Traditional and contemporary folk from the British Isles

DIGITAL RELEASES

THE WATERSONS, HARRY BOARDMAN & MAUREEN CRAIK New Voices TSDL125

‘New Voices’ was a ground-breaking collection, one of the first albums to feature the younger generation singers of the mid 20th century British folk revival. The record featured the recording debuts of Maureen Craik and Harry Boardman alongside the Watersons’ first recordings for Topic records. Boardman was an important agent in the later ‘Deep Lancashire’ and ‘The Wide Midlands’ projects and made several solo albums for the label. The Watersons career has gone from strength to strength, at the time of writing the various members of the family have continued their recording relationship with Topic for over forty years.
1  Boston Harbour -The Watersons
2  To The Begging – Harry Boardman
3  The White Cockade – Maureen Craik
4  Owdham – Harry Boardman
5  The Greenland Whale Fishery – The Watersons
6  Hard Times – Harry Boardman
7  The Sandgate Girl’s Lament – Maureen Craik
8  Three Score And Ten – The Watersons
9  The Broom of Cowdenknowes – The Watersons
10  Bonny At Morn – Maureen Craik
11  The Hand-Loom Versus The Power-Loom – Harry Boardman
12  A U Hinny Burd – Maureen Craik
13  The Shurat Weaver – Harry Boardman
14  King Arthur’s Servants – The Watersons
15  The Weaver of Wellbrook – Harry Boardman

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JOHNNY DOUGHTY Round Rye Bay For More TSDL324

A former fisherman from Brighton, Johnny Doughty was discovered in his early seventies and recorded for Topic records. His songs, delivered with a vigorous sincerity that belied his age, ranged from classic Elizabethan ballads to locally composed ditties, as well as reflecting his extrovert personality.

1    Herring Heads
2    The Wreck of the Northfleet
3    When I was Single
4    The Golden Vanity
5    The Saucy Sailor
6    Baltimore
7    While Going Round the Cape/Round Rye bay for More
8    Spanish Ladies
9    The Sailor’s Alphabet
10   The Mermaid
11   Marry Me
12   I’m Going to be Mother Today
13   Barbar Allen
14   My Boy Billy
15   Dick Turpin/Let Her Go Back
16   Rye Harbour Girl
17   The Streets of Port Arthur

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BOB DAVENPORT Down The Long Road TSDL274

Bob Davenport has one of the most distinctive styles and one of the widest repertoires of any singer performing in folk clubs. From the North East of England, he relished singing in the pubs of North London frequented by musicians from the Irish community – the Bedford Arms, The Laurel Tree and the Camden Stores. ‘Down The Long Road’ draws upon these two important strands in Bob’s repertoire, as well as the country music of Southern England. Mr. Davenport is variously accompanied by notable Irish musicians – Lucy Farr, Jimmy Power, Johnny Gorman, and by members of Webb’s Wonders, The Rakes and the Leeds Band.
1  Navvy Boots
2  Down the Long Road
3  The Rambling Man
4  Barn Dance Selection: Louis James’ Quadrille / The Dancing Dustman
5  When I Was Single
6  I’m a Poor Unhappy Married Man
7  Jig Selection: When There Isn’t a Girl About / Peggy Wood / Looking for a Partner
8  Wild Wild Whiskey
9  Whiskey in the Jar
10  Reels: The Steam Packet / The Sligo Maid
11  Herbert Smith’s Polka
12  One Day While in the North Country
13  A-Begging I Will Go
14  The Wealthy Squire
15  By Tyne’s Bonny Banks
16  Once I Had an Old Hen
17  Polka Medley: Jenny Lind / J B Milne / The Girl With the Blue Dress On
18  Bogie’s Bonnie Belle
19  Irish Molly Barn Dance
20  Toast / The Blarney Stone

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The STEWART FAMILY The Stewarts Of Blair TSDL138

There is a Scots saying that a Stewart is ‘either a tinker or sib to the King’. Nobody who knows the Stewarts of Blairgowrie, who spring from a long and famous line of Scots travelling folk, will feel like arguing the toss as to which of these possibilities confers the higher status. By general consent the Stewarts rank high among the singing ‘folk’ families of Europe and the world, and (as Robert Burns would have agreed) this and similar considerations of sense and merit confer the only patent of nobility worth a docken. The descendants of ‘auld Jimmy Stewart of Struan’, who crossed from Perthshire into Aberdeenshire via Glenshee and the Devil’s Elbow about the middle of the last century, are now scattered up and down the high roads and the low roads of Scotland, and there is a flourishing colony of them in Canada. There can be few more musically gifted clans or families in all Europe. Pipers, Fiddlers, melodeon players, tin whistlers can be counted among them in dozens, and you practically never encounter an indifferent performer. Alex’s father, old John Stewart, was one of the finest pipers in Scotland.

Alex, Belle, Cathie and Sheila Stewart recorded in 1965 by Bill Leader

1     Huntingtower
2     Caroline of Edinburgh Town
3     In London’s Fair City
4     Queen Amang the Heather
5     Dowie Dens o’ Yarrow
6     The Lakes o’ Shillin
7     Ower Yon Hill There Lives a Lassie
8     The Convict’s Song
9     Young Jamie Foyers
10    The Corncrake amang the Whinny Knowes
11    Busk, Busk, Bonnie Lassie
12    March; Strathspey; Reel

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ROY HARRIS The Bitter & The Sweet TSDL217

‘Few singers have such a vigorous, broad-ranging and fresh-sounding song repertoire as Nottingham’s Roy Harris, and none can handle it more convincingly. With Roy Harris at the helm the revival is in safe hands.’ Melody Maker 1973

On The Bitter & The Sweet Roy is accompanied by Notts Alliance – Ian Stewart, Roger Grimes & Laurence Platt, and Muckram Wakes – Roger Watson, Helen Wainwright & John Tams.

1    Turpin Hero (with Notts Alliance)
2    The Bonny Green Woods (with Muckram Wakes)
3    The Death Of Bill Brown
4    The Three Butchers (self-accompanied on guitar)
5    The Ullswater Pack (with chorus)
6    Poor Owd ‘Oss (with Notts Alliance)
7    General Ludd’s Triumph (with Muckram Wakes)
8    Poverty Knock (with combined groups)
9    The Streams Of Lovely Nancy
10   Robin Hood and The Tanner (with Notts Alliance and Roger Watson, dulcimer)
11   The ‘Royal Oak’
12   Strike The Bell (with Notts Alliance)
13   McCafferty
14   All Through The Ale (with Roger Watson, concertina)

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JOHN KIRKPATRICK & SUE HARRIS Stolen Ground TSDL453

Accordion maestro John Kirkpatrick and the classically-trained oboist Sue Harris created a beautiful blend of English country dance tunes and songs with influences from Music Hall, Flaco Jimenez and Ry Cooder. Throughout the 1970s they were a sought after act on the UK folk scene and recorded a number of fine albums for the Topic label. 1989’s Stolen Ground, the duo’s final album for the Topic label, is undobtedly one of their finest records.
1  Arthur McBride
2  The Juggler
3  Clee Hill Tunes
4  Mother Earth
5  Black Deer
6  Must I Be Bound / Mrs Saggs
7  The Chickens They Are Crowing
8  Shepherd’s Branle
9  The Old Miner

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EWAN MacCOLL Bundook Ballads TSDL130

An anthology of soldiers songs, ribald, cynical and occasionally sentimental. Performed in his inimitable style by Ewan MacColl with Peggy Seeger, Jimmy MacGregor and John Cole.
1  Any Complaints
2  The Fortress Songs
3  Farewell to Sicily
4  The Ballad of Wadi Maktilla
5  The Dying Soldier
6  The Ghost Army of Korea
7  Browned Off
8  When this Ruddy War is Over
9  Join the British Army
10  On the Move Tonight
11  The Second Front Song
12  Seven Years in the Sand
13  Hand Me Down Me Petticoat
14  The Young Trooper Cut Down In His Prime
15  Bless ‘Em All

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BELLE STEWART Queen Among The Heather TSDL307

The Stewarts are a family of Scots travellers who claimed descent from the Royal House of Stewart and have traditional music in their bones. Belle Stewart, a proud, dignified and a distinguished maintainer of noble traditions, ranks alongside Jeannie Robertson in the roll of the finest Scots ballad-singers. ‘Queen Among the Heather’ is the only full album of her work.
1  Queen Among the Heather
2  Here’s a Health to all True Lovers
3  Betsy Belle
4  The Berryfields of Blair
5  The Soft Country Chiel (The Toon o’ Dalry)
6  Whistlin’ at the Ploo’
7  The Bonnie Wee Lassie frae Gourock
8   The Overgate
9  Blooming Caroline o’ Edinburgh Toon
10  Busk, Busk, Bonnie Lassie
11  Late Last Night
12  The Twa Brothers
13  Leezie Lindsay

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TSDL283 VARIOUS ARTISTS ~ Holey Ha’penny

Classic recordings of Traditional Music from the North-East of England
This record serves as a documentary of the thriving North-Eastern country music tradition in the second half of the 20th century. A tradition that continues to this day. Holey Ha’Penny is chiefly drawn from the 1954 field recordings by Peter Kennedy, with the addition of the only known record of the famous Northumbrian piper Tom Clough.

