulling the Lint
sung by Trevor Stewart (unaccompanied)
6      Air: The Melodious Little Fort of Bruff
played by Brian Bailie (whistle)
7     General Munro
sung by Jess Harpur and Valerie Bailie, with Brian Bailie (flute)
8     The Load of Kale Plants
sung by Trevor Stewart, with Brian Bailie (flute)
9     O’Meally’s Hornpipe
played by the group (union pipes, whistle and guitar)
10   Jigs: Kitty’s Bonnet and The Flax-dresser
played by the group (union pipes, whistle, flute, bodhran)
11   The Doffing Mistress
sung by Valerie Bailie, Jess Harpur, Trevor Stewart (w. guitar and mandoline)
12   The Maid of Ballydoo
sung by Jess Harpur (w. guitar) and chorus
13   Air: Blind Mary
played by Trevor Stewart (union pipes)
14   Magherafelt Hiring Fair
sung by Valerie Bailie and Trevor Stewart (w. guitar)
15   The Heights of Alma
sung by Trevor Stewart and Jess Harpur (unaccompanied)
16   P for Paddy
sung by Trevor Stewart, acc. Brian Bailie (flute) and chorus
17   Reels: Martin Mulhaire’s no. 1 / Kitty goes a-milking and Pigeon on the gate
played by the group (whistle, union pipes, bodhran and bones)

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SHIRLEY & DOLLY COLLINS For As Many As Will TSDL380

‘For As Many As Will’ dates from 1978 and was the last studio recording by Shirley & Dolly Collins. The sisters were brought up on the Sussex coast with a strong intuitive for English traditional song. Through a remarkable series of landmark recordings during the 1960s and ’70s they helped define the possibilities of the English folksong revival. ‘For As Many As Will’ includes a stunning reading of Richard Thompson’s ‘Never Again’, alongside fine traditional material like ‘Lord Allenwater’, ‘Gilderoy’, ‘The Moon Shines Bright’ and a medley from John Gay’s ‘The Beggar’s Opera’.
1  Lancashire Lass
2  Never Again
3  Lord Allenwater
4  The Blacksmith Courted Me
5  Beggar’s Opera Medley – Can Love Be Control’d by Advice? / O Polly You Might Have Toy’d and Kist / Oh What Pain it is to Part / The Miser Thus a Shilling Sees / Youth’s the Season Made For Joys / Hither Dear Husband, Turn your Eyes; Lumps of Pudding
6  Gilderoy
7  Rockley Firs / Sweet Jenny Jones
8  German Tune
9  The Moon Shines Bright
10  Harvest Home Medley – Peas, Beans, Oats and the Barley / The Mistress’s Health / Poor Tom

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HARRY BOARDMAN A Lancashire Mon TSDL236

Harry Boardman was a mainstay of the folkscene in his native Lancashire and a singer of great vitality. His extensive repertoire focused on local songs old and new.
Harry Boardman is par excellence Lancashire’s native son. He was born in the cotton town of Failsworth, near Oldham, in 1930. His mother and grandparents were weavers and spinners. Harry himself has worked on the railways and as a printer. He began singing Lancashire songs in his early twenties, and is an outstanding pioneer of the folk song revival in the North-west. The folk song club he founded in Manchester in 1954 was among the first in the country.
He is a devoted researcher into the local traditions of Lancashire – not only the songs but the tales, sayings, speechways and the like, and few can match him for knowledge of the dialect poetry of the region. Not that his interest is merely antiquarian, for he is much concerned with the current history and social developments of his area, as well as its dramatic past.
Lancashire is indeed fortunate to have such a fond delver into its working class culture, and such a fine exponent of its varied and vital traditions.

