Traditional and contemporary folk from the British Isles

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FAREWELL, MY OWN DEAR NATIVE LAND: SONGS OF EXILE & EMIGRATION TSCD654

tscd654 webVolume 4 of The Voice of The People.
Songs of exile and emigration.
An anthology edited by REG HALL.

1 PADDY TUNNEY voice: The Green Fields Of Canada
2 MARY ANN HAYNES voice: Erin’s Lovely Home
3 EDDIE BUTCHER voice: Killyclare
4 WALTER PARDON voice: Van Dieman’s Land
5 MARGARET BARRY voice & banjo: If You Ever Go Over To lreland
6 MICHAEL COLEMAN fiddie with piano: Farewell To lreland / Unidentified
7 GEORDIE HANNA voice: Brockagh Brae
8 CYRIL POACHER voice: Australia
9 WILLIE ROSS bagpipes: Leaving St. Kilda
10 PADDY TUNNEY voice: Craigie Hill
11 TOMMY McGRATH voice: She Lived Beside The Anner
12 WILLIE SCOTT voice: You Boys O’Callieburn
13 MARGARET BARRY & MICHAEL GORMAN voice, banjo & fiddle: Eileen McMahon
14 SARAH ANNE O’NEILL voice: Carrickmannon Lake
15 MICHAEL GROGAN accordeon: My Love She’s In America / Hand Me Down The Tackle
16 WILLIE CLANCY voice: Erin’s Lovely Lee
17 CHRIS WILLETT voice: The Old Miser
18 MARGARET BARRY & MACHAEL GORMAN voice, banjo & fiddle: Farewell, My Own Dear Native Land
19 SARAH ANNE O’NEILL voice: John Reilly
20 PADDY BREEN voice: Sweet Inishcara

Available now from:
TOPIC SHOP, AMAZON, ITUNES and on SPOTIFY

TSCD751 The Voice of the People

TSCD751The Voice of the People is a tremendous collection of Traditional Music recordings from the British Isles – England, Ireland, Scotland & Wales. The series runs to 20 CDs and presents an extensive and varied picture of traditional singing, instrumental music-making and dancing throughout the course of the 20th century.

This specially priced twenty-track introduction to the Voice of the People series features a track from each of the original 20 albums together with an introductory note.

• “Great music in really vital – and absolutely unique – performances. An indispensable resource for anyone genuinely interested in traditional folk songs and their performance” NetRhythms

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The Voice Of The People

THE VOICE OF THE PEOPLE
THE TRADITIONAL MUSIC OF ENGLAND, IRELAND, SCOTLAND & WALES

The first TWENTY volumes : TSCD651-670

harry cox web margaret barry web scan tester web


“My favourite sit-down-and-listen records”
Norma Waterson

This series makes available nearly 500 recordings of English, Irish, Scottish and Welsh traditional music drawn from the archives of Topic Records and from private collections.

Compiled as thematic anthologies, each volume stands on its own, but the series as a whole presents an extensive and varied picture of traditional singing, instrumental music-making and dancing throughout the course of the 20th century. Many of the singers and musicians and their recorded performances presented here are classic, but the inclusion of some less well-known performers and genres broadens the horizon by offering glimpses at some little-known nooks and crannies of traditional music-making. This is the home-spun art and entertainment that enriched the lives of working people in pubs and cottages, in social clubs and village halls and on the street, and was made, in the words of one of the musicians in the series, “by people with dirt under their finger nails.”

Society has moved on, but the artistry of these singers and musicians and the emotional impact of their performances are timeless. The timbres and textures of the language and musical expression, the performance skills and techniques, the social values contained in both the material and the performers’ life stories, and the subtleties of meaning in the song texts could easily be lost sight of forever. The cultural voices of these farm workers and men on the buildings, the housewives, the shepherds and cowmen, the gardeners and estate workers, the miners and trawlermen, the dealers in scrap, the country policeman and the village postman, the chambermaid and the hospital nurse are therefore worthy of serious and prolonged attention. Their singing and music-making have made a striking and significant contribution to the cultural roots of these islands.

Best known as a dance musician, Reg Hall is a visiting research fellow at the University of Sussex and, in compiling and annotating this series, he has called on the experience of a long, personal involvement with traditional music-making and an academic historian’s view of its history and social context. His commentary pays tribute to the pioneer pen-and-paper folk-song-collectors of the Edwardian era and to those professionals in the early post-war years equipped with tape recorders. The 1960s and 1970s saw the rise of a small number of enthusiasts, both professional and amateur, who recorded traditional music and broke new ground in discovery and evaluation, and this series owes a great deal to their creative efforts and co-operation.

Ever a critic of the concepts of ‘folk-song’ and ‘folk-dance’, Reg Hall challenges the ground rules of both movements and directs the emphasis in this presentation towards the lives of the performers and the communities and circumstances in which they performed. The songs and dance music had meaning and purpose for the singers and musicians, and the exploration of those realities, as far as we are able to understand them, is far more exciting than perpetuating the myths.

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