Tom Clough – Northumbrian Pipes        4.1.29
Jake Hutton – Fiddle, Bewcastle Fells, Cumberland 30.6.54
Tom Hunter – Fiddle, Bewcastle Fells, Cumberland 30.6.54
Billy Ballantine – Piccolo, Bewcastle Fells, Cumberland 30.6.54, Haydon Bridge, Northumberland 6.7.54 and Wark, Northumberland 29.6.54
Jimmy Hunter – Mouth organ, Haydon Bridge, Northumberland 6.7.54
Jim Rutherford – Fiddle, Otterburn, Northumberland 8.7.54
Ned Pearson – Fiddle, Cambo, Morpeth 16.6.54
Joe Hutton – Pipes, Stuart Shields, Otterburn, Northumberland 11.7.54
Adam Gray – Fiddle, Barden Mill, Northumberland 1.7.54
Willy Taylor – Melodeon, Warenford, Northumberland 7.6.54, Fiddle, Warenford, Northumberland 7.6.54
Bob Clark – Jews harp, Wltittingham, Northumberland 9.6.54
John Hepple – Pipes, Haltwhistle, Northumberland 1.7.54
George Hepple – Fiddle, Haltwhistle, Northumberland 1.7.54

1    Ho’ley Ha’Penny/Elsie Marley Tom Clough
2    The Gilsland Hornpipe Tom Hunter, Billy Ballantine
3    Morpeth Rant Jim Rutherford
4    Proudlocks Hompipe Billy Ballantine
5    Billy Ballantine’s Reel Billy Ballantine
6    Father’s Polka Ned Pearson
7    Schottische Ned Pearson
8    Varsoviana (Old and New) Ned Pearson
9    Highland Laddie  Ned Pearson
10   My Lodging is on Cold Ground/Bonnie Dundee Joe Hutton
11   Roxburgh Castle/Devil among the Tailors Joe Hutton
12   The Roman Wall Adam Gray
13   Tom Hepple’s Polka (The Girl with the Blue Dress On) Adam Gray
14   The Tow House Polka Adam Gray
15   The Kielder Schottische Jake Hutton, Tom Hunter, Billy Ballantine
16   The Keel Row (with variations) Tom Clough
17   Schottische Billy Ballantine, Jimmy Hunter
18   My Lodging’s on Cold Ground/Blow the Wind Southerly Billy Ballantine, Jimmy Hunter
19   Corn Rigs/The Manchester Hornpipe Bob Clark
20   The Linehope Lope Willy Taylor
21   Willy Taylor’s Polka Willy Taylor
22   Nae Good Luck – jig Willy Taylor
23   Whittingham Green Lane/Ward’s Brae John Hepple, George Hepple
24   Bonny North Tyne Billy Ballantine
25   Mosstrooper’s Polka Billy Ballantine
26   The Coquet Reel Billy Ballantine
27   Heel and Toe Polka Ned Pearson
28   The Pin Reel – jig Ned Pearson
29   Cambo March Ned Pearson
30   The Ferry Boat George Hepple
31   Malorca/Herd on the Hill/Devil among the Tailors John Hepple, George Hepple

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BERNARD O’SULLIVAN & TOMMY McMAHON Clare Concertinas TSDL1502

Bernard O’Sullivan was a farmer and concertina player of Country Clare, with an extensive repertoire of traditional tunes, when these recordings were made in 1975 by John Tams and Neil Wayne. His companion Tommy McMahon, a generation younger, learnt both from Bernard an from his wide contest experience, which included All-Ireland senior championship prizes in 1971, ’72 and ’73.

1   Polkas: The Babes in the Wood / Cooraclare Polka / Clare Dragoons Bernard O’Sullivan / Tommy McMahon
2   Jigs: The Shady Groves of Piedmont / The Humours of Ennistymon Bernard O’Sullivan / Tommy McMahon
3   Reels: The Old Torn Petticoat / Tommy People’s Favourite Tommy McMahon
4   Set dance: Mount Fabus Hunt Bernard O’Sullivan / Tommy McMahon
5   Reels: Ollie Conway’s Selection Tommy McMahon
6   Reels: Kilrush Races / The Clogher Reel / Burren Reel Tommy McMahon / Bernard O’Sullivan
7   Set dance: Bonaparte’s Retreat Tommy McMahon / Bernard O’Sullivan
8   March: Bonaparte’s March Bernard O’Sullivan
9   Jigs: Barron’s / Jackson’s / The Milltown Jig Tommy McMahon
10  Set dance: Rodney’s Glory Tommy McMahon / Bernard O’Sullivan
11  Reel: Tommy McMahon’s Reel Tommy McMahon
12  Waltz: Over The Waves Bernard O’Sullivan / Tommy McMahon
13  Polkas: Girl I Left Behind / Maggie in the Wood Bernard O’Sullivan
14  Jigs: Martin Talty’s / Thomas Friel’s / Joe Cunnean’s Tommy McMahon
15  Hornpipes: Sean Ryan’s / Danganella hornpipe Tommy McMahon
16  Set dance: Job O’ Journeywork Tommy McMahon / Bernard O’Sullivan
17  Reels: The Ash Plant / The Maid of Mount Cisco Bernard O’Sullivan / Tommy McMahon

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TOMMY HEALY & JOHN DUFFY Memories Of Sligo TSDL335

Irish music in the old ‘Sligo Style’ was carried far and wide by such migrant sons as Michael Coleman, Paddy Killoran and Michael Gorman. It was the tradition that two London based musicians – Tommy Healy (flute) and Johnny Duffy (fiddle) – grew up in. They continued adhering to the style playing at home in Ireland and later in London. Accompanied by pianist Reg Hall the two are beautifully captured on this intimate recording from the mid-1970s.
1  Reels: Tarbolton / The Longford Collector / The Sailor’s Bonnet
2  Jigs: The Wandering Minstrel / Fasten the Legging / The Smash
3  Hornpipes: The Rights of Man / The Honeysuckle
4  Reels: The Boys at the Lough / The Merry Blacksmith
5  Jigs: The Scotsman Over the Border / Tell Her I Am
6  Reels: The Montua / The Happy Days of Youth
7  Reel: Fred Finn’s Reel
8  Reel; The First Part of the Lancers
9  Jigs: The Gold Ring / Richard Brennan’s Favourite
10  Reels: Miss McLeod / The Wild Irishman
11  Jig: The Grey Goose
12  Reels: The Humours of Lissadel / Sweeney’s Dream
13  Jigs: Cavan Lasses / Rose of the Heather
14  Reels: The Enchanted Lady / The Holy Land
15  Waltz: Mrs Kenney
16  Reels: Martin Wynne’s No.1 & No.2

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VARIOUS ARTISTS The Music of Cape Breton 1 TSDL353

This anthology of traditional, Gaelic singing and instrumental music has been selected from recordings made in the spring and summer of 1976 in Cape Breton Island, Nova Scotia. Until recent decades Cape Breton has existed in relative cultural isolation, and is now the only region in North America to have retained the Gaelic language, along with the wealth of songs and instrumental tunes, that arrived with the early 19th-century immigrants from the Highlands and Western Islands of Scotland. Since that time a highly evolved and varied folk-culture has flourished in the Gaelic-speaking rural communities down to the present, making this small corner of the Canadian Maritimes one of the most important areas of living Gaelic tradition remaining today.

1.    An t-Each Ruadh  Alexander Kerr with the North Shore Singers
2.    Slow Air: Coilsfield House Dan Joe MacInnis violin with Theresa MacLean piano
3.    Hinn, Heinn Thog Iad Amach. Mrs Rod McLean
4.    March, Reel & Jig: The Glencoe March / The Sandpoint / Untitled Joe Burke harmonica with Marie MacLellan piano
5.     Mo Nigh An Donn As Bòidche Malcolm Angus MacLeod
6.     Strathspeys & Reels: Captain Campbell / Marnoch Strathspey / Mrs General Campbell / Allt a’Ghobhainn (The Smith’s Burn) / O, She’s Comical /  Sandy MacIntyre’s Trip to Boston / Sir Reginald MacDonald / Dan J Campbell’s Reel Mike MacDougall violin with Mary Jessie MacDonald     piano
7.     Ma Phosas Mi Lauchie MacLellan
8.     Maili Dhonn, Bhoidheach Dhonn John Shaw with the North Shore Singers
9.     Tha Mo Ghaol Air ‘Aird a’ Chuain Tommy MacDonald
10.    Strathspeys & Reels: Sir Thomas Sinclair Ray / The Highlanders’ Farewell / Miss Lyle’s Strathspey / Miss Lyle’s reel / Sandy is my Darling / Bonnie Annie Alex Francis MacKay violin with Fr. John Angus Rankin piano
11.    O A Hù A, Nighean Dubh, Nighean Donn Neil MacLean with the North Shore Singers
12.    Jig & Hornpipe: Paddy’s Resource / The Flowers of Edinburgh Alex MacNeil mandolin with Charlie Dobbin mandolin and and Kevin McCormick piano
13.     Na h-Ighneagan Donna, Boidheach Lauchie MacLellan
14.     Ma Bhuannaich Thu Nighean Ghrinn Murdo MacAskill with the North Shore Singers

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THE HOUSE BAND The House Band TSDL439

TSDL439The House Band’s first album, and the first of three for Topic, this was recorded in January 1985, just before a long European tour for the band that year, and a tour of New Zealand at the end of the year and into 1986.   They played original and traditional compositions in a Celtic/British folk style, with influences from reggae, country, pop, jazz and world music.