1 A Lancashire Mon acc. Harry Boardman (banjo) Lesley Boardman (tenor banjo) Gerry Murphy (concertina) Bob Diehl (fiddle)
2 T’Spinner’s Tale recitation
3 The Radcliffe Otter Hunt acc. Gerry Murphy (concertina) Leslie Boardman (mandolin) Bob Diehl (fiddle)
4 Victoria Bridge on a Saturday Night unacc.
5 Kitty and Robin acc. Gerry Murphy (concertina)
6a Saddleworth Buck Rabbit recitation
6b Whoam Brewed acc. himself (melodeon)
7 Warrikin Fain acc. Bob Diehl (fiddle) Gerry Murphy (concertina) Lesley Boardman (mandolin) Tim Boardman (whistle)
8 Spinning Shoddy acc. Harry Boardman (banjo) Lesley Boardman (tenor banjo)
9 To the Begging acc. Lesley Boardman (mandolin) Bob Diehl (fiddle) Gerry Murphy (concertina)
10 The Beltane Song acc. Gerry Murphy (smallpipes) Bob Diehl (fiddle) Lesley Boardman (mandolin) Harry Boardman (drum)
11 The Garland unacc.
12 Owdham on a Saturday Night acc. Bob Diehl (fiddle) Gerry Murphy (concertina) Lesley Boardman (mandolin)
13 Nine Times a Night acc. himself (concertina)

First published by Topic 1973

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The STEWART FAMILY The Stewarts Of Blair TSDL138

There is a Scots saying that a Stewart is ‘either a tinker or sib to the King’. Nobody who knows the Stewarts of Blairgowrie, who spring from a long and famous line of Scots travelling folk, will feel like arguing the toss as to which of these possibilities confers the higher status. By general consent the Stewarts rank high among the singing ‘folk’ families of Europe and the world, and (as Robert Burns would have agreed) this and similar considerations of sense and merit confer the only patent of nobility worth a docken. The descendants of ‘auld Jimmy Stewart of Struan’, who crossed from Perthshire into Aberdeenshire via Glenshee and the Devil’s Elbow about the middle of the last century, are now scattered up and down the high roads and the low roads of Scotland, and there is a flourishing colony of them in Canada. There can be few more musically gifted clans or families in all Europe. Pipers, Fiddlers, melodeon players, tin whistlers can be counted among them in dozens, and you practically never encounter an indifferent performer. Alex’s father, old John Stewart, was one of the finest pipers in Scotland.

Alex, Belle, Cathie and Sheila Stewart recorded in 1965 by Bill Leader

1     Huntingtower
2     Caroline of Edinburgh Town
3     In London’s Fair City
4     Queen Amang the Heather
5     Dowie Dens o’ Yarrow
6     The Lakes o’ Shillin
7     Ower Yon Hill There Lives a Lassie
8     The Convict’s Song
9     Young Jamie Foyers
10    The Corncrake amang the Whinny Knowes
11    Busk, Busk, Bonnie Lassie
12    March; Strathspey; Reel

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DOMINIC BEHAN Easter Week and after TSDL044

TSDL044From Paddy Tunney’s notes in the 1965 issue of this classic Topic LP:

The songs he (Dominic Behan) has selected for this record number sixteen and all tell the story of the Irish Republican Army from the Easter Rising of 1916 to the present day. It is the story of hopes and aspirations, the heartbreaks and bitterness of a race that strove hard but stopped short of full nationhood.

1 Erin Go Brath
2 It’s a Grand Old Country
3 The Recruiting Sergeant
4 Slean Libh
5 Sergeant William Bailey
6 Barry’s Column
7 Roscarbery
8 The Boys of the County Cork
9 Johnston’s Motor Car
10 Sean Tracy
11 Take it Down from the Mast
12 The Castle of Drumboe
13 The Merry Ploughboy
14 Sean South
15 The Oul’ Alarm Clock
16 The Patriot Game

Recorded by Bill Leader 1958
First issued by Topic Records 1959

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BOB DAVENPORT Postcards Home TSDL318