1 The Tornado Two-Step – The Cooper – The Woodpecker
2 Here’s The Tender Coming
3 Major Harrison’s Fedora
4 War Party – Lost Night
5 An Erminig Hag An Greskenn – The Anti-Social Worker
6 The Pitman’s Grievance
7 E I Ah Could Hew
8 Green Fields of Canada –The Amalgamation
9 Cawsand Bay
10 The Swallowstail – Lady Charlotte Campbell’s – Gordon Campbell’s “Mess”

First issued by Topic Records 1985

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VIN GARBUTT Tossing A Wobbler TSDL385

Born in Middlesborough of Anglo-Irish descent, Vin Garbutt has an enviable reputation as a singer and songwriter of fine socially conscious, and environmentally aware songs. ‘Tossin’ A Wobbler’ from 1978 is regarded as one of his finest recordings.
1  Man of the Earth
2  Legend of Roseberry
3  Long Note / Lads of Laois / Le Reel Jeune Marie
4  Photographic Memory
5  Yorkshire Volunteer’s Farewell to the Good Folks of Stockton / Push About the Jorum
6  St. Helena’s March
7  Carrigdhoun
8  The Freemantle Doctor
9  One-Legged Beggar
10  They Don’t Write ‘Em Like That Any More

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JOHN KIRKPATRICK & SUE HARRIS Among The Many Attractions At The Show Will Be A Really High Class Band TSDL295

A hugely popular act on the British folk scene, John Kirkpatrick and Sue Harris, made a series of fine records for the Topic label. John had also recorded with Ashley Hutchings’ Morris On band and with Richard Thompson; both were founder members of the Albion Country Band and John would later join Steeleye Span. Their duo records are cherished by aficionados of the finest English country music from the mid-20th century revival.
1  The Edgmond Men’s Souling Song
2  Artichokes and Cauliflowers
3  The Bricklayers / Double Change Sides
4  The Cherry Tree Carol
5  John of the Greeney Cheshire Way
6  A Shropshire Lad
7  I Wish, I Wish
8  Old Sir Simon the King
9  Adieu to Old England
10  The Blue Eyed Stranger / The Winster Morris Reel
11  Jim Jones
12  Blacksmith’s Morris / Charles’s Hornpipe
13  Cold Blows the Wind
14  Wilson’s Favourite / Shrewsbury Wakes

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UMPS AND DUMPS The Moon’s In A Fit TSDL416

Umps and Dumps were an exuberant dance band led by John Kirkpatrick and Sue Harris. The ensemble’s sole recording is a splendid example of the energy typical of the English country dance scene of the early 1980s.
1  Up Sides
2  After You’ve Got
3  Woodland Voices
4  The Watercress Girl
5  Maybe She’ll Write Me
6  Rogue’s March / Dashing White Sergeant
7  Marmalade Polka
8  Underneath Her Apron
9  Lichfield Tattoo
10  The Willow Tree
11  Donkey, Jack Donkey / Here it Comes Again
12  Dark Town Strutter’s Ball / Cajun Two Step

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 HEDY WEST Ballads TSDL163

Many of the finest traditional ballads from the British Isles were preserved by the families of settlers in the American South, where they existed alongside native American balladry. Hedy West, a native of North Georgia in the Appalachians, was one of the very few performers who were at home with the various manners of performing these ballad traditions. ‘Ballads’ is a splendid recording from 1967 which continues to influence contemporary musicians like Martin Simpson, three decades later.
1  The Foggy Dew
2  Girl I Left In Danville
3  The Unquiet Grave
4  Beaulampkin
5  Down In Adairsville
6  The Sheffield Apprentice
7  Lucy Wan
8  Little Sadie
9  The Cruel Mother
10  Love Henry
11  The Texan Rangers
12  George Collins

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ARCHIE FISHER Will Ye Gang, Love TSDL277

Archie Fisher’s is a multifaceted talent. He is simultaneously a singer with great interpretive flair, a songwriter whose compositions have been taken up by many leading singers, a musician of outstanding ability and a skilled raconteur. Above all else he is a man of influence, whose taste and style have shown the way for many artists. ‘Will Ye Gang, Love’ was recorded in 1976 and captures a musician at the height of his powers.
1  O Charlie, O Charlie
2  Lindsay
3  The Broom a’ the Cowdenknowes
4  Mally Lee
5  Will Ye Gang, Love
6  The Flower of France and England, O
7  The Laird o’ Windy Wa’s
8  Men O’ Worth
9  Looly, Looly
10  Dreg Song
11  Adam Cameron
12  Blackbirds and Thrushes
13  The Gallant Ninety Two
14  The Rovin’ Ploughboy

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MARTIN SIMPSON Sad or High Kicking! TSDL438

Martin Simpson has spoken of his early studio recordings as “scrapbooks of the millions of things that I was into at that time.” For most fans this 1986 album displays a young master developing a remarkable relationship with his guitar.
1  Jazzman
2  Shawnee Town
3  Moth
4  Living Without You
5  For Jessica, Sad or High Kicking / My Dearest Dear
6  Icarus
7  No Depression in Heaven
8  Let It Be Me
9  Stillness in Company
10  The Lakes of Ponchartrain

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JOHN LYONS ~ The May Morning Dew TSDL248

JOHN LYONS of Crussa, County Clare, lived amidst the traditional music of his area of Ireland all of his life and was a very fine singer and melodeon player. This recording from 1974 manages to capture both the nuances and strengths of his music.

“The fervour and humour of these performances make attractive listening.” Ballymena Guardian.

1  The Maid on the Shore
2  The May Morning Dew
3  Morrison’s Jig / The Pipe on the Hob
4  The Tailor Bawn
5  After Aughrim
6  The Boys of Barna-shraide
7  Erin’s Lovely Lea
8  The Blackthorn / Unnamed reel
9  Farmer Michael Hayes
10  The Lambs on the Green Hills
11  Fiac an Madrarua
12  Kitty’s Wedding
13  Farewell, Lovely Mary

First published by Topic 1974

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THE OLDHAM TINKERS For Old Time’s Sake TSDL276

The Oldham Tinkers specialise in the local songs and ballads of their native South Lancashire, and have an immense following. All the salt and savour of Lancashire song and humour is to be enjoyed in their records. ‘For Old Time’s Sake’ their third album for the Topic record label was popular with the late John Peel. He played their material often on his BBC radio programme, especially the tall tale of ‘John Willie’s Horse’.
1  Signora
2  Eaur Joe’s Lad
3  John Willie’s Horse
4  Barefoot Days Medley
5  Lancashire Witches
6  Come Whoam to Thi Childer an’ Me
7  Johnny Bugger
8  Billy Winker
9  Bits O’ Bromley Street
10  The Condemned Cell
11  The Maypole
12  For Old Time’s Sake

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TSDL143 The EXILES ~ Freedom, Come All Ye

The EXILES – Enoch Kent, Bobby Campbell and Gordon McCulloch – were an innovative group of Scots singers and instrumentalists, away from their native home, whose repertoire extended over both traditional and contemporary fields. Freedom, Come All Ye was their debut Topic recording from 1966 is acknowledged as a classic.

Enoch Kent – vocal & whistle
Bobby Campbell – vocal, fiddle, mandolin, mandola & guitar
Gordon McCulloch – vocal, guitar, banjo & harmonica
Paul Lenihan – vocal *

1     The Ballad of Accounting
2    The Moving-On song
3    We’re Only Over Here For Exploration*
4    Thank Christ for Christmas
5    The Pigeon
6    The Poud-a-Week Rise
7    Freedom, Come All Ye
8    For A’ That and A’ That
9    Arthur MacBride
10  Willie Brennan
11  Wae’s Me for Prince Charlie
12  La Pique
13  Van Dieman’s Land
14  Twa Recruiting Sergeants

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The IRISH COUNTRY FOUR Songs, Ballads and Instrumental Tunes from Ulster TSDL209

The IRISH COUNTRY FOUR from Belfast had a wonderfully original take on traditional repertoire from Ulster. Their sole recording was reviewed at the time  as ‘an excellent records… they sing the songs and play the tunes of their homeland with an involvement that is quick to rub off on the listener.

1     Reels: Roaring Mary and The Old Torn Petticoat
played by the group (union pipes, whistle, guitar and bones)
2     The Cotton-mill Song
sung by Jess Harpur (w. guitar) and chorus
3    The Granemore Hare
sung by Jess Harpur, acc. Brian Bailie (flute) and Valerie Bailie (guitar)
4     The boys of Mullaghbawn
sung by the group (unaccompanied)
5     Pulling the Lint
sung by Trevor Stewart (unaccompanied)
6      Air: The Melodious Little Fort of Bruff
played by Brian Bailie (whistle)
7     General Munro
sung by Jess Harpur and Valerie Bailie, with Brian Bailie (flute)
8     The Load of Kale Plants
sung by Trevor Stewart, with Brian Bailie (flute)
9     O’Meally’s Hornpipe
played by the group (union pipes, whistle and guitar)
10   Jigs: Kitty’s Bonnet and The Flax-dresser
played by the group (union pipes, whistle, flute, bodhran)
11   The Doffing Mistress
sung by Valerie Bailie, Jess Harpur, Trevor Stewart (w. guitar and mandoline)
12   The Maid of Ballydoo
sung by Jess Harpur (w. guitar) and chorus
13   Air: Blind Mary
played by Trevor Stewart (union pipes)
14   Magherafelt Hiring Fair
sung by Valerie Bailie and Trevor Stewart (w. guitar)
15   The Heights of Alma
sung by Trevor Stewart and Jess Harpur (unaccompanied)
16   P for Paddy
sung by Trevor Stewart, acc. Brian Bailie (flute) and chorus
17   Reels: Martin Mulhaire’s no. 1 / Kitty goes a-milking and Pigeon on the gate
played by the group (whistle, union pipes, bodhran and bones)

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EWAN MACCOLL The Manchester Angel TSDL147

Ewan MacColl was one of the architects of the mid twentieth century British folk revival. A polemicst, writer and a singer of extraordinary dramatic power. His influence on the whole movement has been of the utmost importance. MacColl’s singing brings both the past alive and expresses the mood of his own times.
1  We Poor Labouring Men
2  Georgie
3  Barbara Allen
4  Sheepcrook and Black Dog
5  Bramble Briar (Strawberry Town)
6  One Night As I Lay On My Bed
7  The Grey Cock
8  To the Begging I Will Go
9  The Sheep-Stealer
10  The Manchester Angel
11  The Bold Richard
12  The Press Gang
13  Round Cape Horn
14  Through Moorfields
15  Homeward Bound

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DOMINIC BEHAN Down By the Liffeyside: Irish Street Ballads TSDL035

Long the enfant terrible of the folk revival, Dominic Behan – poet, patriot, playwright and rebel – spills over with outrageous talent. This archive recording from 1960 shows him as a powerful and honest singer, a worthy heir of the great Dublin heritage of song and ballad. Behan is accompanied by Peggy Seeger, Leon Rosselson and Ralph Rinzler.