Bob Davenport has one of the most distinctive styles and one of the widest repertoires among singers on the folkclub scene. A favourite performer at festivals and a regular guest at folk clubs throughout Britain, he is a staunch supporter of traditional music.
His 1977 record ‘Postcards Home’ examines hard times and war times through a powerful mix of song, music and speech. Songs by Richard Thompson and Bob Marley are interwoven with traditional music, poetry and music hall songs. As a contemporary Daily Telegraph review noted: “An impressive and timely achievment, full of poetry, irony and lively music.”
1  Byker Hill / Blackleg Miner
2  Durham Gaol Selection: Gypsy Poacher / Durham Gaol / First Time I Saw Durham City / Ball of Yarn / Breaking Sticks
3  Wait Till the Work Comes Round
4  The Winter Time is Coming In / Old Changing Way
5  When a Man Looks Pale / There’s Nae Much Luck About the House
6  We Plough and Sow / Get Up, Stand Up
7  Once I Had A True Love / Lowlands / My Bonnie Lad
8  Great Little Army March
9  Unemployed Men Stand on the Corner / McCafferty / I Don’t Want to Join the Army
10  The House is Crammed / Good Morning Good Morning / Our Soldiers Went to War / If I Was Fierce / If You Want to Find the Colonel / They Didn’t Believe Me
11  Have You Forgotten Yet / When this Bloody War is Over

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ALISON McMORLAND & PETA WEBB TSDL403

“Alison McMorland and Peta Webb are two ladies of immense talent and can be counted among the handful, of either sex, who are supreme in their art. Individually they are well respected; together they make that rare blend that is only to be found in singing of this quality, complementing each other perfectly and, even more rare, each somehow adding to the other to come up with something which is more than the combination of two voices. It is only after listening to the whole record that one becomes aware that there is no instrumental accompaniment.” Dick Gaughan from the original 1980 sleeve notes.
1  Two Pretty Boys
2  What Can A Young Lassie?
3  Jogging Up To Claudy
4  In London So Fair
5  The Convict’s Song
6  Sailing’s A Weary Life
7  The Factory Girl
8  The May Morning Dew
9  The Green Banks Of Yarrow
10  The Dowie Dens Of Yarrow
11  Our Ship Is Ready

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ROY HARRIS The Bitter & The Sweet TSDL217

‘Few singers have such a vigorous, broad-ranging and fresh-sounding song repertoire as Nottingham’s Roy Harris, and none can handle it more convincingly. With Roy Harris at the helm the revival is in safe hands.’ Melody Maker 1973

On The Bitter & The Sweet Roy is accompanied by Notts Alliance – Ian Stewart, Roger Grimes & Laurence Platt, and Muckram Wakes – Roger Watson, Helen Wainwright & John Tams.

1    Turpin Hero (with Notts Alliance)
2    The Bonny Green Woods (with Muckram Wakes)
3    The Death Of Bill Brown
4    The Three Butchers (self-accompanied on guitar)
5    The Ullswater Pack (with chorus)
6    Poor Owd ‘Oss (with Notts Alliance)
7    General Ludd’s Triumph (with Muckram Wakes)
8    Poverty Knock (with combined groups)
9    The Streams Of Lovely Nancy
10   Robin Hood and The Tanner (with Notts Alliance and Roger Watson, dulcimer)
11   The ‘Royal Oak’
12   Strike The Bell (with Notts Alliance)
13   McCafferty
14   All Through The Ale (with Roger Watson, concertina)

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BERNARD O’SULLIVAN & TOMMY McMAHON Clare Concertinas TSDL1502

Bernard O’Sullivan was a farmer and concertina player of Country Clare, with an extensive repertoire of traditional tunes, when these recordings were made in 1975 by John Tams and Neil Wayne. His companion Tommy McMahon, a generation younger, learnt both from Bernard an from his wide contest experience, which included All-Ireland senior championship prizes in 1971, ’72 and ’73.