1  Get Me Down Me Filling Knife
2  The Saint
3  Down By the Liffeyside
4  Ross’ Farewell to Dublin
5  Waxy Dargell
6  Red Roses For Me
7  Thank You Mam, Said Dan
8  John Mitchell
9  The Finding of Moses
10  Master McGrath
11  Dicey Riley
12  Finnegan’s Wake
13  The Women are Worse that the Men
14  Easy and Slow
15  The Spanish Lady
16  The Twang Man
17  Bold Robert Emmett
18  Biddy Mulligan

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JOHN REILLY The Bonny Green Tree TSDL359

thebonnygreentree_12t359A man who did not read or write but who was one of the most learned men to grace the roads of Ireland. John Reilly now lies with his mother in an un-marked grave in the cemetery of Ballaghadereen. But he has here a memorial more fitting than stone. The songs he loved and which were part of the very fabric of his existence still live on.

1. Adieu Unto All True Lovers
2. The Raggle Taggle Gypsy
3. The Well Below the Valley
4. Tippin’ lt Up to Nancy
5. Lord Baker
6. Old Caravee
7. The Bonny Green Tree
8. Once There Lived a Captain
9. Peter Heany
10. What Put the Blood?
11. Rozzin Box
12. The Braes of Strawblane
13. One Morning I Rambled from Glasgow
14. The Pride of Cloonkeen

Produced by Tom Munnelly, Roly Brown and Tony Engle.

First issued by Topic Records 1978.

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JOHN BURGESS The Art Of The Highland Bagpipe vol. 2 TSDL326

John Burgess, master player, is again at the top of his form in this recording. His interpretation of the two piobaireachds will be treated by enthusiasts as archive material, to be savoured and enjoyed again and again. In the light music he is, as always, at his brilliant best, displaying an excellence of technique and a mastery of expression that can serve as a standard for pipers everywhere. He reveals also, for the first time on any recording, his considerable talent as a composer, his arrangement of the Mason’s Apron is exciting and unexpected and shows yet another facet of this great piper’s talent.

1   2/4 Marches: The Knightswood Ceilidh / Father John MacMillan of Barra
2   Slow airs: Leaving Loch Boisdale / The Angler’s Lament
3   6/8 Marches: Seumas MacNeill / John D Burgess
4   Strathspey & reel: Johnnie Ross, Craigard / Captain Lachlan MacPhail of Tiree
5   Jigs: Daphne Shephard / The Herring Wife
6   Piobaireach: The Lament for Duncan MacRae of Kintail
7   2/4 Marches: John MacFadyen of Melfort / Willie MacLean / Jeannie Carruthers / The Conundrum
8   Strathspey & reel: Lady Loudon / The Rejected Suitor
9   Piobaireach: The Lament for Mary MacLeod
10 Hornpipe: The Mason’s Apron

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JACK AND CHARLIE COEN The Branch Line TSDL337

The Coen brothers, Galwaymen by birth, were both resident in New York when this fine location recording was taped. Jack played the flute and Charlie the concertina, both were distinguished members of the New York Irish community when the folklorist Mick Moloney encouraged them to make this album.
1  Scatter the Mud / Larry Redican’s Jig
2  The Sailor’s Cravat / Repeal of the Union
3  John Conroy’s Jig / Jim Conroy’s Jig
4  The Peach Blossom / The Fiddler’s Contest
5  Jim Conroy’s Reel / The Pullet
6  Redican’s Mother / The Humours of Kilkenny
7  Mike Coen’s Polka / The Branch Line
8  Have a Drink with Me / The Blarney Pilgrim
9  Two Woodford Flings
10  The Waddling Gander / O’Connell’s Jig on Top of Mount Everest
11  Lads of Laois / Green Groves of Erin
12  The Tongs by the Fire / The Spinning Wheel
13  Whelan’s Reel / Jenny Dang the Weaver
14  Jack Coen’s Jig / Paddy O’Brien’s Jig

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The LIVERPOOL SPINNERS Songs Spun In Liverpool TSDL069

Debut recording from the LIVERPOOL SPINNERS (soon to be well-known internationally as the Spinners). This spirited collection was recorded by Bill Leader live at the folk club run by the group at Samson and Barlow’s on London Road Liverpool in 1961. Tony Davis, Mick Groves, Cliff Hall, Hughie Jones and Jacqueline Macdonald.
Songs Spun in Liverpool was first released by Topic Records in 1962.

  1. Whip Jamboree
  2. The Liverpool Barrow Boy
  3. Hayarden
  4. The Champion of the Seas
  5. Judy Drownded
  6. John Peel

 

 

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THE CHEVIOT RANTERS The Cheviot Hills TSDL222

The Cheviot Hills’ was the second album by the acclaimed Cheviot Ranters’ Country Dance Band for Topic records, it is a wonderful programme of old time and country dances ideal for the dancer and the listener alike. The Cheviot Ranters were arguably the the most distinguished and ‘authentic’ of the English folk dance bands, and grew out of the monthly meetings of the Northumbrian Pipers’ Society. Formed in 1955 the band played for local social dances in Northumberland and Durham. Within a year they had established themselves as a prominent dance band on radio and television.
1  Cumberland Square Eight: My Love She’s But a Lassie Yet / Caddam Woods / Rose Tree
2  The Sylph: Hermitage / Bryce Anderson
3  Roxburgh Castle: Roxburgh Castle / Sheffield Hornpipe / Storers Hornpipe
4  Northumberland Waltz: Mallorca / The Cheviot Hills / I Have Seen the Roses Blow
5  Winster Gallop: Winster Gallop / Teribus / Jimmy Allen
6  Ideal Schottische: Jack Thompson’s Fancy
7  Newcastle: Newcastle / Nancy / Molly’s Fancy
8  Norfolk Long Dance: The Perfect Cure / Stool of Repentence / Linton Jig
9  Barn Dance: Road to the Isles / Roamin’ in the Gloamin’ / Show Me the Way to go Home
10  Danish Double Quadrille
11  Blaydon Races: Blaydon Races / Keep You Feet Still Geordie Hinny / Wherever Ye Can Yer Sure tae Find a Geordie

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FIVE HAND REEL A Bunch of Fives TSDL406

TSDL406Five Hand Reel was a Scottish/English/Irish Celtic rock band that combined experiences of traditional Scottish and Irish folk music with electric rock arrangements. This was their final album before splitting up in 1980, with new member Sam Bracken bringing a freshness and vitality to the band which is exhibited on this fine folk rock record.

1 Lay Ye Doon
2 The Man from God Knows Where
3 Maggie Lauder
4 Satan Will Appear
5 The House of Airlie
6 Paddy’s Green Shamrock Shore
7 Land o’ the Leal

First issued by Topic Records 1979

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THE HOUSE BAND Pacific TSDL445

TSDL445After a long European and New Zealand tour in 1985/6, the original line-up of The House Band disbanded, and Chris Parkinson and Ged Foley formed a new group with Brian Brooks and John Skelton. This line-up recorded ‘Pacific’ for Topic in 1987, with the band touring America extensively in the late 1980s and 1990s.

  1. PACIFIC
  2. DIAMANTINA DROVER
  3. JOY AFTER SORROW
  4. IN AT THE DEEP END
  5. OLD MAN RIVER
  6. THE PIT STANDS IDLE
  7. GOING PLACES
  8. FOR THE SAKE OF EXAMPLE
  9. BLAZING RUSE

Produced by The House Band and David Kenny

First issued by Topic Records 1987

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VARIOUS ARTISTS The Breeze From Erin TSDL184

The Breeze From Erin
Irish Folk Music on Wind Instruments

A splendid collection of Irish instrumental music recorded by several generations of musicians.
“Vital recordings, real examples of a live, healthy tradition.”

Willie Clancy : bagpipes and whistle
Festy Conlan : whistle
Eddie Corcoran : whistle
Tim Lyons : accordion
Tony McMahon : accordion
Seamus Tansey : flute, whistle and tambourine
with Reg Hall : piano

1   The Choice Wife (slip jig) Clancy, bagpipes
Banish Misfortune (jig) Conlan, whistle
The Bag of Potatoes : Sligo Maid (reels) Conlan. whistle, Lyons, accordion
Róisin Dubh (air) Tansey, flute, Dublin Reel : The Steampacket (reels) Tansey, flute, Hall, piano
Boil the Breakfast Early (reel) Tansey and Corcoran, whistle
Bean Dubh an Ghleanna (air) : The Ewe (reel) McMahon, accordion
The Morning Dew : The Woman of the House (reels) Clancy, whistle
8 The Queen of the Rushes (jig) Conlan, whistle Lyons, accordion
Paddy Ryan’s Dream : Mamma’s Pet (reels) Tansey, flute, Hall, piano
10  An Raibh Tú Ar an gCarraig (air) Conlan, whistle
11 The First House in Connacht : Miss McLeod (reels) Conlan, whistle
12 Bonny Kate : Jenny’s Chickens (reels) Corcoran, whistle, Tansey, tambourine
13 Taimse im Chodladh (air) Clancy, bagpipes

Recorded by Bill Leader
First issued by Topic Records 1969

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THE NEW VICTORY BAND One More Dance And Then TSDL382

A smile, a tear, a tapping foot – the New Victory Band can evoke them all with an enviable expertise. Old-time dances, music hall songs, even a ragtime tune on the harmonium was within their scope. Their sole album stands as an important example of the new movement in English country dance music that developed during the 1970s. ‘One More Dance and Then…’ is stuffed full of variety, humour, pathos, fine music and fun.
1  Polkas – Harper’s Frolick / Bonny Kate
2  Schottische – The Mountain Belle
3  You Can’t Take That on the Train
4  Waltzes – Charles Lynch’s / Cajun Waltz / The Banks of the Dee
5  Pretty Little Girl from Nowhere
6  Nellie’s First Rag
7  Polkas – Robbie Hobkirk’s / Father’s
8  Jigs – Mrs Grace Bowie / The Hogmanay
9  Mamie May
10  Polkas – (I’m Going To Get My) Moustache (Blacked As Soon As I Get There) / Corn Riggs
11  One More Dance and Then
12  Long, Long Trail

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VARIOUS ARTISTS Bonny North Tyne TSDL239

Bonny North Tyne is a splendid collection of Northumbrian Country Music played by John Armstrong fiddle, Billy Atkinson mouth organ, Billy Conran whistle, George Hepple fiddle, Joe Hutton small-pipes and Donald Ridley accordeon. These recordings were made in Northumberland by Tony Engle and Tony Wilson in the early 1970s.

1       Tell her I am / Teviot Brig  Billy Atkinson
2       Barrington Hornpipe / Rowley Bum  Joe Hutton
3       The Rowan Tree / Jock of Hazeldean  John Armstrong & Joe Hutton
4a     Green Castle / Spot On  Billy Conroy
4b     Corn Rigs  Billy Conroy
5       Sheffield Hornpipe / Untitled Hornpipe / Miss Thompson’s Hornpipe / Liddle’s Hompipe  George Hepple & Donald Ridley
6       Hexham Races / Stool of Repentance  Billy Atkinson
7       The Wonder Hornpipe / Navvie on the line  Joe Hutton
8       The Bum Divot  George Hepple & Donald Ridley
9       Horsley Lassies / Bellingham Boat / The Howlet and the Weasel  George Hepple & Donald Ridley
10      Sir Sidney Smith’s March  John Armstrong & Joe Hutton
11      Liverpool Hornpipe / Steamboat Hornpipe  Billy Conroy
12      J B Milne/The New High Level  Billy Atkinson
13      Bonny North Tyne/The Redesdale Hompipe  Joe Hutton
14      Drink to Me Only /Will Ye No Come Back Again  John Armstrong & Joe Hutton
15      Nancy / Whinshield’s Hompipe / Whinham’s Reel  George Hepple & Donald Ridley
16      Geordie’s Jig  George Hepple
17      Jenny Bell Polka  Billy Conroy
18      Napoleon’s Grand March / Untitled March  Billy Conroy
19      The Friendly Visit / Green Castle / Lass on the Strand  Billy Atkinson
20     The Girl with the Blue Dress On / The Big Ship  George Hepple & Donald Ridley

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THE FISHER FAMILY Traditional & New Songs From Scotland TSDL137

The Fisher family – stalwarts of the folk song revival – captured at a family get-together; a series of magical recordings by Bill Leader devoted to the family’s younger generation. Ray and Archie Fisher together with their sisters come into their own on this delightful anthology of Scots songs old and new.
1  Come All Ye Fisher Lassies – The Fisher Family
2  Schooldays Over – Ray & Archie Fisher
3  The Rigs O’Rye – Archie Fisher
4  Donal Ogue – Joyce Fisher
5  For Our Lang Biding Here – Archie Fisher
6  Joy of My Heart – The Fisher Family
7  Hey Ca Through – Ray, Joyce, Audrey & Priscilla Fisher
8  What’s Poor Mary Weeping For? / Bonnie Lass O’Ballochmyle – Ray & Archie Fisher
9   Am A Miller Tae Ma Trade – Cindy & Joyce Fisher
10  I Am A Freeborn Man – Archie Fisher
11  The Birkin Tree – Joyce & Cindy Fisher
12  Aince Upon a Time – Ray & Archie Fisher

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VIN GARBUTT Eston California TSDL378

A singer of extraordinary power, a gifted guitarist and whistle-player, Vin Garbutt has been one of the most popular performers on the folk scene for nearly forty years. This, his first album recorded for Topic records is a career highlight.
1  Bantry Bay / Den Toppede Høne
2  The Land of Three Rivers
3  Gentle Annie
4  Hornpipes – The Belfast / The Japanese
5  The Hartlepool Monkey
6  Tonto McGuire
7  The Ring of Iron
8  Skibbereen
9  Their Ulster Peace
10  Reels – Tear the Calico / The Providence
11  The Waters Of Tyne

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TSDL317 VARIOUS ARTISTS ~ Songs & Southern Breezes

A collection of Country Singers from Hampshire and Sussex recorded by Bob Copper
In the summer of 1954, the singer and folksong collector Bob Copper went recording in the countryside of Sussex and Hampshire. He collected numerous fine songs from old country singers. This 1977 collection made those important recordings accessible for the first time.

1   The Bonny Bunch of Roses Noah Gillette
2   Epsom Races George Attrill
3   The Banks of The Mossem Jim Swain
4   False Lanky George Fosbury
5   Cruel Lincoln Ben Butcher
6   The Silver Pin Mrs Chapman
7   The ’Chiner’s Song Frank Bond
8   God Bless the Master Frank Bond
9   The Prickle-Holly Bush Fred Hewett
10  Three Maidens a-Milking Did Go Fred Hewett
11   Her Servant Man Gladys Stone
12   Rolling in the Dew Leslie Johnson
13   George Collins Enos White
14   In Sheffield Park Ben Butcher
15   The Streams of Lovely Nancy Victor ‘Turp’ Brown
16   As Broad As I Was Walking Victor ‘Turp’ Brown
17   Six Jolly Miners Victor ‘Turp’ Brown

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BOB DAVENPORT Postcards Home TSDL318

Bob Davenport has one of the most distinctive styles and one of the widest repertoires among singers on the folkclub scene. A favourite performer at festivals and a regular guest at folk clubs throughout Britain, he is a staunch supporter of traditional music.
His 1977 record ‘Postcards Home’ examines hard times and war times through a powerful mix of song, music and speech. Songs by Richard Thompson and Bob Marley are interwoven with traditional music, poetry and music hall songs. As a contemporary Daily Telegraph review noted: “An impressive and timely achievment, full of poetry, irony and lively music.”
1  Byker Hill / Blackleg Miner
2  Durham Gaol Selection: Gypsy Poacher / Durham Gaol / First Time I Saw Durham City / Ball of Yarn / Breaking Sticks
3  Wait Till the Work Comes Round
4  The Winter Time is Coming In / Old Changing Way
5  When a Man Looks Pale / There’s Nae Much Luck About the House
6  We Plough and Sow / Get Up, Stand Up
7  Once I Had A True Love / Lowlands / My Bonnie Lad
8  Great Little Army March
9  Unemployed Men Stand on the Corner / McCafferty / I Don’t Want to Join the Army
10  The House is Crammed / Good Morning Good Morning / Our Soldiers Went to War / If I Was Fierce / If You Want to Find the Colonel / They Didn’t Believe Me
11  Have You Forgotten Yet / When this Bloody War is Over

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GARY & VERA ASPEY Seeing Double TSDL407

photoGary & Vera Aspey’s 1979 album was their last for Topic, continuing the effective combination of sensitive instrumentation from Vera with well-matched vocals from them both.

1. Seeing Double
2. My Good-Looking Man
3. Miss Tickle Toby
4. The Dowie Dens of Yarrow
5. The Cruise of the Calibar
6. Hounds and Horn Together
7. The Bolinder Boatman
8. The Testimony of Patience Kershaw
9. July Wakes
10. Knocker-Upper Man
11. The Price of Coal
12. The Coal and Albert Berry

Produced by Tony Engle

First issued by Topic 1979.

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THE OLDHAM TINKERS Best O’T’ Bunch TSDL237

The Oldham Tinkers specialise in the local songs and ballads of South Lancashire, and have an immense following their. Their debut album soon caught the attention of John Peel and brought their music to a much wider audience.
1  The Rochdale Mashers
2  Seeing Double
3  The Pennine Rangers
4  The Two Jews
5  A Piecer’s Tale
6  Best o’t’ Bunch
7  The Lancashire Toreador
8  A Cob-Coaling Medley
9  The Four-Loom Weaver
10  John Willie’s Ragtime Band
11  Platt’s
12  Good Time Coming
13  I Mean to Wait for Jack
14  Skiing Owdham Style
15  A Mon Like Thee

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THE O’HALLORAN BROTHERS The Men of the Island TSDL305

Des and Vince O’Halloran are from the tiny Inishbofin Island, off the coast of Connemara. Though relatively young when these recordings were made and from a region not noted for a strongly maintained musical tradition, they play wonderfully close-knit and exciting music.
1  Reels: The Music in the Glen / The Green Fields of America
2  Jigs: The Lark in the Morning / The Connaughtman’s Rambles
3  The Lowlands of Holland
4  Barn Dances: Stack of Barley / Johnny, Will You Marry Me?
5  Jigs: Pat Burke’s / Fraher’s
6  Sweet Inniscarra
7  Waltz and Jigs: Martin Byrne’s Waltz / A Hundred Pipers / Dingle Regatta
8  Granuaile
9  Reels: The Sailor on the Rock / The Maid I Ne’er Forgot
10  Reel: The Limerick Lasses
11  Jig: The Lake Shore / The Exile’s Return
12  Reels: The Eel in the Sink / Larry Redigan’s
13  Moorlough Mary
14  The Bucks of Oranmore / The Wind that Shakes the Barley