1   Polkas: The Babes in the Wood / Cooraclare Polka / Clare Dragoons Bernard O’Sullivan / Tommy McMahon
2   Jigs: The Shady Groves of Piedmont / The Humours of Ennistymon Bernard O’Sullivan / Tommy McMahon
3   Reels: The Old Torn Petticoat / Tommy People’s Favourite Tommy McMahon
4   Set dance: Mount Fabus Hunt Bernard O’Sullivan / Tommy McMahon
5   Reels: Ollie Conway’s Selection Tommy McMahon
6   Reels: Kilrush Races / The Clogher Reel / Burren Reel Tommy McMahon / Bernard O’Sullivan
7   Set dance: Bonaparte’s Retreat Tommy McMahon / Bernard O’Sullivan
8   March: Bonaparte’s March Bernard O’Sullivan
9   Jigs: Barron’s / Jackson’s / The Milltown Jig Tommy McMahon
10  Set dance: Rodney’s Glory Tommy McMahon / Bernard O’Sullivan
11  Reel: Tommy McMahon’s Reel Tommy McMahon
12  Waltz: Over The Waves Bernard O’Sullivan / Tommy McMahon
13  Polkas: Girl I Left Behind / Maggie in the Wood Bernard O’Sullivan
14  Jigs: Martin Talty’s / Thomas Friel’s / Joe Cunnean’s Tommy McMahon
15  Hornpipes: Sean Ryan’s / Danganella hornpipe Tommy McMahon
16  Set dance: Job O’ Journeywork Tommy McMahon / Bernard O’Sullivan
17  Reels: The Ash Plant / The Maid of Mount Cisco Bernard O’Sullivan / Tommy McMahon

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JESSE FULLER Move on down the line TSCD134D

Jesse Fuller, “The Lone Cat” (1896 – 1976) was one of the great blues troubadours. A remarkably expressive singer and fine 12-string guitarist, Fuller developed his unique one-man-band style around his fotdella (foot-operated bass) and harmonica/kazoo rig. This collection includes his earliest recordings, including the original version of his classic San Francisco Bay Blues, together with a session taped in London in 1965 for Topic Records.

This album is available on CD from Fledg’ling Records www.thebeesknees.com

1  Move On Down The Line
2  Stealing
3  Ninety-nine Years and One Dark Day
4  Animal Fair
5  Sleeping in the Midnight Cold
6  Stackolee
7  John Henry
8  Railroad Worksong
9  Lining up the Track
10  Hangin’ Round a Skin Game
11  Railroad Blues
12  San Francisco Bay Blues

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A. L. LLOYD and EWAN MacCOLL English and Scottish Folk Ballads TSDL103

TSDL103‘Our ballads are well known in book versions, though it must be said that the great anthologies don’t always contain the best specimens. They are less well known in sung versions, though they were made to be sung, not read. In this connection, the poet Robert Frost has something pertinent to say: “Voice and ear are left at a loss what to do with the ballad until supplied with the tune it was written to go with… Unsung, it stays half-lacking.”   May this record do something to repair a lack.’

From the original sleevenotes by A. L. Lloyd

  1. Henry Martin A. L. Lloyd
  2. The Baron of Brackley Ewan MacColl
  3. The Cruel Mother A. L. Lloyd
  4. Lord Randal Ewan MacColl
  5. The Bitter Withy A. L. Lloyd
  6. The ‘Sweet Kumadie’ Ewan MacColl
  7. The Demon Lover A. L. Lloyd
  8. Hughie the Graeme Ewan MacColl
  9. The Prickly Bush A. L. Lloyd
  10. The Beggar Man Ewan MacColl

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UMPS AND DUMPS The Moon’s In A Fit TSDL416

Umps and Dumps were an exuberant dance band led by John Kirkpatrick and Sue Harris. The ensemble’s sole recording is a splendid example of the energy typical of the English country dance scene of the early 1980s.
1  Up Sides
2  After You’ve Got
3  Woodland Voices
4  The Watercress Girl
5  Maybe She’ll Write Me
6  Rogue’s March / Dashing White Sergeant
7  Marmalade Polka
8  Underneath Her Apron
9  Lichfield Tattoo
10  The Willow Tree
11  Donkey, Jack Donkey / Here it Comes Again
12  Dark Town Strutter’s Ball / Cajun Two Step

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RINGING STRINGS Fiddle Music of Norway-Shetland TSDL429

TSDL429The selections on this record reflect a certain affinity between Norwegian and Shetland musical traditions: a kind of musical bridge over the North Sea. These are conventional recordings, without gimmicks, intended to deepen the appreciation of this unique fiddle music from Northern Europe. This fiddling style is rich in tone-colours, original sounds and lively rhythms. Listeners with a good will and a sense of exploration will come across many fascinating finds.

1     HAUGELATTEN (The Tune from the Hills) Hauk and Knut Buen
2     SELJORD BRIDAL MARCH Tom Anderson with Hauk and Knut Buen
3     GRAVBAKKEN (The Grave Yard) Vidar Lande
4     FILLE-VERN (Ragged-Vern) – walking dance Vidar Lande
5     SORDALEN (Setesdalgangar) Vidar Lande
6     MAGGIE O’HAM (Foula Shaalds Dance) Tom Anderson and Knut Buen with Debbie Scott and Catriona MacDonald
7     PRESTEGANGAREN (The Parson’s Dance) Hauk Buen
8     FYKERUDEN (Homage to Fykerud) Hauk Buen
9     MARKENSMANDAGEN (The Market-Monday) Hauk Buen
10   KNUT LURASEN I (Hjerki Haukeland) Knut Buen
11   MARGIT HJUKSE (Listening Tune) Knut Buen
12   SIRI RUKAREN (Fiddler’s Wife) Hauk Buen
13   BOKKOEN (Dance tune by Bokko) Hauk Buen
14   UNST BRIDAL MARCH/DA BRIDE’S A BOANNIE TING Tom Anderson and Knut Buen
15   HOMSLIEN (Tune of the Goblins) Vidar Lande
16   SKRUBBEN (The Wolf) Vidar Lande
17   NORAFJELLS (North of the Mountains) Vidar Lande

Recorded in Edinburgh, Jondalen and Oslo

First issued by Topic Records 1983

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TSDL280 J SCOTT SKINNER ~ The Strathspey King

J SCOTT SKINNER (1843 – 1927) was in his time the chief composer and exponent of Scots violin music. His own pieces no less than his versions of traditional tunes became settled in the tradition, and a command of the Skinner repertoire and, equally important, the master’s style is among the most respected attainments of a Scots fiddler.

1     The President – Air and Variations
2     Lucania Polka
3     The Freebooter / Tullochgorum / The East Neuk o’ Fife
4     Allegory / The Miller o’ Hirn / Mackenzie Frazer / The Auld Wheel
5     Bagpipe Marches – Athole Highlanders’ Farewell to Loch Katrine / Cameron Highlanders / The Inverness Gathering
6     Celebrated Hornpipes – Arthur Seat / Eugene Stratton / The Banks
7     Highland Reels – Laird o’ Thrums / Gavin M’Millan / Laird o’ Drumblair / Gladstone’s Reel
8     Medley No. 2 – Bonnie Lass o’ Bon Accord / Marquis of Huntly’s Farewell / The Ten Pound Fiddle
9     Highland Schottische No. 2 – Sandy Cameron / Miller o’ Hirn / The Glenlivet
10   Triumph Country Dance – Triumph / Timour the Tartar / The Left Handed Fiddler / Speed the Plough / De’il Among the Tailors
11    Home Sweet Home / The Iron Man Strathspey / The Bungalow Reel
12    Cradle Song – Cradle Song / The Braes of Auchtertyre / The Athole Highlanders’ Farewell to Loch Katrine
13    Glengrant / Tulchan Lodge / The Parrot – Humorous Pizzicato
14    Mrs. Scott Skinner / Mackenzie Hay / The Devil’s Elbow

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VARIOUS ARTISTS The Streets of Glasgow TSDL226

tsdl226This record is a partial musical portrait of Glasgow, the city that more than any other in these islands, arouses shame, admiration and very real fear – the Glasgow of the old tradition, half-pastoral, half-urban, and nothing at all to do with the haggis or saffron kilts or tongued brogues; the Glasgow where the bewildered newcomer from the Highlands faces the line of a hundred grimy tenements; the Glasgow of the Hampden roar, of the bitter snarl of Orange against Green, of the shrill ironies of tough ten-year-olds of the courts of Govan and the concrete wastes of Easterhouse; the Glasgow of the factory gate demo, the Social Security queue, and the UCS work-in.