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TOM GILFELLON In The Middle Of The Tune TSDL282

A founder member of the High Level Ranters, Tom Gilfellon emerged occasionally with an inimitable collection of songs and tunes evoking the North-Eastern and the Irish strains of his background. Tom Gilfellon vocals, guitar, cittern  with Martin Carthy guitar, Johnny Handle vocal, accordian, piano and Liz Sobell dulcimer, harmonium and Stefan Sobell cittern, concertina

1     The Banks of Red Roses / The Boys of Ballysadare  Tom vocal/cittern; Stefan cittern; Liz dulcimer
2     The Workers’ Song  Tom vocal; Liz harmonium
3a   The Celebrated Working Man  Tom vocal; Johnny accordeon/chorus
3b   Uncle Albert’s last heroic farewell to the world  Tom recitation
4     Reels; Lady Ann Montgomery / The Wind that Shakes the Barley / The Foxhunter’s Reel  Tom cittern; Martin guitar
5     The Snow it Melts the Soonest  Tom vocal
6     The Bonny Gateshead Lass  Tom vocal; Stefan English concertina
7     Jigs: Thomas Friel’s/ The Battering Ram  Tom cittern; Martin guitar
8     The Two Sisters  Tom vocal
9     The Row in the Gutter  Tom vocal; Johnny piano
10   The Fiery Clockface  Tom vocal/guitar
11   Johnny Miner  Tom vocal

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BOB DAVENPORT AND THE RAKES 1977 TSDL350

Bob Davenport has one of the most distinctive styles and one of the widest repertoires among singers on the folkclub scene. A favourite at festivals and a regular guest at folk clubs throughout Britain, he is a staunch supporter of the traditional music of the working people. He is at his finest when accompanied by the Rakes, surely the best English country ensemble of them all.
Waltzes: With my Love on the Road / Wild Colonial Boy
2  The Ploughboy Lad
3  Single Jigs: Patsy Geary’s / The Peeler and the Goat
4  Princess Royal
5  Lake of Coolfin
6  The Man in the Moon / The Jealous Sailor / Jealous Heart
7  Keep Your Feet Still Geordie Hinnie
8  Three Men Went A-Hunting
9  Country Dance: Three Around Three
10  The Dowie Dens ofYarrow
11  Polkas: McCusker’s No. 1 / McCusker’s No. 2 / Jenny Lind
12  Slieve Gallion Braes
13  The Star of the County Down
14 Old Green River

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THE CHEVIOT RANTERS The Sound of the Cheviots TSDL214

The Cheviot Ranters were the most distinguished and authentic of English country dance bands from England’s North-East. Darlings of the late John Peel on his early 1970s’ BBC radio shows, their fine recordings for the Topic label satisfying both the dancer and the armchair listener.
1  Circassian Circle – part 1 Original / Rugley Ford / Hesleyside Reel
2  Redesdale Hornpipe / King of the Fairies / The Lads of Whickham
3  Washington Quick Step – Bugle Horn / Farewell / Jackson’s Morning Brush
4  Northumbrian Waltz – Berwick Fair / Ma Bonnie Lad / Keach in the Creel
5  Morpeth Rant – Banks of Coquet / Rob Roy’s Cave / Kirk’s Hornpipe
6  Cumberland Reel – Quayside Shaver / Geordie’s Jig
7  Corn Rigs tunes – Dunstanburgh Castle / Goodnight and Joy Be Wi’ Ye
8  Waltz tunes – Bonnie Tyneside / Whittingham Green Lane / The Banks of Coquet
9  Drops of Brandy – The Moorbridge Hornpipe / Goswick Kirn / The Old Drove Road
10  Circassian Circle – part 2 The Three Sea Captains / Lannigan’s Ball / Ellingham Hall

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JOHNNY HANDLE The Collier Lad TSDL270

Onetime member of the esteemed High Level Ranters, Johnny Handle is also a solo performer of great charm, humour and a wonderful songwriter. The Collier Lad mirrors many aspects of life in the North-east, from the lore of the miner to the lure of the Geordie streets.

Johnny Handle guitar, accordeon & piano with Alistair Anderson English concertina, Tommy Gilfellon Guitar and Colin Ross fiddle.

In Bye
1   The Collier Lad *
2   Dust
3   The Durham Big Meetin’ Day
4   The Old Man of the Village
5   The New Spotlight
6   Farewell to the Monty
7   Stottin’ Doon the Waal *
On Bank
8   The Day we went to the Coast
9   Schooldays
10  Is there Owt Secure?
11  The Old Pubs ±
12  Decorating
13  The Fearless Mariner
14  Danny’s *
* ably assisted by the rest of the High Level Ranters
± with Alistair Anderson, chorus

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JIMMY McBEATH Wild Rover No More TSDL173

One of Scotland’s best known traditional singers, Jimmy McBeath, was a former farm servant and traveller from Banffshire. He sang in a direct any authoritative style bothy ballads and songs learnt on the road. His 1967 album has long been regarded as a very important collection of traditional song.

The Bold English Navvy
Come A’ Ye Tramps an’ Hawkers
Johnny McIndoe
The Wind Blew The Bonnie Lassie’s Plaidie Awa’
The Merchant and the Beggar Maid
Nicky Tams
The Barnyards o’ Delgaty
I’m A Stranger in this Country
The Moss O’ Burreldale
10  The Highlandman’s Ball
11  McPherson’s Rant
12  Grat For Gruel
13  Drumdelgie
14  Wild Rover No More

First published by Topic 1967

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VARIOUS ARTISTS Devon Tradition TSDL349

An Antholoqy from Traditional Singers from Devon with Amy Birch, Phoebe Birch, Avice Clarke, Nobby Clarke, Joe Davies, Harold Gill, Charlie Hill, Brian Holland, Sophie Isaacs, Henry Mitchemore, Tom Orchard snr, Tom Orchard jnr, Bill Parnell, Bob Penfold, Nelson Penfold, George Roberts, Jim Sanders and Bob Small.

The Rev. S. Baring-Gould, who collected folksongs in the West country during the 1880s, wrote in his reminiscences that “the old fellows who had these songs were fast dying off, and their sons and grandsons despised the ballads and the tunes in the Gregorian modes and sang only the last vulgar music-hall ditties.” Many song hunters from that day to this have thought the same. Are they right? Well, this record of pieces recently collected in Baring-Gould’s own county of Devon gives some answers.

1 The Exmoor Ram Nobby Clarke
2 The Molecatcher Amy Birch
3 When I Was a Young Man Bob Small
4 Tuning Brian Holland (melodeon), Tom Orchard snr (vocal), Tom Orchard jnr (dancing) and Bob Penfold (vocal)
5 Barbara Allen George Roberts
6 Head-a-nodding Avice Clarke
7 The Thrashing Machine Joe Davies
8 Sweet Willie Sophie Isaacs
9 Navvy Boots Bill Parnell
10 The Leg o’ the Mallard Henry Mitchemore
11 Royal Comrade Amy Birch
12 Three Men Went a-Hunting Charlie Hill
13 The Farmer in Leicester Nelson Penfold
14 Tuning Tom Orchard snr (vocal & melodeon) and Tom Orchard jnr (melodeon)
15 Seven Nights Drunk Harold Gill
16 The Fremington Great Meat Pie Phoebe Birch
17 Up the Green Meadows Amy Birch
18 Rattling Irish Boy Bob Penfold
19 Mortal Unlucky Old Chap Jim Sanders

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VARIOUS ARTISTS Green Grow The Laurels TSDL285

Green Grow the Laurels is a representative anthology of songs from southern England. Some of these songs stem from long blackletter broadsides of the 16th and 17th centuries, whilst others are of very recent origin, reflecting the cosmopolitan taste of folksingers throughout the ages. Personal preference obviously plays its part in
the transmission of folksongs, but other factors are also involved. Recorded by Mike Yates between 1972-75.

1     Green Grow the Laurels Louise Fuller, Lingfield, Surrey
2    The Rich Lady Gay Harry Upton, Balcombe, Sussex
3    Wexford Town Mary Ann Haynes, Brighton, Sussex
4    The Aylesbury Girl Jack Goodban, St Margarets-at-Cliffe, Kent
5    The Tree in the Wood George ‘Tom’ Newman, Clanfield, Oxford Oxfordshire
6    I Am a Donkey Driver Harry Upton
7    The Molecatcher Louise Fuller
8    Hopping Down in Kent Louise Fuller
9    ‘The Shannon’ Frigate Jack Goodban
10   Young Maria Louise Fuller
11   The Colour of Amber Mary Ann Haynes
12   The Banks of the Sweet Dundee Harry Upton
13   A Single Life Harry Upton
14   A Woman’s Work is Never Done Harry Upton

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BOB COPPER Sweet Rose In June TSDL328

As a scion of the famous family of ‘singing coppers’,he irreplaceable Bob Copper grew up into a rich tradition of Southern song. In the 1950s he recorded many country singers for the BBC, an experience reflected in three best-selling books and partly documented in Songs & Southern Breezes (TSDL317). Sweet Rose In June presents his own beautifully sung versions of countryside songs from the South of England.

1   The Trooper
2   The Bold ‘Princess Royal’
3   The Farmer from Chester
4   The Mistletoe Bough
5   The Bold Dragoon
6   Young Johnnie
7   The Parson and The Sucking Pig
8   Lord Thomas
9   The Squire’s Lost Lady
10 Bold General Wolfe
11 Dick Turpin
12 The Fox
13 Dogs and Ferrets
14 The Fisherman
15 Rose in June

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GEORGE HANNA & SARAH ANNE O’NEILL On The Shores Of Lough Neagh TSDL372

“Many recordings of Ulster folk songs have been issued, but little or none from the Co. Tyrone. This record presents a sample from the repertory of a brother and sister, who come of a singing family within a singing region from which they have never moved. They are the carriers of a distinct and beautiful style. They are supported by their enthusiasm for songs which attract other singers who, with them, make a community within which an interchange of ideas is continually taking place. A delightful illustration of this is that Sarah Anne’s changes to John Reilly on track 9 are so pleasing to Brian Mullan, who gave her the song a year or so ago, that he plans to relearn it from her! Both these singers are intensely creative but in different ways. Geordie possesses the family style to a much higher degree than his sister. It entails a breaking up of the tune and words into short phrases delivered with great force. It is also distinct in the placing and shape of the decoration. This results from the shortness of the phrases and allows a highly meaningful performance without any overstatement. Sarah Anne’s ability to tidy up the words of a song or to lilt a tune to unsung verses complements Geordie’s skill and the two interact; they sing a large number of the same songs, share the same style and adopt one another’s changes. In short, these two singers represent the living tradition not its dying kicks.” from the original 1978 sleeve-notes.

GEORGE HANNA
1   Brockagh Brae
2   On Yonder Hill There Sits a Hare
3   The Blackbird of Sweet Avondale
4   Erin’s Lovely Home
5   Young Edmund in the Lowlands Low
6   Kate of Ballinamore

SARAH ANNE O’NElLL
7   The Rambler from Clare
8   A Fair Young Maid in Her Father’s Garden
9   John Reilly
10 Gosford’s Fair Demesne
11 Carrickmannon Lake
12 The Fisher’s Cot

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VARIOUS ARTISTS THe Wild Hills O’Wannie TSDL227

The Wild Hills O’Wannie is a tremendous collection of some of the finest exponents of the Northumbrian Small Pipes – George Atkinson, Diana Blackett-Ord, Tommy Breckons, Colin Caisley, Forster Charlton, Joe Hutton and Billy Pigg.

The pipes have at various times been called seductive, wild, plaintive, lyrical, exciting, and sophisticated. These apparently contradictory descriptions result from the unusual versatility of the instrument as well as from differences in the tonal quality of individual sets of pipes. Thus, it is possible for each performer to develop his own characteristic style of playing and if you listen carefully to this record you will soon become able to identify the player from the sound of the first few notes of a tune.

1    The Morpeth Rant  BILLY PIGG
2    Skye Crofters/ The SwalIow’s Tail BILLY PIGG
3    Sir Sidney Smith’s March TOMMY BRECKONS
4    The Barrington Hornpipe GEORGE ATKINSON
5    Blow the Wind Southerly DIANA BLACKETT-ORD
6    Lovat Scouts / Roxburgh Castle / Bonny North Tyne / Alston Flower Show JOE HUTTON
7    The Navvy on the Line / The Friendly Visit / Remember Me / Biddv the Bold Wife / Lamb Skinnet /
De ‘il amang the Tailors
GEORGE ATKINSON
8    Londonderrv Hornpipe / Boys of the Blue Hills / Corn Rigs / Harvest Home DIANA BLACKETT-ORD
9    The Blackthorn Stick / Biddv the Bold Wife JOE HUTTON
10   The Holey Ha’penny BILLY PIGG
11   The Humours of Bandon / Saddle the Pony JOE HUTTON
12   Noble Squire Dacre COLIN CAISLEY & FORSTER CHARLTON (duet)
13   Rowlev Burn Hornpipe JOE HUTTON
14   The Wild Hills o’Wannie BILLY PIGG
15   Westering Home DIANA BLACKETT~ORD
16   The Midlothian Pipe Band / Charlie Hunter JOE HUTTON
17   The Lark in the Clear Air BILLY PIGG
18   Fenwick o’ Bywell TOMMY BRECKONS
19   Variations on ‘Oh dear, what can the matter be’ GEORGE ATKINSON
20   The Gypsy’s Lullaby  / The Hawk  / Memories / Coates Hall BILLY PIGG
21   Salmon Tails up the Water / The Herd on the Hill / Sweet Hesleyside COLIN CAISLEY & FORSTER CHARLTON (duet)

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DAVE AND TONI ARTHUR The Lark In The Morning TSDL190

The debut recording from Dave and Toni Arthur has become a much sought after recording amongst collectors of the finest British folk music. The Arthurs were an influential pair on the club scene, particularly admired for their powerful harmony singing.
1  All Frolicking I’ll Give Over
2  The Death of Queen Jane
3  Creeping Jane
4  The Merchant’s Daughter of Bristol
5  The Bold Dragoon
6  Cold Blows the Winter’s Wind
7  The Lark in the Morning
8  Poor Old Horse
9  Hey John Barleycorn
10  Bedlam
11  Admiral Benbow
12  Father, Father Build Me A Boat
13  The Press Gang
14  Six Jolly Miners

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VARIOUS ARTISTS The Bird In The Bush TSDL479

TRADITIONAL SONGS OF LOVE & LUST – A collection of erotic folk song.

These songs were made by men and women in close touch with nature, in tune with the run of the seasons, the growthy of crops, the increase of stock, the fruitfulness of their own kind. They are mainly concerned with the great clean truths of desire and fulfilment, love and fruitfulness.

1   The Two Magicians — AL Lloyd (with Dave Swarbrick)
2   The Old man From Over the Sea — Frankie Armstrong
3   The Wanton Seed — AL Lloyd
4   Gathering Rushes in the Month of May — Anne Briggs
5   The Banks of Sweet Primroses — Louis Killen (acc. concertina)
6   The Maid on the Shore — Frankie Armstrong
7   The Bonny Black Hare — AL Lloyd (with Dave Swarbrick)
8   The Whirly Whorl — Anne Briggs
9   Pretty Polly — AL Lloyd
10  The Night Visiting Song — Norman Kenneddy
11  The Old Bachelor — AL Lloyd (with Dave Swarbrick & Alf Edwards)
12  The Cock — Louis Killen
13  The Stonecutter Boy — Anne Briggs
14  The Mower — AL Lloyd
15  The Bird in the Bush — Frankie Armstrong
16  The Pegging Awl — AL Lloyd (with Alf Edwards)
17  One May Morning — Louis Killen
18  Martinmas Time — Anne Briggs
19  The Widow of Westmorland’s Daughter — AL Lloyd (with Dave Swarbrick & Alf Edwards

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LEN GRAHAM Wind And Water TSDL334

Len Graham of Antrim has been studying and performing the song tradition of Ireland, especially that of his native Ulster, for many years, and is well known and respected for both his scholarship and his singing. Wind and Water was his first solo recording.

“This is not a record of sea songs and shanties, so you may wonder why ‘Wind and Water’ for its title? It was wind and water that brought our ancestors to these shores, be they Celts, Norsemen, Normans or planters. It was also wind and water that propelled the missionaries, the ‘Wild Geese’ and the emigrants to foreign parts… These various comings and goings have left their mark
on the traditional songs of Ireland and, in particular, Ulster where forever history seems to stare one in the face. I hope the choice of songs on this record will in some way illustrate and reflect some of these influences.”
Len Graham

1 My Parents Reared me Tenderly
2 Maggie Picken
3 Séan Ó Duibhir a’ Ghleanna
4 The County Mayo
5 The Star of Moville
6 The Green Fields of Amerikay
7 Western Winds
8 Paídín Ó Raibheartaigh
9 My Willie-O
10 Daniel O’Connell and his Steam Engine
11 The Rights of Man
12 One Morning in May
13 The Knight Templar’s Dream

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VERA ASPEY The Blackbird TSDL356

TSDL356Vera Aspey’s 1977 solo LP garnered lavish praise on release, Maurice Rosenbaum of the Daily Telegraph declaring it one of his albums of the year. A selection of mostly traditional material, with one Gary and Vera Aspey original and an Alfred Noyes poem set to the music of Phil Ochs, this album showcased Vera’s range and talent to stunning effect.

1. The Blackbird
2. Owd Betty Barlow
3. Ladybird
4. The Maypole Inn
5. The Pit Brow Lassies
6. My Johnny Was a Shoemaker
7. Coal Black Faces
8. The Highwayman
9. Shule Agra
10. Aggie Bell
11. The Sprig of Thyme

Produced by Tony Engle.

First issued by Topic Records 1977.

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BRASS MONKEY Sound & Rumour TSDL501

Brass Monkey’s 1999 comeback album Sound & Rumour is an exhilarating blend of sea songs, Morris tunes, travellers’ songs and a pipe march. This album saw the band back on the road with Richard Cheetham taking over the trombone duties from Roger Williams.