The Clutha, Terry Dick, Flora MacNeill, Geordie McIntyre, Freddie Anderson, Mick Broderick, Gordeanna McCulloch, Duncan Cameron, John Cameron, children from Barmulloch Primary School

1. DANCE TUNE MEDLEY played by The
Clutha (Calum Allan & Erlend Voy – fiddles; Ron
Alexander – guitar; John Eaglesham – concertina)
2. FOOTBALL SONGS Sung by Terry Dick with
chorus
3. MACDONALD’S FIRST VISIT TO GLASGOW
sung by Flora MacNeill
4. THE SPORTS O’ GLASGOW GREEN sung by
Geordie McIntyre
5. LET GLASGOW FLOURISH recited by
Freddy Anderson
6. THE COLLIER’S EIGHT HOUR DAY sung by
John Eaglesham acc The Clutha
7. THE WEEKEND SONG sung by Gordeanna
McCulloch
8. O’REILLY AND THE BIG MACNEILL sung by
Geordie McIntyre acc. Duncan Cameron – banjo;
Johnny Cameron – guitar
9. BOTTLING SONGS sung by Gordeanna
McCulloch, Sheila Christie with chorus, acc. The
Clutha
10. THE BLEACHER LASSIE O’ KELVINHAUGH
sung by Gordeanna McCulloch
11. THREE NIGHTS AND A SUNDAY DOUBLE
TIME sung by Geordie McIntyre acc. Johnny
Cameron – acoustic guitar; Duncan Cameron –
bass guitar
12. CHILDREN’S STREET & PLAYGROUND
SONGS sung by children of Barmulloch Primary
School
13. THE BALLAD OF THE Q4 sung by Mick
Broderick acc. Johnny Cameron – acoustic guitar;
Duncan Cameron – bass guitar
14. THE WORKS OUTING sung by Geordie
McIntyre acc. Erlend Voy & John Eaglesham –
concertinas
15. MARCH TUNE MEDLEY played by The
Clutha

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BILL CADDICK The Wild West Show TSDL441

Bill Caddick has an enviable reputation – sometime member of the Albion Band, Home Service and songwriter of choice for June Tabor. He has recorded few albums during his long performing career; many fans regard The Wild West Show as one of this finest recordings. The album was recorded by Andrew Cronshaw and sees a crack team of close friends and former Home Service colleagues accompany Caddick, including June Tabor who adds sublime duet vocals to ‘Eights And Aces’.
1  Superman
2  Spanish Nights
3  Fork-lift Truck
4  Moses (Smooth Talking)
5  Two-Fisted Heroes
6  Forgotten The Blues
7  Dance To The Music Of Time
8  Stay On The Line
9  Eights And Aces
10  The Wild West Show

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CURLEW Fiddle Music of Shetland & Beyond TSDL435

Uniting Davy Tulloch’s Shetland Reels and Veronique Nelson’s Wessex airs – with their differing techniques and oral traditions – provide dynamic two-part fiddle playing which combines with the jazzy ensembles of Dave Jackson’s guitar to create an exciting and original new sound. Curlew’s two fiddles adapt dance rhythms and songs, many from Shetland, Scandinavia and Galicia, with guitar and occasional string bass accompaniment. In some pieces a two-part invention or rhythmic counterpart is clearly discernible, making for an invigorating and distinctive style.
1  Shetland Reels: Tilley Plump / Auld Foula Reel / Oot and in da Harbour
2  Air & Hornpipe: Grenadier and his Lady / Eunyssagh Vana
3  Shetland Reels: Da Oyster / Yonder Hills / Fit da Gutter
4  Childgrove / Muiñeira de Cabanas
5  Hornpipe & Reels: Father Tom / Véronique’s Reel / Hamish’s Reel
6  Janne’s Reinlander / The Cambridge
7  Shetland Reels: Da Cauld Nights of Winter / Square da Mizzen / Da Ness of Sound
8  C’raad T’ou Goll my Veg Dhone / Ta Dick Veg Er Yannoo Mie / Nancy
9  Shetland Reels: Ramna Stacks / Da Spirit of Whisky / Gold for da Boannie Lasses
10  Two Norwegian Reinlanders
11  Alvadansur
12  Shetland Reels: Da Road to Houll / John Pottinger’s Compliments to Ronnie Cooper / Simon’s Wart

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