Martin Carthy vocals [1, 4, 8b, 9, 11a], guitar, mandolin
John Kirkpatrick vocals [1, 3, 7, 9, 12], Anglo concertina, button accordion, single-row melodeon
Howard Evans trumpet
Richard Cheetham trombone
Martin Brinsford percussion and mouth-organ

  1. The Flash Lad
  2. Morris Tune / The Rose / Trunkles
  3. An Acre of Land
  4. Old Horse
  5. The Heroes of St Valéry
  6. The Charming Maid
  7. The Roving Journeyman
  8. Rodney / When I Was Young / The Quaker
  9. The Old Virginia Lowlands
  10. Auretti’s Dutch Skipper / An Adventure at Margate / The Spirit of the Dance
  11. Soldier, Soldier  / The Flowers of Edinburgh
  12. The Rambling Comber
  13. Betty Fitchett’s Wedding / The German Schottische
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JOHN KIRKPATRICK & SUE HARRIS Shreds And Patches TSDL355

John Kirkpatrick and Sue Harris play a beautiful blend of Kirkpatrick’s morris dance based accordion-driven music and Sue’s classically trained oboe arrangements. Throughout the 1970s they were a sought after act on the UK folk scene and recorded a number of fine albums for the Topic label. ‘Shreds and Patches’ is regarded by many aficionados as one of their finest.
1  Waterman’s Dance
2  The Gipsy Laddie
3  Apple Core / Nipper
4  The Tailor and the Louse
5  Peg Huglestone’s Hornpipe
6  Little Sir William
7  The Game of All Fours
8  Penny For Them
9  Whitefryer’s Hornpipe / Shreds and Patches
10  Johnny Sands
11  Oakham Poachers
12  Bread and Jam Waltzer / Mr Gubbin’s Bicycle

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GARY & VERA ASPEY From The North TSDL255

Gary and Vera Aspey from Atherton, near Manchester.

“If they find a rare and singable set of words with out a tune, then in the true spirit of the folk revival they make a melody for it, and a convincing one at that. Recently they have been seeking songs from the Lake District, an area rather neglected by the great song collectors of the past. Gary and Vera have a lively following in their beloved North, but already their reputation is spreading far out of their native territory.”

From the North  Gary and Vera vocal
The Parting  Vera vocal and concertina
Coal Picking  Gary vocal
The Three Foot Seam  Gary and Vera vocal, Vera and Bernard Wrigley, concertinas
Mill Girl’s Lullaby  Vera vocal and guitar, Wilf Darlington mandolin
King Cotton  Gary and Vera vocal and concertina
Auntie Ketyll  Vera vocal and guitar
Cum t’ thi Tay  Vera vocal and guitar
9   The Cradle Song  Gary and Vera vocal and guitar
10  The Roving Navvy  Gary and Vera vocal and concertina, Bernard Wrigley and Wilf Darlington, chorus
11  The Ship Canal Song  Gary and Vera vocal
12  Hailey-Go  Gary and Vera vocal and guitar
13  Tuppence on the Rope  Gary and Vera vocal and concertina, Bernard Wrigley bass concertina
14  A Bit of a Sing  Gary and Vera, Bernard Wrigley, Will Darlington

First published by Topic 1975

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GARY & VERA ASPEY A Taste Of Hotpot TSDL299

Gary & Vera Aspey‘s very popular, highly enjoyable (and often hilarious) stage act captured on a 1976 live album.

Recorded in performance at the Scotgate Folk Club, Scotgate Inn, Stamford, Lincs, March 1976; the Chipping Sodbury Folk Club, The George, Chipping Sodbury, Glos, March 1976; and the Lord Coniers, Kiveton, Yorks, May 1976.

The Eekdale And Ennerdale Hunt Song
Weepin’ An’ Wailin’ Away
The Shuttle Kissing Song
Foddered Me Yowes
The Nightingale
6   Don’t Married Girls
7   Kids’ Songs
8   The Coal Hole Cavalry
9   Morning Stands On Tiptoe

Recorded and produced by Tony Engle
First published by TOPIC 1976

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DAN SULLIVAN’S SHAMROCK BAND TSDL366

A remarkable historical set, this record documents the recordings of a splendid early Irish-American dance band from Boston. Dan Sullivan was renowned in Boston as one of the finest fiddlers in the traditional style. The exhilarating ensemble that he led were in demand for dances in the area around Boston and made many recordings between 1926 and the mid-‘thirties. This collection includes some of their finest sides and recordings by individual members of the ensemble.
1  Irish Dance Set – Figure No.2
2  Dan Sullivan’s Favourite
3  Tickling Mary Jane
4  The Rabbit Catcher
5  Londonderry Hornpipe
6  Miller’s Reel / Duffy the Dancer
7  Bantry Bay
8  Billy Hanafin’s Reel
9  Green Grow the Rushes-O
10  Versouviana Dance
11  Boil the Kettle Early
12  Groves Hornpipe
13  Johnny Will You Marry Me?
14  Lord Longon’s Reel
15  Lanigan’s Ball
16  Blackberry Blossom / Bonnie Kate
17  I’m Leaving Tipperary
18  Silver Slipper / Jerry Daly’s Hornpipe

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CILLA FISHER & ARTIE TREZISE Cilla & Artie TSDL405

‘Cilla & Artie’ is a splendid album from Cilla Fisher (a member of the influential Fisher Family) and her husband Artie Trezise. The record was ‘The Melody Maker Folk Album of the Year – 1979′. Joining Cilla and Artie is an international collection of “session” musicians including Alistair Anderson, Johnny & Phil Cunningham, Rick Lee, Brian McNeill and Bob Zentz. The songs are mostly from the tradition with, “Blue Bleezin’ Blind Drunk” and “The Gypsy Laddies” but also include a grand version of Stan Rodgers’ “The Jeanie C” and the wildest ever arrangement of Ewan MacColl’s “Fisher Lassies”.
1  Norland Wind
2  The Beggar Man
3  What Can A Young Lassie
4  Fisher Lassies
5  Generations of Change
6  Fair Maid of London Town
7  The Wicked Wife
8  The Gypsie Laddies
9  Blue Bleezin’ Blind Drunk
10  John Grumlie
11  The Jeannie C

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VARIOUS ARTISTS Owdham Edge – Popular song & verse from Lancashire TSDL204

TSDL204Until Topic Records featured Harry Boardman singing six Lancashire songs on the 1965 LP ‘New Voices’, available recordings of songs with their roots in the North West of England were scarce. The growing demand for such material led to the release of ‘Deep Lancashire’ in 1968 and then, in 1970, ‘Owdham Edge’, featuring Harry Boardman once again, as well as the first recordings by one Mike Harding.

  1. Sam Shuttle and Betty Reedhook sung by Harry Boardman (banjo), acc. Lesley Boardman (mandolin) & Bob Diehl (fiddle)
  2. Owdham Edge sung by John Howarth and The Oldham Tinkers (with banjo, mandolin and guitar)
  3. Our Sarah’s Getten’ A Chap sung by John Howarth and The Oldham Tinkers (with banjo, mandolin and guitar)
  4. The Miners’ Lock-Out sung by Harry Boardman (banjo); acc. Lesley Boardman (tenor banjo) & Mike Harding (Jews Harp)
  5. Street Scene recited by Harvey Kershaw
  6. Pounds, Shillings and Pence sung by Tim and Robin Boardman, leading into Down at our School sung by The Oldham Tinkers (with banjo, mandolin and guitar)
  7. The Little Piecer sung by Dave Brooks (concertina)
  8. Sammy Shuttleworth sung by Mike Harding (concertina), acc. Bernard Wrigley (bass concertina) & John Tenent (tenor horn)
  9. Bowton’s Yard sung by Harry Boardman (banjo) acc. Lesley Boardman (tenor banjo) & Bob Diehl (fiddle)
  10. Toddlin’ Whoam sung by Larry Kearns (guitar)
  11. The Bard’s Reformation sung by Harry Boardman (banjo), acc. Lesley Boardman (tenor banjo) & Bob Diehl (fiddle)
  12. Schoolyard Song sung by Harry Ogden (guitar), acc. Ian Hope (fiddle)
  13. Nobbut a Cockstride Away sung by Mary Kershaw acc. Harvey Kershaw (piano)
  14. Billy Suet’s Song sung by Harry Boardman (concertina)
  15. Canute sung by The Oldham Tinkers (with banjo, tin whistle and guitar)
  16. Our Bill sung by Bernard Wrigley (guitar)

Recorded by Sean Davies

First issued by Topic Records 1970

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EWAN MacCOLL Chorus From The Gallows TSDL502

Ewan MacColl was one of the architects of the folksong revival. Whether as an interpreter of ancient ballads or as a writer of new songs, he influenced almost everyone involved in folk music in the 1950s, ’60s and ’70s. He brought the same skill and understanding to songs of Britain’s industrial cities, ballads of Scots history and lyrics from the English countryside. His own compositions, many of which have passed into the common currency of folk music, are featured both on his own albums and on The Radio-Ballads.
Chorus From The Gallows, first released in 1960, opens with the tale of Craig and Derek Bentley and closes with “Go Down Ye Murderers,” which relates the story of Timothy John Evans, convicted and executed for murders he did not commit, both true and awful stories from the annals of 20th century British justice. The repertoire ranges from the cattle-rusting border raiders of the Middle Ages and the 18th-century highwayman Dick Turpin to MacColl’s own compositions about controversial murder trials of the 1950s.
1  Derek Bentley
2  The Black Velvet Band
3  Jamie Raeburn’s Farewell
4  Johnny O
5  Hughie The Graeme
6  Minorie
7  The Treadmill Song
8  Turpin Hero
9  The Crafty Farmer
10  McKaffery
11  Jimmy Wilson
12  The Lag’s Song
13  Van Dieman’s Land
14  Go Down Ye Murderers

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PACKIE MANUS BYRNE Songs Of A Donegal Man TSDL257

PACKIE BYRNE was born in Co. Donegal in 1917 into a community where traditional music and song were deeply imbedded, Packie could not help but continue this tradition. Throughout his life he was a notable singer, also becoming very well-known in the London area as a whistle player of great skill. This album shows a less well-known side of Packie – a carrier of fine traditional ballads, some of which were quite rare.

1   John and the Farmer
2   The Rich Man’s Daughter
3   The Holland Handkerchief
4   Molly Bawn
5   The Jolly Ploughboy
6   Young Alvin
7   Johnny o’ Hazelgreen
8   Lament to the Moon
9   The Creel

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